google.com, pub-0288379932320714, DIRECT, f08c47fec0942fa0 GRAVIR LES MONTAGNES... EN PEINTURE: FERDINAND GEORG WALDMÜLLER (1793-1865)
Showing posts with label FERDINAND GEORG WALDMÜLLER (1793-1865). Show all posts
Showing posts with label FERDINAND GEORG WALDMÜLLER (1793-1865). Show all posts

Tuesday, September 8, 2020

THE DACHSTEIN PAINTED BY FERDINAND GEORG WALDMÜLLER


 

FERDINAND GEORG WALDMÜLLER (1793-1865)
Hoher Dachstein (2, 995m - 9, 826ft)
 Austria 
In The Dachstein, 1835, oil on canvas, Belvedere Museum, Vienna

The mountain
Hoher Dachstein (2, 995m - 9, 826ft) is a strongly karstic Austrian mountain, and the second highest mountain in the Northern Limestone Alps. It is situated at the border of Upper Austria and Styria in central Austria, and is the highest point in each of those states. Parts of the massif also lie in the state of Salzburg, leading to the mountain being referred to as the Drei-Lander-Berg ("three-state mountain"). The Dachstein massif covers an area of around 20x30 km with dozens of peaks above 2,500 m, the highest of which are in the southern and south-western areas. Seen from the north, the Dachstein massif is dominated by the glaciers with the rocky summits rising beyond them. By contrast, to the south, the mountain drops almost vertically to the valley floor.
The summit was first reached in 1832 by Peter Gappmayr, via the Gosau glacier, after an earlier attempt by Erzherzog Karl via the Hallstätter glacier had failed. Within two years of Gappmayr's success a wooden cross had been erected at the summit. The first person to reach the summit in winter was Friedrich Simony, on 14 January 1847. The sheer southern face was first climbed on 22 September 1909 by the brothers Irg and Franz Steiner.
Being the highest point of two different Bundesländer, the summit is a popular goal in both summer and winter. In fine weather as many as 100 climbers may be attempting the ascent, leading to congestion at key sections of the climb.

The painter
Ferdinand Georg Waldmüller was an Austrian writer and one of the most important painters of the Biedermeier period. Whether it was the conquest of the landscape and thus the convincing rendering of closeness or distance, the accurate characterisation of the human face, the detailed and refined description of textures, or the depiction of rural everyday life: his works – brilliant, explanatory, moralising, and socially critical – influenced a whole generation of artists. Being an advocate of natural observation and plein air painting, as well as a critic of academic painting, Waldmüller was far ahead of his time.

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Wandering Vertexes 2020
A blog by Francis Rousseau


Thursday, May 14, 2020

THE SCHÖNBERG PAINTED BY FERDINAND GEORG WALDMÜLLER


 

FERDINAND GEORG WALDMÜLLER (1793-1865)
Schönberg (2,104m -6,903 ft)
Lichtenstein 

In The Schönberg seen from the Hoisernradalpe, oil on canvas, Museo Thyssen-Bornemisza, Madrid

The mountain
Schönberg (2,104m -6,903 ft) is a mountain in Liechtenstein in the Rätikon range of the Eastern Alps north-east of the village of Steg. The Rätikon is a mountain range of the Central Eastern Alps, located at the border between Vorarlberg, Liechtenstein and Graubünden. It is the geological border between the Eastern and Western Alps and stretches from the Montafon as far as the Rhine. In the south, the Prättigau is its limit, and in the north, it is the Walgau. In the east, it borders the Silvretta groups. The Rätikon mountain range derives its name from Raetia, a province of the Roman Empire, named after the Rhaetian (Raeti or Rhaeti) people.

The painter
Ferdinand Georg Waldmüller was an Austrian writer and  one of the most important painters of the Biedermeier period. Whether it was the conquest of the landscape and thus the convincing rendering of closeness or distance, the accurate characterisation of the human face, the detailed and refined description of textures, or the depiction of rural everyday life: his works – brilliant, explanatory, moralising, and socially critical – influenced a whole generation of artists. Being an advocate of natural observation and plein air painting, as well as a critic of academic painting, Waldmüller was far ahead of his time.

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Wandering Vertexes 2020
A blog by Francis Rousseau