JOAQUIN SOROLLA Y BATISDA (1863-1923),
El Mulhacén (3, 478 m - 11,411ft)
Spain
In La sierra Nevada Spain from the Alhambra, Granada
The mountain
Mulhacén (3, 478 m - 11,411ft) is the highest mountain in continental Spain and in the Iberian Peninsula. It is part of the Sierra Nevada range in the Cordillera Penibética. It is named after Abu l-Hasan Ali, or Muley Hacén as he is known in Spanish, the penultimate Muslim King of Granada in the 15th century who, according to legend, was buried on the summit of the mountain.
Mulhacén is the highest peak in Europe outside the
Caucasus Mountains and the
Alps. It is also the third most topographically prominent peak in Western Europe, after
Mont Blanc and
Mount Etna, and is ranked 64th in the world by prominence. The peak is not exceptionally dramatic in terms of steepness or local relief. The south flank of the mountain is gentle and presents no technical challenge, as is the case for the long west ridge. The shorter, somewhat steeper north east ridge is slightly more technical. The north face of the mountain, however, is much steeper, and offers several routes involving moderately steep climbing on snow and ice (up to French grade AD) in the winter
Mulhacén can be climbed in a single day from the villages of either Capileira or Trevélez, but it is more common to spend a night at the mountain refuge at Poqueira, or in the bare shelter at Caldera to the west. Those making the ascent from Trevelez can also bivouac at the tarns to the northeast of the peak.
The painter
Joaquin Sorolla y Bastida was a Spanish painter. Sorolla excelled in the painting of portraits, landscapes, and monumental works of social and historical themes. His most typical works are characterized by a dexterous representation of the people and landscape under the sunlight of his native land.
Sorolla's influence on some other Spanish painters, such as Alberto Pla y Rubio and Julio Romero de Torres, was so noted that they are described as "sorollista."
After his death, Sorolla's widow, Clotilde Garcia del Castillo, left many of his paintings to the Spanish public. The paintings eventually formed the collection that is now known as the Museo Sorolla, which was the artist's house in Madrid. The museum opened in 1932.
Early in 1911, Sorolla visited the United States for a second time, and exhibited 152 new paintings at the Saint Louis Art Museum and 161 at the Art Institute of Chicago a few weeks later. Later that year Sorolla met Archie Huntington in Paris and signed a contract to paint a series of oils on life in Spain. These 14 magnificent murals, installed to this day in the Hispanic Society of America building in Manhattan, range from 12 to 14 feet in height, and total 227 feet in length.The major commission of his career, it would dominate the later years of Sorolla's life.
Huntington had envisioned the work depicting a history of Spain, but the painter preferred the less specific 'Vision of Spain', eventually opting for a representation of the regions of the Iberian Peninsula, and calling it The Provinces of Spain. Despite the immensity of the canvases, Sorolla painted all but one en plein air, and travelled to the specific locales to paint them: Navarre, Aragon, Catalonia, Valencia, Elche, Seville, Andalusia, Extremadura, Galicia, Guipuzcoa, Castile, Leon, and Ayamonte, at each site painting models posed in local costume. Each mural celebrated the landscape and culture of its region, panoramas composed of throngs of laborers and locals. By 1917 he was, by his own admission, exhausted. He completed the final panel by July 1919.
Sorolla suffered a stroke in 1920, while painting a portrait in his garden in Madrid. Paralyzed for over three years, he died on 10 August 1923. He is buried in the Cementeri de Valencia, Spain.
The Sorolla Room, housing the Provinces of Spain at the Hispanic Society of America, opened to the public in 1926. The room closed for remodeling in 2008, and the murals toured museums in Spain for the first time. The Sorolla Room reopened in 2010, with the murals on permanent display.
Sorolla's work is represented in museums throughout Spain, Europe, America, and in many private collections in Europe and America. In 1933, J. Paul Getty purchased ten Impressionist beach scenes made by Sorolla, several of which are now housed in the J. Paul Getty Museum.
In 2007 many of his works were exhibited at the Petit Palais in Paris, alongside those of John Singer Sargent, a contemporary who painted in a similarly impressionist-influenced manner. In 2009, there was a special exhibition of his works at the Prado in Madrid, and in 2010, the exhibition visited the Oscar Niemeyer Museum in Curitiba, Brazil.
From 5 December 2011 to 10 March 2012, several of Sorolla's works were exhibited in Queen Sofia Spanish Institute, in New York. This exhibition included pieces used during Sorolla's eight-year research for The Vision of Spain.
%20le-canyon-danisclo-(canyon%20de%20Nsicle%20Pyre%CC%81ne%CC%81es)%20huile.jpg "AGNÈS MARTIN (1912-2004) Cañón de Añisclo Espagne")
%20et%20Veleta%20(3%20396%20m)..png "EUGÈNE DELACROIX (1798-1863) El Mulhacen (3,479 m) Espagne (Andalousie) In \"Salobrña\", aquarelle sur papier, Musée Delacroix, Paris.")
_Picos-de-Europa%20Torre%20Santa%20%20%20or%20PEna%20SAnta%20de%20Castilla%202596m%20museo%20del%20prado%20.jpge.jpg "CARLOS DE HAES (1829-1898) Peña Santa de Castilla (2,596m) Espagne In Picos de Europa - Pena Santa de Castilla, Museo del Prado")
-%20PAncorbo.png "DARIO DE REGOYOS Y VALDES ( 1865-1913) Défilé de Pancorbo ( 1,434m) Espagne In Pancorbo: Tren que pasa, Train, huile sur toile, 120 x 90xm, 1901 Museu National d'Art de Catalunya")
-%20Cirque%20de%20BArrosa-%20Pyre%CC%81nne%CC%81es.jpg "FRANZ SCHRADER (1844-1924), The Cirque de Barrosa (1,745m - 5,725 ft) France- Spain border (Pyrénées) In \"Le Cirque de Barrosa\", watercolor")
