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Showing posts with label ANTONIO SMITH (1832-1877). Show all posts
Showing posts with label ANTONIO SMITH (1832-1877). Show all posts

Sunday, March 1, 2020

CERRO PICO DEL BARROSO PAINTED BY ANTONIO SMITH


 

ANTONIO SMITH (1832-1877)
Cerro Pico del Barroso (4 ,858 m - 15, 938 ft)
Chile

In El rio Cachapoal (Rancagua o'Higgins region, Chile), 1870
Museo Nacional de Bellas Artes, Santiago, Chile



The mountains
Cerro Pico del Barroso (4 ,858 m - 15, 938 ft) is a mountain  is located in the province of Provincia de Cachapoal and the region of Región de O'Higgins, in the southern part of the Chile, 110 km southeast of the capital Santiago de Chile. The terrain around Cerro Pico del Barroso is mainly mountainous, but to the southeast it is hilly.  Around Cerro Pico del Barroso is very sparsely populated, with 5 inhabitants per square kilometer. There are no communities nearby.
The Rio Cachapoal, which means "green" in the Mapudungun language, is a river in Chile located in the region of the Libertador General Bernardo O'Higgins. It flows into Lake Rapel. He gave his name to the Province of Cachapoal
It is a river of pluvio-nival regime, it has its source in the Andes, in the region of the Overo volcano, the Pico del Barroso and the Nevado de los Piuquenes.






The painter
Painter and caricaturist Chilean, Antonio Smith is considered the first satirico-politico artist of his country and one of the first truly contemporary painters, mainly cultivated the romantic landscape and exerted a considerable influence on later artists like Pedro Lira.
Son of an English father and Spanish mother, Antonio Smith studied at the National Institute of the Chilean capital, and then entered the Academy of fine arts, directed at that time by the Italian Alejandro Ciccarelli. During this time, the lessons taught in the Centre were subordinate to the rigid rules of pictorial academicism, inspired in turn by neoclassicism; This environment wasn't the young artist, who because of his disagreements with Ciccarelli, became the first student that would disappear from the Academy before the end of the studies. His eternal spirit of rebellion also led him to abandon the military career (1857), which had initiated in the cavalry squadron of grenadiers, to begin a life of dissident and 'Bohemian' artist, and frequent the most critical intellectual circles with the ruling classes of the country; then dedicated themselves to publishing cartoons in the pages of the literary mail that ridiculed to various public figures of the era, including, as not, the own Ciccarelli. The increasingly critical tone that was acquiring finally forced him to leave the country and go to Europe; This European stage, during which he/she worked in several Italian and French, painting workshops was crucial in defining its pictorial style and the definitive removal of academicism. In 1866 he/she returned to Chile, where he/she developed the rest of his career.

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2020 - Wandering Vertexes...
by Francis Rousseau

Friday, August 30, 2019

CERRO ACONCAGUA PAINTED BY ANTONIO SMITH


ANTONIO SMITH (1832–1877)
Cerro Aconcagua (6, 961m - 22,838ft) 
Argentina 

In Santiago de Chile desde Peñalolen, oil on canvas, 1875, Private collection

The mountain
Cerro Aconcagua (6,961 meters -22,838 ft) is the highest mountain outside of Asia and by extension the highest point in both the Western Hemisphere and the Southern Hemisphere. The origin of the name is contested; it is either from the Mapuche "Aconca-Hue", which refers to the Aconcagua River, the Quechua "Ackon Cahuak", meaning "Sentinel of Stone", or Quechua "Anco Cahuac", meaning "White Sentinel" or the Aymara "Janq'u Q'awa" meaning "White Ravine", "White Brook".
Aconcagua is located in the Andes mountain range, in the Mendoza Province, Argentina, and lies 112 kilometers (70 mi) northwest of its capital, the city of Mendoza and 108 km (67 mi) from Santiago de Chile (the capital of Chile). The summit is in fact located about 5 kilometers from San Juan Province and 15 kilometers from the international border with Chile; its nearest higher neighbor is Tirich Mir in the Hindu Kush, 16,520 kilometers (10,270 mi) away.
Aconcagua is one of the Seven Summit, which includes the highest mountains of each of the seven continents.  The 7 summits (which are obviously 8 !)... are :
Mt Everest (8,848m), Aconcagua (6,961m), Mt Denali or Mc Kinley (6,194m), Kilimandjaro (5,895m), Mt Elbrus (5,642m), Vinson Massif (4,892m), Mt Blanc (4,807m) and Mount Kosciuszko (2,228m).
Summiting all of them is regarded as a mountaineering challenge, first achieved on April 30, 1985 by Richard Bass.  Aconcagua was created by the subduction of the Nazca Plate beneath the South American Plate during the geologically recent Andean orogeny; but it is not a volcano. It is bounded by the Valle de las Vacas to the north and east and the Valle de los Horcones Inferior to the west and south. The mountain and its surroundings are part of the Aconcagua Provincial Park. The mountain has a number of glaciers. The largest glacier is the Ventisquero Horcones Inferior at about 10 km long, which descends from the south face to about 3600 m altitude near the Confluencia camp. Two other large glacier systems are the Ventisquero de las Vacas Sur and Glaciar Este/Ventisquero Relinchos system at about 5 km.

The painter
Miguel Antonio Smith Irisarri was a Chilean landscape painter, engraver, caricaturist and art teacher.
His father, Jorge, was a native of Scotland and served as the consul in Santiago. His mother, Carmen, was the daughter of independence leader Antonio José de Irisarri and the sister of poet Hermógenes Irisarri. His family wanted him to be a lawyer. With his own money, he purchased brushes and paints, but they were thrown away.
The failure of the Revolution of 1859 forced him to emigrate. He decided to go to France and, after a short time, became reasonably successful. However, the Bohemian lifestyle he had adopted caused him to squander his money, so he had to go to the United States to seek financial assistance from his grandfather, Antonio José, who at that time was a diplomat in New York. He then went to Italy, where he spent a year working with the landscape painter Carlo Marco. After that, he decided to return to Chile, despite the dangers involved in sea travel during the Chincha Islands War.
In 1866, following a difficult six-month voyage, he landed at San Antonio and joined a group of firefighters from Santiago, although he did not remain with them for long. Serious cultural reforms were sweeping the country, but he was amazed to see how little had changed at the Academy. That is, Ciccarelli was still in charge, so Smith established his own teaching workshop. In 1869, Ciccarelli was replaced by Ernst Kirchbach, a German painter who was more amenable to Smith, and they began sharing students. Some of his best-known students include Alfredo Valenzuela Puelma, Pedro Lira, Alberto Orrego Luco, Onofre Jarpa and Cosme San Martín.
Although an excellent teacher, he was very disorganized, painting when the mood struck him. As a result, many of his works were done quickly or left unfinished. His many imitators often make it difficult to assign authorship with certainty. The majority of his paintings are in private collections.

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2019 - Wandering Vertexes...
by Francis Rousseau 

Thursday, March 7, 2019

MONTE SAN VALENTIN BY ANTONIO SMITH



ANTONIO SMITH (1832-1877)
Monte San Valentin  (4,058 m - 13,314 ft)
Chile

 In  Paisaje cordillerano y laguna, oil on canvas, Pinacoteca Universidad de Concepción,  Chile 

The mountain 
Monte San Valentin  (4,058 m - 13,314 ft) , also known as Monte San Clemente, is the highest mountain in Chilean Patagonia  and the highest mountain south of 37°S outside Antarctica. It stands at the north end of the North Patagonian Icefield.
There is some confusion about the elevation. It was originally estimated at 3,876m by Nordenskjold in 1921 but later thought to be 4,058m. The latter is the most commonly quoted elevation and is quoted here. A French group that climbed the San Valentin in 1993 included two surveyors, who calculated an elevation of 4,080±20 m by using a GPS.  In 2001 a Chilean group measured 4,070±40 m, also using GPS.  SRTM and ASTER GDEM data also support an elevation in excess of 4,000 metres. However, Chilean IGM mapping gives only 3,910 metres. ChIGM maps are usually accurate and reliable,[citation needed] but the summit is uniformly white, which may have created problems for the cartographers.
Monte San Valentin can be climbed from Lago Leones, to the south east, or from Laguna San Rafael, to the west. The ascent is long and is particularly subject to bad weather. The accident and fatality rate is high.

The painter 
Painter and caricaturist Chilean, Antonio Smith is  considered the first satirico-politico artist of his country and one of the first truly contemporary painters, mainly cultivated the romantic landscape and exerted a considerable influence on later artists like Pedro Lira.
Son of an English father and Spanish mother, Antonio Smith studied at the National Institute of the Chilean capital, and then entered the Academy of fine arts, directed at that time by the Italian Alejandro Ciccarelli. During this time, the lessons taught in the Centre were subordinate to the rigid rules of pictorial academicism, inspired in turn by neoclassicism; This environment wasn't the young artist, who because of his disagreements with Ciccarelli, became the first student that would disappear from the Academy before the end of the studies. His eternal spirit of rebellion also led him to abandon the military career (1857), which had initiated in the cavalry squadron of grenadiers, to begin a life of dissident and 'Bohemian' artist, and frequent the most critical intellectual circles with the ruling classes of the country; then dedicated themselves to publishing cartoons in the pages of the literary mail that ridiculed to various public figures of the era, including, as not, the own Ciccarelli. The increasingly critical tone that was acquiring finally forced him to leave the country and go to Europe; This European stage, during which he/she worked in several Italian and French, painting workshops was crucial in defining its pictorial style and the definitive removal of academicism. In 1866 he/she returned to Chile, where he/she developed the rest of his career.

___________________________________________
2019 - Wandering Vertexes...
by Francis Rousseau