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Sunday, February 23, 2020

TUCUPIT POINT BY THOMAS MORAN


THOMAS MORAN (1837-1926)
Tucupit Point (2,346 m - 7,698 ft)
United States of America  (Utah)

In Colburn's Butte, South Utah, watercolor, 1873, 35,2 x 24cm,  The Metropolitan Museum of Art

 About the painting
The journey that resulted in the first painting of the Grand Canyon also yielded this watercolor by the same artist, Thomas Moran. In late July 1873, Moran was en route from Salt Lake City to the north rim of the Grand Canyon to join the expedition of John Wesley Powell. Near Kanarraville, Utah, he recorded in his sketchbook two Navajo sandstone pinnacles that offered a preview of the magnificent Zion Canyon to the south, which he visited days later. With Moran was Justin Colburn, a correspondent for the New York Times, to whom he eventually gave the watercolor he made from the sketch and whose name he gave to its principal feature.
Colburn's Butte, today called Tucupit Point, is in the Kolob Canyon section of Zion National Park. In Moran's watercolor, it is distinguished by the white cloud swirling down to silhouette its peak. The spontaneous-looking passage sets off a zigzag pattern of hill and grass that continues to the bottom of the sheet. Such celestial-terrestrial dynamics were a hallmark of the work of the English-born Moran, an admirer of the turbulent landscapes of J. M. W. Turner. From the watercolor Moran designed an engraving that was published in the art magazine The Aldine in 1874.  

From the MET museum  notice

 The mountain

Tucupit Point (2,346 m - 7,698 ft ) is a prominent sandstone pinnacle in the Kolob Canyons of Zion National Park. The formation lays off of Taylor Creek Trail. The pinnacle - visible from U.S. Route 40 to the west - has been the subject of numerous photographs. ans paintings. The pinnacle was then named "Colburn's Butte" after Justin Colburn, a correspondent for the New York Times travelling with Thomas Moran; it would later be renamed Tucupit Point, "Tucupit" being the Paiute word for wildcat.

The painter
Thomas Moran was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.
Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.
Thomas Moran has a painting exhibited as part of the White House collection with The Three Tetons painted in 1895.
_____________________________

2020 - Wandering Vertexes...
by Francis Rousseau

Wednesday, October 14, 2020

TETON RANGE PAINTED BY THOMAS MORAN

THOMAS MORAN (1837-1926) Grand Teton (4,199 m - 13,775 ft) United States of America (Wyoming)  In Teton range, Oil on cnavas, 1897, 76.2 x 114.3 cm, The MET, (on view on Gallery 765)

THOMAS MORAN (1837-1926)
Grand Teton (4,199 m - 13,775 ft)
United States of America (Wyoming)

In Teton range, Oil on cnavas, 1897, 76.2 x 114.3 cm, The MET, (on view on Gallery 765)

 About this painting in the MET note
" As Albert Bierstadt claimed the Rocky Mountains and the Sierra Nevada for his art, so Moran made the Yellowstone region and the Grand Canyon his signature subjects. His dazzling watercolors of Yellowstone led directly to its designation, in 1872, as the first national park. A native of Great Britain and an ardent admirer of the English painter J. M. W. Turner, Moran used prismatic color to capture the splendors of the American West—such as this dramatic view of the Tetons, located just south of Yellowstone. For centuries, Indigenous communities lived on and cared for this land, yet they are notably absent from Moran’s work. Instead, the artist depicted the landscape as an untouched pre-industrial paradise—thus, ripe for White settlement and colonization "


The mountain
Grand Teton (4,199 m - 13,775 ft) is the highest mountain in Grand Teton National Park in Northwest Wyoming, and a classic destination in American mountaineering. It is the highest point of the Teton Range, and the second highest peak in the U.S. state of Wyoming after Gannett Peak. The mountain is entirely within the Snake River drainage basin, which it feeds by several local creeks and glaciers.The Teton Range is a subrange of the Rocky Mountains, which extend from southern Alaska to northern New Mexico.  Grand Teton's name was first recorded as Mount Hayden by the Washburn-Langford-Doane Expedition of 1870. However, the name "the Grand Teton" had early currency. The Edition of April, 1901 of the USGS 1:125,000 quadrangle map of the area shows "Grand Teton" as the name of the peak. A United States National Park named "Grand Teton National Park" was established by law in 1929. By 1931, the name Grand Teton Peak was in such common usage that it was recognized by the USGS Board on Geographic Names. Another shift in usage led the Board to shorten the name on maps to Grand Teton in 1970. The origin of the name is disputed. The most common explanation is that "Grand Teton" means "large teat" in French, named by either French-Canadian or Iroquois members of an expedition led by Donald McKenzie of the North West Company. However, other historians disagree, and claim that the mountain was named after the Teton Sioux tribe of Native Americans.

The painter

Thomas Moran was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.
Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.
Thomas Moran has a painting exhibited as part of the White House collection with The Three Tetons painted in 1895.

_____________________________

2020 - Wandering Vertexes...
by Francis Rousseau

Tuesday, September 20, 2016

MOSQUITO PASS PAINTED BY THOMAS MORAN


THOMAS MORAN (1837-1926)
Mosquito Pass  (4,019 m -13,185 ft)  
United States of America (Colorado)

Painted in 1874 

The mountain 
Mosquito Pass (4,019 m-13,185 ft), is a high mountain pass in the Mosquito Range of central Colorado in the United States. About the origin of the Mosquito pass name, there are lots of versions. One of the most popular says that just after nearby Montgomery was founded, gold was discovered high in the mountains above and gave rise to the town of Mosquito. The name came from a town meeting where a mosquito was crushed between pages of a book during the meeting. It was the only name they could agree on. 
Mosquito Pass is situated on the boundary between Lake and Park counties between Leadville (west) and Fairplay (east). It also lies on the divide between the Arkansas and South Platte Rivers, which is the informal demarcation between the northern and southern parts of Colorado east of the Continental Divide.
One of the highest passes in the state, Mosquito Pass can be traversed only on foot, on an off road motorcycle or with a proper four-wheel drive (4WD) vehicle. 2WD vehicles will find the road difficult due to the stream crossings and high rocky sections. Even with 4WD, it is typically passable only during the summer months. The best time to attempt the pass is between late July and early September. With such a high summit altitude the road can be closed anytime due to snowfalls. The zone is prone to heavy mist and can be dangerous in low visibility conditions.
The pass is two way, so you could start at Fairplay or Leadville. Starting at the intersection of Highways 285 and 9 it heads towards Alma. There is a sign that marks the entrance to 'Mosquito Gulch' - turn left here (Colorado Highway 12). Proper preparation is essential to having a safe, enjoyable trop on this road. Due to the remoteness of the area, take special care to ensure that your vehicle is ready for the trip: inspect all tires and make sure they are properly inflated, check all vehicle fluids, replace worn hoses and belts, empty your RV's holding tank and fill the water tank, purchase groceries and supplies. For the vehicle, bring at least two full-sized spare tires mounted on rims, tire jack and tools for flat tires, emergency flares, extra gasoline, motor oil, and wiper fluid and a radio.
The pioneering Methodist circuit rider John Lewis Dyer crossed over Mosquito Pass several times a week during the 1860s, using snowshoes in winter, in his mission to spread the gospel. Father Dyer Peak is named in his honor.
Reference

The painter 
Thomas Moran was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.
Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.
Thomas Moran has a painting exhibited as part of the White House collection. In the photograph depicting President Barack Obama and Israeli President Shimon Peres in the Oval Office it is seen on the wall: the portrait of George Washington is between City of Washington From Beyond the Navy Yard (1833) by George Cooke (on the left) and The Three Tetons (1895) by Thomas Moran (on the right). 
Reference

Friday, December 23, 2016

GRAND CANYON OF THE YELLOWSTONE BY THOMAS MORAN



THOMAS MORAN  (1837-1926)
Grand Canyon of the Yellowstone  (240 - 370 m / 800 - 1,200 ft  
United States of America (Wyoming)

 1.   In The Grand Canyon, 1900,  oil on canvas Smithsonian American Art Museum
2.  In The Grand Canyon of the Yellowstone,1904, oil on canvas, Honolulu Museum of Art.

The mountain  
The Grand Canyon of the Yellowstone- not to be confused with Grand Canyon of the Colorado River or any other Grand Canyons - is the first large canyon on the Yellowstone River downstream from Yellowstone Falls in Yellowstone National Park in Wyoming. The canyon is approximately 24 miles (39 km) long, between 800 and 1,200 ft (240 and 370 m) deep and from .25 to .75 mi (0.40 to 1.21 km) wide.
The specifics of the geology of the canyon are not well understood, except that it is an erosional feature rather than the result of glaciation. After the Yellowstone Caldera eruption of about 600,000 years ago, the area was covered by a series of lava flows. The area was also faulted by the doming action of the caldera before the eruption. The site of the present canyon, as well as any previous canyons, was probably the result of this uplift and related faulting, which allowed erosion to proceed at an accelerated rate. The area was also covered by the glaciers that formed during several ice ages. Glacial deposits probably filled the canyon at one time, but have since been eroded away, leaving little or no evidence of their presence.
Although trappers and prospectors who visited the Yellowstone region had knowledge of the canyon earlier, the first significant descriptions were publicized after the Cook–Folsom–Peterson Expedition of 1869 and the Washburn-Langford-Doane Expedition of 1870.
When Charles W. Cook first viewed the canyon after traveling west from the Lamar Valley on September 20, 1869, he subsequently wrote these words in his journal:
«I was riding ahead, the two pack animals following, and then Mr. Folsom and Mr. Peterson on their saddle horses. I remembered seeing what appeared to be an opening in the forest ahead, which I presumed to be a park, or open country. While my attention was attracted by the pack animals, which had stopped to eat grass, my saddle horse suddenly stopped. I turned and looked forward from the brink of the great canyon, at a point just across from what is now called Inspiration Point. I sat there in amazement, while my companions came up, and after that, it seemed to me that it was five minutes before anyone spoke. »
Source
- Wikipedia page 

The painter
Thomas Moran was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.
Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.
Thomas Moran has a painting exhibited as part of the White House collection. In the photograph depicting President Barack Obama and Israeli President Shimon Peres in the Oval Office it is seen on the wall: the portrait of George Washington is between City of Washington From Beyond the Navy Yard (1833) by George Cooke (on the left) and The Three Tetons (1895) by Thomas Moran (on the right).
Source: 
- The National Gallery of Art, Washington 

Friday, December 20, 2019

TOWER FALL AND SUlPHUR MOUNTAIN BY THOMAS MORAN



THOMAS MORAN (1837-1926)
Tower fall, Sulphur mountain  (1,933 m - 6,342 ft) 
United States of America (Wyoming)

In Tower Fall and Sulphur Mountain, Thomas Moran, 1875, The library of Congress

The formation
Tower of Tower Fall  (1,933 m - 6,342 ft) is a rock pinnacles, part of a most famous waterfall on Tower Creek in the northeastern region of Yellowstone National Park, in the U.S. state of Wyoming. Approximately 1,000 yards (910 m) upstream from the creek's confluence with the Yellowstone River, the fall plunges 132 feet (40 m). Its name comes from the rock pinnacles at the top of the fall. Tower Creek and Tower Fall are located approximately three miles south of Roosevelt Junction on the Tower-Canyon road. On September 15–16, 1869, members of the Cook–Folsom–Peterson Expedition spent a whole day in the Tower Fall area before crossing the river and traveling up the East Fork of the Yellowstone (Lamar River). In August 1870, the Washburn-Langford-Doane Expedition camped near and explored the Tower Fall area for several days en route to Yellowstone Lake.  The fall was renamed Tower Fall (singular) by the U.S. Geological Survey in 1928
Suplhur Moutain not to be confused with  the 10 others ones in United States of America and Canada, having the same name.  Those mountains are usaually name that way because of the hot springs on their slopes.

The painter
Thomas Moran was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.
Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.
Thomas Moran has a painting exhibited as part of the White House collection with The Three Tetons painted in 1895.

_____________________________

2019 - Wandering Vertexes...
by Francis Rousseau

Friday, January 10, 2020

MOUNT OF HOLY CROSS PAINTED BY THOMAS MORAN







 

THOMAS MORAN (1837-1926)
Mount of the Holy Cross (4,270 m - 14, 011 ft)
 United States of America  (Colorado)
In  Mountain of  the Holy Cross, oil on canvas, 1875, Museum of the American West, Los Angeles.

The mountain 
Mount of the Holy Cross  (4,270 m - 14, 011 ft) is a high and prominent mountain summit in the northern Sawatch Range of the Rocky Mountains of North America. It was named for the distinctive cross-shaped snowfield on its northeast face. Under USDA Forest Service administration, the mountain was proclaimed "Holy Cross National Monument" by Herbert Hoover on May 11, 1929. The monument was transferred to the National Park Service in 1933.  In 1950, it was returned to the Forest Service and lost its National Monument status. This mountain has been the subject of painters, photographers and even a poem by Henry Wadsworth Longfellow, The Cross of Snow. The first publicly available photograph was published in National Geographic magazine. It is still much photographed but it is not as well known today as it was in the past.
Nearby features include Bowl of Tears Lake, directly under the east face of the peak, Tuhare Lakes, in a cirque that lies south of a significant subpeak, and several other lakes. Notable locations within 35 mi (56 km) include the Dotsero volcano (near Interstate 70),  abd the famous resort of Vail and  Aspen.  The first recorded ascent of Holy Cross was in 1873, by F. V. Hayden and photographer W. H. Jackson during one of Hayden's geographical surveys. However, the peak may well have been ascended previously by miners or American Indians.

The painter
Thomas Moran was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.
Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.
Thomas Moran has a painting exhibited as part of the White House collection with The Three Tetons painted in 1895.

_____________________________

2020 - Wandering Vertexes...
by Francis Rousseau


Saturday, December 30, 2017

RYAN PEAK BY THOMAS MORAN


THOMAS MORAN (1837-1926)
Ryan Peak (3,570 m - 11,714 ft) 
United States of America (Idaho) 

 In Peak Idaho, rocky mountain, oil on canvas, 1890

 The mountain 
Ryan Peak (3,570 m - 11,714 ft)  is the highest peak in the Boulder Mountains of Idaho. Located in Custer County, Ryan Peak is about 0.5 miles (800 m) north of the Blaine County border. The peak is also on the border of Sawtooth National Recreation Area and Salmon-Challis National Forest and partially within the Hemingway–Boulders Wilderness. Ryan Peak is the second highest peak in the Sawtooth National Recreation Area, after Castle Peak as well as the 16th highest peak in Idaho. Kent Peak, which is the second highest peak in the Boulder Mountains is about 0.75 miles (1,210 m) southeast of Ryan Peak. The primary route to Ryan Peak begins north of Ketchum along Idaho State Highway 75 at the Sawtooth National Recreation Area headquarters. Take national forest road 146 north from the headquarters until you reach the trailhead at the end of the road. Trail 115 ascends the ridge to the southwest of Ryan Peak, and from the ridge Ryan Peak is about a 1 mile (1,600 m) off trail hike from the ridge.

The painter
Thomas Moran was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.
Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.
Thomas Moran has a painting exhibited as part of the White House collection with The Three Tetons painted in 1895.

Saturday, April 21, 2018

INDEX PEAK PAINTED BY THOMAS MORAN


THOMAS MORAN (1837-1926),
Index Peak (3,264 m - 10,709 feet)
 United States of America (Wyoming)

The mountain 
Index Peak (3,264 m - 10,709 feet) is a prominent mountain peak in the Absaroka Range in Park County, Wyoming. The peak is visible from US Route 212, the Beartooth Highway just east of the Northeast Entrance Station to Yellowstone National Park. Pilot Peak rises just south of Index Peak.

The painter
Thomas Moran was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.
Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.
Thomas Moran has a painting exhibited as part of the White House collection with The Three Tetons painted in 1895.

Saturday, September 17, 2016

MOUNT MORAN PAINTED BY EDWARD HOPPER


EDWARD HOPPER (1882-1967)
Mount Moran (3,842 m -12,605 ft
 United States of America  (Wyoming)



The mountain
Mount Moran is a mountain in Grand Teton National Park of western Wyoming, USA. The mountain is named for Thomas Moran, an American western frontier landscape artist. Mount Moran dominates the northern section of the Teton Range rising 6,000 feet (1,800 m) above Jackson Lake.  Several active glaciers exist on the mountain with Skillet Glacier plainly visible on the monolithic east face. Like the Middle Teton in the same range, Mount Moran's face is marked by a distinctive basalt intrusion known as the Black Dike.
On November 21, 1950, a C-47 cargo plane owned by the New Tribes Mission crashed on Mount Moran during a storm, killing all 21 on board. A rescue party organized by Paul Petzoldt located the wreckage on November 25, but the extreme location of the crash made it impossible to recover the plane or the bodies. The wreckage remains on the mountain today, but the Park Service discourages direct climbs to the site.
Climbing
The first ascent of Mount Moran was made on July 22, 1922 by LeGrand Hardy, Bennet McNulty and Ben C. Rich of the Chicago Mountaineering Club via the Skillet Glacier route. The Skillet Glacier still provides perhaps the easiest and most direct route to the summit and is rated 5.4. As the name implies, most of the climb is on the steep snow and ice of Skillet Glacier, and an ice axe and crampons should be used in the ascent.
Mount Moran is an impressive mountain which would make it attractive to mountaineers.  However, the comparative difficulty of the approach to the climbs makes it a much less popular climb than the Grand Teton and other peaks to the south. No trails to Mount Moran have been maintained for over twenty years, and any approach overland requires a great deal of bushwhacking through vegetation, deadfalls and bogs along the perimeter of Leigh Lake. Instead, most climbers choose to canoe from String Lake, across Leigh Lake and then pick their way to their respective route; but even this may require some overland route finding. As a result, most climbs on Mount Moran tend to take several days even when the technical portion of the climb is comparatively brief.
The most popular route up Mount Moran is the CMC route, named for the Chicago Mountaineering Club. The CMC is rated 5.5, and ascends the east face just south of the Black Dike. The CMC climbs good rock and is essentially free of snow and ice. It also has the advantage of a good camp high on the flank of the mountain.  The Direct South Buttress route, rated 5.7 A3, is recognized in the historic climbing text Fifty Classic Climbs of North America and considered a classic around the world.
References :
- Mount Moran in Summitpost.org 
- Wikipedia Moutn Moran Page

 The painter
Edward Hopper was a American realist painter and printmaker.
Conservative in politics and social matters (Hopper asserted for example that "artists' lives should be written by people very close to them"), he accepted things as they were and displayed a lack of idealism. Cultured and sophisticated, he was well-read, and many of his paintings show figures reading. He was generally good company and unperturbed by silences, though sometimes taciturn, grumpy, or detached. He was always serious about his art and the art of others, and when asked would return frank opinions.
Hopper's most systematic declaration of his philosophy as an artist was given in a handwritten note, entitled "Statement", submitted in 1953 to the journal, Reality:
"Great art is the outward expression of an inner life in the artist, and this inner life will result in his personal vision of the world. No amount of skillful invention can replace the essential element of imagination. One of the weaknesses of much abstract painting is the attempt to substitute the inventions of the human intellect for a private imaginative conception.
The inner life of a human being is a vast and varied realm and does not concern itself alone with stimulating arrangements of color, form and design.
The term life used in art is something not to be held in contempt, for it implies all of existence and the province of art is to react to it and not to shun it.
Painting will have to deal more fully and less obliquely with life and nature's phenomena before it can again become great."
Though Hopper claimed that he didn't consciously embed psychological meaning in his paintings, he was deeply interested in Freud and the power of the subconscious mind. He wrote in 1939: "So much of every art is an expression of the subconscious that it seems to me most of all the important qualities are put there unconsciously, and little of importance by the conscious intellect."
Hopper was stoic and fatalistic—a quiet introverted man with a gentle sense of humor and a frank manner. Hopper was someone drawn to an emblematic, anti-narrative symbolism, who "painted short isolated moments of configuration, saturated with suggestion".  His silent spaces and uneasy encounters "touch us where we are most vulnerable", and have "a suggestion of melancholy, that melancholy being enacted". His sense of color revealed him as a pure painter as he "turned the Puritan into the purist, in his quiet canvasses where blemishes and blessings balance".  According to critic Lloyd Goodrich, he was "an eminently native painter, who more than any other was getting more of the quality of America into his canvases".
Hopper derived his subject matter from two primary sources: one, the common features of American life (gas stations, motels, restaurants, theaters, railroads, and street scenes) and its inhabitants; and two, seascapes and rural landscapes, a few (2 or 3, not much)  mountains landscape. Regarding his style, Hopper defined himself as "an amalgam of many races" and not a member of any school, particularly the "Ashcan School".  Once Hopper achieved his mature style, his art remained consistent and self-contained, in spite of the numerous art trends that came and went during his long career.
Hopper's seascapes fall into three main groups: pure landscapes of rocks, sea, and beach grass; lighthouses and farmhouses; and sailboats. Sometimes he combined these elements.
Urban architecture and cityscapes also were major subjects for Hopper. He was fascinated with the American urban scene, "our native architecture with its hideous beauty, its fantastic roofs, pseudo-gothic, French Mansard, Colonial, mongrel or what not, with eye-searing color or delicate harmonies of faded paint, shouldering one another along interminable streets that taper off into swamps or dump heaps."
References

Tuesday, May 16, 2017

PIZ BERNINA PAINTED BY ALBERT BIERSTADT


ALBERT BIERSTADT (1830-1902)
Piz Bernina (4, 049m- 13, 283ft) 
Switzerland - Italy border 

In  Piz Bernina, Switzerland, 1880-90, oil on paper mounted on masonite, 

The mountain 
Piz Bernina or Pizzo Bernina (4, 049m- 13, 283ft)  is the highest mountain in the Eastern Alps, the highest point of the Bernina Range, and the highest peak in the Rhaetian Alps. It is located south of Pontresina and near the major Alpine resort of St. Moritz, in the Engadin valley with the massif partially in Italy.  The mountain can be seen from different viewpoints with the use of ski-lifts from Diavolezza, Piz Corvatsch or Piz Nair. It is also the most easterly mountain higher than 4,000 m (13,000 ft) in the Alps, the highest point of the Swiss canton of Graubünden, and the fifth-most prominent peak in the Alps. The minor summit (4,020 m -13,190 ft) known as La Spedla is the highest point in the Italian Lombardy region. The mountain was named after the Bernina Pass in 1850 by Johann Coaz, who also made the first ascent.  The prefix Piz comes from the Romansch language in Graubünden; any mountain with that name can be readily identified as being located in southeastern Switzerland.
The first ascent was made via the east ridge in 1850 by the 28-year-old topographer Johann Wilhelm Coaz (1822-1918) and his assistants, the brothers Jon and Lorenz Ragut Tscharner. 
In 1866, the south ridge running from La Spedla was climbed by Francis Fox Tuckett and F. A. Y. Brown with guides Christian Almer and F. Andermatten.
The first attempt to climb the northern ridge, the Biancograt, was partially made on 12 August 1876 by Henri Cordier and Thomas Middlemore with guides Johann Jaun and Kaspar Maurer.
On august 1878,  Paul Güssfeldt, accompanied by the guides H. Grass and J. Gross, reached the summit via the Biancograt and accomplished the first complete ascent on this route.
On 15 March 1929, the first winter ascent was made by C. Colmus with guides C. and U. Grass.
Climbing
The normal route starts from the Rifugio Marco e Rosa (3,600 m -11,800 ft) above the Fuorcla Crast'Agüzza, and follows the route taken by the first ascentionists. The north ridge, called the Biancograt or Crast Alva (both meaning White Ridge), is the most well-known and attractive route to the summit, and is much more difficult than the normal route. The route starts from the Tschierva Hut (2,584 m -8,478 ft) in Val Roseg, accessible from Pontresina. The Biancograt itself starts at the Fuorcla Prievlusa (3,430 m -11,250 ft)) and leads to Piz Bianco (3,995 m -13,107 ft). To reach the summit, the Bernina gap – which repulsed Cordier, Middlemore, Jaun and Maurer in 1876 – has to be traversed.
Sources: 
- Dictionnaire historique de la Suisse

The painter 
Albert Bierstadt was a German-born American painter. He was brought to the United States at the age of one by his parents. He later returned to study painting for several years in Düsseldorf. At an early age Bierstadt developed a taste for art and made clever crayon sketches in his youth.
In 1851, he began to paint in oils. He became part of the Hudson River School in New York, an informal group of like-minded painters who started painting along this scenic river. Their style was based on carefully detailed paintings with romantic, almost glowing lighting, sometimes called luminism. An important interpreter of the western landscape, Bierstadt, along with Thomas Moran, is also grouped with the Rocky Mountain School.
- More about Albert Bierstadt


Thursday, January 24, 2019

MOUNT MASSIVE BY WILLIAM HENRY JACKSON


WILLIAM HENRY JACKSON (1843-1942)
Mount Massive  (4,398 m - 14, 428 ft)
United States of America 

In  Mount Massive From Iron Hill, 1870, collodion  photography, Fogg Museum 

The mountain 
Mount Massive (4,398 m - 14, 428 ft) is the second-highest summit of the Rocky Mountains of North America and the U.S. state of Colorado. This prominent fourteener of the Sawatch Range is located in the Mount Massive Wilderness of San Isabel National Forest, 10.6 miles (17.1 km) west-southwest (bearing 247°) of the City of Leadville in Lake County, Colorado, United States.
Mount Massive edges out the third-highest summit of the Rockies, Mount Harvard, by 7 feet (2.1 m), but falls short of Mount Elbert by 12 feet (3.7 m). It ranks as the third-highest peak in the contiguous United States after Mount Whitney and Mount Elbert.
Mount Massive was first surveyed and climbed in 1873 during the Hayden Survey of the American West. Survey member Henry Gannett is credited with the first ascent. Its name comes from its elongated shape: it has five summits, all above 14,000 ft (4,300 m), and a summit ridge over 3 mi (4.8 km) long, resulting in more area above 14,000 ft (4,300 m) than any other mountain in the 48 contiguous states, narrowly edging Mount Rainier in that category. Mount Elbert (14,440 ft (4,400 m)) is Mount Massive's nearest neighbor among the fourteeners; it lies about 5 mi (8.0 km) south-southeast of the peaks.
There are several glacial lakes in the wilderness area. The lower slopes of the mountain are covered in lodgepole pine forests, which gradually yield to Engelmann Spruce and Fir. Treeline is just below 12,000 feet. Among the mountain's fauna are the American pika, the mountain goat, elk, mule deer, moose, gray jay, martin, and the yellow-bellied marmot.

The artist
William Henry Jackson  was an American painter, Civil War veteran, geological survey photographer and an explorer famous for his images of the American West. He was a great-great nephew of Samuel Wilson, the progenitor of America's national symbol Uncle Sam.
In 1869 Jackson won a commission from the Union Pacific to document the scenery along the various railroad routes for promotional purposes. When his work was discovered by Ferdinand Hayden, who was organizing a geologic survey to explore the Yellowstone River region, he was asked to join the expedition.
The following year, he got a last-minute invitation to join the 1870 U.S. government survey (predecessor of U.S. Geological Survey) of the Yellowstone River and Rocky Mountains led by Ferdinand Hayden. He also was a member of the Hayden Geological Survey of 1871[6] which led to the creation of Yellowstone National Park. Painter Thomas Moran was also part of the expedition, and the two artists worked closely together to document the Yellowstone region. Hayden's surveys (usually accompanied by a small detachment of the U.S. Cavalry) were annual multidisciplinary expeditions meant to chart the largely unexplored west, observe flora (plants), fauna (animals), and geological conditions (geology), and identify likely navigational routes, so as official photographer for the survey, Jackson was in a position to capture the first photographs of legendary landmarks of the West. These photographs played an important role in convincing Congress in 1872 to establish Yellowstone National Park, the first national park of the U.S. His involvement with Hayden's survey established his reputation as one of the most accomplished explorers of the American continent. Among Hayden's party were Jackson, Moran, geologist George Allen, mineralogist Albert Peale, topographical artist Henry Elliot, botanists, and other scientists who collected numerous wildlife specimens and other natural data.
Jackson worked in multiple camera and plate sizes, under conditions that were often incredibly difficult.  His photography was based on the collodion process invented in 1848 and published in 1851 by Frederick Scott Archer.  Jackson produced more than 900 photographs for the commission, which are now part of a collection on display at the Library of congress.

_______________________________

2019 - Wandering Vertexes...
by Francis Rousseau 

Saturday, January 14, 2017

MOUNT LAFAYETTE PAINTED BY ALBERT BIERSTADT


ALBERT BIERSTADT (1830-1902) 
Mount Lafayette (1,600m - 5,249 ft) 
United State of America 

The Mountain 
Mount Lafayette (1,600m - 5,249 ft)  is a mountain at the northern end of the Franconia Range in the White Mountains of New Hampshire, United States. It is located in the town of Franconia in Grafton County. It is on the New England Fifty Finest list of the most topographically prominent peaks in New England. The upper portion of the mountain is located in the alpine zone, an area where only small vegetation exists due to the harsh climate.
The mountain is named to honor General Lafayette, a French military hero of the 18th century who fought with and significantly aided the Continental Army and was loved and adopted by George Washington during the American Revolutionary War. Lafayette re-visited New Hampshire and all the other states in an extremely popular, triumphal tour during 1824-1825, celebrating the 50th anniversary of the Battle of Bunker Hill.
Mount Lafayette is the highest point in the Franconia Range, a line of peaks along the east side of Franconia Notch. It is the sixth highest peak in New Hampshire and the highest outside of the Presidential Range. It is the second most prominent peak in the state. On the western side, its lower slopes lie inside Franconia Notch State Park. The remainder of the mountain lies within the White Mountain National Forest. The summit marks the western border of the Pemigewasset Wilderness Area within the WMNF.

The painter 
Albert Bierstadt was a German-born American painter. He was brought to the United States at the age of one by his parents. He later returned to study painting for several years in Düsseldorf. At an early age Bierstadt developed a taste for art and made clever crayon sketches in his youth. 
In 1851, he began to paint in oils. He became part of the Hudson River School in New York, an informal group of like-minded painters who started painting along this scenic river. Their style was based on carefully detailed paintings with romantic, almost glowing lighting, sometimes called luminism. An important interpreter of the western landscape, Bierstadt, along with Thomas Moran, is also grouped with the Rocky Mountain School.
In 1858 he exhibited a large painting of a Swiss landscape at the National Academy of Design, which gained him positive critical reception and honorary membership in the Academy.  At this time Bierstadt began painting scenes in New England and upstate New York, including in the Hudson River valley. A group of artists known as the Hudson River School portrayed its majestic landscapes and craggy areas, as well as the light affected by the changing waters.
In 1859, Bierstadt traveled westward in the company of Frederick W. Lander, a land surveyor for the U.S. government, to see those landscapes.  He continued to visit the American West throughout his career.
During the American Civil War, Bierstadt paid for a substitute to serve in his place when he was drafted in 1863. He completed one Civil War painting Guerrilla Warfare, Civil War in 1862, based on his brief experiences with soldiers stationed at Camp Cameron in 1861.
Bierstadt's painting was based on a stereoscopic photograph taken by his brother Edward Bierstadt, who operated a photography studio at Langley's Tavern in Virginia. Bierstadt's painting received a positive review when it was exhibited at the Brooklyn Art Association at the Brooklyn Academy of Music in December 1861. Curator Eleanor Jones Harvey observes that Bierstadt's painting, created from photographs, "is quintessentially that of a voyeur, privy to the stories and unblemished by the violence and brutality of first-hand combat experience."
In 1860, he was elected a member of the National Academy; he received medals in Austria, Bavaria, Belgium, and Germany.[ In 1867 he traveled to London, where he exhibited two landscape paintings in a private reception with Queen Victoria. He traveled through Europe for two years, cultivating social and business contacts to sustain the market for his work overseas.
As a result of the publicity generated by his Yosemite paintings, Bierstadt's presence was requested by every explorer considering a westward expedition, and he was commissioned by the Atchison, Topeka, and Santa Fe Railroad to visit the Grand Canyon for further subject matter.
Bierstadt's technical proficiency, earned through his study of European landscape, was crucial to his success as a painter of the American West. It accounted for his popularity in disseminating views of the Rockies to those who had not seen them. The immense canvases he produced after his trips with Lander and Ludlow established him as the preeminent painter of the western American landscape. 
Despite his popular success, Bierstadt was criticized by some contemporaries for the romanticism evident in his choices of subject and his use of light was felt to be excessive. 
In 1882 Bierstadt's studio at Irvington, New York, was destroyed by fire, resulting in the loss of many of his paintings. By the time of his death on February 18, 1902, the taste for epic landscape painting had long since subsided. Bierstadt was then largely forgotten. He was buried at the Rural Cemetery in New Bedford, Massachusetts.
Interest in his work was renewed in the 1960s, with the exhibition of his small oil studies. The subsequent reassessment of Bierstadt's work has placed it in a favorable context.
Bierstadt's theatrical art, fervent sociability, international outlook, and unquenchable personal energy reflected the epic expansion in every facet of western civilization during the second half of the nineteenth century. Bierstadt was a prolific artist, having completed over 500 paintings during his lifetime. Many of these are held by museums across the United States.
Several mountain paintings by Bierstadt are published in this blog.  To find them, go to his name in the column on the right and just click on his name.
Sources: 

Monday, June 22, 2020

TIOGA PEAK PAINTED BY EDGAR PAYNE

 

EDGAR PAYNE (1883-1947)
Tioga Peak  (3,513 m - 11,526 ft)  
United States of America (California) 

The mountain
Tioga Peak (3,513 m - 11,526 ft)   is technically outside of Yosemite National Park, a bit north-north-east of Tioga Pass. It is in the Inyo National Forest. Tioga Peak is north of Tioga Pass, at the head of Lee Vining Canyon. Highway 120 goes direct past its south and east slopes. It is easily accessible, a class 1 to class 2 scramble, from Gardisky Lake. The summit is like a rolling dome. It has some of the best views of the Tioga Pass region. Both Mount Dana and Tioga Pass are visible, from the summit.
Tioga Peak is a rounded peak, made of metamorphic rock. Metamorphic rocks make up a large part of the Earth's crust and form 12% of the Earth's land surface.  They are classified by texture and by chemical and mineral assemblage (metamorphic facies).

The painter 
Edgar Alwin Payne was an American Western landscape painter and muralist. He made his way to California for the first time in 1909, at the age of 26. He spent several months painting at Laguna Beach, then headed to San Francisco. In San Francisco he met other artists, including commercial artist Elsie Palmer (1884–1971). On  November 1912, Edgar married Elsie  Palmer.  As a couple they became well known in Chicago's art circle. Between 1915 and 1918-19, Edgar maintained a professional address in Chicago at the Tree Studio Building on East Ohio Street.
He earned his first major commission in 1917. In a bid to attract tourism, the Atchison, Topeka and Santa Fe Railroad asked him to paint the Southwest, along the railroads' trek from Albuquerque to California. This commission not only solidified his reputation as an artist, it also forever linked him to Western America. Although he painted in Europe, he is most remembered for his work from the Four Corners area of the Navajo Nation Reservation, Yosemite, and the California coast. This area, from Taos, New Mexico to the Grand Canyon, became one of Payne's two main inspirations for the next twenty years.
The Santa Fe Railroad commissions were the turn of the century brainchild of William H. Simpson, chief of the railway's advertising department. Starting in 1892, with Thomas Moran, Simpson exchanged travel on the train, along with lodging at railroad hotels and meals at railroad restaurants, and sometimes even cash, for paintings, photographs, pottery, and jewelry. This endeavor lasted for decades and made the Santa Fe one of the largest collectors of southwestern fine art.
His lifelong obsession with the Sierras would lead him to produce a documentary film, “Sierra Journey”. In 1941 he wrote "Composition of Outdoor Painting", a comprehensive book on composition and composition forms. The book also explains landscape painting techniques, color, repetition, rhythm, and value. The seventh edition printing of the work was completed in 2005.

___________________________________________
2020 - Wandering Vertexes...
by Francis Rousseau









Tuesday, May 9, 2017

MOUNT LYELL PAINTED BY EDGAR PAYNE


EDGAR PAYNE (1883-1947)
Mount Lyell (3, 999m - 13, 120ft) 
 United States of America (California)

In Sierra Nevada, Oil on canvas, Private collection  

The mountain
Mount Lyell  (3, 999m - 13, 120ft) is the highest point in Yosemite National Park. It is located at the southeast end of the Cathedral Range, 1.2 miles (1.9 km) northwest of Rodgers Peak. The peak as well as nearby Lyell Canyon is named after Charles Lyell, a well-known 19th century geologist. The peak had one of the last remaining glaciers in Yosemite, Lyell Glacier. The Lyell Glacier is currently considered to be a permanent ice field, not a living glacier. Mount Lyell divides the Tuolumne River watershed to the north, the Merced to the west, and the Rush Creek drainage in the Mono Lake Basin to the southeast.
The closest and most popular trailhead is at Tuolumne Meadows, off US120. Just east of the Tuolumne Meadows campground, there is a turnoff for the Tuolumne Lodge and Wilderness Permits. Pass the large lot for Wilderness permits (unless you need to get one!), and drive past the Ranger Station on the left side of the road. Before you reach the Tuolumne Lodge, there is a large parking lot on the left side. There are bear boxes there that you can leave food items that you do not take with you. Use them! Bears are rampant in these parts and will happily destroy your car to get a meal.
The trailhead is on the south side of the road, opposite the parking lot.
Alternatively, you can approach Mt. Lyell from the east via Rush Creek at Silver Lake Resort (near June Mtn Ski area) or Agnews Meadow near Mammoth Lakes (this is the longer of the two). Take the JMT to Donohue Pass to reach the Lyell Fork drainage. From a map it may be enticing to try approaching from the east via Marie Lakes instead of Donohue Pass, but be warned this is a class 4 route, and will certainly take longer. These routes are longer than approaching from Tuolumne Meadows and require more elevation gain. 
Climbing is usually done May-Oct when the Tioga Road (US120) through Tuolumne Meadows is open. After Oct 15 the road is sometimes open, but overnight parking is no longer permitted.

The painter 
Edgar Alwin Payne was an American Western landscape painter and muralist. He made his way to California for the first time in 1909, at the age of 26. He spent several months painting at Laguna Beach, then headed to San Francisco. In San Francisco he met other artists, including commercial artist Elsie Palmer (1884–1971). On  November 1912, Edgar married Elsie  Palmer.  As a couple they became well known in Chicago's art circle. Between 1915 and 1918-19, Edgar maintained a professional address in Chicago at the Tree Studio Building on East Ohio Street.
He earned his first major commission in 1917. In a bid to attract tourism, the Atchison, Topeka and Santa Fe Railroad asked him to paint the Southwest, along the railroads' trek from Albuquerque to California. This commission not only solidified his reputation as an artist, it also forever linked him to Western America. Although he painted in Europe, he is most remembered for his work from the Four Corners area of the Navajo Nation Reservation, Yosemite, and the California coast. This area, from Taos, New Mexico to the Grand Canyon, became one of Payne's two main inspirations for the next twenty years.
The Santa Fe Railroad commissions were the turn of the century brainchild of William H. Simpson, chief of the railway's advertising department. Starting in 1892, with Thomas Moran, Simpson exchanged travel on the train, along with lodging at railroad hotels and meals at railroad restaurants, and sometimes even cash, for paintings, photographs, pottery, and jewelry. This endeavor lasted for decades and made the Santa Fe one of the largest collectors of southwestern fine art.
His lifelong obsession with the Sierras would lead him to produce a documentary film, “Sierra Journey”. In 1941 he wrote "Composition of Outdoor Painting", a comprehensive book on composition and composition forms. The book also explains landscape painting techniques, color, repetition, rhythm, and value. The seventh edition printing of the work was completed in 2005.


Monday, April 24, 2017

MOUNT ADAMS / PAHTO PAINTED BY ALBERT BIERSTADT



ALBERT BIERSTADT  (1830-1902) 
Mount Adams or Patho or Klikitat (3, 473m - 12, 281ft) 
United States of America (Washington State) 

In Mount Adams , 1875, oil on canvas, Princeton University Art Museum, USA

The mountain
Mount Adams or Patho or Klikitat (3, 473m - 12, 281ft)  is a potentially active stratovolcano in the Cascade Range, USA. Although Adams has not erupted in more than 1,000 years, it is not considered extinct. It is the second-highest mountain in the U.S. state of Washington, after Mount Rainier/Tacoma. Mount Adams is a member of the Cascade Volcanic Arc, and is one of the arc's largest volcanoes, located in a remote wilderness approximately 34 miles (55 km) east of Mount St. Helens. The Mount Adams Wilderness consists of the upper and western part of the volcano's cone. The eastern side of the mountain is designated as part of the territory of the Yakama Nation.
Adams' asymmetrical and broad body rises 1.5 miles (2.4 km) above the Cascade crest. Its nearly flat summit was formed as a result of cone-building eruptions from separated vents. A false summit, Pikers Peak, rises 11,657 feet (3,553 m) on the south side of the nearly half-mile (800 m) wide summit area. The true summit is about 600 feet (180 m) higher on the gently sloping north side. A small lava and scoria cone marks the highest point. Suksdorf Ridge is a long buttress descending from the false summit down to an elevation of 8,000 feet (2,000 m). This structure was built by repeated lava flows in the late Pleistocene. 
Air travelers flying the busy routes above the area sometimes confuse Mount Adams with nearby Mount Rainier/Tacoma, which has a similar flat-topped shape.
The Pacific Crest Trail traverses the western flank of the mountain.
In the early 21st century, glaciers cover a total of 2.5% of Adams' surface. During the last ice age about 90% of the mountain was glaciated. Mount Adams has 209 perennial snow and ice features and 12 officially named glaciers : Adams Glacier, Pinnacle Glacier, White Salmon Glacier,  Avalanche Glacier, Mazama Glacier, Klickitat Glacier, Rusk Glacier, Wilson Glacier, Gotchen Glacier, Crescent Glacier and Lava Glacier.

 The Painter 
Albert Bierstadt was a German-born American painter.At an early age Bierstadt developed a taste for art and made clever crayon sketches in his youth. In 1851, he began to paint in oils. He became part of the Hudson River School in New York, an informal group of like-minded painters who started painting along this scenic river. Their style was based on carefully detailed paintings with romantic, almost glowing lighting, sometimes called Luminism. An important interpreter of the western landscape, Bierstadt, along with Thomas Moran, is also grouped with the Rocky Mountain School.
In 1858 he exhibited a large painting of a Swiss landscape at the National Academy of Design, which gained him positive critical reception and honorary membership in the Academy.  At this time Bierstadt began painting scenes in New England and upstate New York, including in the Hudson River valley. A group of artists known as the Hudson River School portrayed its majestic landscapes and craggy areas, as well as the light affected by the changing waters.
In 1859, Bierstadt traveled westward in the company of Frederick W. Lander, a land surveyor for the U.S. government, to see those landscapes.  He continued to visit the American West throughout his career....
 - More on Albert Bierstadt 's life and works

Saturday, April 4, 2020

MOUNT BAKER / KULSHAN PAINTED BY ALBERT BIERSTADT

 

ALBERT BIERSTADT (1830-1902)
Mount Baker / Kulshan ((3,286 m - 10,781 ft
United States of America

In Mount Baker from the Frazier River, c. 1890, oil on canvas, Brooklyn Museum


The mountain
Mount Baker ((3,286 m - 10,781 ft), also known as Koma Kulshan or simply Kulshan, is a active glaciated andesitic stratovolcano in the Cascade Volcanic Arc and the North Cascades of Washington in the United States. Mount Baker has the second-most thermally active crater in the Cascade Range after Mount Saint Helens. About 30 miles (48 km)[due east of the city of Bellingham, Whatcom County, Mount Baker is the youngest volcano in the Mount Baker volcanic field. While volcanism has persisted here for some 1.5 million years, the current glaciated cone is likely no more than 140,000 years old, and possibly no older than 80–90,000 years. Older volcanic edifices have mostly eroded away due to glaciation.
After Mount Rainier, Mount Baker is the most heavily glaciated of the Cascade Range volcanoes; the volume of snow and ice on Mount Baker, 0.43 cu mi (1.79 km3) is greater than that of all the other Cascades volcanoes (except Rainier) combined. It is also one of the snowiest places in the world; in 1999, Mount Baker Ski Area, located 9 mi (14.5 km) to the northeast, set the world record for recorded snowfall in a single season—1,140 in (29 m; 95 ft).
Mt. Baker is the third-highest mountain in Washington and the fifth-highest in the Cascade Range, if Little Tahoma Peak, a subpeak of Mount Rainier, and Shastina, a subpeak of Mount Shasta, are not counted.[Located in the Mount Baker Wilderness, it is visible from much of Greater Victoria, Nanaimo, and Greater Vancouver in British Columbia, and to the south, from Seattle (and on clear days Tacoma) in Washington.
Indigenous peoples have known the mountain for thousands of years, but the first written record of the mountain is from Spanish explorer Gonzalo Lopez de Haro, who mapped it in 1790 as Gran Montaña del Carmelo, "Great Mount Carmel". The explorer George Vancouver renamed the mountain for 3rd Lieutenant Joseph Baker of HMS Discovery, who saw it on April 30, 1792.

The painter
Albert Bierstadt was a German-born American painter. He was brought to the United States at the age of one by his parents. He later returned to study painting for several years in Düsseldorf. At an early age Bierstadt developed a taste for art and made clever crayon sketches in his youth.
In 1851, he began to paint in oils. He became part of the Hudson River School in New York, an informal group of like-minded painters who started painting along this scenic river. Their style was based on carefully detailed paintings with romantic, almost glowing lighting, sometimes called luminism. An important interpreter of the western landscape, Bierstadt, along with Thomas Moran, is also grouped with the Rocky Mountain School....
Full Wandering Vertextes entry =>


___________________________________________
2020 - Wandering Vertexes...
by Francis Rousseau


Thursday, February 8, 2018

MOUNT WASHINGTON BY ALBERT BIERSTADT




ALBERT BIERSTADT (1830-1902),
Mount Washington (1, 916m - 6, 286ft)
United States of America  (New Hampshire)

In Autumn in the Conway Meadows Looking Towards Mount Washington, oil on canvas,
 Private collection 

The mountain 
Mount Washington (1, 916m - 6, 286ft) is the highest point in the northeastern United States. It is located in the White Mountains in the county of Coos. Most of the mountain is located in the White Mountain National Forest and Mount Washington State Park.
The mountain is called Agiocochook, the "abode of the great spirit," by the Amerindians. A scientific expedition led by geologist Dr. Cutler named Mount Washington in 1784.
While the western slope, which climbs the Cog Railway, is regular from its base, the other slopes are more complex. To the north, Great Gulf, the largest glacial circus in the mountains, is surrounded by the Northern Presidentials, namely Clay, Jefferson, Adams and Madison Mountains. These peaks reach far beyond the alpine zone beyond the tree line. The imposing Chandler Ridge extends northeast from the top of Mount Washington to form the southern wall of the amphitheater. It is paced by a motorway to the summit.
The first European to mention the mountain is Giovanni da Verrazzano in 1524, who sees it from the Atlantic Ocean and describes it as a "high mountain of the interior". Irishman Darby Field says he made his first ascent in 1642.
The Crawford Path, the oldest hiking trail in the United States, was established in 1819 as a mule track from the Crawford Notch Gorge to the summit and has been in use since that time. Ethan Allen Crawford built a lodge at the summit in 1821 that resisted a storm five years later.  In the middle of the nineteenth century, the mountain became a major tourist destination of the country, with the construction of new trails and two hotels. The Summit House, a 20-meter-long stone building with a roof attached to four heavy chains, was opened in 1852. The following year, the Tip-Top House was erected to compete with it. Rebuilt in wood with 91 rooms in 1872-1873, the Summit House burned in 1908 and was replaced by a granite building in 1915. Only the Tip-Top House resists fire; it is now classified in the National Register of Historic Places and has recently been renovated to house exhibitions. Among the attractions of the Victorian era is also a coach road built in 1861, now the Mount Washington Auto Road, and the Mount Washington Cog Railway, a cog railway established in 1869, in service.

The painter 
Albert Bierstadt  was a German-born American painter. He was brought to the United States at the age of one by his parents. He later returned to study painting for several years in Düsseldorf. At an early age Bierstadt developed a taste for art and made clever crayon sketches in his youth. 
In 1851, he began to paint in oils. He became part of the Hudson River School in New York, an informal group of like-minded painters who started painting along this scenic river. Their style was based on carefully detailed paintings with romantic, almost glowing lighting, sometimes called luminism. An important interpreter of the western landscape, Bierstadt, along with Thomas Moran, is also grouped with the Rocky Mountain School.
In 1858 he exhibited a large painting of a Swiss landscape at the National Academy of Design, which gained him positive critical reception and honorary membership in the Academy.  At this time Bierstadt began painting scenes in New England and upstate New York, including in the Hudson River valley. A group of artists known as the Hudson River School portrayed its majestic landscapes and craggy areas, as well as the light affected by the changing waters.
In 1859, Bierstadt traveled westward in the company of Frederick W. Lander, a land surveyor for the U.S. government, to see those landscapes.  He continued to visit the American West throughout his career.
During the American Civil War, Bierstadt paid for a substitute to serve in his place when he was drafted in 1863. He completed one Civil War painting Guerrilla Warfare, Civil War in 1862, based on his brief experiences with soldiers stationed at Camp Cameron in 1861.
Bierstadt's painting was based on a stereoscopic photograph taken by his brother Edward Bierstadt, who operated a photography studio at Langley's Tavern in Virginia. Bierstadt's painting received a positive review when it was exhibited at the Brooklyn Art Association at the Brooklyn Academy of Music in December 1861. Curator Eleanor Jones Harvey observes that Bierstadt's painting, created from photographs, "is quintessentially that of a voyeur, privy to the stories and unblemished by the violence and brutality of first-hand combat experience."
In 1860, he was elected a member of the National Academy; he received medals in Austria, Bavaria, Belgium, and Germany.[ In 1867 he traveled to London, where he exhibited two landscape paintings in a private reception with Queen Victoria. He traveled through Europe for two years, cultivating social and business contacts to sustain the market for his work overseas.
As a result of the publicity generated by his Yosemite paintings, Bierstadt's presence was requested by every explorer considering a westward expedition, and he was commissioned by the Atchison, Topeka, and Santa Fe Railroad to visit the Grand Canyon for further subject matter.
Bierstadt's technical proficiency, earned through his study of European landscape, was crucial to his success as a painter of the American West. It accounted for his popularity in disseminating views of the Rockies to those who had not seen them. The immense canvases he produced after his trips with Lander and Ludlow established him as the preeminent painter of the western American landscape. Financial recognition confirmed his status: The Rocky Mountains, Lander's Peak, completed in 1863, was purchased for $25,000 in 1865.
Despite his popular success, Bierstadt was criticized by some contemporaries for the romanticism evident in his choices of subject and his use of light was felt to be excessive. 
In 1882 Bierstadt's studio at Irvington, New York, was destroyed by fire, resulting in the loss of many of his paintings. By the time of his death on February 18, 1902, the taste for epic landscape painting had long since subsided. Bierstadt was then largely forgotten. He was buried at the Rural Cemetery in New Bedford, Massachusetts.
Interest in his work was renewed in the 1960s, with the exhibition of his small oil studies. The subsequent reassessment of Bierstadt's work has placed it in a favorable context.
Bierstadt's theatrical art, fervent sociability, international outlook, and unquenchable personal energy reflected the epic expansion in every facet of western civilization during the second half of the nineteenth century.
Bierstadt was a prolific artist, having completed over 500 paintings during his lifetime. Many of these are held by museums across the United States.