UNCOMPAHGRE PEAK PAINTED BY CHARLES PARTRIDGE ADAMS

CHARLES PARTRIDGE ADAMS (1858 -1942)

Uncompahgre Peak / San Juan Mountains  (4,361 m -  14,309 ft)

United States of America  (Colorado)

 In Gathering Storm near San Juan mountains, oil on canvas, 1899

The mountain
Uncompahgre Peak  (4,361 m -  14,309 ft)(is the sixth highest summit of the Rocky Mountains of North America and the U.S. state of Colorado. The prominent  fourteener is the highest summit of the San Juan Mountains and the highest point in the drainage basin of the Colorado River and the Gulf of California. It is located in the Uncompahgre Wilderness in the northern San Juans, in northern Hinsdale County approximately 7 miles (11 km) west of the town of Lake City.
Uncompahgre Peak has a broad summit plateau, rising about 1,500 ft (500 m) above the broad surrounding alpine basins. The south, east and west sides are not particularly steep, but the north face boasts a 700 ft (210 m) cliff. Like all peaks in the San Juan Mountains, Uncompahgre is of volcanic origin, but is not a volcano. The rock is of poor quality for climbing, precluding an ascent of the north face.
The peak's name comes from the Ute word Uncompaghre, which loosely translates to "dirty water" or "red water spring" and is likely a reference to the many hot springs in the vicinity of Ouray, Colorado.

The painter
Charles Partridge Adams was a largely self-taught American landscape artist who painted primarily in Colorado, and secondarily in California. Some paintings were also made in other Rocky Mountain states, the Pacific Northwest and Canada, and a few in Louisiana, the East Coast and Europe.
Adams is widely considered to have been Colorado’s finest landscape artist. He is best known for his stunning views of snowy mountain peaks in early morning or sunset light, or wreathed in storm clouds, and for his luminous sunset and twilight paintings of the river bottoms near Denver. His works show an intensely personal and poetic response to the Colorado mountains and plains, with unusual sensitivity to the changing effects of light, atmosphere and season.
More about the painter =>

_____________________________

2020 - Wandering Vertexes..
by Francis Rousseau

THE TEN PEAKS PAINTED BY CHARLES PARTRIDGE ADAMS

CHARLES PARTRIDGE ADAMS (1858 -1942)
The Ten peaks ( (3,424m- 11,234ft)
Canada (Alberta)

In Moraine Lake and Peaks, oil on canvas

The mountains
Valley of the Ten Peaks (Vallée des Dix Pics) is a valley in Banff National Park in Alberta, Canada, which is crowned by ten notable peaks and also includes Moraine Lake. The valley can be reached by following the Moraine Lake road near Lake Louise. The ten peaks were originally named by Samuel Allen, an early explorer of the region, who simply referred to them by using the numerals from one to ten in the Stoney First Nations Language. He may have learned the terms from his Native American guides, who helped him with the horses. The Nakoda–also known as the Stoney Indians–is a tribe whose culture and dialect are closely related to that of the Assiniboine First Nation, from whom they are believed to have separated in the mid-1700s, and who roamed large parts of the prairies and mountains of western Alberta well into British Columbia. The secluded Valley of the Ten Peaks was part of their original homeland. Gradually, though, all but three of the mountains were renamed in honour of noteworthy individuals, including Allen himself.
Mount Hungabee was not included in the original peak list by Allen, even though it is higher than Wenkchemna Peak, the latter of which is really an extension of Hungabee.
The ten peaks, in order of how they are numbered from east to west, are:
Mount Fay /Heejee (3,235m-10,613ft); Mount Little /Num (3,088m- 10,131ft); Mount Bowlen / Yamnee (3,072m- 10,079ft); Tonsa (3,057m/ 10,030ft); Mount Perren / Sapta (3,051m- 10,010ft); Mount Allen / Shappee 3,310m- 10,860ft); Mount Tuzo / Shagowa (3,246m- 10,650ft); Deltaform Mountain/ Shakhnowa (3,424m- 11,234ft); Neptuak Mountain (3,233m- 10,607ft); Wenkchemna Peak (3,170m-10,401 ft)

The painter
Charles Partridge Adams was a largely self-taught American landscape artist who painted primarily in Colorado, and secondarily in California. Some paintings were also made in other Rocky Mountain states, the Pacific Northwest and Canada, and a few in Louisiana, the East Coast and Europe.
Adams is widely considered to have been Colorado’s finest landscape artist. He is best known for his stunning views of snowy mountain peaks in early morning or sunset light, or wreathed in storm clouds, and for his luminous sunset and twilight paintings of the river bottoms near Denver. His works show an intensely personal and poetic response to the Colorado mountains and plains, with unusual sensitivity to the changing effects of light, atmosphere and season.
More about the painter =>

_____________________________

2020 - Wandering Vertexes..
by Francis Rousseau

MOUNT SOPRIS BY CHARLES PARTRIDGE ADAMS

CHARLES PARTRIDGE ADAMS (1858 -1942)

Mount Sopris ( 3,952 m - 12, 965 ft)

United States of America 

In Mount Sopris, oil on canvas, 1915

The mountain 

Mount Sopris ( 3,952 m - 12, 965 ft)  is a twin-summit mountain in the northwestern Elk Mountains range of the Rocky Mountains of North America. The 12,965-foot (3,952 m) mountain is located in the Maroon Bells-Snowmass Wilderness of White River National Forest, 6.6 miles (10.7 km) north by northeast (bearing 30°) of the community of Redstone in Pitkin County, Colorado, United States...

Full wikipedia entry  =>

The painter 
Charles Partridge Adams was a largely self-taught American landscape artist who painted primarily in Colorado, and secondarily in California. Some paintings were also made in other Rocky Mountain states, the Pacific Northwest and Canada, and a few in Louisiana, the East Coast and Europe.
Adams is widely considered to have been Colorado’s finest landscape artist. He is best known for his stunning views of snowy mountain peaks in early morning or sunset light, or wreathed in storm clouds, and for his luminous sunset and twilight paintings of the river bottoms near Denver. His works show an intensely personal and poetic response to the Colorado mountains and plains, with unusual sensitivity to the changing effects of light, atmosphere and season.
Adams early work in the 1880s was largely representational and somewhat prosaic, with only hints of the more impressionist works to follow. His style began to coalesce in the early 1890s with some excellent luminous sunsets, some of which were in a Barbizon style, but overall his output was still uneven. In the later 1890s his painting became much more consistent, impressionist, and colorful, and this style prevailed through about 1915. After that his style became progressively “looser,” with larger brush strokes, brighter colors, more impasto, and much less attention to foreground and detail. Some paintings left at his death show only traces of his previous skill.
Adams experimented freely with different palettes and lighting, and some of these were much more successful than others. He must have created several hundred paintings of Longs and Meeker Peaks from his studio in Estes Park, Colorado, yet no two are alike, and some are strikingly different.
Some of his earlier paintings include animals or human figures, but he was not very successful at rendering these, and later paintings do not include them.
Roughly half of Adams paintings are oils and half are watercolors, which he began painting in the early 1890s. Although some of his watercolors are masterfully detailed and very carefully done, others are much less detailed, and must have been done very quickly for the tourist trade. As one watercolorist remarked about one of these, “That one must have taken him all of 15 minutes.” Over 950 paintings have been documented. His total output is unknown, but it is estimated to have been 3,000 or more.
_____________________________

2019 - Wandering Vertexes...

by Francis Rousseau 

MOUNT SNEFFELS PAINTED BY CHARLES PARTRIDGE ADAMS

 CHARLES PARTRIDGE ADAMS (1858 -1942)

Mount Sneffels (4,315 m- 14,150 ft)

United States of America (Colorado) 

In Mount Sneffels San Juan Colorado, Private collection

The mountain 

Mount Sneffels (4,315 m- 14,150 ft)is the highest summit of the Sneffels Range in the Rocky Mountains of North America. It is  located in the Mount Sneffels Wilderness of Uncompahgre National Forest, 6.7 miles (10.8 km) west by south (bearing 256°) of the City of Ouray in Ouray County, Colorado, United States. The summit of Mount Sneffels is the highest point in Ouray County.

Mount Sneffels is notable for its great vertical relief, as it rises 7,200 feet above the town of Ridgway, Colorado 6 miles to the northeast.

The primary route to the summit follows a creek bed up from Yankee Boy Basin. A secondary route follows a ridge line to the summit from the saddle of Blue Lakes Pass.

Mount Sneffels was named after the volcano Snæfell, which is located on the tip of the Snæfellsnes peninsula in Iceland. That mountain and its glacier, Snæfellsjökull, which caps the crater like a convex lens, were featured in the Jules Verne novel A Journey to the Center of the Earth. An area on the western flank of Mount Sneffels gives the appearance of volcanic crater.

Nowadays, Mount Sneffels is one of the most photographed mountains in Colorado.

The painter 
Charles Partridge Adams was a largely self-taught American landscape artist who painted primarily in Colorado, and secondarily in California. Some paintings were also made in other Rocky Mountain states, the Pacific Northwest and Canada, and a few in Louisiana, the East Coast and Europe.
Adams is widely considered to have been Colorado’s finest landscape artist. He is best known for his stunning views of snowy mountain peaks in early morning or sunset light, or wreathed in storm clouds, and for his luminous sunset and twilight paintings of the river bottoms near Denver. His works show an intensely personal and poetic response to the Colorado mountains and plains, with unusual sensitivity to the changing effects of light, atmosphere and season.
Adams early work in the 1880s was largely representational and somewhat prosaic, with only hints of the more impressionist works to follow. His style began to coalesce in the early 1890s with some excellent luminous sunsets, some of which were in a Barbizon style, but overall his output was still uneven. In the later 1890s his painting became much more consistent, impressionist, and colorful, and this style prevailed through about 1915. After that his style became progressively “looser,” with larger brush strokes, brighter colors, more impasto, and much less attention to foreground and detail. Some paintings left at his death show only traces of his previous skill.
Adams experimented freely with different palettes and lighting, and some of these were much more successful than others. He must have created several hundred paintings of Longs and Meeker Peaks from his studio in Estes Park, Colorado, yet no two are alike, and some are strikingly different.
Some of his earlier paintings include animals or human figures, but he was not very successful at rendering these, and later paintings do not include them.
Roughly half of Adams paintings are oils and half are watercolors, which he began painting in the early 1890s. Although some of his watercolors are masterfully detailed and very carefully done, others are much less detailed, and must have been done very quickly for the tourist trade. As one watercolorist remarked about one of these, “That one must have taken him all of 15 minutes.” Over 950 paintings have been documented. His total output is unknown, but it is estimated to have been 3,000 or more.
_____________________________

2019 - Wandering Vertexes...

by Francis Rousseau 

CLARK PEAK BY GLACIERS CHARLES PARTRIDGE ADAMS

CHARLES PARTRIDGE ADAMS (1858 -1942) 

Clark Peak  (3,950m - 12,960 ft) 

United States of America (Colorado) 

In Rawah Peaks, Sequoia Park, oil on canvas,

The mountain 
 Clark Peak is the highest summit of the Medicine Bow Mountains range of the Rocky Mountains of North America. The prominent  peak is located in the Rawah Wilderness of Routt National Forest, 6.3 miles (10.1 km) north-northwest (bearing 342°) of Cameron Pass, Colorado, United States, on the drainage divide between Jackson and Larimer counties. Clark Peak is the highest point of Jackson County and the entire drainage basin of the North Platte River.

The painter 
Charles Partridge Adams was a largely self-taught American landscape artist who painted primarily in Colorado, and secondarily in California. Some paintings were also made in other Rocky Mountain states, the Pacific Northwest and Canada, and a few in Louisiana, the East Coast and Europe.
Adams is widely considered to have been Colorado’s finest landscape artist. He is best known for his stunning views of snowy mountain peaks in early morning or sunset light, or wreathed in storm clouds, and for his luminous sunset and twilight paintings of the river bottoms near Denver. His works show an intensely personal and poetic response to the Colorado mountains and plains, with unusual sensitivity to the changing effects of light, atmosphere and season.
Adams early work in the 1880s was largely representational and somewhat prosaic, with only hints of the more impressionist works to follow. His style began to coalesce in the early 1890s with some excellent luminous sunsets, some of which were in a Barbizon style, but overall his output was still uneven. In the later 1890s his painting became much more consistent, impressionist, and colorful, and this style prevailed through about 1915. After that his style became progressively “looser,” with larger brush strokes, brighter colors, more impasto, and much less attention to foreground and detail. Some paintings left at his death show only traces of his previous skill.
Adams experimented freely with different palettes and lighting, and some of these were much more successful than others. He must have created several hundred paintings of Longs and Meeker Peaks from his studio in Estes Park, Colorado, yet no two are alike, and some are strikingly different.
Some of his earlier paintings include animals or human figures, but he was not very successful at rendering these, and later paintings do not include them.
Roughly half of Adams paintings are oils and half are watercolors, which he began painting in the early 1890s. Although some of his watercolors are masterfully detailed and very carefully done, others are much less detailed, and must have been done very quickly for the tourist trade. As one watercolorist remarked about one of these, “That one must have taken him all of 15 minutes.” Over 950 paintings have been documented. His total output is unknown, but it is estimated to have been 3,000 or more.

MOUNT PRINCETON BY CHARLES PARTRIDGE ADAMS

CHARLES PARTRIDGE ADAMS (1858 -1942) 

Mount Princeton (4, 327 m- 14, 2014ft)

United States of America (Colorado)

In Mount Princeton in  1895, watercolor

The mountain 
Mount Princeton  (4, 327 m- 14, 2014ft) also known as Clak Peak or Princeton Mountain is a high and prominent mountain summit of the Collegiate Peaks in the Sawatch Range of the Rocky Mountains of North America. This fourteener is located in San Isabel National Forest, 7.8 miles (12.6 km) southwest (bearing 225°) of the Town of Buena Vista in Chaffee County, Colorado, United States. The mountain was named in honor of Princeton University.[
While not one of the highest peaks of the Sawatch Range, Mount Princeton is one of the most dramatic, abruptly rising nearly 7,000 feet above the Arkansas River valley in only 6 miles.
The first recorded ascent was on July 17, 1877, at 12:30 pm by William Libbey of Princeton University.  It is likely that various miners had climbed the peak earlier.  The name Mount Princeton was in use as early as 1873, and the peak was most likely named by Henry Gannett, a Harvard graduate and chief topographer in a government survey led by George M. Wheeler.

The painter
Charles Partridge Adams was a largely self-taught American landscape artist who painted primarily in Colorado, and secondarily in California. Some paintings were also made in other Rocky Mountain states, the Pacific Northwest and Canada, and a few in Louisiana, the East Coast and Europe.
In 1877 he began work in the Chain and Hardy bookstore in Denver, and received lessons from Helen Henderson Chain, an artist who had studied with George Inness. In 1885 he traveled to the East Coast and visited the studios of George Inness and Worthington Whittredge, and in 1888 he traveled to California and visited the studios of William Keith and Thomas Hill. He traveled to Louisiana in 1890, and to Europe in the summer of 1914. He spent the winter of 1916 in California, and moved to Los Angeles in 1920, and built a second home in Laguna Beach in 1926.
Adams is known for his views of snowy mountain peaks in early morning or sunset light, or wreathed in storm clouds, and for his luminous sunset and twilight paintings of the river bottoms near Denver.
Most of Adams paintings are enhanced by the use of stronger colors than one would find in a photograph. The evening shadows are bluer, the spring grass is greener, the sunsets more strikingly yellow or orange. He sometimes used very small areas of intense blue and red to enliven a dark shadowed area such as the heart of a clump of willows or the dark base of an aspen tree. He also made the mountains look about twice as tall as they actually look, as if seen through a telephoto lens.
Some of his earlier paintings include animals or human figures, but later paintings do not include them. Roughly half of Adams paintings are oils and half are watercolors, which he began painting in the early 1890s. Over 950 paintings have been documented.

ARAPAHO PEAK PAINTED BY CHARLES PARTRIDGE ADAMS

CHARLES PARTRIDGE ADAMS (1858–1942)

Arapaho Peak (4,117m- 13, 508ft)

United States of America (Colorado) 

In Arapaho Peaks, 1905, oil on canvas,

The mountain 

When geographical maps refer to Arapaho Peak(4,117 m- 13,508-ft) they refer in reality to North Arapaho Peak , one of the two Arapho peaks (North and South). North Arapho peak is the highest summit of the Indian Peaks in the northern Front Range of the Rocky Mountains of North America. The thirteener is located in the Indian Peaks Wilderness, 7.8 miles (12.6 km) west-southwest (bearing 245°) of the Town of Ward, Colorado, United States, on the Continental Divide separating Roosevelt National Forest and Boulder County from Arapaho National Forest and Grand County.
Between North Arapaho Peak and neighboring South Arapaho Peak sits Arapaho Glacier, which is owned by the City of Boulder as part of its water supply. West of these peaks is Arapaho Pass.
The Colorado Indian Peaks Wilderness is home to many of the best hiking and climbing routes in the state. All 73,391 acres of The Indian Peak Wilderness rests just south of Rocky Mountain National Park; it's basically an extension of its neighboring national park. As Gerry Roach notes in his popular book "It's smaller than Rocky Mountain National Park but no less spectacular." This impressive collection of jagged peaks includes 35 named peaks, 23 of which are over 12,000 ft, while seven are over 13,000 ft. From easy walk-ups to technical 5.5 climbing this mountaineering playground has something for everybody. Only 2 hours from Denver, the IPW can be a popular place for the day hiker, but solitude can be had by those willing to look for it.


The painter 
Charles Partridge Adams was a largely self-taught American landscape artist who painted primarily in Colorado, and secondarily in California. Some paintings were also made in other Rocky Mountain states, the Pacific Northwest and Canada, and a few in Louisiana, the East Coast and Europe.
Adams is widely considered to have been Colorado’s finest landscape artist. He is best known for his stunning views of snowy mountain peaks in early morning or sunset light, or wreathed in storm clouds, and for his luminous sunset and twilight paintings of the river bottoms near Denver. His works show an intensely personal and poetic response to the Colorado mountains and plains, with unusual sensitivity to the changing effects of light, atmosphere and season.
Adams early work in the 1880s was largely representational and somewhat prosaic, with only hints of the more impressionist works to follow. His style began to coalesce in the early 1890s with some excellent luminous sunsets, some of which were in a Barbizon style, but overall his output was still uneven. In the later 1890s his painting became much more consistent, impressionist, and colorful, and this style prevailed through about 1915. After that his style became progressively “looser,” with larger brush strokes, brighter colors, more impasto, and much less attention to foreground and detail. Some paintings left at his death show only traces of his previous skill.
Adams experimented freely with different palettes and lighting, and some of these were much more successful than others. He must have created several hundred paintings of Longs and Meeker Peaks from his studio in Estes Park, Colorado, yet no two are alike, and some are strikingly different.
Some of his earlier paintings include animals or human figures, but he was not very successful at rendering these, and later paintings do not include them.
Roughly half of Adams paintings are oils and half are watercolors, which he began painting in the early 1890s. Although some of his watercolors are masterfully detailed and very carefully done, others are much less detailed, and must have been done very quickly for the tourist trade. As one watercolorist remarked about one of these, “That one must have taken him all of 15 minutes.” Over 950 paintings have been documented. His total output is unknown, but it is estimated to have been 3,000 or more.