MOUNT IDA BY WILLIAM CHARLES PINGUENIT

WILLIAM CHARLES PINGUENIT (1836-1914)

Mount Ida (1,176 m - 3,858ft) 

Australia (Tasmania) 

In Mount Ida and Lake St Clair Tasmania, watercolor, 1881 Art Gallery of New South Wales .

About this painting 
Although this watercolour was awarded second prize in the John Sands competition of 1881, its three judges, E L Montefiore, Eccleston Du Faur and John Garbett, were reported in the 'Telegraph' as stating that for 'purely artistic qualities' they considered it better than the work to which they gave first prize, C E Hern's 'Govett's Gorge looking towards the Valley of the Grose'. However, they believed that Hern's work (also purchased by the Gallery in 1881) suited the requirements of the prize better – 'being an excellent representation of a well-known and very characteristic scene, familiar to all tourists in New South Wales.'

The painter 
William Charles Piguenit was born in Hobart, the son of a convict of French Huguenot extraction. He was employed as a mapmaker by the Tasmanian Lands and Survey Department in 1850 and learnt lithography there from the painter Frank Dunnett (1822-91) and Robin Vaughan Hood (best remembered now as a framer, 1802-88) and developed an interest in photography.
Piguenit accompanied James R Scott's expedition to Arthur Plains and Port Davey in 1871, to Lake St Clair in 1873 and exhibited photographs and paintings throughout the 1870s. He moved to Sydney in 1880, settled in Hunter's Hill and travelled extensively in search of landscape subjects. He visited England and Wales in 1898 and 1900. He is perhaps best known for his Tasmanian landscapes and his monumental painting 'The flood on the Darling 1890' (1895) in the Gallery's collection.

About the mountain 
In Greek mythology, two sacred mountains are called Mount Ida, the "Mountain of the Goddess": Mount Ida in Crete; and Mount Ida in the ancient Troad region of western Anatolia (in modern-day Turkey) which was also known as the Phrygian Ida in classical antiquity and is the mountain that is mentioned in the Iliad of Homer and the Aeneid of Virgil. Both are associated with the mother goddess in the deepest layers of pre-Greek myth, in that Mount Ida in Anatolia was sacred to Cybele, who is sometimes called Mater Idaea ("Idaean Mother"), while Rhea, often identified with Cybele, put the infant Zeus to nurse with Amaltheia at Mount Ida in Crete. Thereafter, his birthplace was sacred to Zeus, the king and father of Greek gods and goddesses. Several Mountains around the world still have the name of Mount Ida  : there is one in Antarctica, British Columbia (Canada),
in United States of America (Colorado), in Greece (Crete), in Turkey and in Australia (Tasmania).

MOUNT KING WILLIAM I BY WILLIAM CHARLES PIGUENIT

WILLIAM CHARLES PIGUENIT  (1836-1914)

Mount King William  I (1, 324 m- 4,384 ft)

Australia (Tasmania) 

In Mount King William from Lake George, print after an  oil on academy broad, 1887, 

National Library of Australia

The mountain 
Mount King William I (1, 324 m- 4,384 ft)) is a mountain adjacent to the Lyell Highway in Central Highlands, Tasmania.  It is located 10 km southwest of Derwent Bridge. It has two namesakes in the King William Range - Mount King William II (1,363m) and Mount King William III.
It is often a reference point for the 'end' of the inhabited part of the western section of Lyell Highway as there are no permanent structures until Linda; it is inside the eastern boundary of the Franklin-Gordon Wild Rivers National Park. There is also Lake King William, south of Derwent Bridge. It is dammed at Butlers Gorge, its south end. Mount King William was named during Sir John Franklin's journey to the west in 1842.

The painter 

William Charles Piguenit also known as W.C. Piguenit or Bill Piguenit was an Australian landscape painter, amateur photographer, draughtsman and explorer, born in Hobart Town, Van Diemen’s Land. The family can be traced back to Pons, in the province of Saintonge, France, from which, as Huguenots, they escaped after the revocation of the Edict of Nantes in 1685 to settle in Bristol, Somerset. William Charles attended Cambridge House Academy in Hobart; a school report of 18 December 1849 praises his 'mapping, particularly that of Van Diemen’s Land’. In September 1850, as an assistant draughtsman, he joined the Tasmanian Lands and Survey Department where much of his time was spent preparing maps of Tasmania. 

When Piguenit exhibited at Melbourne in 1870, showing a watercolour sketch of Mount Wellington from the Huon Road, the Daily Telegraph of 20 July called him 'a young artist who gives promise of better things’. His love for the Tasmanian landscape and his improved artistic ability led to his being invited to accompany James R. Scott’s expedition to Arthur Plains and Port Davey in March 1871 as official artist. The results of the trip formed the basis for later illustrations in the Picturesque Atlas of Australasia and in R.M. Johnston’s Systematic Account of the Geology of Tasmania. 
Having won another silver medal from the academy in 1875 for Mount Olympus, Lake St Clair, Tasmania, Piguenit sent five of his Grose Valley oil landscapes to the academy’s 1876 exhibition and was awarded a certificate of merit for one, though the Sydney Mail critic was tepid in his praise: 'It would be enough to say that they are all very nicely painted and that all have about the same colour and tone’.
Regarded as the leading Australian-born landscape painter in the latter part of the nineteenth century, Piguenit was a founding committee member of the Art Society of New South Wales (elected Vice President in 1886) and regularly showed work in its exhibitions. He was represented in many major exhibitions, such as the 1880 Melbourne International, and he received many awards, including silver medals in 1874 and 1875 from the NSW Academy of Art, two second prizes at the 1888 Melbourne Centennial International Exhibition and gold medals from the 1883 Calcutta International and the 1888 Queensland Art Society and Tasmanian Juvenile Industries exhibitions. He was hung in the Paris Salon in 1893 and at the Chicago World’s Fair in 1894 (Scene on the Upper Nepean River, now AGNSW). A Tasmanian view near Prince of Wales Bay was presented by the Government House Literary Society to their founder and patron, Lady Hamilton, on her departure in 1892.

MOUNT KOSCIUSZKO BY WILLIAM CHARLES PIGUENIT

WILLIAM CHARLES PIGUENIT (1836 -1914), 

Mount Kosciuszko (2, 228 m - 7,310 ft)

Australia

  In  Mount Kosciusko, 1903, oil on canvas, National Gallery of Victoria, Melbourne 

The mountain 

On the planet earth, there are two mountains named Mount Kosciuszko. One is located in Antartica continent and the other in Australia (Oceania continent). 

In Australia, Mount Kosciuszko (2,228 m - 7,310 ft) is a mountain located on the Main Range of the Snowy Mountains in Kosciuszko National Park, part of the Australian Alps National Parks and Reserves, in New South Wales  and is located west of Crackenback and close to Jindabyne.

Mount Kosciuszko is the highest mountain in Australia. Various measurements of the peak originally called Kosciuszko showed it to be slightly lower than its neighbour, Mount Townsend. The names of the mountains were swapped by the New South Wales Lands Department, so that Mount Kosciuszko remains the name of the highest peak of Australia, and Mount Townsend ranks as second.  When considering all of Oceania as a continent, Mount Kosciuszko is overshadowed by Puncak Jaya in Papua, Indonesia, also called Carstensz Pyramid. Different versions of the Seven Summits climbing challenge depend on which is chosen to be the "Australia" peak.

There are several native Aboriginal (Ngarigo) names associated with Mount Kosciuszko, with some confusion as to the exact sounds. These are Jagungal, Jar-gan-gil, Tar-gan-gil, Tackingal; however, all of them mean "Table Top Mountain."

Mount Kosciuszko was named by the Polish explorer Paul Edmund Strzelecki in 1840, in honour of the Polish national hero and hero of the American Revolutionary War General Tadeusz Kościuszko, because of its perceived resemblance to the Kościuszko Mound in Kraków. The spelling "Mount Kosciuszko" was officially adopted in 1997 by the Geographical Names Board of New South Wales, Australia. 

Climbing routes

- There is a road to Charlotte Pass, from which an 8-kilometre (5 mi) path leads to the summit. Anyone can walk to the top. Until 1977 it was possible to drive through Rawson Pass to within a few metres of the summit. The walking track to Mount Kosciuszko from Charlotte Pass is in fact that road, which was closed to public motor vehicle access due to environmental concerns. This track is also used by cyclists as far as Rawson Pass, where they must leave their bicycles at a bicycle rack and continue onto the summit track on foot.

- The peak may also be approached from Thredbo, which is a shorter 6.5 kilometres (4 mi), taking 3 to 3.5 hours for a round trip. This straightforward walk is supported by a chairlift all-year round. From the top of the chairlift there is a raised mesh walkway to protect the native vegetation and prevent erosion.

- Both tracks meet at Rawson Pass, at an elevation of 2,100 metres (6,900 ft) above sea level, from where it is about 1.6 kilometres (0.99 mi) to the summit. 

The peak and the surrounding areas are snow-covered in winter and spring (usually beginning in June and continuing until October or later). The road from Charlotte Pass is marked by snow poles and provides a guide for cross-country skiers and the track from Thredbo is easily followed until covered by snow in winter. 

Mount Kosciuszko is one of the Seven Summit, which includes the highest mountains of each of the seven  continents. Summiting all of them is regarded as a mountaineering  challenge, first achieved on April 30, 1985 by Richard Bass.  

The 7 highest summit, (which are obviously 8 with 2 in Europe !) are :  

Mount Everest (8,848m), Aconcagua (6,961m), Mt Denali or Mc Kinley (6,194m),  Kilimandjaro (5,895m), Mt Elbrus (5,642m), Mount Vinson (4,892m)  and Mt Blanc (4,808m)

The painter 

William Charles Piguenit also known as W.C. Piguenit or Bill Piguenit was an Australian landscape painter, amateur photographer, draughtsman and explorer, born in Hobart Town, Van Diemen’s Land. The family can be traced back to Pons, in the province of Saintonge, France, from which, as Huguenots, they escaped after the revocation of the Edict of Nantes in 1685 to settle in Bristol, Somerset. William Charles attended Cambridge House Academy in Hobart; a school report of 18 December 1849 praises his 'mapping, particularly that of Van Diemen’s Land’. In September 1850, as an assistant draughtsman, he joined the Tasmanian Lands and Survey Department where much of his time was spent preparing maps of Tasmania. 

When Piguenit exhibited at Melbourne in 1870, showing a watercolour sketch of Mount Wellington from the Huon Road, the Daily Telegraph of 20 July called him 'a young artist who gives promise of better things’. His love for the Tasmanian landscape and his improved artistic ability led to his being invited to accompany James R. Scott’s expedition to Arthur Plains and Port Davey in March 1871 as official artist. The results of the trip formed the basis for later illustrations in the Picturesque Atlas of Australasia and in R.M. Johnston’s Systematic Account of the Geology of Tasmania. 
Having won another silver medal from the academy in 1875 for Mount Olympus, Lake St Clair, Tasmania (see above), Piguenit sent five of his Grose Valley oil landscapes to the academy’s 1876 exhibition and was awarded a certificate of merit for one, though the Sydney Mail critic was tepid in his praise: 'It would be enough to say that they are all very nicely painted and that all have about the same colour and tone’.
Regarded as the leading Australian-born landscape painter in the latter part of the nineteenth century, Piguenit was a founding committee member of the Art Society of New South Wales (elected Vice President in 1886) and regularly showed work in its exhibitions. He was represented in many major exhibitions, such as the 1880 Melbourne International, and he received many awards, including silver medals in 1874 and 1875 from the NSW Academy of Art, two second prizes at the 1888 Melbourne Centennial International Exhibition and gold medals from the 1883 Calcutta International and the 1888 Queensland Art Society and Tasmanian Juvenile Industries exhibitions. He was hung in the Paris Salon in 1893 and at the Chicago World’s Fair in 1894 (Scene on the Upper Nepean River, now AGNSW). A Tasmanian view near Prince of Wales Bay was presented by the Government House Literary Society to their founder and patron, Lady Hamilton, on her departure in 1892.

MOUNT KOSCIUSZKO (AUSTRALIA) BY CHARLES PIGUENIT

WILLIAM CHARLES PIGUENIT (1836 -1914)

Mount Kosciuszko (2, 228 m - 7,310 ft)

Australia

In   Mount Kosciusko from the South East , oil on canvas

The mountain 

On the planet earth, there are two mountains named Mount Kosciuszko. One is located in Antartica continent and the other in Australia (Oceania continent). 

 In Australia, Mount Kosciuszko (2,228 m - 7,310 ft) is a mountain located on the Main Range of the Snowy Mountains in Kosciuszko National Park, part of the Australian Alps National Parks and Reserves, in New South Wales  and is located west of Crackenback and close to Jindabyne.

Mount Kosciuszko is the highest mountain in Australia. Various measurements of the peak originally called Kosciuszko showed it to be slightly lower than its neighbour, Mount Townsend. The names of the mountains were swapped by the New South Wales Lands Department, so that Mount Kosciuszko remains the name of the highest peak of Australia, and Mount Townsend ranks as second.  When considering all of Oceania as a continent, Mount Kosciuszko is overshadowed by Puncak Jaya in Papua, Indonesia, also called Carstensz Pyramid. Different versions of the Seven Summits climbing challenge depend on which is chosen to be the "Australia" peak.

There are several native Aboriginal (Ngarigo) names associated with Mount Kosciuszko, with some confusion as to the exact sounds. These are Jagungal, Jar-gan-gil, Tar-gan-gil, Tackingal; however, all of them mean "Table Top Mountain."

Mount Kosciuszko was named by the Polish explorer Paul Edmund Strzelecki in 1840, in honour of the Polish national hero and hero of the American Revolutionary War General Tadeusz Kościuszko, because of its perceived resemblance to the Kościuszko Mound in Kraków. The spelling "Mount Kosciuszko" was officially adopted in 1997 by the Geographical Names Board of New South Wales, Australia. 

Mount Kosciuszko is one of the Seven Summit, which includes the highest mountains of each of the seven  continents. Summiting all of them is regarded as a mountaineering  challenge, first achieved on April 30, 1985 by Richard Bass.  

The 7 highest summit, (which are obviously 8 with 2 in Europe !) are :  

Mount Everest (8,848m), Aconcagua (6,961m), Mt Denali or Mc Kinley (6,194m),  Kilimandjaro (5,895m), Mt Elbrus (5,642m), Mount Vinson (4,892m)  and Mt Blanc (4,808m)

The painter 

William Charles Piguenit also known as W.C. Piguenit or Bill Piguenit was an Australian landscape painter, amateur photographer, draughtsman and explorer, born in Hobart Town, Van Diemen’s Land. The family can be traced back to Pons, in the province of Saintonge, France, from which, as Huguenots, they escaped after the revocation of the Edict of Nantes in 1685 to settle in Bristol, Somerset. William Charles attended Cambridge House Academy in Hobart; a school report of 18 December 1849 praises his 'mapping, particularly that of Van Diemen’s Land’. In September 1850, as an assistant draughtsman, he joined the Tasmanian Lands and Survey Department where much of his time was spent preparing maps of Tasmania. 

When Piguenit exhibited at Melbourne in 1870, showing a watercolour sketch of Mount Wellington from the Huon Road, the Daily Telegraph of 20 July called him 'a young artist who gives promise of better things’. His love for the Tasmanian landscape and his improved artistic ability led to his being invited to accompany James R. Scott’s expedition to Arthur Plains and Port Davey in March 1871 as official artist. The results of the trip formed the basis for later illustrations in the Picturesque Atlas of Australasia and in R.M. Johnston’s Systematic Account of the Geology of Tasmania. 
Having won another silver medal from the academy in 1875 for Mount Olympus, Lake St Clair, Tasmania (see above), Piguenit sent five of his Grose Valley oil landscapes to the academy’s 1876 exhibition and was awarded a certificate of merit for one, though the Sydney Mail critic was tepid in his praise: 'It would be enough to say that they are all very nicely painted and that all have about the same colour and tone’.
Regarded as the leading Australian-born landscape painter in the latter part of the nineteenth century, Piguenit was a founding committee member of the Art Society of New South Wales (elected Vice President in 1886) and regularly showed work in its exhibitions. He was represented in many major exhibitions, such as the 1880 Melbourne International, and he received many awards, including silver medals in 1874 and 1875 from the NSW Academy of Art, two second prizes at the 1888 Melbourne Centennial International Exhibition and gold medals from the 1883 Calcutta International and the 1888 Queensland Art Society and Tasmanian Juvenile Industries exhibitions. He was hung in the Paris Salon in 1893 and at the Chicago World’s Fair in 1894 (Scene on the Upper Nepean River, now AGNSW). A Tasmanian view near Prince of Wales Bay was presented by the Government House Literary Society to their founder and patron, Lady Hamilton, on her departure in 1892.

MOUNT BYRON BY WILLIAM CHARLES PIGUENIT

WILLIAM CHARLES PIGUENIT (1836 -1914), 

Mount Byron (1,338 m- 4,390 ft)

Australia (Tasmania) 

In  Lake Petrarch, Mount Byron, Vale of Cuvier, 1888, oil on card, Private collection 

The mountain 

Mount Byron (1,338 m - 4,390 ft) is a mountain in Tasmania, south of Byron Gap, west of Lamonts Lookout and east of Mount Cuvier in the southeast of Australia (not to be confused with Mount Byron in Queensland) . The nearest town to Mount Byron is Queenstown about 42 km away. Queenstown has a population of about around 2,400 (based on the 2001 census). Mount Byron is in the local government area of 'Central Highlands'.  Destinations nearby to Mount Byron include Byron Gap, Lamonts Lookout, Mount Cuvier and Coal Hill.  Landmarks in the area include Lake Mingundie, Lake Petrarch, Lake Helen and Lake Oenone.
The annual rainfall of Mount Byron is about 1906 mm.

The painter 

William Charles Piguenit also known as W.C. Piguenit or Bill Piguenit was an Australian landscape painter, amateur photographer, draughtsman and explorer, born in Hobart Town, Van Diemen’s Land. The family can be traced back to Pons, in the province of Saintonge, France, from which, as Huguenots, they escaped after the revocation of the Edict of Nantes in 1685 to settle in Bristol, Somerset. William Charles attended Cambridge House Academy in Hobart; a school report of 18 December 1849 praises his 'mapping, particularly that of Van Diemen’s Land’. In September 1850, as an assistant draughtsman, he joined the Tasmanian Lands and Survey Department where much of his time was spent preparing maps of Tasmania. 

When Piguenit exhibited at Melbourne in 1870, showing a watercolour sketch of Mount Wellington from the Huon Road, the Daily Telegraph of 20 July called him 'a young artist who gives promise of better things’. His love for the Tasmanian landscape and his improved artistic ability led to his being invited to accompany James R. Scott’s expedition to Arthur Plains and Port Davey in March 1871 as official artist. The results of the trip formed the basis for later illustrations in the Picturesque Atlas of Australasia and in R.M. Johnston’s Systematic Account of the Geology of Tasmania. 
Having won another silver medal from the academy in 1875 for Mount Olympus, Lake St Clair, Tasmania (see above), Piguenit sent five of his Grose Valley oil landscapes to the academy’s 1876 exhibition and was awarded a certificate of merit for one, though the Sydney Mail critic was tepid in his praise: 'It would be enough to say that they are all very nicely painted and that all have about the same colour and tone’.
Regarded as the leading Australian-born landscape painter in the latter part of the nineteenth century, Piguenit was a founding committee member of the Art Society of New South Wales (elected Vice President in 1886) and regularly showed work in its exhibitions. He was represented in many major exhibitions, such as the 1880 Melbourne International, and he received many awards, including silver medals in 1874 and 1875 from the NSW Academy of Art, two second prizes at the 1888 Melbourne Centennial International Exhibition and gold medals from the 1883 Calcutta International and the 1888 Queensland Art Society and Tasmanian Juvenile Industries exhibitions. He was hung in the Paris Salon in 1893 and at the Chicago World’s Fair in 1894 (Scene on the Upper Nepean River, now AGNSW). A Tasmanian view near Prince of Wales Bay was presented by the Government House Literary Society to their founder and patron, Lady Hamilton, on her departure in 1892.

MOUNT OLYMPUS (TASMANIA) BY W. C. PIGUENIT

WILLIAM CHARLES PIGUENIT (1836 -1914) 

Mount Olympus (1,472 m - 4,829 ft)

Australia (Tasmania) 

In Mount Olympus, Lake St Clair, Tasmania, the source of the Derwent  
Art Gallery of New South Wales 

The mountain 

Mount Olympus (1,472 m - 4,829 ft ) - not to be confused with the most famous mount Mytikas -Mount Olympus in Greece -  is a mountain peak within the Cradle Mountain-Lake St Clair National Park in central Tasmania, Australia. It ranks at the 12th highest mountain in Tasmania and the 68th highest mountain in Australia. The nearest peaks are Mount Byron, Mount Cuvier, Mount Ida, Mount Manfred, Mount Hugel, and Mount Gould. Mount Olympus belongs to the Tasmania Connoisseurs Peaks Challenge peak list.  The nearest towns, villages or cities to Mount Olympus are the town of Queenstown (46.7km), the village of Tullah (53.4km) and the town of Rosebery (56.4km).

The nearest road to Mount Olympus is a sealed road that is un-named (9.18km ). The nearest sealed road to Mount Olympus is the Lyell Highway (13.6km away).

Source: 

- Peakery.com 

The painter 

William Charles Piguenit also known as W.C. Piguenit or Bill Piguenit was a australian  landscape painter, amateur photographer, draughtsman and explorer, born in Hobart Town, Van Diemen’s Land. The family can be traced back to Pons, in the province of Saintonge, France, from which, as Huguenots, they escaped after the revocation of the Edict of Nantes in 1685 to settle in Bristol, Somerset. William Charles attended Cambridge House Academy in Hobart; a school report of 18 December 1849 praises his 'mapping, particularly that of Van Diemen’s Land’. In September 1850, as an assistant draughtsman, he joined the Tasmanian Lands and Survey Department where much of his time was spent preparing maps of Tasmania. 

When Piguenit exhibited at Melbourne in 1870, showing a watercolour sketch of Mount Wellington from the Huon Road, the Daily Telegraph of 20 July called him 'a young artist who gives promise of better things’. His love for the Tasmanian landscape and his improved artistic ability led to his being invited to accompany James R. Scott’s expedition to Arthur Plains and Port Davey in March 1871 as official artist. The results of the trip formed the basis for later illustrations in the Picturesque Atlas of Australasia and in R.M. Johnston’s Systematic Account of the Geology of Tasmania. 
Having won another silver medal from the academy in 1875 for Mount Olympus, Lake St Clair, Tasmania (see above), Piguenit sent five of his Grose Valley oil landscapes to the academy’s 1876 exhibition and was awarded a certificate of merit for one, though the Sydney Mail critic was tepid in his praise: 'It would be enough to say that they are all very nicely painted and that all have about the same colour and tone’.
Regarded as the leading Australian-born landscape painter in the latter part of the nineteenth century, Piguenit was a founding committee member of the Art Society of New South Wales (elected Vice President in 1886) and regularly showed work in its exhibitions. He was represented in many major exhibitions, such as the 1880 Melbourne International, and he received many awards, including silver medals in 1874 and 1875 from the NSW Academy of Art, two second prizes at the 1888 Melbourne Centennial International Exhibition and gold medals from the 1883 Calcutta International and the 1888 Queensland Art Society and Tasmanian Juvenile Industries exhibitions. He was hung in the Paris Salon in 1893 and at the Chicago World’s Fair in 1894 (Scene on the Upper Nepean River, now AGNSW). A Tasmanian view near Prince of Wales Bay was presented by the Government House Literary Society to their founder and patron, Lady Hamilton, on her departure in 1892.
Source: 

- Design & Art Australia online