THE KOGELBERG PAINTED BY HUGO NAUDÉ

 

 HUGO NAUDÉ (1869-1941) 

The Kogelberg  (1,289 m - 4,228 ft)

South Africa

In Betty's Bay from  Klipkoppies, oil on canvas, 1925

The mountain
The Kogelberg  (1,289 m - 4,228 ft)is a range of mountains along the False Bay coast in the Western Cape of South Africa. They form part of the Cape Fold Belt, starting south of the Elgin valley and forming a steep coastal range as far as Kleinmond.
The Kogelberg area has the steepest and highest drop directly into the ocean of any southern African coastal stretch.
The mountains are made predominantly of Table Mountain Sandstone and form some very rugged terrain, which is extremely rich in fynbos, the native Cape flora. The Elgin Valley's surrounding mountain ranges are considered the hub of the Cape floral kingdom. They contain more plant species than anywhere else in the floral region, and a large section of the mountain range is now protected in the massive Kogelberg Nature Reserve. The unique local vegetation type is classified as Kogelberg Sandstone Fynbos. Pringle Bay near Cape Hangklip on the Kogelberg coast

The painter
Hugo Naudé was South Africa’s pioneer impressionist painter. He received his professional art education at the Slade School of Fine Art in London (1889 -1890) and the Kunst Akademie in Munich (1890 -1894) and spent a year amongst the Barbizon painters in Fontainebleau near Paris.
Born and raised in the Boland town of Worcester, Naudé became South Africa’s first professional artist, establishing “Cape Impressionism”, an adaptation of European Impressionism, in conjunction with the artists Pieter Wenning, Nita Spilhaus, Ruth Prowse and Strat Caldecott. After his European training, Naudé had to adapt to the sunlit brilliance of the African landscape and as “plein-airste” gradually loosened the bonds of his formal training - pioneering a truly South African style which has been maintained by a second and third generation of artists.
When Hugo Naudé returned to South Africa in 1896, after 6 years of formal art training and study in Europe (1889-1895) he initially tried to establish himself as a portrait painter for which he had received expert training from the great Franz von Lenbach in Munich. The prevailing artistic climate proved this idea to have been too optimistic, and thus began a gradual transition in subject matter from portrait to landscape.

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2020 - Wandering Vertexes
Un blog de Francis Rousseau 

MILNER PEAK BY HUGO NAUDÉ

HUGO NAUDÉ (1869-1941)  

Milner peak  (1,995 m- 6,545ft)  

South Africa

In Audensberg, Worcester, oil on canvas, 1911

The mountain 
 Milner Peak (1,995 m) is on of the  two peaks of  the Hex River Mountains,  the second highest mountain range in the Western Cape province of South Africa and are located 120 kilometres (75 miles) north-east of Cape Town. They form part of a large anticline in the Cape Fold Belt mountain system and form a north-east, south-west trending mountain system forming the core of the Cape Syntaxis between the towns of Worcester and De Doorns. They are mostly composed of Table Mountain sandstone and most peaks reach 2,000 metres (6,562 feet) in height or more. The highest mountain is Matroosberg (2,249 m -7,379 ft), making it the second tallest peak in the province after Seweweekspoort Peak in the Swartberg Mountain Range.
The vegetation is primarily montane fynbos and the mountains fall within the Cape's Mediterranean climate. The mountains provide some rudimentary snow-skiing opportunities in winter, with the Western Cape's heaviest snowfalls occurring in and around these ranges. The surrounding valleys support intensive deciduous fruit cultivation, mostly in the form of cherries and table grapes.
Block streams and terraces found in the near the summit of Matroosberg evidences past periglacial activity, which occurred likely during the Last Glacial Maximum.

 The painter

Hugo Naudé was South Africa’s pioneer impressionist painter. He received his professional art education at the Slade School of Fine Art in London (1889 -1890) and the Kunst Akademie in Munich (1890 -1894) and spent a year amongst the Barbizon painters in Fontainebleau near Paris.

Born and raised in the Boland town of Worcester, Naudé became South Africa’s first professional artist, establishing “Cape Impressionism”, an adaptation of European Impressionism, in conjunction with the artists Pieter Wenning, Nita Spilhaus, Ruth Prowse and Strat Caldecott. After his European training, Naudé had to adapt to the sunlit brilliance of the African landscape and as “plein-airste” gradually loosened the bonds of his formal training - pioneering a truly South African style which has been maintained by a second and third generation of artists.

When Hugo Naudé returned to South Africa in 1896, after 6 years of formal art training and study in Europe (1889-1895) he initially tried to establish himself as a portrait painter for which he had received expert training from the great Franz von Lenbach in Munich. The prevailing artistic climate proved this idea to have been too optimistic, and thus began a gradual transition in subject matter from portrait to landscape.

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2019 - Wandering Vertexes...

by Francis Rousseau 

DU TOITS PEAK PAINTED BY HUGO NAUDÉ

HUGO NAUDÉ (1869-1938)

Du Toits Peak  (1,995 m - 6,545 ft) 

 South Africa

The mountain 

Du Toits Peak (1,995 m - 6,545 ft) is the highest seaward facing peak in the Cape Fold Belt ranges, i.e. the highest peak in the Western Cape within direct sight of the ocean. Located between Paarl and Worcester in the south-west of South Africa, 70 kilometres (43 mi) to the north-east of the provincial capital of Cape Town. The mountains form a formidable barrier between Cape Town and the rest of Africa on the N1 highway, also called the Cape to Cairo Road. This section is called the Du Toitskloof Pass. The old route culminates at 820 metres (2,690 ft), however, the new Huguenot Tunnel, of 4.4 kilometres (2.7 mi) in length, cuts out the old mountain pass.

The range mostly consists of Table Mountain sandstone, an erosion-resistant quatzitic sandstone. Vegetation is almost exclusively montane fynbos of the Cape floristic region. The rest of the mountains are barren rocks and steep cliffs. Precipitation occurs primarily in the winter months as rain on the lower slopes and as snow higher up, usually above 1000m. Climate varies dramatically, with the surrounding valleys being up to 10°C (18°F) warmer than the mountains. The climate falls within the Mediterranean type. The mountains form part of the Cape Syntaxis, a complex portion of the Cape Fold Belt where the north-south trending ranges meet in the east-west trending ranges in a complex series of folds, thrusts and fault-lines.

The painter

Hugo Naudé was South Africa’s pioneer impressionist painter. He received his professional art education at the Slade School of Fine Art in London (1889 -1890) and the Kunst Akademie in Munich (1890 -1894) and spent a year amongst the Barbizon painters in Fontainebleau near Paris.

Born and raised in the Boland town of Worcester, Naudé became South Africa’s first professional artist, establishing “Cape Impressionism”, an adaptation of European Impressionism, in conjunction with the artists Pieter Wenning, Nita Spilhaus, Ruth Prowse and Strat Caldecott. After his European training, Naudé had to adapt to the sunlit brilliance of the African landscape and as “plein-airste” gradually loosened the bonds of his formal training - pioneering a truly South African style which has been maintained by a second and third generation of artists.

When Hugo Naudé returned to South Africa in 1896, after 6 years of formal art training and study in Europe (1889-1895) he initially tried to establish himself as a portrait painter for which he had received expert training from the great Franz von Lenbach in Munich. The prevailing artistic climate proved this idea to have been too optimistic, and thus began a gradual transition in subject matter from portrait to landscape.

SNEEUBERG & TAFELBERG BY HUGO NAUDE

HUGO NAUDÉ ( 1869-1938) 

Sneeuberg (2,026 m - 6, 647 ft)
Tafelberg (1,969 m- 6,460 ft)

South Africa 

 In  Cederberg mountains range, oil on canvas, 1910, Private collection 

The mountain 
The Sneeuberg (2,026 m - 6, 647 ft)  is a mountain  located in the Cederberg mountains range, South Afirca, the highest point of the Cederberg mountains, the second one being Tafelberg (1,969 m- 6,460 ft) which should not be confused with the Table Mountain in Cape Town.
The Cederberg mountains and nature reserve are located near Clanwilliam, approximately 300 km north of Cape Town. The mountain range is named after the endangered Clanwilliam cedar (Widdringtonia cedarbergensis), which is a endemic tree of the area. The mountains are noted for dramatic rock formations and San rock art. The Cederberg Wilderness Area is administered by CapeNature.
The dominating characteristic of the area is sharply defined sandstone rock formations (Table Mountain Group), often reddish in colour. This group of rocks contains bands of shale and in recent years a few important fossils have been discovered in these argillaceous layers. The fossils are of primitive fish and date back 450 million years to the Ordovician Period.

The painter
Hugo Naudé was South Africa’s pioneer impressionist painter. He received his professional art education at the Slade School of Fine Art in London (1889 -1890) and the Kunst Akademie in Munich (1890 -1894) and spent a year amongst the Barbizon painters in Fontainebleau near Paris.
Born and raised in the Boland town of Worcester, Naudé became South Africa’s first professional artist, establishing “Cape Impressionism”, an adaptation of European Impressionism, in conjunction with the artists Pieter Wenning, Nita Spilhaus, Ruth Prowse and Strat Caldecott. After his European training, Naudé had to adapt to the sunlit brilliance of the African landscape and as “plein-airste” gradually loosened the bonds of his formal training - pioneering a truly South African style which has been maintained by a second and third generation of artists.
When Hugo Naudé returned to South Africa in 1896, after 6 years of formal art training and study in Europe (1889-1895) he initially tried to establish himself as a portrait painter for which he had received expert training from the great Franz von Lenbach in Munich. The prevailing artistic climate proved this idea to have been too optimistic, and thus began a gradual transition in subject matter from portrait to landscape.

BAINSKLOOF PAINTED BY HUGO NAUDE

HUGO NAUDE (1869-1938) 

Bainskloof Pass (594 m - 1,949ft)

South Africa

In Bainskloof, Worcester,  oil on board

The mountain 

Bainskloof Pass (594 m - 1,949ft) is a mountain pass on the R301 regional road between Wellington and Ceres in the Western Cape province of South Africa, reaching at the highest point of the mountain.  The 18 kilometres (11 mi) pass, opened in 1854, was constructed by road engineer Andrew Geddes Bain with the use of convict labour. Originally built for horse-drawn traffic, the pass was later tarred. Here, the road joins the Witte River, which descends the northern side of the mountains through a precipitous cleft to a stretch of rapids, waterfalls and natural pools. Bainskloof Pass is now a national monument.

The painter 

Hugo Naudé was South Africa’s pioneer impressionist painter. He received his professional art education at the Slade School of Fine Art in London (1889 -1890) and the Kunst Akademie in Munich (1890 -1894) and spent a year amongst the Barbizon painters in Fontainebleau near Paris.
Born and raised in the Boland town of Worcester, Naudé became South Africa’s first professional artist, establishing “Cape Impressionism”, an adaptation of European Impressionism, in conjunction with the artists Pieter Wenning, Nita Spilhaus, Ruth Prowse and Strat Caldecott. After his European training, Naudé had to adapt to the sunlit brilliance of the African landscape and as “plein-airste” gradually loosened the bonds of his formal training - pioneering a truly South African style which has been maintained by a second and third generation of artists.
When Hugo Naudé returned to South Africa in 1896, after 6 years of formal art training and study in Europe (1889-1895) he initially tried to establish himself as a portrait painter for which he had received expert training from the great Franz von Lenbach in Munich. The prevailing artistic climate proved this idea to have been too optimistic, and thus began a gradual transition in subject matter from portrait to landscape.
Naudé’s total sincerity as a man and his integrity as an artist is evident in his oeuvre of work reflecting his submission to the attraction of nature and the landscape which evidently also suited his temperament. Applying his technical skills acquired from his formal art training, he tried to reflect the soul of the African landscape by capturing the dramatic tensions of nature in light and atmosphere by means of strong contrasts. This proved to be a lonely struggle as he had to adapt his palette and technique to suit the brilliant sunshine and colours the local landscape confronted him with. His determination and perseverance resulted in a unique style of landscape painting where the open-air freshness of the work, the confident brushstrokes of individually mixed colours and the underlying sense of composition always captured the atmosphere and brilliance of the scene.