CLYDE PEAK PAINTED BY ARTHUR P. COLEMAN

 

ARTHUR P. COLEMAN (1852-1939)
Clyde Peak (2,624 m - 8,610 ft)
United States of America (Montana)

In Mountain South Clide, watercolor on paper, 1895 A.P Coleman Funds.

The mountain
Clyde Peak 2,624 m- is an 8,610 ft) is  located in Glacier National Park in the U.S. state of Montana. The mountain straddles the border shared by Flathead County and Glacier County. It is situated on the Continental Divide so precipitation runoff from the west side of the mountain drains into Thompson Creek which is part of the Middle Fork Flathead Riverwatershed, and the east side drains into headwaters of Red Eagle Creek, which flows to Red Eagle Lake, thence Saint Mary Lake. It is set in the Lewis Range, and the nearest higher neighbor is Mount Logan 1.44 mile to the northwest. Topographic relief is significant as the southwest aspect rises approximately 4,000 feet (1,220 meters) in one mile.
The mountain's name commemorates Norman Clyde (1885–1972), who made the first ascent of this peak on July 23, 1923.  Clyde is credited with 130 first ascents, most of which were in the Sierra Nevada of California.[ In 1923 he spent 36 days in Glacier National Park, Montana, where he climbed 36 mountains, including 11 first ascents.

The painter
Arthur Philemon Coleman was a Canadian a geologist, professor, minerals prospector, artist, Rockies explorer, backwoods canoeist, world traveller, scientist, popular lecturer, museum administrator, memoirist and... one of Canada’s most beloved scientist.
Arthur Coleman is a fine example of that rare bird, a polished amateur artist whose drawings and paintings stand comfortably beside those of many professionals. He was active during the time when sketching and painting was ceding to photography the task of recording the visible world. Although he was also a photographer, painting was, for him, both a poetic and a descriptive pursuit, a way of wrapping an artistic expression around a phenomenon he was interested in or moved by. Thus motivated, Coleman's paintings give much joy and command a good deal of respect. The more surprising, perhaps given that he used to introduced himself more as a geologist than a painter.
Coleman travelled throughout the United States for professional conferences as well as geological field work. He visited many of the major American mountain ranges including: the American Cordillera Mountains (Washington, Oregon and California); the Sierra Nevada Mountains (California and Nevada); Yellowstone National Park (Wyoming, Montana and Idaho); and the Appalachian Mountains (eastern United States). Pleistocene glaciation had extended in Northern Europe as far south as Berlin and London and covered an area of two million square miles. Coleman also visited such countries as India, Australia, Brazil, Argentina, Scandinavia, Bolivia, New Zealand, South Africa and Uruguay. In his final years he made two expeditions to the Andes in Colombia, to mountains in Southern Mexico and to two mountains in Central America. He achieved the first ascent of Castle Mountain in 1884, and in 1907, he was the first white man to attempt to climb Mount Robson. He made a total of eight exploratory trips to the Canadian Rockies, wholly four of them looking for the mythical giants of Hooker and Brown.
From 1901 to 1922, he was a Professor of Geology at the University of Toronto and was Dean of the Faculty of Arts from 1919 to 1922. From 1931 to 1934, he was a geologist with the Department of Mines of the Government of Ontario. He was elected a Fellow of the Royal Society of Canada in 1900 and was its President in 1921. In 1929, he was appointed Honorary Vice-President of the Royal Canadian Geographical Society.
"Mount Coleman" and "Coleman Glacier" in Banff National Park is named in his honor. He was awarded the Penrose Medal in 1936.
He planned to climb "his" mountain, "Mount Coleman"'in the Albertan Rockies, and had also prepared a trip to British Guiana, but death intervened.
He was author of:
- Reports on the Economic Geology of Ontario (1903)
- Lake Ojibway; Last of the Great Glacial Lakes (1909)
- The Canadian Rockies: New and Old Trails (1911)
- Ice Ages, Recent and Ancient (1926), and was co-author of Elementary Geology (1922).
- The Last Million Years (1941) edited by George F. Kay

 
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2021 - Wandering Vertexes...
by Francis Rousseau

LONGS PEAK PAINTED BY THOMAS WORTHINGTON WHITTREDGE

THOMAS WORTHINGTON WHITTREDGE (1820-1910)
Longs Peak (4,346 m - 14, 259 ft)
United States of America (Colorado)

In Longs Peak (Colorado), oil on canvas, c1870, Museum of Fine Arts, Boston 

The mountain
Longs Peak (4,346 m - 14, 259 ft) is a high and prominent mountain summit in the northern Front Range of the Rocky Mountains of North America. This fourteener is located in the Rocky Mountain National Park Wilderness, 9.6 miles (15.5 km) southwest by south (bearing 209°) of the town of Estes Park, Colorado, United States. Longs Peak is the northernmost fourteener in the Rocky Mountains and the highest point in Boulder County and Rocky Mountain National Park. The mountain was named in honor of explorer Stephen Harriman Long and is featured on the Colorado state quarter. Longs Peak can be prominently seen from Longmont, Colorado, as well as from most of the northern Front Range Urban Corridor, being is one of the most prominent mountains in Colorado, rising 9,000 feet (2,700 m) above the western edge of the Great Plains. The peak is named for Major Stephen Long, who is said to be the first to spot the great mountains on behalf of the U.S. Government on June 30, 1820. Together with the nearby Mount Meeker, the two are sometimes referred to as the Twin Peaks (not to be confused with a nearby lower mountain called Twin Sisters). As the only fourteener in Rocky Mountain National Park, the peak has long been of interest to climbers. The easiest route is not "technical" during the summer season. It was probably first used by pre-Columbian indigenous people collecting eagle feathers.

The first recorded ascent was in August 23, 1868 by the surveying party of John Wesley Powell via the south side. The East Face of the mountain is 1,675 feet steep and is surmounted by a 1,000 feet steep sheer cliff known as "The Diamond" (so-named because of its shape, approximately that of a cut diamond seen from the side and inverted - see image at right).  The oldest person to summit Longs Peak was Rev. William "Col. Billy" Butler, who climbed it on September 2, 1926, his 85th birthday. In 1932, Clerin “Zumie” Zumwalt summited Longs Peak 53 times.
Longs Peak has one remaining glacier named Mills Glacier. The glacier is located around 12,800 feet (3,900 m) at the base of the Eastern Face, just above Chasm Lake. A permanent snowfield, called The Dove, is located north of Longs Peak. Longs Peak is one of fewer than 50 mountains in Colorado that have a glacier.

The painter
Thomas Worthington Whittredge was an American artist of the Hudson River School. Whittredge was a highly regarded artist of his time, and was friends with several leading Hudson River School artists including Albert Bierstadt and Sanford Robinson Gifford. He traveled widely and excelled at landscape painting, many examples of which are now in major museums. He served as president of the National Academy of Design from 1874 to 1875 and was a member of the selection committees for the 1876 Philadelphia Centennial Exposition and the 1878 Paris Exposition, both important venues for artists of the day.  Whittredge journeyed across the Great Plains to the Rocky Mountains in 1865 with Sanford Gifford and John Frederick Kensett. The trip resulted in some of Whittredge's most important works—unusually oblong, sparse landscapes that captured the stark beauty and linear horizon of the Plains. Whittredge later wrote in his autobiography, "I had never seen the plains or anything like them. They impressed me deeply. I cared more for them than for the mountains... Whoever crossed the plains at that period, notwithstanding its herds of buffalo and flocks of antelope, its wild horses, deer and fleet rabbits, could hardly fail to be impressed with its vastness and silence and the appearance everywhere of an innocent, primitive existence."
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2021 - Wandering Vertexes...
by Francis Rousseau

THE GRAND TETON (3) PAINTED BY EVE DREWELOWE

 

EVE DREWELOWE (1899-1988)

Grand Teton  (4,199 m - 13,775 ft)

United States of America (Wyoming)

In Sunlit sumit (Grand Teton) watercolor, 1949- Collection Kirkland, Museum of Fine & Decorative Art.

 
About this painting
This watercolor is a variation painted almost 10 years after a first watercolor dating from the 1930s, in exactly the same place but in a different season, in warmer colors and, as we can see, on a day when the sun appeared between the clouds.

The mountain
Grand Teton (4,199 m - 13,775 ft) is the highest mountain in Grand Teton National Park in Northwest Wyoming, and a classic destination in American mountaineering. It is the highest point of the Teton Range, and the second highest peak in the U.S. state of Wyoming after Gannett Peak. The mountain is entirely within the Snake River drainage basin, which it feeds by several local creeks and glaciers.The Teton Range is a subrange of the Rocky Mountains, which extend from southern Alaska to northern New Mexico.
Grand Teton's name was first recorded as Mount Hayden by the Washburn-Langford-Doane Expedition of 1870. However, the name "the Grand Teton" had early currency. The Edition of April, 1901 of the USGS 1:125,000 quadrangle map of the area shows "Grand Teton" as the name of the peak. A United States National Park named "Grand Teton National Park" was established by law in 1929. By 1931, the name Grand Teton Peak was in such common usage that it was recognized by the USGS Board on Geographic Names. Another shift in usage led the Board to shorten the name on maps to Grand Teton in 1970. The origin of the name is disputed. The most common explanation is that "Grand Teton" means "large teat" in French, named by either French-Canadian or Iroquois members of an expedition led by Donald McKenzie of the North West Company. However, other historians disagree, and claim that the mountain was named after the Teton Sioux tribe of Native Americans.

The painter
Eve Drewelowe was an American painter. Her career spanned six decades and produced more than 1,000 works of art in oil, watercolor, pen and ink and other media in styles that included impressionism, social realism and abstraction.
Despite dabbling with other artistic styles, Drewelowe always showed an inclination toward landscapes. She once said: “my waking thought from an embryo on was my need to be an artist.”
Though never known to have used the word to describe herself, Eve Drewelowe is often considered a feminist artist. Her personal life exhibited feminist themes: the artist retained her maiden name and publicly stated a disinterest in housework and parenting. Drewelowe chose not to take her husband’s last name because in her opinion it should not matter to others whether she is married or not. When Drewelowe and Van Ek returned from their travels and started building a house together. She did not want to be involved in the pleasantries of being the dean’s wife, especially hosting dinner parties, so she specified to have the house built lacking a dining room. She always maintained that she did not want to have children of her own, much to her mother’s dismay.
Although Drewelowe is mainly renowned in Colorado and Iowa, she had solo exhibitions all over the country. Her work was shown at National Association of Women Artists exhibitions, the Art Institute of Chicago, the Denver Art Museum, the National Museum of Women in the Arts and numerous other esteemed institutions. Although women had been in the profession of art for 20–30 years at the beginning of Drewelowe’s career, she still faced opposition and sexism. Critics believe that she could have been much more acclaimed had she not been a woman and had she not fallen ill at the peak of her career. Others believe that her “reincarnation” and transition to abstract paintings increased Drewelowe’s popularity as an artist by keeping her relevant in an evolving artistic world.

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2021 - Wandering Vertexes...
by Francis Rousseau
 

TETON RANGE PAINTED BY THOMAS MORAN

THOMAS MORAN (1837-1926)
Grand Teton (4,199 m - 13,775 ft)
United States of America (Wyoming)

In Teton range, Oil on cnavas, 1897, 76.2 x 114.3 cm, The MET, (on view on Gallery 765)

 About this painting in the MET note
" As Albert Bierstadt claimed the Rocky Mountains and the Sierra Nevada for his art, so Moran made the Yellowstone region and the Grand Canyon his signature subjects. His dazzling watercolors of Yellowstone led directly to its designation, in 1872, as the first national park. A native of Great Britain and an ardent admirer of the English painter J. M. W. Turner, Moran used prismatic color to capture the splendors of the American West—such as this dramatic view of the Tetons, located just south of Yellowstone. For centuries, Indigenous communities lived on and cared for this land, yet they are notably absent from Moran’s work. Instead, the artist depicted the landscape as an untouched pre-industrial paradise—thus, ripe for White settlement and colonization "

The mountain
Grand Teton (4,199 m - 13,775 ft) is the highest mountain in Grand Teton National Park in Northwest Wyoming, and a classic destination in American mountaineering. It is the highest point of the Teton Range, and the second highest peak in the U.S. state of Wyoming after Gannett Peak. The mountain is entirely within the Snake River drainage basin, which it feeds by several local creeks and glaciers.The Teton Range is a subrange of the Rocky Mountains, which extend from southern Alaska to northern New Mexico.  Grand Teton's name was first recorded as Mount Hayden by the Washburn-Langford-Doane Expedition of 1870. However, the name "the Grand Teton" had early currency. The Edition of April, 1901 of the USGS 1:125,000 quadrangle map of the area shows "Grand Teton" as the name of the peak. A United States National Park named "Grand Teton National Park" was established by law in 1929. By 1931, the name Grand Teton Peak was in such common usage that it was recognized by the USGS Board on Geographic Names. Another shift in usage led the Board to shorten the name on maps to Grand Teton in 1970. The origin of the name is disputed. The most common explanation is that "Grand Teton" means "large teat" in French, named by either French-Canadian or Iroquois members of an expedition led by Donald McKenzie of the North West Company. However, other historians disagree, and claim that the mountain was named after the Teton Sioux tribe of Native Americans.

The painter
Thomas Moran was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.
Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.
Thomas Moran has a painting exhibited as part of the White House collection with The Three Tetons painted in 1895.

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2020 - Wandering Vertexes...
by Francis Rousseau

UNCOMPAHGRE PEAK PAINTED BY CHARLES PARTRIDGE ADAMS

CHARLES PARTRIDGE ADAMS (1858 -1942)

Uncompahgre Peak / San Juan Mountains  (4,361 m -  14,309 ft)

United States of America  (Colorado)

 In Gathering Storm near San Juan mountains, oil on canvas, 1899

The mountain
Uncompahgre Peak  (4,361 m -  14,309 ft)(is the sixth highest summit of the Rocky Mountains of North America and the U.S. state of Colorado. The prominent  fourteener is the highest summit of the San Juan Mountains and the highest point in the drainage basin of the Colorado River and the Gulf of California. It is located in the Uncompahgre Wilderness in the northern San Juans, in northern Hinsdale County approximately 7 miles (11 km) west of the town of Lake City.
Uncompahgre Peak has a broad summit plateau, rising about 1,500 ft (500 m) above the broad surrounding alpine basins. The south, east and west sides are not particularly steep, but the north face boasts a 700 ft (210 m) cliff. Like all peaks in the San Juan Mountains, Uncompahgre is of volcanic origin, but is not a volcano. The rock is of poor quality for climbing, precluding an ascent of the north face.
The peak's name comes from the Ute word Uncompaghre, which loosely translates to "dirty water" or "red water spring" and is likely a reference to the many hot springs in the vicinity of Ouray, Colorado.

The painter
Charles Partridge Adams was a largely self-taught American landscape artist who painted primarily in Colorado, and secondarily in California. Some paintings were also made in other Rocky Mountain states, the Pacific Northwest and Canada, and a few in Louisiana, the East Coast and Europe.
Adams is widely considered to have been Colorado’s finest landscape artist. He is best known for his stunning views of snowy mountain peaks in early morning or sunset light, or wreathed in storm clouds, and for his luminous sunset and twilight paintings of the river bottoms near Denver. His works show an intensely personal and poetic response to the Colorado mountains and plains, with unusual sensitivity to the changing effects of light, atmosphere and season.
More about the painter =>

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2020 - Wandering Vertexes..
by Francis Rousseau

TEEWINOT MOUNTAIN PAINTED BY EVE DREWELOWE

 

EVE DREWELOWE (1899-1988)

Teewinot Mountain (3,758 m - 12,330 ft)  

United States of America  (Wyoming)

In Teeweenot Wyoming (Grand Teton) 1930-40, oil on canvas, University of Iowa 

The mountain
Teewinot Mountain (3,758 m - 12,330 ft) is the sixth highest peak in the Teton Range, Grand Teton National Park, Wyoming. The name of the mountain is derived from the Shoshone Native American word meaning "many pinnacles". The peak is northeast of the Grand Teton, and the two are separated from one another by the Teton Glacier and Mount Owen.
The 40 miles (64 km) long Teton Range is the youngest mountain chain in the Rocky Mountains, and began their uplift 9 million years ago, during the Miocene.  Several periods of glaciation have carved Teewinot Mountain and the other peaks of the range into their current shapes. Broken Falls is one of the tallest cascades in Grand Teton National Park and descends 300 feet (91 m) down the eastern slopes of Teewinot Mountain.

The painter
Eve Drewelowe was an American painter. Her career spanned six decades and produced more than 1,000 works of art in oil, watercolor, pen and ink and other media in styles that included impressionism, social realism and abstraction. Despite dabbling with other artistic styles, Drewelowe always showed an inclination toward landscapes. She once said: “My waking thought from an embryo on was my need to be an artist.”
Though never known to have used the word to describe herself, Eve Drewelowe is often considered a feminist artist. Her personal life exhibited feminist themes: the artist retained her maiden name and publicly stated a disinterest in housework and parenting. Drewelowe chose not to take her husband’s last name because in her opinion it should not matter to others whether she is married or not. When Drewelowe and Van Ek returned from their travels and started building a house together. She did not want to be involved in the pleasantries of being the dean’s wife, especially hosting dinner parties, so she specified to have the house built lacking a dining room. She always maintained that she did not want to have children of her own, much to her mother’s dismay.
Although Drewelowe is mainly renowned in Colorado and Iowa, she had solo exhibitions all over the country. Her work was shown at National Association of Women Artists exhibitions, the Art Institute of Chicago, the Denver Art Museum, the National Museum of Women in the Arts and numerous other esteemed institutions. Although women had been in the profession of art for 20–30 years at the beginning of Drewelowe’s career, she still faced opposition and sexism. Critics believe that she could have been much more acclaimed had she not been a woman and had she not fallen ill at the peak of her career. Others believe that her “reincarnation” and transition to abstract paintings increased Drewelowe’s popularity as an artist by keeping her relevant in an evolving artistic world.
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2019 - Wandering Vertexes...
by Francis Rousseau

MOUNT OXFORD PAINTED BY ROBERT SELDON DUNCANSON

ROBERT SELDON DUNCANSON (1821-1872)

Mount Oxford (4,316 m- 14,160 ft ) 

United States of America (Colorado) 

The painter 

Robert Seldon Duncanson  was a nineteenth century American artist of European and African ancestry known for his contributions to landscape painting. Inspired by famous American landscape artists like Thomas Cole, Duncanson created renowned landscape paintings and is considered a second generation Hudson River School artist.  Duncanson spent the majority of his career in Cincinnati, Ohio and helped develop the Ohio River Valley landscape tradition. As a free black man in antebellum America, Duncanson utilized the white abolitionist community in America and England to support and promote his work. 

Duncanson is considered the first African-American artist to be internationally known. 

He operated in the elite cultural circles of Cincinnati, Detroit, Montreal, and London. The primary art historical debate centered on Duncanson concerns the role that contemporary racial issues played in his work. Some art historians, like Joseph D. Ketner, believe that Duncanson used racial metaphors in his artwork, while others, like Margaret Rose Vendryes, discourage viewers from approaching his art with a racialized perspective.

Landscape painting was a particularly important genre from the 1830s to the 1900s. Duncanson was intrigued by landscape painting.  In 1851, Duncanson's created one most well-known landscape paintings from this time period, Blue Hole, Flood Waters, Miami River. 

In 1853, Duncanson embarked on the traditional "grand tour" of Europe, completed by many contemporary artists, which exposed him to the art world and provided inspiration for many of his future landscape works.  In 1861, Duncanson created his "greatest work"—Land of the Lotus Eaters. This painting was Duncanson's most widely acclaimed work. Moreover, Duncanson intended for the work to receive this tremendous acclaim. He planned to exhibit the work on a European tour before he even began painting it.

The mountain 
Mount Oxford (4,316 m- 14,160 ft ) is a high mountain summit of the Collegiate Peaks in the Sawatch Range of the Rocky Mountains of North America. The 14,160-foot (4,316 m) fourteener is located in the Collegiate Peaks Wilderness of San Isabel National Forest, 14.2 miles (22.9 km) northwest (bearing 311°) of the Town of Buena Vista in Chaffee County, Colorado, United States. The mountain was named in honor of the University of Oxford.

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2019 - Wandering Vertexes...

by Francis Rousseau 

MOUNT SOPRIS BY CHARLES PARTRIDGE ADAMS

CHARLES PARTRIDGE ADAMS (1858 -1942)

Mount Sopris ( 3,952 m - 12, 965 ft)

United States of America 

In Mount Sopris, oil on canvas, 1915

The mountain 

Mount Sopris ( 3,952 m - 12, 965 ft)  is a twin-summit mountain in the northwestern Elk Mountains range of the Rocky Mountains of North America. The 12,965-foot (3,952 m) mountain is located in the Maroon Bells-Snowmass Wilderness of White River National Forest, 6.6 miles (10.7 km) north by northeast (bearing 30°) of the community of Redstone in Pitkin County, Colorado, United States...

Full wikipedia entry  =>

The painter 
Charles Partridge Adams was a largely self-taught American landscape artist who painted primarily in Colorado, and secondarily in California. Some paintings were also made in other Rocky Mountain states, the Pacific Northwest and Canada, and a few in Louisiana, the East Coast and Europe.
Adams is widely considered to have been Colorado’s finest landscape artist. He is best known for his stunning views of snowy mountain peaks in early morning or sunset light, or wreathed in storm clouds, and for his luminous sunset and twilight paintings of the river bottoms near Denver. His works show an intensely personal and poetic response to the Colorado mountains and plains, with unusual sensitivity to the changing effects of light, atmosphere and season.
Adams early work in the 1880s was largely representational and somewhat prosaic, with only hints of the more impressionist works to follow. His style began to coalesce in the early 1890s with some excellent luminous sunsets, some of which were in a Barbizon style, but overall his output was still uneven. In the later 1890s his painting became much more consistent, impressionist, and colorful, and this style prevailed through about 1915. After that his style became progressively “looser,” with larger brush strokes, brighter colors, more impasto, and much less attention to foreground and detail. Some paintings left at his death show only traces of his previous skill.
Adams experimented freely with different palettes and lighting, and some of these were much more successful than others. He must have created several hundred paintings of Longs and Meeker Peaks from his studio in Estes Park, Colorado, yet no two are alike, and some are strikingly different.
Some of his earlier paintings include animals or human figures, but he was not very successful at rendering these, and later paintings do not include them.
Roughly half of Adams paintings are oils and half are watercolors, which he began painting in the early 1890s. Although some of his watercolors are masterfully detailed and very carefully done, others are much less detailed, and must have been done very quickly for the tourist trade. As one watercolorist remarked about one of these, “That one must have taken him all of 15 minutes.” Over 950 paintings have been documented. His total output is unknown, but it is estimated to have been 3,000 or more.
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2019 - Wandering Vertexes...

by Francis Rousseau 

GRAND TETON PAINTED BY THOMAS WORTHINGTON WHITTREDGE

THOMAS WORTHINGTON WHITTREDGE (1820-1910)

Grand Teton  (4,199 m - 13,775 ft)
United States of America (Wyoming)

The mountain 

Grand Teton  (4,199 m - 13,775 ft) is the highest mountain in Grand Teton National Park in Northwest Wyoming, and a classic destination in American mountaineering. It is the highest point of the Teton Range, and the second highest peak in the U.S. state of Wyoming after Gannett Peak. The mountain is entirely within the Snake River drainage basin, which it feeds by several local creeks and glaciers.The Teton Range is a subrange of the Rocky Mountains, which extend from southern Alaska to northern New Mexico.

Grand Teton's name was first recorded as Mount Hayden by the Washburn-Langford-Doane Expedition of 1870. However, the name "the Grand Teton" had early currency. The Edition of April, 1901 of the USGS 1:125,000 quadrangle map of the area shows "Grand Teton" as the name of the peak. A United States National Park named "Grand Teton National Park" was established by law in 1929. By 1931, the name Grand Teton Peak was in such common usage that it was recognized by the USGS Board on Geographic Names. Another shift in usage led the Board to shorten the name on maps to Grand Teton in 1970.

The origin of the name is disputed. The most common explanation is that "Grand Teton" means "large teat" in French, named by either French-Canadian or Iroquois members of an expedition led by Donald McKenzie of the North West Company. However, other historians disagree, and claim that the mountain was named after the Teton Sioux tribe of Native Americans.

 The painter 

Thomas Worthington Whittredge  was an American artist of the Hudson River School. Whittredge was a highly regarded artist of his time, and was friends with several leading Hudson River School artists including Albert Bierstadt and Sanford Robinson Gifford. He traveled widely and excelled at landscape painting, many examples of which are now in major museums. He served as president of the National Academy of Design from 1874 to 1875 and was a member of the selection committees for the 1876 Philadelphia Centennial Exposition and the 1878 Paris Exposition, both important venues for artists of the day.

Whittredge journeyed across the Great Plains to the Rocky Mountains in 1865 with Sanford Gifford and John Frederick Kensett. The trip resulted in some of Whittredge's most important works—unusually oblong, sparse landscapes that captured the stark beauty and linear horizon of the Plains. Whittredge later wrote in his autobiography, "I had never seen the plains or anything like them. They impressed me deeply. I cared more for them than for the mountains... Whoever crossed the plains at that period, notwithstanding its herds of buffalo and flocks of antelope, its wild horses, deer and fleet rabbits, could hardly fail to be impressed with its vastness and silence and the appearance everywhere of an innocent, primitive existence."

2018 - Wandering Vertexes...

Un blog de Francis Rousseau

MOUNT PRINCETON BY CHARLES PARTRIDGE ADAMS

CHARLES PARTRIDGE ADAMS (1858 -1942) 

Mount Princeton (4, 327 m- 14, 2014ft)

United States of America (Colorado)

In Mount Princeton in  1895, watercolor

The mountain 
Mount Princeton  (4, 327 m- 14, 2014ft) also known as Clak Peak or Princeton Mountain is a high and prominent mountain summit of the Collegiate Peaks in the Sawatch Range of the Rocky Mountains of North America. This fourteener is located in San Isabel National Forest, 7.8 miles (12.6 km) southwest (bearing 225°) of the Town of Buena Vista in Chaffee County, Colorado, United States. The mountain was named in honor of Princeton University.[
While not one of the highest peaks of the Sawatch Range, Mount Princeton is one of the most dramatic, abruptly rising nearly 7,000 feet above the Arkansas River valley in only 6 miles.
The first recorded ascent was on July 17, 1877, at 12:30 pm by William Libbey of Princeton University.  It is likely that various miners had climbed the peak earlier.  The name Mount Princeton was in use as early as 1873, and the peak was most likely named by Henry Gannett, a Harvard graduate and chief topographer in a government survey led by George M. Wheeler.

The painter
Charles Partridge Adams was a largely self-taught American landscape artist who painted primarily in Colorado, and secondarily in California. Some paintings were also made in other Rocky Mountain states, the Pacific Northwest and Canada, and a few in Louisiana, the East Coast and Europe.
In 1877 he began work in the Chain and Hardy bookstore in Denver, and received lessons from Helen Henderson Chain, an artist who had studied with George Inness. In 1885 he traveled to the East Coast and visited the studios of George Inness and Worthington Whittredge, and in 1888 he traveled to California and visited the studios of William Keith and Thomas Hill. He traveled to Louisiana in 1890, and to Europe in the summer of 1914. He spent the winter of 1916 in California, and moved to Los Angeles in 1920, and built a second home in Laguna Beach in 1926.
Adams is known for his views of snowy mountain peaks in early morning or sunset light, or wreathed in storm clouds, and for his luminous sunset and twilight paintings of the river bottoms near Denver.
Most of Adams paintings are enhanced by the use of stronger colors than one would find in a photograph. The evening shadows are bluer, the spring grass is greener, the sunsets more strikingly yellow or orange. He sometimes used very small areas of intense blue and red to enliven a dark shadowed area such as the heart of a clump of willows or the dark base of an aspen tree. He also made the mountains look about twice as tall as they actually look, as if seen through a telephoto lens.
Some of his earlier paintings include animals or human figures, but later paintings do not include them. Roughly half of Adams paintings are oils and half are watercolors, which he began painting in the early 1890s. Over 950 paintings have been documented.

GRAND TETON (2) BY EVE DREWELOWE

EVE DREWELOWE (1899-1988)

Grand Teton  (4,199 m - 13,775 ft)

United States of America (Wyoming)

 In The Grand,  watercolor on paper 1930-40,  University of Iowa.

The mountain 

Grand Teton (4,199 m - 13,775 ft) is the highest mountain in Grand Teton National Park in Northwest Wyoming, and a classic destination in American mountaineering. It is the highest point of the Teton Range, and the second highest peak in the U.S. state of Wyoming after Gannett Peak. The mountain is entirely within the Snake River drainage basin, which it feeds by several local creeks and glaciers.The Teton Range is a subrange of the Rocky Mountains, which extend from southern Alaska to northern New Mexico.

Grand Teton's name was first recorded as Mount Hayden by the Washburn-Langford-Doane Expedition of 1870. However, the name "the Grand Teton" had early currency. The Edition of April, 1901 of the USGS 1:125,000 quadrangle map of the area shows "Grand Teton" as the name of the peak. A United States National Park named "Grand Teton National Park" was established by law in 1929. By 1931, the name Grand Teton Peak was in such common usage that it was recognized by the USGS Board on Geographic Names. Another shift in usage led the Board to shorten the name on maps to Grand Teton in 1970.

The origin of the name is disputed. The most common explanation is that "Grand Teton" means "large teat" in French, named by either French-Canadian or Iroquois members of an expedition led by Donald McKenzie of the North West Company. However, other historians disagree, and claim that the mountain was named after the Teton Sioux tribe of Native Americans. 

The painter 
 Eve Drewelowe was an American painter. Her career spanned six decades and produced more than 1,000 works of art in oil, watercolor, pen and ink and other media in styles that included impressionism, social realism and abstraction.
Despite dabbling with other artistic styles, Drewelowe always showed an inclination toward landscapes.  She once said: “my waking thought from an embryo on was my need to be an artist.” 
Though never known to have used the word to describe herself, Eve Drewelowe is often considered a feminist artist. Her personal life exhibited feminist themes: the artist retained her maiden name and publicly stated a disinterest in housework and parenting. Drewelowe chose not to take her husband’s last name because in her opinion it should not matter to others whether she is married or not. When Drewelowe and Van Ek returned from their travels and started building a house together.  She did not want to be involved in the pleasantries of being the dean’s wife, especially hosting dinner parties, so she specified to have the house built lacking a dining room.  She always maintained that she did not want to have children of her own, much to her mother’s dismay.
Although Drewelowe is mainly renowned in Colorado and Iowa, she had solo exhibitions all over the country. Her work was shown at National Association of Women Artists exhibitions, the Art Institute of Chicago, the Denver Art Museum, the National Museum of Women in the Arts and numerous other esteemed institutions. Although women had been in the profession of art for 20–30 years at the beginning of Drewelowe’s career, she still faced opposition and sexism. Critics believe that she could have been much more acclaimed had she not been a woman and had she not fallen ill at the peak of her career. Others believe that her “reincarnation” and transition to abstract paintings increased Drewelowe’s popularity as an artist by keeping her relevant in an evolving artistic world.

GRAND TETON (1) BY EVE DREWELOWE

 EVE DREWELOWE (1899-1988)

Grand Teton  (4,199 m - 13,775 ft)

United States of America  (Wyoming)

 In The Tetons, Wyoming,  oil on canvas, 1936, CU Art Museum, University of Colorado Boulder,

The mountain 
Grand Teton (4,199 m - 13,775 ft) is the highest mountain in Grand Teton National Park in Northwest Wyoming, and a classic destination in American mountaineering. It is the highest point of the Teton Range, and the second highest peak in the U.S. state of Wyoming after Gannett Peak. The mountain is entirely within the Snake River drainage basin, which it feeds by several local creeks and glaciers.The Teton Range is a subrange of the Rocky Mountains, which extend from southern Alaska to northern New Mexico.
Grand Teton's name was first recorded as Mount Hayden by the Washburn-Langford-Doane Expedition of 1870. However, the name "the Grand Teton" had early currency. The Edition of April, 1901 of the USGS 1:125,000 quadrangle map of the area shows "Grand Teton" as the name of the peak. A United States National Park named "Grand Teton National Park" was established by law in 1929. By 1931, the name Grand Teton Peak was in such common usage that it was recognized by the USGS Board on Geographic Names. Another shift in usage led the Board to shorten the name on maps to Grand Teton in 1970.
The origin of the name is disputed. The most common explanation is that "Grand Teton" means "large teat" in French, named by either French-Canadian or Iroquois members of an expedition led by Donald McKenzie of the North West Company. However, other historians disagree, and claim that the mountain was named after the Teton Sioux tribe of Native Americans.

The painter 
 Eve Drewelowe was an American painter. Her career spanned six decades and produced more than 1,000 works of art in oil, watercolor, pen and ink and other media in styles that included impressionism, social realism and abstraction.
Despite dabbling with other artistic styles, Drewelowe always showed an inclination toward landscapes.  She once said: “my waking thought from an embryo on was my need to be an artist.” 
Though never known to have used the word to describe herself, Eve Drewelowe is often considered a feminist artist. Her personal life exhibited feminist themes: the artist retained her maiden name and publicly stated a disinterest in housework and parenting. Drewelowe chose not to take her husband’s last name because in her opinion it should not matter to others whether she is married or not. When Drewelowe and Van Ek returned from their travels and started building a house together.  She did not want to be involved in the pleasantries of being the dean’s wife, especially hosting dinner parties, so she specified to have the house built lacking a dining room.  She always maintained that she did not want to have children of her own, much to her mother’s dismay.
Although Drewelowe is mainly renowned in Colorado and Iowa, she had solo exhibitions all over the country. Her work was shown at National Association of Women Artists exhibitions, the Art Institute of Chicago, the Denver Art Museum, the National Museum of Women in the Arts and numerous other esteemed institutions. Although women had been in the profession of art for 20–30 years at the beginning of Drewelowe’s career, she still faced opposition and sexism. Critics believe that she could have been much more acclaimed had she not been a woman and had she not fallen ill at the peak of her career. Others believe that her “reincarnation” and transition to abstract paintings increased Drewelowe’s popularity as an artist by keeping her relevant in an evolving artistic world.

THE ROCKIES PAINTED BY DAVID HOCKNEY

DAVID HOCKNEY (bn. 1937) 

Mount Elbert (4, 401 m -14, 440 ft) 

Unites States of America (Colorado)

 In  Rocky mountains and Tired Indians, oil on canvas,  1965, National Galleries Scotland 

The mountains 

Mount Elbert  (4, 401 m -14, 440 ft) in Colorado is the highest point of the Rocky Mountains commonly known as the Rockies,  a major mountain range in western North America. The Rocky Mountains stretch more than 3,000 miles (4,800 km) from the northernmost part of British Columbia, in western Canada, to New Mexico, in the Southwestern United States. Within the North American Cordillera, the Rockies are somewhat distinct from the Pacific Coast Ranges and the Cascade Range and Sierra Nevada, which all lie further to the west.

The Rocky Mountains were initially formed from 80 million to 55 million years ago during the Laramide orogeny, in which a number of plates began to slide underneath the North American plate. The angle of subduction was shallow, resulting in a broad belt of mountains running down western North America. Since then, further tectonic activity and erosion by glaciers have sculpted the Rockies into dramatic peaks and valleys. At the end of the last ice age, humans started to inhabit the mountain range. After Europeans, such as Sir Alexander Mackenzie, and Americans, such as the Lewis and Clark expedition, started to explore the range, minerals and furs drove the initial economic exploitation of the mountains, although the range itself never became densely populated.

Much of the mountain range is protected by public parks and forest lands and is a popular tourist destination, especially for hiking, camping, mountaineering, fishing, hunting, mountain biking, skiing, and snowboarding.

The painter 

David Hockney (born 9 July 1937) is an English painter, draughtsman, printmaker, stage designer and photographer. An important contributor to the pop art movement of the 1960s, he is considered one of the most influential British artists of the 20th century.

At the Royal College of Art, Hockney featured in the exhibition Young Contemporaries—alongside Peter Blake—that announced the arrival of British Pop art. He was associated with the movement, but his early works display expressionist elements, similar to some works by Francis Bacon. When the RCA said it would not let him graduate in 1962, Hockney drew the sketch The Diploma in protest. He had refused to write an essay required for the final examination, saying he should be assessed solely on his artworks. Recognising his talent and growing reputation, the RCA changed its regulations and awarded the diploma. After leaving the RCA, he taught at Maidstone College of Art for a short time.  A visit to California, where he subsequently lived for many years, inspired him to make a series of paintings of swimming pools in the comparatively new acrylic medium rendered in a highly realistic style using vibrant colours. The artist moved to Los Angeles in 1964, returned to London in 1968, and from 1973 to 1975 lived in Paris.

Hockney has a home and studio in Kensington, London and two residences in California, where he has lived on and off for over 30 years: one in Nichols Canyon, Los Angeles, and an office and archives on Santa Monica Boulevard in West Hollywood, California. 

LONGS PEAK PAINTED BY SANFORD ROBINSON GIFFORD

SANFORD ROBINSON GIFFORD (1823-1880)

Longs Peak (4,346 m - 14, 259 ft)

United States of America (Colorado) 

 In Longs Peak, Colorado,watercolour, 1870, Denver Art Museum

The Mountain 

Longs Peak (4,346 m - 14, 259 ft) is a high and prominent mountain summit in the northern Front Range of the Rocky Mountains of North America. This fourteener is located in the Rocky Mountain National Park Wilderness, 9.6 miles (15.5 km) southwest by south (bearing 209°) of the town of Estes Park, Colorado, United States. Longs Peak is the northernmost fourteener in the Rocky Mountains and the highest point in Boulder County and Rocky Mountain National Park. The mountain was named in honor of explorer Stephen Harriman Long and is featured on the Colorado state quarter.
Longs Peak can be prominently seen from Longmont, Colorado, as well as from most of the northern Front Range Urban Corridor, being is one of the most prominent mountains in Colorado, rising 9,000 feet (2,700 m) above the western edge of the Great Plains.
The peak is named for Major Stephen Long, who is said to be the first to spot the great mountains on behalf of the U.S. Government on June 30, 1820.
Together with the nearby Mount Meeker, the two are sometimes referred to as the Twin Peaks (not to be confused with a nearby lower mountain called Twin Sisters).
As the only fourteener in Rocky Mountain National Park, the peak has long been of interest to climbers. The easiest route is not "technical" during the summer season. It was probably first used by pre-Columbian indigenous people collecting eagle feathers.
The first recorded ascent was in August 23, 1868 by the surveying party of John Wesley Powell via the south side.  The East Face of the mountain is 1,675 feet steep and is surmounted by a 1,000 feet steep sheer cliff known as "The Diamond" (so-named because of its shape, approximately that of a cut diamond seen from the side and inverted - see image at right). Another famous profile belongs to Longs Peak: to the southeast of the summit is a series of rises which, when viewed from the northeast, resembles a beaver. The photo shows the beaver climbing the south (left side) of the mountain.
In 1954 the first proposal made to the National Park Service to climb The Diamond was met with an official closure, a stance not changed until 1960. The Diamond was first ascended by Dave Rearick and Bob Kamps that year, by a route that would come to be known simply as D1. This route would later be listed in Allen Steck and Steve Roper's influential book Fifty Classic Climbs of North America. The easiest route on the face is the Casual Route (5.10a),  first climbed in 1977.  It has since become the most popular route up the wall.
The oldest person to summit Longs Peak was Rev. William "Col. Billy" Butler, who climbed it on September 2, 1926, his 85th birthday. In 1932, Clerin “Zumie” Zumwalt summited Longs Peak 53 times.
Longs Peak has one remaining glacier named Mills Glacier. The glacier is located around 12,800 feet (3,900 m) at the base of the Eastern Face, just above Chasm Lake. A permanent snowfield, called The Dove, is located north of Longs Peak. Longs Peak is one of fewer than 50 mountains in Colorado that have a glacier.

The painter 

Sanford Robinson Gifford was born in Greenfield, New York and spent his childhood in Hudson, New York, the son of an iron foundry owner. He attended Brown University 1842-44, before leaving to study art in New York City in 1845. He studied drawing, perspective and anatomy under the direction of the British watercolorist and drawing-master, John Rubens Smith.  He also studied the human figure in anatomy classes at the Crosby Street Medical college and took drawing classes at the National Academy of Design.  By 1847 he was sufficiently skilled at painting to exhibit his first landscape at the National Academy and was elected an associate in 1851, an academician in 1854. Thereafter Gifford devoted himself to landscape painting, becoming one of the finest artists of the early Hudson River School.
Like most Hudson River School artists, Gifford traveled extensively to find scenic landscapes to sketch and paint. In addition to exploring New England, upstate New York and New Jersey, Gifford made extensive trips abroad. He first traveled to Europe from 1855 to 1857, to study European art and sketch subjects for future paintings. During this trip Gifford also met Albert Bierstadt and Worthington Whittredge.
In 1858, he traveled to Vermont, "apparently" with his friend and fellow painter Jerome Thompson. Details of their visit were carried in the contemporary Home Journal. Both artists submitted paintings of Mount Mansfield, Vermont's tallest peak, to the National Academy of Design's annual show in 1859. Thompson's work, "Belated Party on Mansfield Mountain" is now owned by the MET in New York, according to the report.
Thereafter, he served in the Union Army as a corporal in the 7th Regiment of the New York Militia upon the outbreak of the Civil War. A few of his canvases belonging to New York City's Seventh Regiment and the Union League Club of New York are testament to that troubled time.
During the summer of 1867, Gifford spent most of his time painting on the New Jersey coast, specifically at Sandy Hook and Long Branch, according to an auction Web site.
Another journey, this time with Jervis McEntee and his wife, took him across Europe in 1868. Leaving the McEntees behind, Gifford traveled to the Middle East, including Egypt in 1869. Then in the summer of 1870 Gifford ventured to the Rocky Mountains in the western United States, this time with Worthington Whittredge and John Frederick Kensett. At least part of the 1870 travels were as part of a Hayden Expedition, led by Ferdinand Vandeveer Hayden.
Returning to his studio in New York City, Gifford painted numerous major landscapes from scenes he recorded on his travels. Gifford's method of creating a work of art was similar to other Hudson River School artists. He would first sketch rough, small works in oil paint from his sketchbook pencil drawings. Those scenes he most favored he then developed into small, finished paintings, then into larger, finished paintings.
Gifford referred to the best of his landscapes as his "chief pictures". Many of his chief pictures are characterized by a hazy atmosphere with soft, suffuse sunlight. Gifford often painted a large body of water in the foreground or middle distance (see above) in which the distant landscape would be gently reflected. Examples of Gifford's "chief pictures" in museum collections today include: Lake Nemi (1856–57), Toledo Museum of Art, Toledo, Ohio ; The Wilderness (1861), Toledo Museum of Art, Toledo, Ohio ;  A Passing Storm (1866), Wadsworth Atheneum, Hartford, Connecticut ;  Ruins of the Parthenon (1880), Corcoran Gallery of Art, Washington, D.C.
On August 29, 1880, Gifford died in New York City, having been diagnosed with malarial fever. The MET in New York City celebrated his life that autumn with a memorial exhibition of 160 paintings. A catalog of his work published shortly after his death recorded in excess of 700 paintings during his career.

PIKES PEAK PAINTED BY GEORGE CALEB BINGHAM

GEORGE-CALEB BINGHAM (1811-1879) 

Pikes Peak (4, 302 m - 14, 115 ft) 

United States of America (Colorado) 

 In View of Pike's Peak, 1872, oil on canvas, Amon Carter Museum of American Art, Fort Worth

The mountain 

Pikes Peak (4, 302 m - 14, 115 ft) is the highest summit of the southern Front Range of the Rocky Mountains, in North America. The peak is is located in Pike National Forest, 12.0 miles (19.3 km) west by south (bearing 263°) of downtown Colorado Springs, Colorado. The mountain is named in honor of American explorer Zebulon Pike, who was unable to reach the summit. The summit is higher than any point in the United States east of its longitude.

Pikes Peak is a designated National Historic Landmark.

"Tava" or “sun” is the Ute word that was given by these first people to the mountain that we now call Pikes Peak. The band of Ute people who called the Pikes Peak region their home were the "Tabeguache" meaning the "People of Sun Mountain." The Ute people first arrived in Colorado about 500 A.D., although their traditions state they were created on Pikes Peak. In the 1800s, when the Arapaho people arrived in Colorado, they knew the mountain as "Heey-otoyoo’ " meaning "Long Mountain".  Early Spanish explorers named the mountain "El Capitán" meaning "The Leader". American explorer Zebulon Pike named the mountain "Highest Peak" in 1806, and the mountain was later commonly known as "Pike's Highest Peak". American explorer Stephen Harriman Long named the mountain "James Peak" in honor of Edwin James who climbed to the summit in 1820. The mountain was later renamed "Pike's Peak" in honor of Pike. The name was simplified to "Pikes Peak" by the United States Board on Geographic Names in 1890.

The artist

George Caleb Bingham was an American artist whose paintings of American life in the frontier lands along the Missouri River exemplify the Luminist style. Left to languish in obscurity, Bingham's work was rediscovered in the 1930s. By the time of his bicentennial in 2011, he was considered one of the greatest American painters of the 19th century. That year the George Caleb Bingham Catalogue Raisonné Supplement Of Paintings & Drawings—directed and edited by Bingham scholar Fred R. Kline—announced the authentication of ten recently discovered paintings by Bingham. As of June 2015, a total of twenty-three  newly discovered paintings by Bingham have been authenticated and are listed with the GCBCRS. George Caleb Bingham is not famous for his mountain paintings  but mainly for a series of three paintings called The Election Series Louis and for his Fur Traders Descending the Missouri, painted circa 1845  and owned by the Metropolitan Museum of Art in New York. 

ARAPAHO PEAK PAINTED BY CHARLES PARTRIDGE ADAMS

CHARLES PARTRIDGE ADAMS (1858–1942)

Arapaho Peak (4,117m- 13, 508ft)

United States of America (Colorado) 

In Arapaho Peaks, 1905, oil on canvas,

The mountain 

When geographical maps refer to Arapaho Peak(4,117 m- 13,508-ft) they refer in reality to North Arapaho Peak , one of the two Arapho peaks (North and South). North Arapho peak is the highest summit of the Indian Peaks in the northern Front Range of the Rocky Mountains of North America. The thirteener is located in the Indian Peaks Wilderness, 7.8 miles (12.6 km) west-southwest (bearing 245°) of the Town of Ward, Colorado, United States, on the Continental Divide separating Roosevelt National Forest and Boulder County from Arapaho National Forest and Grand County.
Between North Arapaho Peak and neighboring South Arapaho Peak sits Arapaho Glacier, which is owned by the City of Boulder as part of its water supply. West of these peaks is Arapaho Pass.
The Colorado Indian Peaks Wilderness is home to many of the best hiking and climbing routes in the state. All 73,391 acres of The Indian Peak Wilderness rests just south of Rocky Mountain National Park; it's basically an extension of its neighboring national park. As Gerry Roach notes in his popular book "It's smaller than Rocky Mountain National Park but no less spectacular." This impressive collection of jagged peaks includes 35 named peaks, 23 of which are over 12,000 ft, while seven are over 13,000 ft. From easy walk-ups to technical 5.5 climbing this mountaineering playground has something for everybody. Only 2 hours from Denver, the IPW can be a popular place for the day hiker, but solitude can be had by those willing to look for it.


The painter 
Charles Partridge Adams was a largely self-taught American landscape artist who painted primarily in Colorado, and secondarily in California. Some paintings were also made in other Rocky Mountain states, the Pacific Northwest and Canada, and a few in Louisiana, the East Coast and Europe.
Adams is widely considered to have been Colorado’s finest landscape artist. He is best known for his stunning views of snowy mountain peaks in early morning or sunset light, or wreathed in storm clouds, and for his luminous sunset and twilight paintings of the river bottoms near Denver. His works show an intensely personal and poetic response to the Colorado mountains and plains, with unusual sensitivity to the changing effects of light, atmosphere and season.
Adams early work in the 1880s was largely representational and somewhat prosaic, with only hints of the more impressionist works to follow. His style began to coalesce in the early 1890s with some excellent luminous sunsets, some of which were in a Barbizon style, but overall his output was still uneven. In the later 1890s his painting became much more consistent, impressionist, and colorful, and this style prevailed through about 1915. After that his style became progressively “looser,” with larger brush strokes, brighter colors, more impasto, and much less attention to foreground and detail. Some paintings left at his death show only traces of his previous skill.
Adams experimented freely with different palettes and lighting, and some of these were much more successful than others. He must have created several hundred paintings of Longs and Meeker Peaks from his studio in Estes Park, Colorado, yet no two are alike, and some are strikingly different.
Some of his earlier paintings include animals or human figures, but he was not very successful at rendering these, and later paintings do not include them.
Roughly half of Adams paintings are oils and half are watercolors, which he began painting in the early 1890s. Although some of his watercolors are masterfully detailed and very carefully done, others are much less detailed, and must have been done very quickly for the tourist trade. As one watercolorist remarked about one of these, “That one must have taken him all of 15 minutes.” Over 950 paintings have been documented. His total output is unknown, but it is estimated to have been 3,000 or more.

GRAND TETON PHOTOGRAPHED BY ANSEL ADAMS

ANSEL ADAMS (1902-1984)

Grand Teton  (4,199 m - 13,775 ft)

United States of America (Wyoming)

The Tetons and the Snake River in 1946, is one of the 115 images recorded on the 
Voyager Golden Record aboard the Voyager spacecraft.

The mountain 
Grand Teton (4,199 m - 13,775 ft) is the highest mountain in Grand Teton National Park in Northwest Wyoming, and a classic destination in American mountaineering. It is the highest point of the Teton Range, and the second highest peak in the U.S. state of Wyoming after Gannett Peak. The mountain is entirely within the Snake River drainage basin, which it feeds by several local creeks and glaciers.The Teton Range is a subrange of the Rocky Mountains, which extend from southern Alaska to northern New Mexico.
Grand Teton's name was first recorded as Mount Hayden by the Washburn-Langford-Doane Expedition of 1870. However, the name "the Grand Teton" had early currency. The Edition of April, 1901 of the USGS 1:125,000 quadrangle map of the area shows "Grand Teton" as the name of the peak. A United States National Park named "Grand Teton National Park" was established by law in 1929. By 1931, the name Grand Teton Peak was in such common usage that it was recognized by the USGS Board on Geographic Names. Another shift in usage led the Board to shorten the name on maps to Grand Teton in 1970.
The origin of the name is disputed. The most common explanation is that "Grand Teton" means "large teat" in French, named by either French-Canadian or Iroquois members of an expedition led by Donald McKenzie of the North West Company. However, other historians disagree, and claim that the mountain was named after the Teton Sioux tribe of Native Americans.

The photographer 

Ansel Easton Adams was an American photographer and environmentalist.
His black-and-white landscape photographs of the American West, especially Yosemite National Park, have been widely reproduced on calendars, posters, books, and the internet. Adams and Fred Archer developed the Zone System as a way to determine proper exposure and adjust the contrast of the final print. The resulting clarity and depth characterized his photographs. He primarily used large-format cameras because their high resolution helped ensure sharpness in his images. Adams founded the photography group known as Group f/64, along with fellow photographers Willard Van Dyke and Edward Weston and Imogen Cunningham.
In September 1941, Adams contracted with the Department of the Interior to make photographs of National Parks, Indian reservations, and other locations for use as mural-sized prints for decoration of the Department's new building. Part of his understanding with the Department was that he might also make photographs for his own use, using his own film and processing. Although Adams kept meticulous records of his travel and expenses, he was less disciplined about recording the dates of his images, and neglected to note the date of Moonrise, so it was not clear whether it belonged to Adams or to the U.S. Government. But the position of the moon allowed the image to eventually be dated from astronomical calculations, and it was determined that Moonrise was made on November 1, 1941, a day for which he had not billed the Department, so the image belonged to Adams. The same was not true for many of his other negatives, including The Tetons and the Snake River, which, having been made for the Mural Project, became the property of the U.S. Government.
When Edward Steichen formed his Naval Aviation Photographic Unit in early 1942, he wanted Adams to be a member, to build and direct a state-of-the-art darkroom and laboratory in Washington, D.C. In February 1942, Steichen asked Adams to join. Adams agreed, with two conditions: He wanted to be commissioned as an officer, and he also told Steichen he would not be available until July 1. Steichen, who wanted the team assembled as quickly as possible, passed Adams by, and had his other photographers ready to go by early April.
Adams was distressed by the Japanese American Internment that occurred after the Pearl Harbor attack. He requested permission to visit the Manzanar War Relocation Center in the Owens Valley, at the foot of Mount Williamson. The resulting photo-essay first appeared in a Museum of Modern Art exhibit, and later was published as Born Free and Equal: The Story of Loyal Japanese-Americans. He also contributed to the war effort by doing many photographic assignments for the military, including making prints of secret Japanese installations in the Aleutians. " It was met with some distressing resistance and was rejected by many as disloyal." Adams was the recipient of three Guggenheim fellowships during his career, the first in 1946 to photograph every National Park. This series of photographs produced memorable images of Old Faithful Geyser, Grand Teton (above), and Mount McKinley.
Romantic landscape artists Albert Bierstadt and Thomas Moran portrayed the Grand Canyon and Yosemite at the end of their reign, and were subsequently displaced by daredevil photographers Carleton Watkins, Eadweard Muybridge, and George Fiske.  But it was Adams's black-and-white photographs of the West which became the foremost record of what many of the National Parks were like before tourism, and his persistent advocacy helped expand the National Park system. He used his works to promote many of the goals of the Sierra Club and of the nascent environmental movement, but always insisted that, as far as his photographs were concerned, "beauty comes first". His images are still very popular in calendars, posters, and books. Realistic about development and the subsequent loss of habitat, Adams advocated for balanced growth, but was pained by the ravages of "progress". He stated, "We all know the tragedy of the dustbowls, the cruel unforgivable erosions of the soil, the depletion of fish or game, and the shrinking of the noble forests. And we know that such catastrophes shrivel the spirit of the people... The wilderness is pushed back, man is everywhere. Solitude, so vital to the individual man, is almost nowhere." 
In 1966 he was elected a fellow of the American Academy of Arts and Sciences. In 1980 Jimmy Carter awarded him the Presidential Medal of Freedom, the nation's highest civilian honor.
Adams's photograph The Tetons and the Snake River was one of the 115 images recorded on the Voyager Golden Record aboard the Voyager spacecraft. These images were selected to convey information about humans, plants and animals, and geological features of the Earth to a possible alien civilization.

2016 - Wandering Vertexes...
Un blog de Francis Rousseau

MOSQUITO PASS PAINTED BY THOMAS MORAN

THOMAS MORAN (1837-1926)

Mosquito Pass  (4,019 m -13,185 ft)  

United States of America (Colorado)

Painted in 1874 

The mountain 

Mosquito Pass (4,019 m-13,185 ft), is a high mountain pass in the Mosquito Range of central Colorado in the United States. About the origin of the Mosquito pass name, there are lots of versions. One of the most popular says that just after nearby Montgomery was founded, gold was discovered high in the mountains above and gave rise to the town of Mosquito. The name came from a town meeting where a mosquito was crushed between pages of a book during the meeting. It was the only name they could agree on. 

Mosquito Pass is situated on the boundary between Lake and Park counties between Leadville (west) and Fairplay (east). It also lies on the divide between the Arkansas and South Platte Rivers, which is the informal demarcation between the northern and southern parts of Colorado east of the Continental Divide.

One of the highest passes in the state, Mosquito Pass can be traversed only on foot, on an off road motorcycle or with a proper four-wheel drive (4WD) vehicle. 2WD vehicles will find the road difficult due to the stream crossings and high rocky sections. Even with 4WD, it is typically passable only during the summer months. The best time to attempt the pass is between late July and early September. With such a high summit altitude the road can be closed anytime due to snowfalls. The zone is prone to heavy mist and can be dangerous in low visibility conditions.

The pass is two way, so you could start at Fairplay or Leadville. Starting at the intersection of Highways 285 and 9 it heads towards Alma. There is a sign that marks the entrance to 'Mosquito Gulch' - turn left here (Colorado Highway 12). Proper preparation is essential to having a safe, enjoyable trop on this road. Due to the remoteness of the area, take special care to ensure that your vehicle is ready for the trip: inspect all tires and make sure they are properly inflated, check all vehicle fluids, replace worn hoses and belts, empty your RV's holding tank and fill the water tank, purchase groceries and supplies. For the vehicle, bring at least two full-sized spare tires mounted on rims, tire jack and tools for flat tires, emergency flares, extra gasoline, motor oil, and wiper fluid and a radio.

The pioneering Methodist circuit rider John Lewis Dyer crossed over Mosquito Pass several times a week during the 1860s, using snowshoes in winter, in his mission to spread the gospel. Father Dyer Peak is named in his honor.

Reference

- Mosquito Pass in Dangeruos roads website

The painter 

Thomas Moran was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.

Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.

Thomas Moran has a painting exhibited as part of the White House collection. In the photograph depicting President Barack Obama and Israeli President Shimon Peres in the Oval Office it is seen on the wall: the portrait of George Washington is between City of Washington From Beyond the Navy Yard (1833) by George Cooke (on the left) and The Three Tetons (1895) by Thomas Moran (on the right). 

Reference

- The National Gallery of Art, Washington