HUGO NAUDÉ (1869-1941)
The Kogelberg (1,289 m - 4,228 ft)
South Africa
In Betty's Bay from Klipkoppies, oil on canvas, 1925
The mountain
The Kogelberg (1,289 m - 4,228 ft)is a range of mountains along the False Bay coast in the Western Cape of South Africa. They form part of the Cape Fold Belt, starting south of the Elgin valley and forming a steep coastal range as far as Kleinmond.
The Kogelberg area has the steepest and highest drop directly into the ocean of any southern African coastal stretch.
The mountains are made predominantly of Table Mountain Sandstone and form some very rugged terrain, which is extremely rich in fynbos, the native Cape flora. The Elgin Valley's surrounding mountain ranges are considered the hub of the Cape floral kingdom. They contain more plant species than anywhere else in the floral region, and a large section of the mountain range is now protected in the massive Kogelberg Nature Reserve. The unique local vegetation type is classified as Kogelberg Sandstone Fynbos. Pringle Bay near Cape Hangklip on the Kogelberg coast
The painter
Hugo Naudé was South Africa’s pioneer impressionist painter. He received his professional art education at the Slade School of Fine Art in London (1889 -1890) and the Kunst Akademie in Munich (1890 -1894) and spent a year amongst the Barbizon painters in Fontainebleau near Paris.
Born and raised in the Boland town of Worcester, Naudé became South Africa’s first professional artist, establishing “Cape Impressionism”, an adaptation of European Impressionism, in conjunction with the artists Pieter Wenning, Nita Spilhaus, Ruth Prowse and Strat Caldecott. After his European training, Naudé had to adapt to the sunlit brilliance of the African landscape and as “plein-airste” gradually loosened the bonds of his formal training - pioneering a truly South African style which has been maintained by a second and third generation of artists.
When Hugo Naudé returned to South Africa in 1896, after 6 years of formal art training and study in Europe (1889-1895) he initially tried to establish himself as a portrait painter for which he had received expert training from the great Franz von Lenbach in Munich. The prevailing artistic climate proved this idea to have been too optimistic, and thus began a gradual transition in subject matter from portrait to landscape.
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2020 - Wandering Vertexes
Un blog de Francis Rousseau
