google.com, pub-0288379932320714, DIRECT, f08c47fec0942fa0 GRAVIR LES MONTAGNES... EN PEINTURE: AUTOCHROME LUMIERE
Showing posts with label AUTOCHROME LUMIERE. Show all posts
Showing posts with label AUTOCHROME LUMIERE. Show all posts

Sunday, April 23, 2023

LE MONT ROSE PHOTOGRAPHIÉ EN AUTOCHROME PAR ALBERT LÉON


AUTOCHROME LUMIERE AUGUSTE LÉON (1857-1942) Mont Rose- Pointe Dufour (4,664 m) Suisse - Italie  In Le mont Rose et le glacier du Gorner, Suisse, Autochrome Lumière, 1912, Musée Départemental Albert Kahn
 
 
AUTOCHROME 
AUGUSTE LÉON (1857-1942)
Mont Rose- Pointe Dufour (4,664 m)
Suisse - Italie

In Le mont Rose et le glacier du Gorner, Suisse, Autochrome Lumière, 1912, 
Musée Départemental Albert Kahn


La montagne
Le mont Rose (4 634 m), ou plus récemment massif du Mont-Rose -  en titsch gressonard, Gletscher ou Glescher, littéralement « montagne glacée » ou « glacier » , en italien, Monte Rosa —, situé à la frontière entre la Suisse et l'Italie, est le deuxième plus haut massif des Alpes après celui du Mont-Blanc. Son point culminant, la pointe Dufour, à 4 634 m est le quatrième plus haut sommet des Alpes et le plus haut de Suisse.  Au sommet de la Signalkuppe est situé le plus haut bâtiment et refuge d'Europe, la cabane Reine-Marguerite, à 4 559 mètres. S'y trouvent aussi un relais météorologique et un centre de recherche sur les pathologies liées à l'altitude. Les accès les plus faciles aux sommets du mont Rose se font de Gressoney-La-Trinité et d'Alagna Valsesia. Des habitants de ces deux vallées furent les premiers à faire l'ascension de cimes qui portent désormais leur nom en leur honneur. C'est le cas de Giovanni Gnifetti, curé d'Alagna, avec la pointe Gnifetti.  Le mont Rose est équipé d'un refuge innovant et à l'architecture spectaculaire, la cabane du Mont-Rose mise en service en 2010. Cette construction se distingue par son degré d'autonomie énergétique et sa capacité à respecter l'environnement. Elle est constituée d'un bâtiment sur cinq niveaux dont trois sont situés le long d'une façade inclinée de 80 m2 qui récupère la chaleur solaire. Le projet a été élaboré par l’École polytechnique fédérale de Zurich en collaboration avec le Club alpin suisse, l’université de Lucerne et le Laboratoire fédéral d'essai des matériaux et de recherche


Le procédé photographique
Auguste Léon fut un photographe français membre de l'équipe des "Archives de la planète" d'Albert Kahn 
L'Autochrome Lumière est un des premiers procédés de photographie couleur. Breveté en 1903 par les frères Lumière en France et commercialisé pour la première fois en 1907, c'était le principal procédé de photographie couleur utilisé avant l'avènement du film couleur négatif au milieu des années 1930.
Entre 1909 et 1931, une collection de 72 000 photographies autochromes, documentant la vie à l'époque dans 50 pays à travers le monde, a été créée par le banquier français Albert Kahn. La collection, l'une des plus importantes du genre au monde, est conservée au musée Albert Kahn à la périphérie de Paris. Une nouvelle compilation d'images de la collection Albert Kahn a été publiée en 2008. Plusieurs images de la collection Albert Kahn ont déjà été publiées dans ce blog.
La National Geographic Society a largement utilisé les autochromes et autres plaques d'écran couleur en mosaïque pendant plus de vingt ans. 15 000 plaques autochromes originales sont encore conservées dans les archives de la Société.
Dans l'immense collection d'œuvres du photographe pictorialiste américain Arnold Genthe de la Bibliothèque du Congrès des États-Unis, 384 de ses plaques autochromes figuraient parmi les collections en 1955. De nombreux photographes l'ont également utilisé, comme ici, de manière anonyme.


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2023 - Wandering Vertexes ....
Errant au-dessus des Sommets Silencieux...
Un blog de Francis Rousseau

Wednesday, February 1, 2023

LE MONT TAMGOUT PHOTOGRAPHIÉ EN AUTOCHROME LUMIÈRE


AUTOCHROME LUMIERE Mont Tamgout (1, 252m) Algérie  In Tamgout, Atlas Tellien, Algérie, Autochrome Lumière, anonyme circa 1922


AUTOCHROME LUMIÈRE
Mont Tamgout (1, 252m)
Algérie

In Tamgout, Atlas Tellien, Algérie, Autochrome Lumière, anonyme circa 1922

La montagne
Mont Tamgout (1, 252m) est une montagne de l'Atlas tellien culminant à 1 252 m d'altitude sur le territoire de la commune d'Akerrou dans la wilaya de Tizi-Ouzou, région de Kabylie, en Algérie. Le village le plus proche de cette montagne est, le chef-lieu de la commune d'Akerrou, Tifrit n'Aït el Hadj. Le mont Tamgout est entouré du massif du même nom dont la superficie dépasse les 3 800 hectares. C'est le point culminant du territoire des Ait Flik et de toute la Kabylie maritime.

Le procédé photographique
L'Autochrome Lumière est un des premiers procédés de photographie couleur. Breveté en 1903 par les frères Lumière en France et commercialisé pour la première fois en 1907, c'était le principal procédé de photographie couleur utilisé avant l'avènement du film couleur négatif au milieu des années 1930.
Entre 1909 et 1931, une collection de 72 000 photographies autochromes, documentant la vie à l'époque dans 50 pays à travers le monde, a été créée par le banquier français Albert Kahn. La collection, l'une des plus importantes du genre au monde, est conservée au musée Albert Kahn à la périphérie de Paris. Une nouvelle compilation d'images de la collection Albert Kahn a été publiée en 2008. Plusieurs images de la collection Albert Kahn ont déjà été publiées dans ce blog.
La National Geographic Society a largement utilisé les autochromes et autres plaques d'écran couleur en mosaïque pendant plus de vingt ans. 15 000 plaques autochromes originales sont encore conservées dans les archives de la Société.
Dans l'immense collection d'œuvres du photographe pictorialiste américain Arnold Genthe de la Bibliothèque du Congrès des États-Unis, 384 de ses plaques autochromes figuraient parmi les collections en 1955.
De nombreux photographes l'ont également utilisé, comme ici, de manière anonyme. 

_________________________________________

2023 - Wandering Vertexes ....
            Errant au-dessus des Sommets Silencieux...
            Un blog de Francis Rousseau

Wednesday, October 19, 2022

ALBORZ RANGE PHOTOGRAPHED BY FRÉDÉRIC GADMER IN 1927

 

FRÉDÉRIC GADMER (1878-1954) Alborz range (5,610.0 m -18,405.5 ft) Iran  In  "Vallée dans La chaine de l'Elbourz vue de Téhéran ", Iran, Autochrome Lumiere, 1927,   Courtesy Collection Albert Kahn, Paris.


FRÉDÉRIC GADMER (1878-1954)
Alborz range (5,610.0 m -18,405.5 ft)
Iran

In  "Vallée dans La chaine de l'Elbourz vue de Téhéran ", Iran, Autochrome Lumiere, 1927, 

Courtesy Collection Albert Kahn, Paris.


The photographer
Frédéric Georges Gadmer was born in 1878 in France into a Protestant family; his father, Leon, son of Swiss émigré, was confectioner. Before World War II, he follows his family in Paris and works as a photographer for the house Vitry, located Quai de la Rapée. As an heliogravure company, it performs work for the sciences and the arts, travel and education. In 1898 Gadmer completed his military service as a secretary to the staff then recalled in 1914 at the time of mobilization. In 1915, he joined the newly created "Photographic Section of the Army" and carried pictures on the front, in the Dardanelles, with General Gouraud, then in Cameroon. In 1919, at age 41, he was hired as a photographer by Albert Khan for his project called "Archives of the Planet". He finds there his comrades of "the film and photographic section of the army" Paul Castelnau and Fernand Cuville. Soon as he arrived, he made reports in Syria, Lebanon, Turkey and Palestine. It was the first to make a color portrait of Mustafa Kemal, leader of the Young Turks. In 1921, he returned to the Levant with Jean Brunhes, the scientific director of the Archives of the Planet. The same year, he attended General Gouraud, appointed High Commissioner in Syria. Operator and prolific photographer, specializing in distant lands and landscapes, it covers Iraq, Persia, Afghanistan, Algeria and Tunisia. In 1930, he accompanied Father Francis Aupiais in Dahomey. He also works in Europe. In 1931, at the request of Marechal Lyautey, he photographies the Colonial Exhibition. It is one of the last person to leave the "Archives of the Planet" threatened by the Albert Kahn's bankruptcy in 1932. He then worked at the famous french newspaper L'Illustration and carries postcards for Yvon. He died in Paris, unmarried, in 1954.


The mountains
The Alborz ( Persian: البرز) range, also spelled as Alburz, Elburz or Elborz, is a mountain range in northern Iran that stretches from the border of Azerbaijan along the western and entire southern coast of the Caspian Sea and finally runs northeast and merges into the smaller Aladagh Mountains and borders in the northeast on the parallel mountain ridge Kopet Dag in the northern parts of Khorasan. All these mountains are part of the much larger Alpide belt. This mountain range is divided into the Western, Central, and Eastern Alborz Mountains. The Western Alborz Range (usually called the Talysh) runs south-southeastward almost along the western coast of the Caspian Sea. The Central Alborz (the Alborz Mountains in the strictest sense) runs from west to east along the entire southern coast of the Caspian Sea, while the Eastern Alborz Range runs in a northeasterly direction, toward the northern parts of the Khorasan region, southeast of the Caspian Sea. Mount Damavand, the highest mountain in Iran measuring 5,610.0 m (18,405.5 ft), is located in the Central Alborz Mountains.


About the "Autochrome Lumière" Photos
The autochrome is a photographic reproduction of process colors patented December 17, 1903 by Auguste and Louis Lumière french brothers. This is the first industrial technique of photography colors, it produces positive images on glass plates. It was used between 1907 and 1932 approximately an particularly in many pictures of the World War I. A important number of photographs of mountains and landscapes around the world was made with this technique, particularly in the for the Project "The archives of the planet" by Albert Kahn.
_______________________________

2022 - Wandering Vertexes...
by Francis Rousseau

Friday, June 24, 2022

MUQUR PHOTOGRAPHED BY FRÉDÉRIC GADMER


FRÉDÉRIC GADMER (1878-1954) Muqur (2,003 m -6,572 ft) Afghanistan  In La chaine du Moqor, autochrome  Lumière on glass tint  1928, Mission Clémenceau, Musée Albert Kahn, Paris


FRÉDÉRIC GADMER (1878-1954)
Muqur (2,003 m -6,572 ft)
Afghanistan

In La chaine du Moqor, autochrome Lumière, glass tint, 1928, Mission Clémenceau,
Musée Albert Kahn

The Photographer
Frédéric Georges Gadmer was born in 1878 in France into a Protestant family; his father, Leon, son of Swiss émigré, was confectioner. Before World War II, he follows his family in Paris and works as a photographer for the house Vitry, located Quai de la Rapée. As an heliogravure company, it performs work for the sciences and the arts, travel and education. In 1898 Gadmer completed his military service as a secretary to the staff then recalled in 1914 at the time of mobilization. In 1915, he joined the newly created  "Photographic Section of the Army" and carried pictures on the front, in the Dardanelles, with General Gouraud, then in Cameroon. In 1919, at age 41, he was hired as a photographer by Albert Khan for his project called "Archives of the Planet". He finds there his comrades of  "the film and photographic section of the army" Paul Castelnau and Fernand Cuville. Soon as he arrived, he made reports in Syria, Lebanon, Turkey and Palestine. It was the first to make a color portrait of Mustafa Kemal, leader of the Young Turks. In 1921, he returned to the Levant with Jean Brunhes, the scientific director of the Archives of the Planet. The same year, he attended General Gouraud, appointed High Commissioner in Syria. Operator and prolific photographer, specializing in distant lands and landscapes, it covers Iraq, Persia, Afghanistan, Algeria and Tunisia. In 1930, he accompanied Father Francis Aupiais in Dahomey. He also works in Europe. In 1931, at the request of Marechal Lyautey, he photographies the Colonial Exhibition. It is one of the last person to leave the "Archives of the Planet" threatened by the Albert Kahn's bankruptcy in 1932. He then worked at the famous french newspaper L'Illustration and carries postcards for Yvon. He died in Paris, unmarried, in 1954.


The mountains
Muqur (other names: Qala-i-Sarkari, Mukar, Qala-i-Sarkāri, Moqur, Mukur, Moqur, Moqor) is located in the southern part of Muqur District, Ghazni, Afghanistan. Muqur  is a district in the southwest of Ghazni Province, Afghanistan. Its population, which is mostly Pashtun (99%) with a Hazara and Tajik minority, was estimated at 70,900 in 2002, of whom 19,538 were children under 12.


About the  "Autochrome Lumière"

The autochrome is a photographic reproduction of process colors patented December 17, 1903 by Auguste and Louis Lumière french brothers. This is the first industrial technique of photography colors, it produces positive images on glass plates. It was used between 1907 and 1932 approximately an particularly in many pictures of the World War I. A important number of photographs of mountains and landscapes around the world was made with this technique, particularly in the for  the Project "The archives of the planet" by Albert Kahn now in the Musée Départemental Albert Kahn

__________________________________________

2022 - Wandering Vertexes...
by Francis Rousseau

Thursday, December 16, 2021

DJEBEL AÏSSA BY FREDERIC GADMER / AUTOCHROME LUMIÈRE

 

FREDERIC GADMER (1878-1954) Djebel Aïssa  (2,236 m  -7,336 ft) Algeria  In Djebel Aïssa, Aïn Sefra, Algérie; Autochrome de Frédéric Gadmer,  1929,

FREDERIC GADMER (1878-1954)
Djebel Aïssa  (2,236 m  -7,336 ft)
Algeria

In Djebel Aïssa, Aïn Sefra, Algérie; Autochrome de Frédéric Gadmer,  1929

The mountain
Mount Issa or Djebel Aïssa (جبل عيسى‎) is a mountain in western Algeria, thus the 4th highest in Algeria. It is part of the Ksour Range of the Saharan Atlas, within the larger Atlas Mountain System. Mount Issa is located in the Naâma Province and is one of the main summits of the mountains of the Saharan Atlas. The Djebel Aissa National Park is a protected area within the area of the mountain since 2003.

The photographer
Frédéric Georges Gadmer was born in 1878 in France into a Protestant family; his father, Leon, son of Swiss émigré, was confectioner. Before World War II, he follows his family in Paris and works as a photographer for the house Vitry, located Quai de la Rapée. As an heliogravure company, it performs work for the sciences and the arts, travel and education. In 1898 Gadmer completed his military service as a secretary to the staff then recalled in 1914 at the time of mobilization. In 1915, he joined the newly created  "Photographic Section of the Army" and carried pictures on the front, in the Dardanelles, with General Gouraud, then in Cameroon. In 1919, at age 41, he was hired as a photographer by Albert Khan for his project called "Archives of the Planet". He finds there his comrades of  "the film and photographic section of the army" Paul Castelnau and Fernand Cuville. Soon as he arrived, he made reports in Syria, Lebanon, Turkey and Palestine. It was the first to make a color portrait of Mustafa Kemal, leader of the Young Turks. In 1921, he returned to the Levant with Jean Brunhes, the scientific director of the Archives of the Planet. The same year, he attended General Gouraud, appointed High Commissioner in Syria. Operator and prolific photographer, specializing in distant lands and landscapes, it covers Iraq, Persia, Afghanistan, Algeria and Tunisia. In 1930, he accompanied Father Francis Aupiais in Dahomey. He also works in Europe. In 1931, at the request of Marechal Lyautey, he photographies the Colonial Exhibition. It is one of the last person to leave the "Archives of the Planet" threatened by the Albert Kahn's bankruptcy in 1932. He then worked at the famous french newspaper L'Illustration and carries postcards for Yvon. He died in Paris, unmarried, in 1954.

About the  "Autochrome Lumière" Photos
The autochrome is a photographic reproduction of process colors patented December 17, 1903 by Auguste and Louis Lumière french brothers. This is the first industrial technique of photography colors, it produces positive images on glass plates. It was used between 1907 and 1932 approximately an particularly in many pictures of the World War I. A important number of photographs of mountains and landscapes around the world was made with this technique, particularly in the for  the Project "The archives of the planet" by Albert Kahn.
_______________________________

2021 - Wandering Vertexes...
by Francis Rousseau

Saturday, November 13, 2021

NOSHAQ PEAKS PHOTOGRAPHED BY ANONYMUS IN AUTOCHROME LUMIÈRE

 

Noshaq peaks or Nowshak (7, 492 m-  24, 580 ft)  Afghanistan - Pakistan border   In Summer in Hindu Kush - Noshaq peak in the distance, c.1922., autochrome Lumière process ©wanderingvertexescollection - no copy allowed without permission

AUTOCHROME LUMIERE (ANONYMUS)
Noshaq peaks or Nowshak (7, 492 m-  24, 580 ft) 
Afghanistan - Pakistan border 

In Summer in Hindu Kush - Noshaq peak in the distance, c.1922., autochrome Lumière process
©wanderingvertexescollection - no copy allowed without permission
  Already published in this blog 20th January 2017
 
About the "Autochrome Lumière" Photos

The autochrome is a photographic reproduction of process colors patented December 17, 1903 by Auguste and Louis Lumière french brothers. This is the first industrial technique of photography colors, it produces positive images on glass plates. It was used between 1907 and 1932 approximately an particularly in many pictures of the World War I. A important number of photographs of mountains and landscapes around the world was made with this technique, particularly in the for the Project "The archives of the planet" by Albert Kahn.
 
The mountain
 Noshaq peaks (7, 492 m-  24, 580 ft), also called Nowshak or Nōshākh (in Urdu/Persian/Pashto: نوشاخ‎) is the second highest independent peak of the Hindu Kush Range after Tirich Mir (7,706 m -25,289 ft) and lies on the border between Badakhshan Province in Afghanistan and Chitral District, Khyber Pakhtunkhwa, Pakistan. Noshaq peaks, the 4th highest peak of the Hindu Kush Range, is an independent mountain on the Pakistani border with Afghanistan, with its 4 summits which are :

Noshaq Main (7,492m),  Noshaq East (7,480m), Noshaq Central (7,400m), Noshaq West (7,250 m)
From Pakistan:
Only Noshaq West (7,250 m) stands on the Pak-Afghan border, being natural water shed. Noshaq Main (7,492m) and the rest of the peaks of this massif lie well within Pakistan territory and easily accessible from Chitral-Pakistan which is 64 km away. Chital airport is linked with Islamabad, the capital of Pakistan, with a daily flight of one hour duration and Peshawar, the capital of Khyber Pukhtoonkhwa province of Pakistan with a daily flight of 40 minutes duration.
Noshaq Main (7,492m) was first ascent by Japanese expedition in 1960. The expedition was led by Professor Sakato. Other members of the expedition were Goro Iwatsabo and Toshiaki Sakai. The route was followed from the South East Ridge of the peak, Nowadays; the normal route is by southeast face through Terich valley of Chitral-Pakistan. The second highest peak in this range is Noshaq East (7,480m) climbed in 1963 by Dr. Gerald Gruber and Rudolf Pischenger from Austria. The 3rd highest peak of the massif Noshaq Central (7,400m) and the 4th peak is Noshaq West (7,250m). These peaks were also climbed by the same Austrian expedition of 1963. The first winter ascent was in 1973 by Tadeusz Piotrowski and Andrzej Zawada, member of a Polish expedition, via the north face. It was the world’s first winter climb above any 7,000m peak.
From Afghanistan:
The North and the west sides of the mountain are in Afghanistan where as the South and Eastern sided are in Pakistan. In Afghanistan's Noshaq is considered it's the highest mountain and is located in the northeastern corner of the country along the Durand line which marks the border with Pakistan. It's 28 km away from Qazi Deh village, an expedition of 5 days journey. Qazi Deh is 280 km away from Kabul, the capital of Afghanistan, a perilous journey. However, the Easiest access to Noshaq is from Chitral, Pakistan. Nowadays, the normal route on Afghanistan side is by the West ridge.
The first Afghan ascent of the mountain was in July 2009. Two members of a team of four Afghans from the Wakhan Corridor made the summit on July 19.

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2021 - Wandering Vertexes...
by Francis Rousseau  

Wednesday, January 10, 2018

ALVAND KUH BY FREDERIC GADMER


FREDERIC GADMER (1878-1954)
Alvand Kuh (3,580 m - 11,750 ft)
Iran

 In Alvan Kuh at sunset, Autochrome Lumière, 1927, Musée Départemental Albert Kahn 

The mountain 
Alvand  Alwand or Alvand Kuh  (3,580 m - 11,750 ft) is one the most famous mountain of Iran. It is  located near Hamedan, west of Iran. Mountain of Alvand belong to pro-Zagros range mountains. IIts summit  consists mainly of intrusive rocks (granite, granitoid and diorite). The range bears a trilingual ancient inscription (Neo Elamite, Neo Babylonian and Old Persian) of King Darius the great and king Xerxes I, called Ganj Nameh, 10km south of Hamadan. To reach Alvand Kuh, travel in Iran to Hamedan. From Tehran to Hamedan (330 km) takes 5.5 hours by bus. You can stay in Hamedan a few days. Hamedan is oldest alive city of the world. It was the first capital of Persia (700-530 BC). Take a taxi in the city and go to Ganj-Nameh (5 km from the city center).

The photographer
Frédéric Georges Gadmer was born in 1878 in France into a Protestant family; his father, Leon, son of Swiss émigré, was confectioner. Before World War II, he follows his family in Paris and works as a photographer for the house Vitry, located Quai de la Rapée. As an heliogravure company, it performs work for the sciences and the arts, travel and education. In 1898 Gadmer completed his military service as a secretary to the staff then recalled in 1914 at the time of mobilization. In 1915, he joined the newly created  "Photographic Section of the Army" and carried pictures on the front, in the Dardanelles, with General Gouraud, then in Cameroon. In 1919, at age 41, he was hired as a photographer by Albert Khan for his project called "Archives of the Planet". He finds there his comrades of  "the film and photographic section of the army" Paul Castelnau and Fernand Cuville. Soon as he arrived, he made reports in Syria, Lebanon, Turkey and Palestine. It was the first to make a color portrait of Mustafa Kemal, leader of the Young Turks. In 1921, he returned to the Levant with Jean Brunhes, the scientific director of the Archives of the Planet. The same year, he attended General Gouraud, appointed High Commissioner in Syria. Operator and prolific photographer, specializing in distant lands and landscapes, it covers Iraq, Persia, Afghanistan, Algeria and Tunisia. In 1930, he accompanied Father Francis Aupiais in Dahomey. He also works in Europe. In 1931, at the request of Marechal Lyautey, he photographies the Colonial Exhibition. It is one of the last person to leave the "Archives of the Planet" threatened by the Albert Kahn's bankruptcy in 1932. He then worked at the famous french newspaper L'Illustration and carries postcards for Yvon. He died in Paris, unmarried, in 1954.

About the  "Autochrome Lumière" Photos
The autochrome is a photographic reproduction of process colors patented December 17, 1903 by Auguste and Louis Lumière french brothers. This is the first industrial technique of photography colors, it produces positive images on glass plates. It was used between 1907 and 1932 approximately an particularly in many pictures of the World War I. A important number of photographs of mountains and landscapes around the world was made with this technique, particularly in the for  the Project "The archives of the planet" by Albert Kahn.

Sunday, July 9, 2017

THE 41 HILLS OF DASSA BY FREDERIC GADMER





FREDERIC GADMER  (1878-1954),
The 41 hills of Dassa (161m- 528ft)
Bénin 

In Les montagnes de Dassa,  Dahomey, 1930, Musée Départemental Albert Kahn

The Mountains 
The 41 hills of Dassa (161m- 528ft) are located near a small town called Dassa- Zoumé, about 200 miles from Cotonou, Benin.  Those multiple hills are a sacred location where there is a cave where apparently the Virgin Mary would have made an appearance. The cave name is “Grotte Notre Dame D’Arigbo” and, once an year, millions of individuals from Benin and neighboring area do a pilgrimage. The area is also open for excursions, mountain climbing and bike riding. It’s suggested to bring food and beverage if planning a day trip to that area.  There is no fee to make any excursions.
At that time a migratory wave of Ɔma Jagu led by Prince Oládégbò joined the first Yorubas who were already living at the foot of the hills long before the birth of Jesus Christ. Scattered in the vast forest, they could not identify. Prince Oládégbò was able to reconcile the first Yorubas. The kingdom of Igbó Ìdàáshà was therefore founded by the prince Oládégbò who became king under the strong name of Jagu Olófin (1385-1425). The kingdom of Igbo Idaasha is now ruled by the sons of this same royal lineage.

The Photographer

Frédéric Georges Gadmer was born in 1878 in France into a Protestant family; his father, Leon, son of Swiss émigré, was confectioner. Before World War II, he follows his family in Paris and works as a photographer for the house Vitry, located Quai de la Rapée. As an heliogravure company, it performs work for the sciences and the arts, travel and education. In 1898 Gadmer completed his military service as a secretary to the staff then recalled in 1914 at the time of mobilization. In 1915, he joined the newly created  "Photographic Section of the Army" and carried pictures on the front, in the Dardanelles, with General Gouraud, then in Cameroon. In 1919, at age 41, he was hired as a photographer by Albert Khan for his project called "Archives of the Planet". He finds there his comrades of  "the film and photographic section of the army" Paul Castelnau and Fernand Cuville. Soon as he arrived, he made reports in Syria, Lebanon, Turkey and Palestine. It was the first to make a color portrait of Mustafa Kemal, leader of the Young Turks. In 1921, he returned to the Levant with Jean Brunhes, the scientific director of the Archives of the Planet. The same year, he attended General Gouraud, appointed High Commissioner in Syria. Operator and prolific photographer, specializing in distant lands and landscapes, it covers Iraq, Persia, Afghanistan, Algeria and Tunisia. In 1930, he accompanied Father Francis Aupiais in Dahomey. He also works in Europe. In 1931, at the request of Marechal Lyautey, he photographies the Colonial Exhibition. It is one of the last person to leave the "Archives of the Planet" threatened by the Albert Kahn's bankruptcy in 1932. He then worked at the famous french newspaper L'Illustration and carries postcards for Yvon. He died in Paris, unmarried, in 1954.
Source: 
Frédéric Gadmer 

About the  "Autochrome Lumière" Photos
The autochrome is a photographic reproduction of process colors patented December 17, 1903 by Auguste and Louis Lumière french brothers. This is the first industrial technique of photography colors, it produces positive images on glass plates. It was used between 1907 and 1932 approximately an particularly in many pictures of the World War I. A important number of photographs of mountains and landscapes around the world was made with this technique, particularly in the for  the Project "The archives of the planet" by Albert Kahn.
Source:
Musée Départemental Albert Kahn


Friday, April 14, 2017

CAPE CARBON BY FREDERIC GADMER



FREDERIC GADMER  (1878-1954), 
Cape Carbon (220 m - 722 ft)
Algeria

In  Le Cap Carbon, Bougie, 1929Autochrome Lumiere - Albert Kahn museum 

The mountain
Cape Carbon (220 m - 722 ft) is  cape located in the Wilaya of Béjaïa, north of the port of Béjaïa, Algeria. A tourist path, traced on the crest, frequented by the monkey magot, allows access. Cape carbon is situated in the Gouraya National Park. It seems that before colonization only a few rudimentary lanterns were placed near the shelters which served as a refuge for the Barbary ship, such as the ordinary lantern on the high tower of the Penon of Algiers. From 1834, the French installed on the rocky spur at the end of the Cape Carbon, a fixed light surmounted by a rotating crown bearing 8 lamps with reflectors arranged in a way to realize an eclipse fire of 30 seconds In 30 seconds.  The lantern was periodically modified between 1860 and 1900, until 1924 when the electrification of main fires and port fires was actively pursued. The Cape Carbon lighthouse is known to be the highest natural lighthouse in the Mediterranean Sea and one of the highest in the world. It is a "landing" lighthouse which indicates the proximity of the port of Béjaïa.

The photographer
Frédéric Georges Gadmer was born in 1878 in France into a Protestant family; his father, Leon, son of Swiss émigré, was confectioner. Before World War II, he follows his family in Paris and works as a photographer for the house Vitry, located Quai de la Rapée. As an heliogravure company, it performs work for the sciences and the arts, travel and education. In 1898 Gadmer completed his military service as a secretary to the staff then recalled in 1914 at the time of mobilization. In 1915, he joined the newly created  "Photographic Section of the Army" and carried pictures on the front, in the Dardanelles, with General Gouraud, then in Cameroon. In 1919, at age 41, he was hired as a photographer by Albert Khan for his project called "Archives of the Planet". He finds there his comrades of  "the film and photographic section of the army" Paul Castelnau and Fernand Cuville. Soon as he arrived, he made reports in Syria, Lebanon, Turkey and Palestine. It was the first to make a color portrait of Mustafa Kemal, leader of the Young Turks. In 1921, he returned to the Levant with Jean Brunhes, the scientific director of the Archives of the Planet. The same year, he attended General Gouraud, appointed High Commissioner in Syria. Operator and prolific photographer, specializing in distant lands and landscapes, it covers Iraq, Persia, Afghanistan, Algeria and Tunisia. In 1930, he accompanied Father Francis Aupiais in Dahomey. He also works in Europe. In 1931, at the request of Marechal Lyautey, he photographies the Colonial Exhibition. It is one of the last person to leave the "Archives of the Planet" threatened by the Albert Kahn's bankruptcy in 1932. He then worked at the famous french newspaper L'Illustration and carries postcards for Yvon. He died in Paris, unmarried, in 1954.
Source: 
- Frédéric Gadmer 

About the  "Autochrome Lumière" Photos
The autochrome is a photographic reproduction of process colors patented December 17, 1903 by Auguste and Louis Lumière french brothers. This is the first industrial technique of photography colors, it produces positive images on glass plates. It was used between 1907 and 1932 approximately an particularly in many pictures of the World War I. A important number of photographs of mountains and landscapes around the world was made with this technique, particularly in the for  the Project "The archives of the planet" by Albert Kahn.
Source:
- Musée Départemental Albert Kahn on line

Friday, January 20, 2017

NOSHAQ PEAKS IMAGED IN AUTOCHROME LUMIERE


AUTOCHROME LUMIERE (ANONYMUS)
Noshaq peaks or Nowshak (7, 492 m-  24, 580 ft) 
Afghanistan - Pakistan border 

In Summer in Hindu Kush - Noshaq peak in the distance, c.1922., autochrome Lumière process
©wanderingvertexescollection - no copy allowed without permission

The mountain 
Noshaq peaks (7, 492 m-  24, 580 ft), also called Nowshak or Nōshākh (in Urdu/Persian/Pashto: نوشاخ‎) is the second highest independent peak of the Hindu Kush Range after Tirich Mir (7,706 m -25,289 ft) and lies on the border between Badakhshan Province in Afghanistan and Chitral District, Khyber Pakhtunkhwa, Pakistan. Noshaq peaks, the 4th highest peak of the Hindu Kush Range, is an independent mountain on the Pakistani border with Afghanistan, with its 4 summits which are :
Noshaq Main (7,492m),  Noshaq East (7,480m), Noshaq Central (7,400m), Noshaq West (7,250 m)
From Pakistan:
Only Noshaq West (7,250 m) stands on the Pak-Afghan border, being natural water shed. Noshaq Main (7,492m) and the rest of the peaks of this massif lie well within Pakistan territory and easily accessible from Chitral-Pakistan which is 64 km away. Chital airport is linked with Islamabad, the capital of Pakistan, with a daily flight of one hour duration and Peshawar, the capital of Khyber Pukhtoonkhwa province of Pakistan with a daily flight of 40 minutes duration.
Noshaq Main (7,492m) was first ascent by Japanese expedition in 1960. The expedition was led by Professor Sakato. Other members of the expedition were Goro Iwatsabo and Toshiaki Sakai. The route was followed from the South East Ridge of the peak, Nowadays; the normal route is by southeast face through Terich valley of Chitral-Pakistan. The second highest peak in this range is Noshaq East (7,480m) climbed in 1963 by Dr. Gerald Gruber and Rudolf Pischenger from Austria. The 3rd highest peak of the massif Noshaq Central (7,400m) and the 4th peak is Noshaq West (7,250m). These peaks were also climbed by the same Austrian expedition of 1963. The first winter ascent was in 1973 by Tadeusz Piotrowski and Andrzej Zawada, member of a Polish expedition, via the north face. It was the world’s first winter climb above any 7,000m peak.
From Afghanistan:
The North and the west sides of the mountain are in Afghanistan where as the South and Eastern sided are in Pakistan. In Afghanistan's Noshaq is considered it's the highest mountain and is located in the northeastern corner of the country along the Durand line which marks the border with Pakistan. It's 28 km away from Qazi Deh village, an expedition of 5 days journey. Qazi Deh is 280 km away from Kabul, the capital of Afghanistan, a perilous journey. However, the Easiest access to Noshaq is from Chitral, Pakistan. Nowadays, the normal route on Afghanistan side is by the West ridge.
The first Afghan ascent of the mountain was in July 2009. Two members of a team of four Afghans from the Wakhan Corridor made the summit on July 19.
Source: 
- Afghan Noshaq expedition
- Chitral explorer blog

Friday, December 30, 2016

MOUNT OF OLIVES BY CAMILLE SAUVAGEOT


CAMILLE SAUVAGEOT  (1889-1931)
Mount of Olives or Mount Olivet  (826m - 2, 716ft)
East Jerusalem 

In Vue du Mont des Oliviers depuis le Mont Scopus, Jérusalem, 1925 -Autochrome Lumière.
Musée départemental Albert Kahn 

The photographer
Camille Sauvageot, like other operators of the "Archives of the Planet" by Albert Kahn, is coming from the Cinematographic and photographic section of the French Army created during the First World War. He entered to the service of Albert Kahn in 1919 essentially to cinematograph landscapes but he only brought back autochrome plates from Palestine, taken in April 1925, and from the Vosges in June 1927.  In 1928-1929  he was the only one to test the cinematographic process of restitution of colors called "Keller-Dorian" of the name of  one of its inventors, which associates a film comprising a lenticular array with a trichromatic lens for taking pictures and for projecting. Forty-five minutes of color film, now restored, concretize the dream of Albert Kahn to associate color and movement to restore the reality of the world. After the end of the "Archives of the Planet" and the Second World War, Camille Sauvageot took part n Thomson Company's researches on color cinematography and was the operator in 1947 of the color version the film « Jour de fête » by Jacques Tati  realized  with the Thomson Color Embossed Film System.

The mount 
The Mount of Olives or Mount Olivet (826m - 2, 716ft) -  in Hebrew: הַר הַזֵּיתִים‎, Har ha-Zeitim ; in Arabic: جبل الزيتون, الطور‎‎, Jabal al-Zaytun, Al-Tur - is a mountain ridge east of and adjacent to Jerusalem's Old City. It is named for the olive groves that once covered its slopes.
The Mount of Olives is one of three peaks of a mountain ridge which runs for 3.5 kilometres (2.2 miles) just east of the Old City across the Kidron Valley, in this area called the Valley of Josaphat. The peak to its north is Mount Scopus, at 826 metres (2,710 feet), while the peak to its south is the Mount of Corruption, at 747 m (2,451 ft). The highest point on the Mount of Olives is At-Tur, at 818 m (2,684 ft). The ridge acts as a watershed, and its eastern side is the beginning of the Judean Desert.
The ridge is formed of oceanic sedimentary rock from the Late Cretaceous, and contains a soft chalk and a hard flint. While the chalk is easily quarried, it is not a suitable strength for construction, which is why the Mount was never built up and instead features many man-made burial caves. From Biblical times until the present, Jews have been buried on the Mount of Olives. The necropolis on the southern ridge, the location of the modern village of Silwan, was the burial place of Jerusalem's most important citizens in the period of the Biblical kings. The Mount has been used as a Jewish cemetery for over 3,000 years and holds approximately 150,000 graves, making it central in the tradition of Jewish cemeteries. The religious ceremony marking the start of a new month was held on the Mount of Olives in the days of the Second Temple. Roman soldiers from the 10th Legion camped on the Mount during the Siege of Jerusalem in the year 70 AD. After the destruction of the Second Temple, Jews celebrated the festival of Sukkot on the Mount of Olives. They made pilgrimages to the Mount of Olives because it was 80 meters higher than the Temple Mount and offered a panoramic view of the Temple site. It became a traditional place for lamenting the Temple's destruction, especially on Tisha B'Av. Several key events in the life of Jesus, as related in the Gospels, took place on the Mount of Olives, and in the Acts of the Apostles it is described as the place from which Jesus ascended to heaven. Because of its association with both Jesus and Mary, the Mount has been a site of Christian worship since ancient times and is today a major site of pilgrimage for Catholics, the Eastern Orthodox, and Protestants. In 1481, an Italian Jewish pilgrim, Rabbi Meshullam da Volterra, wrote: "And all the community of Jews, every year, goes up to Mount Zion on the day of Tisha B'Av to fast and mourn, and from there they move down along Yoshafat Valley and up to Mount of Olives. From there they see the whole Temple (the Temple Mount) and there they weep and lament the destruction of this House." In the mid-1850s, the villagers of Silwan were paid £100 annually by the Jews in an effort to prevent the desecration of graves on the mount. Prime Minister of Israel Menachem Begin asked to be buried on the Mount of Olives near the grave of Etzel member Meir Feinstein, rather than Mount Herzl national cemetery.
 Much of the top of the hill is occupied by At-Tur, a former village and now a neighbourhood of East Jerusalem with a majority-Muslim population.

Wednesday, December 14, 2016

CIRQUE OF AÏN OUARKA PHOTOGRAPHED BY FREDERIC GADMER


FREDERIC GADMER (1878-1954)
 The Cirque of Aïn Ouarka  (1,672m - 5,485ft)
 Algeria
In Aïn -Ourka et les Pitons de Marne Verte, 1921 Autochrome Lumière,
Musée Départemental Albert Kahn 

The mountain 
The Cirque of Aïn Ouarka   (1,672m - 5,485ft) is a basin surrounded by steep mountains of green marl, where one can find two clear and deep saltwater ponds, coming from thermal waters. In this volcanic crater, in an exceptional landscape is located  the spa of Aïn Ouarka. Situated in the heart of the Ksours Mountains in the Western Saharan Atlas, Aïn Ouarka, part of the municipality of Asla, is located at a distance of 60 kilometers from the town of Aïn Sefra in the Wilaya of Naama.
The area of the high steppe plains of the Algerian western south is characterized by its great extents estimated at 6 million hectares and contains several types of natural environments articulated around ecosystems. Thus, under in arid climate, we find accessible zones of freshness, due to the presence of an important quantity of water, a rather rich biodiversity allowing the cohabitation of domestic, economic and ecological activities. The ecosystem of Aïn Ouarka is presented as a revealing case, requiring a careful thought in regards of its natural assets, its environmental constraints and its future prospects. The therapeutic benefits of water of this site has been highlighted from the very start of the century and much of researchers testify to the presence of two large lakes, with water clear and deep  showing  a site with important vegetation which shelters migratory birds temporarily. At present, the site of Aïn Ouarka, gives the impression of two small water marres very distant one from the other.

The photographer 
Frédéric Georges Gadmer was born in 1878 in France into a Protestant family; his father, Leon, son of Swiss émigré, was confectioner, and his mother, Marie Georgine, was unemployed. Before World War II, he follows his family in Paris and works as a photographer for the house Vitry, located Quai de la Rapée. As an heliogravure company, it performs work for the sciences and the arts, travel and education. In 1898 Gadmer completed his military service as a secretary to the staff then recalled in 1914 at the time of mobilization. In 1915, he joined the newly created  "Photographic Section of the Army" and carried pictures on the front, in the Dardanelles, with General Gouraud, then in Cameroon. In 1919, at age 41, he was hired as a photographer by Albert Khan for his project called "Archives of the Planet". He finds there his comrades of  "the film and photographic section of the army" Paul Castelnau and Fernand Cuville. Soon as he arrived, he made reports in Syria, Lebanon, Turkey and Palestine. It was the first to make a color portrait of Mustafa Kemal, leader of the Young Turks. In 1921, he returned to the Levant with Jean Brunhes, the scientific director of the Archives of the Planet. The same year, he attended General Gouraud, appointed High Commissioner in Syria. Operator and prolific photographer, specializing in distant lands and landscapes, it covers Iraq, Persia, Afghanistan, Algeria and Tunisia. In 1930, he accompanied Father Francis Aupiais in Dahomey. He also works in Europe. In 1931, at the request of Marechal Lyautey, he photographies the Colonial Exhibition. It is one of the last person to leave the "Archives of the Planet" threatened by the Albert Kahn's bankruptcy in 1932. He then worked at the famous french newspaper L'Illustration and carries postcards for Yvon. He died in Paris, unmarried, in 1954 and is buried in Saint-Quentin, as his parents.
Source: 

About the  "Autochrome Lumière" Photos
The autochrome is a photographic reproduction of process colors patented December 17, 1903 by Auguste and Louis Lumière french brothers. This is the first industrial technique of photography colors, it produces positive images on glass plates. It was used between 1907 and 1932 approximately an particularly in many pictures of the World War I. A important number of photographs of mountains and landscapes around the world was made with this technique, particularly in the for  the Project "The archives of the planet" by Albert Kahn.  
Source: 

Tuesday, December 6, 2016

GUNUNG SEMERU IMAGED IN AUTOCHROME LUMIERE




AUTOCHROME LUMIERE (ANONYMUS)
Gunung Semeru or Gunung Mahameru (3, 676m - 12, 060ft) 
Java - Indonesia

In Gunung Semeru  Anonymus Autochrome Lumière process, circa 1920
©wandering vertexes collection 2016. No copy allowed. Al rights reserved.  

The mountain 
Mount Semeru - Gunung Semeru or Gunung Mahameru indonesian - (3, 676m - 12, 060ft)  is an active volcano located in East Java, Indonesia. It is the highest mountain on the island of Java. This stratovolcano is also known as Mahameru, meaning 'The Great Mountain. The name derived from the Hindu-Buddhist mythical mountain of Meru or Sumeru, the abode of gods.  Semeru is named from Sumeru, the central world-mountain in Buddhist cosmology and by extension Hinduism. As stated in legend, it was transplanted from India; the tale is recorded in the 15th-century East Javanese work Tantu Pagelaran. It was originally placed in the western part of the island, but that caused the island to tip, so it was moved eastward. On that journey, parts kept coming off the lower rim, forming the mountains Lawu, Wilis, Kelut, Kawi, Arjuno and Welirang. The damage thus caused to the foot of the mountain caused it to shake, and the top came off and created Penanggungan as well. Indonesian Hindus also hold a belief that the mountain is the abode of Shiva in Java.
Gunung Semeru or Mahameru is very steep rising abruptly above the coastal plains of eastern Java. Semeru lies at the south end of the Tengger Volcanic Complex.
Semeru's eruptive history is extensive.
Since 1818, at least 55 eruptions have been recorded (10 of which resulted in fatalities) consisting of both lava flows and pyroclastic flows. All historical eruptions have had a VEI of 2 or 3. Semeru has been in a state of near-constant eruption from 1967 to the present. At times, small eruptions happen every 20 minutes or so.
In 2014, there are as many as 25 non-native plants in Mount Semeru National Park, which threaten the endemic local plants. The foreign plants were imported by a Dutch botanist named Van Steenis, in the colonial era. They include Foeniculum vulgare mill, Verbena brasiliensis, chromolaena odorata, and Salvinia molesta.
Mud erosion from surrounding vegetable plantations are also making problem of silting of Ranu Pane Lake, which the lake becomes smaller and shallower. Research predicted the lake will disappear in about 2025, except the kind of vegetables plantation is replaced with more ecological plantations.
Semeru is regularly climbed by tourists, usually starting from the village of Ranu Pane to the north, but though non-technical it can be dangerous. mainly because of the  poisonous gases on Mount Semeru.

Autochrome process
The Autochrome Lumière is an early color photography process. Patented in 1903 by the Lumière brothers in France and first marketed in 1907, it was the principal color photography process in use before the advent of subtractive color film in the mid-1930s.
Between 1909 and 1931, a collection of 72,000 Autochrome photographs, documenting life at the time in 50 countries around the world, was created by French banker Albert Kahn. The collection, one of the biggest of its kind in the world, is housed in The Albert Kahn Museum on the outskirts of Paris. A new compilation of images from the Albert Kahn collection was published in 2008. Several images from the Albert Kahn Collection have been already published in this blog
The National Geographic Society made extensive use of Autochromes and other mosaic color screen plates for over twenty years. 15,000 original Autochrome plates are still preserved in the Society's archives.
In the U.S. Library of Congress's huge collection of American Pictorialist photographer Arnold Genthe's work, 384 of his Autochrome plates were among the holdings as of 1955.
Many photographers used it anonymously as well.

Saturday, November 5, 2016

JABAL QASIYUN BY FREDERIC GADMER


FREDERIC GADMER (1878-1954)
Jabal Qāsiyūn (1,151 m -3,776 ft)
Syria

Autochrome Lumière process, 1921, Albert Kahn Museum, Paris 

Mountain 
Jabal Qāsiyūn (1,151 m - 3,776 ft) or Mount Qasioun (Arabic: جبل قاسيون‎‎ ) is a mountain overlooking the city of Damascus, Syria, part of the Anti-Lebanon Range of mountains (Arabic: Al-jabal Ash-sharqī, or Lubnān Ash-sharqī, Anti Liban in french).  As the city has expanded over the years, some districts have been established on the foot of the mountain. 

The mountain has been heavily entrenched with Syrian government forces since the start of the Syrian Civil War. The mountain is also host to an endemic species of iris, Iris damascena, which can be found on the steep eastern slopes, at an altitude of 1,200 m (3,900 ft) above sea level. 
Jabal Qāsiyūn is known to be a sacred mountain, a place in which several stories written in the Bible as well as in Quran took place.  
On the slopes of Jabal Qasiun is a cave steeped in legend. It is said to have been inhabited at one point by the first human-being, Adam; and there are various stories told about Ibrāhīm (Abraham), and 'Īsā (Jesus) also having prayed in it. 
It is mentioned however in Medieval Arab history books as having been the place where Qābīl (Cain) killed Hābīl (Abel).  It was known for hundreds of years as a place where prayers were immediately accepted, and especially in times of drought rulers of Damascus would climb to the cave and pray for rain. Because of the murder that took place there, claimed to be the first committed, it is called Maghārat al-Dam (the Cave of Blood).  
According to Sunni Muslims, Mount Qasioun is the site of the miḥrābs (prayer niches) of the 40 arch-saints, known as the Abdāl, who are said to pray the night vigil prayers every night. A small mosque has been built over the Cave of Blood containing these miḥrābs.
Further down the mountain from the 'Cave of Blood', there was another cave known as Maghārat al-Jūˁ (the Cave of Hunger). Stories about this cave are somewhat confused. Al-Harawī, who lived in the 13th century, wrote that it is said that forty prophets died there of hunger. At present, the cave has been concealed by surrounding houses, but that spot is called al-Juyūˁīyah (the Place of the Hungry').
On another flank of the same mountain is yet another cave, which has come down in local legend as being the cave of the Seven Sleepers, mentioned in early Christian sources, as well as in the Quran, where they are known as the Aṣḥāb al-Kahf (Companions of the Cave). This is rather dubious, however, and it is only one of many caves in this part of the world that share the claim. 
A madrassah has been built over the cave, but pilgrims are still granted access.
Source: 
Mount Qasioun Wikipedia page 

The photographer 
Frédéric Georges Gadmer was born in 1878 in France into a Protestant family;  his father, Leon, son of Swiss émigré, was confectioner, and his mother, Marie Georgine, was unemployed. Before World War II, he follows his family in Paris and works as a photographer for the house Vitry, located Quai de la Rapée. As an heliogravure company, it performs work for the sciences and the arts, travel and education. In 1898 Gadmer completed his military service as a secretary to the staff then recalled in 1914 at the time of mobilization. In 1915, he joined the newly created  "Photographic Section of the Army" and carried pictures on the front, in the Dardanelles, with General Gouraud, then in Cameroon. In 1919, at age 41, he was hired as a photographer byAlbert Khan for his project called "Archives of the Planet". He finds there his comrades of   "the film and photographic section of the army" Paul Castelnau and Fernand Cuville. Soon as he arrived, he made reports in Syria, Lebanon, Turkey and Palestine. It was the first to make a color portrait of Mustafa Kemal, leader of the Young Turks. In 1921, he returned to the Levant with Jean Brunhes, the scientific director of the Archives of the Planet. The same year, he attended General Gouraud, appointed High Commissioner in Syria. Operator and prolific photographer, specializing in distant lands and landscapes, it covers Iraq, Persia, Afghanistan, Algeria and Tunisia. In 1930, he accompanied Father Francis Aupiais in Dahomey. He also works in Europe. In 1931, at the request of Marechal Lyautey, he photographies the Colonial Exhibition. It is one of the last person to leave the  "Archives of the Planet" threatened by the Albert Kahn's bankruptcy in 1932. He then worked at the famous french newspaper L'Illustration and carries postcards for Yvon. He died in Paris, unmarried, in 1954 and is buried in Saint-Quentin, as his parents.
Source: 

About the  "Autochrome Lumière" Photos
The autochrome is a photographic reproduction of process colors patented December 17, 1903 by Auguste and Louis Lumière french brothers. This is the first industrial technique of photography colors, it produces positive images on glass plates. It was used between 1907 and 1932 approximately an particularly in many pictures of the World War I. A important number of photographs of mountains and landscapes around the world was made with this technique, particularly in the for  the Project "The archives of the planet" by Albert Kahn. 





Thursday, October 13, 2016

JEBEL YEMMA GOURAYA SEEN BY FREDERIC GADMER


FREDERIC GADMER (1878-1954)
Jebel Yemma Gouraya (672m - 2,204ft) in 1929 
Algeria (Kabylia)

Autochrome Lumière - Albert Kahn Museum Paris


The mountain 
Jebel Yemma Gouraya or Gouraya (between 660 m and 672 m - between 2,165ft and 2,204ft ) is a mountain dominating the Gouraya National Park (Arabic: الحديقة الوطنية قورايا) north of Algeria (Kabylie),a long the coast of the Mediterranean sea, in the Wilaya of Bejaïa. It is located 96 km from Jijel, 111 km from Setif, 127 km from Tizi Ouzou and 230km from Algiers, capital of Algeria.
The mountain previously called Amsiwen was renamed Yemma Gouraya probably by the Spanish during the 16th century. Yemma meaning "mother" in Kabyle langage. This mountain is supposed to be the burial place of the sacred patron of the city, Yemma Gouraya, even if no archaeological evidence proves it. According to tradition, Yemma Gouraya was Yemma Mezghitane's sister, saint patron of Jijel, and Yemma Timezrit, patron of Timezrit. Gouraya means "protector of the mountain" (gur = "mountain" and aya = protective).
The summit can be reach by a winding path of gentle slope, where fragments of quartz shine. From there, one dominates the country and the entire bay. The Ile des Pisans (Island of Pisans) at a distance of 24 km, appears nearby, net, facing the Punic port. The mountains plunge directly into the sea, adding to the majesty of the place. At the summit, a fortress was built by the Spanish probably in the 16th century, redesigned by the French in the 19th century on the site of the marabout Yemma Gouraya which was destroyed in 1833. Jebel Yemma Gouraya is part of a protected area, the Gouraya Park.
The Gouraya Park (​​2,000 ha) hosts approximately 1.2 million visitors per year, especially in summer. Its sandy beaches, cliffs and crystal clear waters participate to keep it attractive. The flora and fauna are varied there, among which Berber macaques and golden jackal which live in the forests of the park. The park has been classified Biosphere Reserve by UNESCO in 2004. This park was created for its diversity in endemic vegetation, marine and continental environments as well as regional history.
At the park, is added a marine area of ​​7,842 ha and a lake area "Lake Mézaia" (3 ha). It presents 15 archaeological treasures including historical sites.
Biodiversity in Gouraya National Park consists of 1709 species of flora and fauna among which 533 for flora species and 1156 for fauna species. 67 species are protected including 20 invertebrates, 1 reptile, 10 mammals, 3 plants and 33 birds.

The artist
Frédéric Georges Gadmer was born in 1878 in France into a Protestant family; his father, Leon, son of Swiss émigré, was confectioner, and his mother, Marie Georgine, was unemployed. Before World War II, he follows his family in Paris and works as a photographer for the house Vitry, located Quai de la Rapée. As an heliogravure company, it performs work for the sciences and the arts, travel and education. In 1898 Gadmer completed his military service as a secretary to the staff then recalled in 1914 at the time of mobilization. In 1915, he joined the newly created "Photographic Section of the Army" and carried pictures on the front, in the Dardanelles, with General Gouraud, then in Cameroon. In 1919, at age 41, he was hired as a photographer byAlbert Khan for his project called "Archives of the Planet". He finds there his comrades of "the film and photographic section of the army" Paul Castelnau and Fernand Cuville. Soon as he arrived, he made reports in Syria, Lebanon, Turkey and Palestine. It was the first to make a color portrait of Mustafa Kemal, leader of the Young Turks. In 1921, he returned to the Levant with Jean Brunhes, the scientific director of the Archives of the Planet. The same year, he attended General Gouraud, appointed High Commissioner in Syria. Operator and prolific photographer, specializing in distant lands and landscapes, it covers Iraq, Persia, Afghanistan, Algeria and Tunisia. In 1930, he accompanied Father Francis Aupiais in Dahomey. He also works in Europe. In 1931, at the request of Marechal Lyautey, he photographies the Colonial Exhibition. It is one of the last person to leave the "Archives of the Planet" threatened by the Albert Kahn's bankruptcy in 1932. He then worked at the famous french newspaper L'Illustration and carries postcards for Yvon. He died in Paris, unmarried, in 1954 and is buried in Saint-Quentin, as his parents.

About the "Autochrome Lumière" Photos
The autochrome is a photographic reproduction of process colors patented December 17, 1903 by Auguste and Louis Lumière french brothers. This is the first industrial technique of photography colors, it produces positive images on glass plates. It was used between 1907 and 1932 approximately an particularly in many pictures of the World War I. A important number of photographs of mountains and landscapes around the world was made with this technique, particularly in the for the Project "The archives of the planet" by Albert Kahn.

___________________________________________
2019 - Wandering Vertexes...
by Francis Rousseau 

Tuesday, August 23, 2016

LES JUMEAUX - CASTOR & POLLUX BY FREDERIC GADMER




FREDERIC GADMER  (1878-1954)
Les Jumeaux - Castor (4, 233m-13,888ft) et Pollux (4, 092m-13,425ft) 
Switzerland -  Italy border  

Depuis le Gornergrat - Autochrome Lumière, 1921
Musée départemental Albert-Khan, Paris, France 


The mountains
Les Jumeaux (The Twins) are made  - as the name indicates clearly enough -   of two almost identical peaks of theValais Alps or Pennine Alps : Castor (4,223 meters - 13,888 ft)) in Italian Punta Castore and Pollux (4, 092 meters - 13,425ft) north-northwest. Castor is located between Breithorn and Mont Rose, Italy, just south of the Swiss- Italian border. The first ascent took place August 23, 1861.
The twins Castor and Pollux are separated by Zwillingsjoch (Italian: Passo di Verra, 3845 m).
Both peaks are so named in reference to the Dioscuri in Greek mythology, Castor and Pollux, sons of Zeus. The Greeks were not unanimous about Castor's origin. For some, he was the son of Leda and her husband Tyndareus. Conceived on the same night, Castor and Pollux were twin brothers, but Pollux, son of Zeus, was a semi-god, while Castor was mortal. For others, Castor was a son of Zeus as his brother.
The celebrity of the twin brothers Castor and Pollux  is mainly due to a dispute that took place between Castor and his cousin Idas, during which Idas strikes mortally Castor. Pollux takes revenge by killing Lynceus, brother of Idas. Zeus intervenes in the dispute and Idas blasts of lightning. But Pollux, inconsolable after the death of his brother, asked his father Zeus to remove him immortality to join his brother in the kingdom of the dead. Touched by so much love, Zeus left his son the opportunity to choose: stay forever young and live among the gods or pass in turn one day in the realm of the dead with Castor and one day in the kingdom of the gods. Yet if he chooses the second option, he would grow old and eventually die. Without any hesitation, Pollux chose the second alternative and lived with his brother between the two kingdoms.
Climbing route : From the refuge, take north on the glacier Felik passing to the right of Felikjoch (4,061m). From here follow the southeast snow to the summit of mount Castor. From the summit follow the ridge towards the secondary top (4,205 m- 13,796 ft), and the western slope joining the pass twins or Zwillingsjoch (3,845 m - 12,615 ft). From the pass, go up the southeast ridge to his left on mixed terrain to reach the summit of Pollux. From the summit the descent is via the southwest ridge on the Verra glacier from which we come to shelters guides Ayas and Mezzalama. Join St Jacques.


The artist
Frédéric Georges Gadmer was born in 1878 in France into a Protestant family;  his father, Leon, son of Swiss émigré, was confectioner, and his mother, Marie Georgine, was unemployed. Before World War II, he follows his family in Paris and works as a photographer for the house Vitry, located Quai de la Rapée. As an heliogravure company, it performs work for the sciences and the arts, travel and education. In 1898 Gadmer completed his military service as a secretary to the staff then recalled in 1914 at the time of mobilization. In 1915, he joined the newly created  "Photographic Section of the Army" and carried pictures on the front, in the Dardanelles, with General Gouraud, then in Cameroon. In 1919, at age 41, he was hired as a photographer byAlbert Khan for his project called "Archives of the Planet". He finds there his comrades of   "the film and photographic section of the army" Paul Castelnau and Fernand Cuville. Soon as he arrived, he made reports in Syria, Lebanon, Turkey and Palestine. It was the first to make a color portrait of Mustafa Kemal, leader of the Young Turks. In 1921, he returned to the Levant with Jean Brunhes, the scientific director of the Archives of the Planet. The same year, he attended General Gouraud, appointed High Commissioner in Syria. Operator and prolific photographer, specializing in distant lands and landscapes, it covers Iraq, Persia, Afghanistan, Algeria and Tunisia. In 1930, he accompanied Father Francis Aupiais in Dahomey. He also works in Europe. In 1931, at the request of Marechal Lyautey, he photographies the Colonial Exhibition. It is one of the last person to leave the  "Archives of the Planet" threatened by the Albert Kahn's bankruptcy in 1932. He then worked at the famous french newspaper L'Illustration and carries postcards for Yvon. He died in Paris, unmarried, in 1954 and is buried in Saint-Quentin, as his parents.
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About the Autochrome Lumière Photos
The autochrome is a photographic reproduction of process colors patented December 17, 1903 by Auguste and Louis Lumière  french brothers. This is the first industrial technique of photography colors, it produces positive images on glass plates. It was used between 1907 and 1932 approximately an particularly in many pictures of the World War I. A important number of photographs of mountains and landscapes around the world was made with this technique, particularly in the for  the Project "The archives of the planet" by Albert Kahn.