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Showing posts with label HENRY JOSEPH BREUER (1860-1932). Show all posts
Showing posts with label HENRY JOSEPH BREUER (1860-1932). Show all posts

Tuesday, October 30, 2018

MOUNT ASSINIBOINE BY HENRY JOSEPH BREUER


http://wanderingvertexes.blogspot.com

HENRY JOSEPH BREUER  (1860-1932) 
Mount Assiniboine (3,618m - 11,870ft) 
Canada (Alberta)

The mountain
Mount Assiniboine (3,618m - 11,870ft) also known as Assiniboine Mountain, is a pyramidal peak mountain located on the Great Divide, on the British Columbia/Alberta border in Canada.
It is the highest peak in the Southern Continental Ranges of the Canadian Rockies. Mt. Assiniboine rises nearly 1,525 m (5,003 ft) above Lake Magog. Because of its resemblance to the Matterhorn in the Alps, it is nicknamed the "Matterhorn of the Rockies". Mt. Assiniboine was named by George M. Dawson in 1885. When Dawson saw Mt. Assiniboine from Copper Mountain, he saw a plume of clouds trailing away from the top. This reminded him of the plumes of smoke emanating from the teepees of Assiniboine Indians. Mt. Assiniboine lies on the border between Mount Assiniboine Provincial Park, in British Columbia, and Banff National Park, in Alberta. The park does not have any roads and thus can only be reached by a six-hour hike 27 km (17 mi), three-hour bike ride (now disallowed to reduce human / grizzly encounters) or helicopter. The usual approach is via Bryant Creek. From Canmore follow the Smith-Dorien road to the Mount Shark parking lot. The trail is well signed. A helipad is also here.
Mt. Assiniboine was first climbed in 1901 by James Outram, Christian Bohren and Christian Hasler. In 1925, Lawrence Grassi became the first person to make a solo ascent. On August 27, 2001, Bohren's granddaughter Lonnie along with three others made a successful ascent, celebrating the 100th anniversary of the first ascent.

The painter 
Not to be  confused with the austrian physician, Joseph Breuer, Henry-Joseph Breuer, born in Philadelphia, Pennsylvania,  in 1860, is a american painter who earned a reputation as a well-known "painter of poetic landscapes."  He studied art during the 1870s in Buffalo, New York, and then worked as a designer-decorator for the Rockwood Pottery Company in Cincinnati where he also attended the Art Academy. He worked for five years as a lithographer in New York City. 

In 1888, he settled in San Francisco where he became art editor for the San Francisco Chronicle and Californian magazine. Then he went to France for art study and was influenced by the Barbizon School of impressionist painters of rural landscapes. 

Living out of a horse-drawn wagon, he traveled extensively along the western coast of California and Oregon, painting and earning a national reputation for his landscapes. He also painted in Arizona including Canyon de Chelly in Navajo country and did commissioned views of the San Gabriel Valley for the St. Louis Exposition in 1904.

In 1903 he spent two weeks in  Mount Shasta which had a great impact on him. In the Cincinatti  Time Stars he wrote:  " I board a train to some station somewhere near Mount Shasta,and this into the woods. I man a one- man camp every night for two weeks.  It was cold and sometimes miserable in the thick, wet, cold mist of the mountain side, but the days were grand before that high, white altar, Shasta! I shall feel for all my life that I was a true pilgrim, and for the sake of days like that, I am happy to be what I am, a landscape painter..."

_______________________________
2018 - Wandering Vertexes...

by Francis Rousseau 

Saturday, January 21, 2017

BISHOP PEAK PAINTED BY HENRY-JOSEPH BREUER


HENRY JOSEPH BREUER (1860-1932)
Bishop peak (471m - 1,546ft)
United States of America (California)  

oil on canvas, 1920


The mountain 
Bishop Peak (471m- 1,546ft) is a volcanic plug in San Luis Obispo, California. It is the tallest of the Morros or "Nine Sisters", a chain of similar peaks stretching to Morro Bay. It's mistakenly said to take its name from its resemblance to a bishop's miter, however, it is actually named in homage to the town's name (San Luis Obispo). "Obispo" is the Spanish word for Bishop, and It is frequently referred to by locals as "Bishop's Peak".
Like the other Morros, Bishop Peak is primarily composed of dacite. About 20 to 25 million years ago, magma welled up underneath a layer of softer rock and solidified. The softer overlying rock has since eroded away, leaving a distinct rugged shape.
In the past some quarrying has taken place, primarily to provide stone for the nearby city of San Luis Obispo.  Currently Bishop Peak Natural Reserve includes 350 acres (1.4 km2) of land purchased or donated since 1977.
There are several trails in the Open Space with trailheads on Patricia Drive and at the end of Highland Drive. The Felsman Loop Trail covers the northeast base and connects with Bishop Peak Trail, which climbs the South slope to the summit. There is a third possible trailhead on Foothill Blvd. accessing a steep fall line trail on private property which intersects the Bishop Peak Trail partway up. Residents surrounding Bishop Peak prefer for hikers to use the Patricia Drive Trailhead, which offers a 4.2 miles (6.8 km) round trip hike to the summit, ascending 1,175 feet (360 m).
There are many access trails that rock climbers use regularly on Bishop Peak to access different climbing walls. One of these trails, the 'Oh Man' trail starts just to the left of the cracked wall, which is off of the Highland or Patricia Drive trailheads, and it can be taken as an alternate route to the summit. It was named the 'Oh Man' trail due to the fact that it is a short, sprinty trail and it must be taken at a steady tempo in order to maintain safety.

The painter 
Not to be  confused with the austrian physician, Joseph Breuer, Henry Joseph Breuer, born in Philadelphia, Pennsylvania,  in 1860 is a american painter who earned a reputation as a well-known "painter of poetic landscapes."  He studied art during the 1870s in Buffalo, New York, and then worked as a designer-decorator for the Rockwood Pottery Company in Cincinnati where he also attended the Art Academy. He worked for five years as a lithographer in New York City. 

In 1888, he settled in San Francisco where he became art editor for the San Francisco Chronicle and Californian magazine. Then he went to France for art study and was influenced by the Barbizon School of impressionist painters of rural landscapes. 

Living out of a horse-drawn wagon, he traveled extensively along the western coast of California and Oregon, painting and earning a national reputation for his landscapes. He also painted in Arizona including Canyon de Chelly in Navajo country and did commissioned views of the San Gabriel Valley for the St. Louis Exposition in 1904.

In 1903 he spent two weeks in  Mount Shasta which had a great impact on him. In the Cincinatti  Time Stars he wrote: 
" I board a train to some station somewhere near Mount Shasta,and this into the woods. I man a one- man camp every night for two weeks.  It was cold and sometimes miserable in the thick, wet, cold mist of the mountain side, but the days were grand before that high, white altar, Shasta! I shall feel for all my life that I was a true pilgrim, and for the sake of days like that, I am happy to be what I am, a landscape painter..."

Sunday, October 16, 2016

MOUNT SHASTA BY HENRY JOSEPH BREUER



HENRY JOSEPH BREUER  (1860-1932) 
Mount Shasta (4,322 m - 14,179 ft)
United Sates of America  (California)

oil on canvas,1903

The mountain 
Mount Shasta (4,322 m- 14,179 ft) named after a tribe of native american the Shasta, is also called "Uytaahkoo" (in Karuk) or "White Mountain". It  is a potentially active volcano (last known eruption in 1786) at the southern end of the Cascade Range in Siskiyou County, California. Mount Shasta  is the most voluminous stratovolcano in the Cascade Volcanic ArcThe mountain and its surrounding area are managed by the U.S. Forest Service as part of the Shasta-Trinity National Forest. Mount Shasta was declared a National Natural Landmark in December 1976.
In his Picturesque California in 1888, John Muir  described Mount Shasta and its area  "The Shasta region is still a fresh unspoiled wilderness, accessible and available for travelers of every kind and degree. Would it not be a fine thing to set it apart like the Yellowstone and Yosemite as a National Park for the welfare and benefit of all mankind, preserving its fountains and forests and all its glad life in primeval beauty?"
At the time of Euro-American contact in the 1820s, the Native American tribes who lived within view of Mount Shasta included: the ShastaOkwanuchuModocAchomawiAtsugewiKarukKlamathWintu, and Yana tribes. 
The historic eruption of Mount Shasta in 1786 may have been observed by the french explorer Lapérouse. Although perhaps first seen by Spanish explorers, the first reliably reported land sighting of Mount Shasta by a European or American was by Peter Skene Ogden (a leader of a Hudson's Bay Company trapping brigade) in 1826. In 1827, the name "Sasty" or "Sastise" was given to nearby Mount McLoughlin by Ogden. The name was transferred to present-day Mount Shasta in 1841, partly as a result of work by the United States Exploring Expedition.
The lore of some of the Klamath Tribes in the area held that Mount Shasta is inhabited by the Spirit of the Above-World, , who descended from heaven to the mountain's summit at the request of a Klamath chief. Skell fought with Spirit of the Below-World, Llao, who resided at Mount Mazama by throwing hot rocks and lava, probably representing the volcanic eruptions at both mountains.
 A group of Native Americans from the McCloud River area practice rituals on the mountain.
Mount Shasta has also been a focus for non-Native American legends, centered on a hidden city of advanced beings from the lost continent of Lemuria. The legend grew from an offhand mention of Lemuria in the 1880s, to a description of a hidden Lemurian village in 1925. In 1931, Wisar Spenle Cerve wrote Lemuria: the lost continent of the Pacific, published by the Rosicrucians, about the hidden Lemurians of Mount Shasta that cemented the legend in many readers' minds.
In August 1987, believers in the spiritual significance of the Harmonic Convergence described Mount Shasta as one of a small number of global "power centers". Mount Shasta remains a focus of "New Age" attention.
Mount Shasta is connected to nearby Shastina, and they dominate the northern California landscape. 
The mountain consists of four overlapping volcanic cones that have built a complex shape, including the main summit and the prominent satellite cone of 12,330 ft (3,760 m) Shastina, which has a visibly conical form. If Shastina were a separate mountain, it would rank as the fourth-highest peak of the Cascade Range (after Mount Rainier, Rainier's Liberty Cap, and Mount Shasta itself).
Mount Shasta's surface is relatively free of deep glacial erosion except, paradoxically, for its south side where Sargents Ridge runs parallel to the U-shaped Avalanche Gulch. This is the largest glacial valley on the volcano, although it does not presently have a glacier in it. There are seven named glaciers on Mount Shasta, with the four largest (Whitney, Bolam, Hotlum, and Wintun) radiating down from high on the main summit cone to below 10,000 ft (3,000 m) primarily on the north and east sides. The Whitney Glacier is the longest, and the Hotlum is the most voluminous glacier in the state of California. Three of the smaller named glaciers occupy cirques near and above 11,000 ft (3,400 m) on the south and southeast sides, including the Watkins, Konwakiton, and Mud Creek glaciers.
Climbing Mount Shasta
The first recorded ascent of Mount Shasta occurred in 1854 (by Elias Pearce), after several earlier failed attempts. In 1856, the first women (Harriette Eddy, Mary Campbell McCloud, and their party) reached the summit. By the 1860s and 1870s, Mount Shasta was the subject of scientific and literary interest. A book by California pioneer and entrepreneur James Hutchings, titled Scenes of Wonder and Curiosity in California, contained an account of an early summit trip in 1855. The summit was achieved (or nearly achieved) by John MuirJosiah WhitneyClarence King, and John Wesley Powell. In 1877, Muir wrote a dramatic popular article about his surviving an overnight blizzard on Mount Shasta by lying in the hot sulfur springs near the summit. This experience was inspiration to Kim Stanley Robinson's short story "Muir on Shasta".
The 1887 completion of the Central Pacific Railroad, built along the line of the Siskiyou Trail between California and Oregon, brought a substantial increase in tourism, lumbering, and population into the area around Mount Shasta. Early resorts and hotels, such as Shasta Springs and Upper Soda Springs, grew up along the Siskiyou Trail around Mount Shasta, catering to these early adventuresome tourists and mountaineers.
Many climbers attempt the summit of Mount Shasta. The summer climbing season runs from late April until October, although many attempts are made in the winter. Avalanches and rapidly changing weather conditions make winter climbs more dangerous, however rock fall is a threat year round. Visit the Shasta-Trinity National Forest  web-site for more general information regarding other activites and safety information for The Shasta-Trinity National Forest.
Mount Shasta is also a popular destination for backcountry skiing. Many of the climbing routes can be descended by experienced skiers, and there are numerous lower-angled areas around the base of the mountain.
The most popular route on Mount Shasta is Avalanche Gulch route, which begins at the Bunny Flat Trailhead and gains about 7,300 feet (2,200 m) of elevation in approximately 11.5 miles (18.5 km) round trip. The crux of this route is considered to be to climb from Lake Helen, at approximately 10,443 feet (3,183 m), to the top of Red Banks. The Red Banks are the most technical portion of the climb, as they are usually full of snow/ice, are very steep, and top out at around 13,000 feet (4,000 m) before the route heads to Misery Hill. The Casaval Ridge route is a steeper, more technical route on the mountain's southwest ridge best climbed when there's a lot of snow pack. This route tops out to the left (north) of the Red Banks, directly west of Misery Hill. So the final sections involve a trudge up Misery Hill to the summit plateau, similar to the Avalanche Gulch route.Mount Shasta's west face as seen from Hidden Valley high on the mountain. The west face gulley is an alternate climbing route to the summit.
No quota system currently exists for climbing Mount Shasta, and reservations are not required. However, climbers must obtain a summit pass and a wilderness permit to climb the mountain. Permits and passes are available at the ranger station in Mount Shasta and the ranger station in McCloud, or climbers can obtain self-issue permits and passes at any of the trailheads 24 hours a day.
Sources:

The painter 
Not to be  confused with the austrian physician, Joseph Breuer, Henry Joseph Breuer, born in Philadelphia, Pennsylvania,  in 1860 is a american painter who earned a reputation as a well-known "painter of poetic landscapes."  He studied art during the 1870s in Buffalo, New York, and then worked as a designer-decorator for the Rockwood Pottery Company in Cincinnati where he also attended the Art Academy. He worked for five years as a lithographer in New York City. 

In 1888, he settled in San Francisco where he became art editor for the San Francisco Chronicle and Californian magazine. Then he went to France for art study and was influenced by the Barbizon School of impressionist painters of rural landscapes. 

Living out of a horse-drawn wagon, he traveled extensively along the western coast of California and Oregon, painting and earning a national reputation for his landscapes. He also painted in Arizona including Canyon de Chelly in Navajo country and did commissioned views of the San Gabriel Valley for the St. Louis Exposition in 1904.

In 1903 he spent two weeks in  Mount Shasta which had a great impact on him. In the Cincinatti  Time Stars he wrote: 
" I board a train to some station somewhere near Mount Shasta,and this into the woods. I man a one- man camp every night for two weeks.  It was cold and sometimes miserable in the thick, wet, cold mist of the mountain side, but the days were grand before that high, white altar, Shasta! I shall feel for all my life that I was a true pilgrim, and for the sake of days like that, I am happy to be what I am, a landscape painter..."

Sources: 
- Edan Hughes, Artists in California, 1786-1940
- Peggy and Harold Samuels, The Illustrated Biographical Encyclopedia of Artists of the American West