MT SAN CRISTOBAL AND MT BANAHAW PAINTED BY FERNANDO AMORSOLO

 

FERNANDO AMORSOLO (1892-1972)

Mount San Cristobal (1,470 m - 4,820 ft)

Mount Banahaw (2, 170m - 7, 120 ft)

 Philippines (Luzon)

 In Harvesting rice - Mt San Cristobal in the background, Oil on canvas, 

The Fernando Amorsolo foundation 

The mountains
Mount San Cristobal (1,470 m - 4,820 ft) is a dormant volcano in Quezon province on the island of Luzon, Philippines. The mountain is one of the volcanic features of Macolod Corridor.Mount San Cristobal is considered the Devil's mountain in Filipino folklore. It is the alter-ego of the Holy Mountain,
Mount Banahaw,(2, 170m- 7, 120 ft)   and is part of Mounts Banahaw–San Cristobal Protected Landscape covering 10,901 hectares (26,940 acres) of land.
The mountain is bounded by San Pablo, province of Laguna at its northern slope and Dolores, province of Quezon at its southern slope.

The painter
Fernando Cueto Amorsolo was one of the most important artists in the history of painting in the Philippines.Amorsolo was a portraitist and painter of rural Philippine landscapes. He is popularly known for his craftsmanship and mastery in the use of light. After graduating from the Univeajor influences on his work. Amorsolo set up his own studio upon his return to Manila and painted prodigiously during the 1920s and the 1930s. His Rice Planting (1922), which appeared on posters and tourist brochures, became one of the most popular images of the Commonwealth of the Philippines. Beginning in the 1930s, Amorsolo's work was exhibited widely both in the Philippines and abroad. His bright,optimistic, pastoral images set the tone for Philippine painting before World War II . Except for his darker World War II-era paintings, Amorsolo painted quiet and peaceful scenes throughout his career.
Amorsolo was sought after by influential Filipinos including Luis Araneta, Antonio Araneta and Jorge B. Vargas. Amorsolo also became the favourite Philippine artist of United States officials and visitors to the country. Due to his popularity, Amorsolo had to resort to photographing his works and pasted and mounted them in an album. Prospective patrons could then choose from this catalog of his works. Amorsolo did not create exact replicas of his trademark themes; he recreated the paintings by varying some elements.
His works later appeared on the cover and pages of children textbooks, in novels, in commercial designs, in cartoons and illustrations for the Philippine publications such The Independent, Philippine Magazine, Telembang, El Renacimiento Filipino, and Excelsior. He was the director of the University of the Philippine's College of Fine Arts from 1938 to 1952.
During the 1950s until his death in 1972, Amorsolo averaged to finishing 10 paintings a month. However, during his later years, diabetes, cataracts, arthritis, headaches, dizziness and the death of two sons affected the execution of his works. Amorsolo underwent a cataract operation when he was 70 years old, a surgery that did not impede him from drawing and painting.
After being confined at the St. Luke's Hospital in Quezon City for two months, Amorsolo died at the age of 79 on April 24, 1972. The volume of paintings, sketches and studies of Amorsolo is believed to have reached more than 10,000 pieces. Amorsolo was an important influence on contemporary Filipino art and artists, even beyond the so-called "Amorsolo school." Amorsolo's influence can be seen in many landscape paintings by Filipino artists, including early landscape paintings by abstract painter Federico Aguilar Alcuaz.
In 2003, Amorsolo's children founded the Fernando C. Amorsolo Art Foundation, which is dedicated to preserving Fernando Amorsolo's legacy, promoting his style and vision, and preserving a national heritage through the conservation and promotion of his works.

__________________________________________
2022 - Wandering Vertexes...
by Francis Rousseau

MOUNT MARIVELES PAINTED BY FERNANDO AMORSOLO

 

FERNANDO AMORSOLO (1882-1972)
Mount Mariveles (1,388 m-4,554ft)
Philippines (Bataan)

In View of Bataan at sunset, from Manilla Bay, oil on canvas, 1952, 

Fernando C. Amorsolo Art Foundation,. 

The volcano
Mount Mariveles (1,388 m-4,554ft) is a dormant volcano and the highest point in the province of Bataan in the Philippines. Mariveles and the adjacent Mount Natib comprise 80.9 percent of the total land area of the province] The mountain and adjacent cones lie opposite the city of Manila across Manila Bay, providing a beautiful setting for the sunsets seen from the city (as the painting above does!)
Mount Mariveles lies at the southern end of the Zambales Mountains in the Bataan Peninsula, west of Manila Bay. Bataan province belongs to the Central Luzon, of the Philippines.
Mount Mariveles is a massive stratovolcano topped with a 4-kilometre (2.5 mi) summit caldera which drains to the north. The Others peaks o of the Mariveles volcano-caldera complexe are Mounts Pantingan, Bataan, Tarak, and Vintana which has a base diameter of 22 kilometres ! Mount Samat on the northern slope, and Mount Limay on the eastern slope, are major, youthful-looking parasitic cones of the volcano.
Mariveles is still thermally active with the following hot springs located within the complex: Tiis Spring, Saysain Spring, and Pucot Spring.
There are no recorded historical eruptions from Mariveles caldera. However, archeologists report the last active eruption indicated by radiocarbon dating occurring around mid-Holocene or about 2050 BCE.

 

The painter
Fernando Cueto Amorsolo was one of the most important artists in the history of painting in the Philippines.Amorsolo was a portraitist and painter of rural Philippine landscapes. He is popularly known for his craftsmanship and mastery in the use of light. After graduating from the Univeajor influences on his work. Amorsolo set up his own studio upon his return to Manila and painted prodigiously during the 1920s and the 1930s. His Rice Planting (1922), which appeared on posters and tourist brochures, became one of the most popular images of the Commonwealth of the Philippines. Beginning in the 1930s, Amorsolo's work was exhibited widely both in the Philippines and abroad. His bright,optimistic, pastoral images set the tone for Philippine painting before World War II . Except for his darker World War II-era paintings, Amorsolo painted quiet and peaceful scenes throughout his career.
Amorsolo was sought after by influential Filipinos including Luis Araneta, Antonio Araneta and Jorge B. Vargas. Amorsolo also became the favourite Philippine artist of United States officials and visitors to the country. Due to his popularity, Amorsolo had to resort to photographing his works and pasted and mounted them in an album. Prospective patrons could then choose from this catalog of his works. Amorsolo did not create exact replicas of his trademark themes; he recreated the paintings by varying some elements.
His works later appeared on the cover and pages of children textbooks, in novels, in commercial designs, in cartoons and illustrations for the Philippine publications such The Independent, Philippine Magazine, Telembang, El Renacimiento Filipino, and Excelsior. He was the director of the University of the Philippine's College of Fine Arts from 1938 to 1952.
During the 1950s until his death in 1972, Amorsolo averaged to finishing 10 paintings a month. However, during his later years, diabetes, cataracts, arthritis, headaches, dizziness and the death of two sons affected the execution of his works. Amorsolo underwent a cataract operation when he was 70 years old, a surgery that did not impede him from drawing and painting.
After being confined at the St. Luke's Hospital in Quezon City for two months, Amorsolo died at the age of 79 on April 24, 1972. The volume of paintings, sketches and studies of Amorsolo is believed to have reached more than 10,000 pieces. Amorsolo was an important influence on contemporary Filipino art and artists, even beyond the so-called "Amorsolo school." Amorsolo's influence can be seen in many landscape paintings by Filipino artists, including early landscape paintings by abstract painter Federico Aguilar Alcuaz.
In 2003, Amorsolo's children founded the Fernando C. Amorsolo Art Foundation, which is dedicated to preserving Fernando Amorsolo's legacy, promoting his style and vision, and preserving a national heritage through the conservation and promotion of his works.

TAAL VOLCANO PAINTED BY FERNANDO AMORSOLO

FERNANDO AMORSOLO (1882-1972)

Taal Volcano (311 m -1,020 ft) 

Philippines (Luzon)

 In Returning fischermen, oil on canvas, 1950, Private collection

The volcano
Taal Volcano  (311 m -1,020 ft)  is a large 15 x 20 km lake filled complex volcano located on Luzon island in the Philippines, in the province of Batangas. Taal is the second most active volcano in the Philippines, with 34 recorded historical eruptions, all of which were concentrated on Volcano Island, near the middle of Taal Lake. The lake partially fills Taal Caldera, which was formed by prehistoric eruptions between 140,000 and 5,380 BP.  Viewed from the Tagaytay Ridge in Cavite, Taal Volcano and Lake presents one of the most picturesque and attractive views in the Philippines. It is located about 50 kilometres (31 miles) south of the capital of the country, the city of Manila.
The volcano has had several violent eruptions in the past, causing loss of life on the island and the populated areas surrounding the lake, with the death toll estimated at about 6,000. Because of its proximity to populated areas and its eruptive history, the volcano was designated a Decade Volcano, worthy of close study to prevent future natural disasters.
All volcanoes of the Philippines are part of the Pacific Ring of Fire.
A sudden eruption occurred on January 12,, 2020 quickly escalating into Alert Level 4.  Ashfalls and volcanic thunderstorms were reported, and forced evacuations were made. Dangers of possible volcanic tsunami were also warned. The volcano produced volcanic lightning above its crater with ash clouds. The eruption progressed into magmatic eruption characterized by lava fountain with thunder and lightning.

The painter
Fernando Cueto Amorsolo was one of the most important artists in the history of painting in the Philippines.Amorsolo was a portraitist and painter of rural Philippine landscapes. He is popularly known for his craftsmanship and mastery in the use of light...
- More about Fernando Amorsolo

__________________________________

2020 - Wandering Vertexes...
by Francis Rousseau

BAGUIO & TUBA MOUNTAINS PAINTED BY FERNANDO AMORSOLO

 FERNANDO AMORSOLO (1882-1972) 

Baguio and Tuba mountains (1, 540m- 5,050 ft)

 Philippines (Luzon) 

In Baguio and Mountains of Tuba  oil on canvas 

The mountains 

Baguio  mountains (1,540m- 5,050 ft) are located in the Cordillera Central mountain range in northern Luzon.  Baguio is also a city, officially is known as the Summer Capital of the Philippines, owing to its cool climate. Baguio was established as a hill station by the United States in 1900 at the site of an Ibaloi village known as Kafagway. It was the United States' only hill station in Asia.

Nowadays, Baguio is classified as a Highly Urbanized City (HUC). It is geographically located within Benguet, serving as the provincial capital from 1901 to 1916, but has since been administered independently from the province following its conversion into a chartered city.

The painter
Fernando Cueto Amorsolo was one of the most important artists in the history of painting in the Philippines.Amorsolo was a portraitist and painter of rural Philippine landscapes. He is popularly known for his craftsmanship and mastery in the use of light. After graduating from the Univeajor influences on his work. Amorsolo set up his own studio upon his return to Manila and painted prodigiously during the 1920s and the 1930s. His Rice Planting (1922), which appeared on posters and tourist brochures, became one of the most popular images of the Commonwealth of the Philippines. Beginning in the 1930s, Amorsolo's work was exhibited widely both in the Philippines and abroad. His bright,optimistic, pastoral images set the tone for Philippine painting before World War II . Except for his darker World War II-era paintings, Amorsolo painted quiet and peaceful scenes throughout his career.
Amorsolo was sought after by influential Filipinos including Luis Araneta, Antonio Araneta and Jorge B. Vargas. Amorsolo also became the favourite Philippine artist of United States officials and visitors to the country. Due to his popularity, Amorsolo had to resort to photographing his works and pasted and mounted them in an album. Prospective patrons could then choose from this catalog of his works. Amorsolo did not create exact replicas of his trademark themes; he recreated the paintings by varying some elements.
His works later appeared on the cover and pages of children textbooks, in novels, in commercial designs, in cartoons and illustrations for the Philippine publications such The Independent, Philippine Magazine, Telembang, El Renacimiento Filipino, and Excelsior. He was the director of the University of the Philippine's College of Fine Arts from 1938 to 1952.
During the 1950s until his death in 1972, Amorsolo averaged to finishing 10 paintings a month. However, during his later years, diabetes, cataracts, arthritis, headaches, dizziness and the death of two sons affected the execution of his works. Amorsolo underwent a cataract operation when he was 70 years old, a surgery that did not impede him from drawing and painting.
After being confined at the St. Luke's Hospital in Quezon City for two months, Amorsolo died at the age of 79 on April 24, 1972. The volume of paintings, sketches and studies of Amorsolo is believed to have reached more than 10,000 pieces. Amorsolo was an important influence on contemporary Filipino art and artists, even beyond the so-called "Amorsolo school." Amorsolo's influence can be seen in many landscape paintings by Filipino artists, including early landscape paintings by abstract painter Federico Aguilar Alcuaz.
In 2003, Amorsolo's children founded the Fernando C. Amorsolo Art Foundation, which is dedicated to preserving Fernando Amorsolo's legacy, promoting his style and vision, and preserving a national heritage through the conservation and promotion of his works.
_________________________________________-
2019 - Wandering Vertexes...
by Francis Rousseau

MOUNT DULANG-DULANG BY FERNANDO AMORSOLO

FERNANDO AMORSOLO (1892-1972)

Mount Dulang- dulang  ( 2,941 m - 9,649 ft) 

Philippines (Mindanao)

In Rice Harvest, Oil on canvas, The Fernando Amorsolo foundation 

The mountain
Mount Dulang-dulang (2,941 m - 9,649 ft)  is the highest elevation peak in the Kitanglad Mountain Range, located in the north central portion of the province of Bukidnon in the island of Mindanao. It is the second highest mountain of the Philippines, second only to Mount Apo of Davao at (2,956 m- 9,698 ft) and slightly higher than Mount Pulag of Luzon, (2,922 m (9,587 ft).
The mountain is regarded by the Talaandig tribe of Lantapan as a sacred place. It is also within the ancestral domain of the tribe.
Mount Dulang-dulang, similar to other peaks located in the Kitanglad Mountain Range, is covered by lofty forests and is a home to a variety of fauna and flora.

The painter
Fernando Cueto Amorsolo was one of the most important artists in the history of painting in the Philippines.Amorsolo was a portraitist and painter of rural Philippine landscapes. He is popularly known for his craftsmanship and mastery in the use of light. After graduating from the Univeajor influences on his work. Amorsolo set up his own studio upon his return to Manila and painted prodigiously during the 1920s and the 1930s. His Rice Planting (1922), which appeared on posters and tourist brochures, became one of the most popular images of the Commonwealth of the Philippines. Beginning in the 1930s, Amorsolo's work was exhibited widely both in the Philippines and abroad. His bright,optimistic, pastoral images set the tone for Philippine painting before World War II . Except for his darker World War II-era paintings, Amorsolo painted quiet and peaceful scenes throughout his career.
Amorsolo was sought after by influential Filipinos including Luis Araneta, Antonio Araneta and Jorge B. Vargas. Amorsolo also became the favourite Philippine artist of United States officials and visitors to the country. Due to his popularity, Amorsolo had to resort to photographing his works and pasted and mounted them in an album. Prospective patrons could then choose from this catalog of his works. Amorsolo did not create exact replicas of his trademark themes; he recreated the paintings by varying some elements.
His works later appeared on the cover and pages of children textbooks, in novels, in commercial designs, in cartoons and illustrations for the Philippine publications such The Independent, Philippine Magazine, Telembang, El Renacimiento Filipino, and Excelsior. He was the director of the University of the Philippine's College of Fine Arts from 1938 to 1952.
During the 1950s until his death in 1972, Amorsolo averaged to finishing 10 paintings a month. However, during his later years, diabetes, cataracts, arthritis, headaches, dizziness and the death of two sons affected the execution of his works. Amorsolo underwent a cataract operation when he was 70 years old, a surgery that did not impede him from drawing and painting.
After being confined at the St. Luke's Hospital in Quezon City for two months, Amorsolo died at the age of 79 on April 24, 1972. The volume of paintings, sketches and studies of Amorsolo is believed to have reached more than 10,000 pieces. Amorsolo was an important influence on contemporary Filipino art and artists, even beyond the so-called "Amorsolo school." Amorsolo's influence can be seen in many landscape paintings by Filipino artists, including early landscape paintings by abstract painter Federico Aguilar Alcuaz.
In 2003, Amorsolo's children founded the Fernando C. Amorsolo Art Foundation, which is dedicated to preserving Fernando Amorsolo's legacy, promoting his style and vision, and preserving a national heritage through the conservation and promotion of his works.

2017 - Wandering Vertexes...
by Francis Rousseau

MOUNT BANAHAW (3) BY FERNANDO AMORSOLO

FERNANDO AMORSOLO (1882-1972),

Mount Banahaw (2, 170m- 7, 120 ft) 

Philippines (Luzon)




The mountain

Mount Banahaw (2, 170m- 7, 120 ft) is an active volcano on Luzon in the Philippines. The three-peaked volcano complex is located between the provinces of Laguna and Quezon and is the tallest mountain in the Calabarzon region dominating the landscape for miles around. 

Mount Banahaw is a traditional pilgrimage site for locals, believed by many as a "Holy mountain", a spiritually-charged location. The mountain and its environs are considered sacred by local residents; the water from its sacred springs are deemed "holy water" for allegedly having beneficial qualities, issuing forth from locations called "puestos" or "holy sites". These sites are unique natural features composed not only of springs, but also caves, streams and boulders; with names with biblical allusions, and shrines erected in, on or around them. These locations were allegedly revealed to a man named Agripino Lontoc by the "Santong Boses" or the "Holy Voices", which also gave the names to these places way back during the Spanish Colonial Era. Another one of this mountain is the adjacent Mount Banahaw de Lucbán.

Due to incessant climbing activity the mountain trails have become littered with trash. In March 2004, the Department of Environment and Natural Resources ordered a 5-year suspension of hiking activity in the mountains, covering the Dolores and Sariaya trails. Reopening was delayed was then scheduled to March 2012, but was further extended to February 2015.




The painter 

Fernando Cueto Amorsolo was one of the most important artists in the history of painting in the Philippines.Amorsolo was a portraitist and painter of rural Philippine landscapes. He is popularly known for his craftsmanship and mastery in the use of light. After graduating from the Univeajor influences on his work. Amorsolo set up his own studio upon his return to Manila and painted prodigiously during the 1920s and the 1930s. His Rice Planting (1922), which appeared on posters and tourist brochures, became one of the most popular images of the Commonwealth of the Philippines. Beginning in the 1930s, Amorsolo's work was exhibited widely both in the Philippines and abroad. His bright,optimistic, pastoral images set the tone for Philippine painting before World War II . Except for his darker World War II-era paintings, Amorsolo painted quiet and peaceful scenes throughout his career.

_______________________________
2018 - Wandering Vertexes...
by Francis Rousseau 

MOUNT SAN CRISTOBAL BY FERNANDO AMORSOLO

FERNANDO AMORSOLO (1892-1972)

Mount San Cristobal (1,470 m - 4,820 ft)

 Philippines (Luzon)

 In Planting rice - Mt San Cristobal in the background, Oil on canvas, 

The Fernando Amorsolo foundation 

The mountain
Mount San Cristobal (1,470 m - 4,820 ft) is a dormant volcano in Quezon province on the island of Luzon, Philippines. The mountain  is one of the volcanic features of Macolod Corridor.
Mount San Cristobal is considered the Devil's mountain in Filipino folklore. It is the alter-ego of the Holy Mountain, Mount Banahaw, and is part of Mounts Banahaw–San Cristobal Protected Landscape covering 10,901 hectares (26,940 acres) of land.
The mountain is bounded by San Pablo, province of Laguna at its northern slope and Dolores, province of Quezon at its southern slope.

The painter 
Fernando Cueto Amorsolo was one of the most important artists in the history of painting in the Philippines.Amorsolo was a portraitist and painter of rural Philippine landscapes. He is popularly known for his craftsmanship and mastery in the use of light. After graduating from the Univeajor influences on his work. Amorsolo set up his own studio upon his return to Manila and painted prodigiously during the 1920s and the 1930s. His Rice Planting (1922), which appeared on posters and tourist brochures, became one of the most popular images of the Commonwealth of the Philippines. Beginning in the 1930s, Amorsolo's work was exhibited widely both in the Philippines and abroad. His bright,optimistic, pastoral images set the tone for Philippine painting before World War II . Except for his darker World War II-era paintings, Amorsolo painted quiet and peaceful scenes throughout his career.
Amorsolo was sought after by influential Filipinos including Luis Araneta, Antonio Araneta and Jorge B. Vargas. Amorsolo also became the favourite Philippine artist of United States officials and visitors to the country. Due to his popularity, Amorsolo had to resort to photographing his works and pasted and mounted them in an album. Prospective patrons could then choose from this catalog of his works. Amorsolo did not create exact replicas of his trademark themes; he recreated the paintings by varying some elements.
His works later appeared on the cover and pages of children textbooks, in novels, in commercial designs, in cartoons and illustrations for the Philippine publications such The Independent, Philippine Magazine, Telembang, El Renacimiento Filipino, and Excelsior. He was the director of the University of the Philippine's College of Fine Arts from 1938 to 1952.
During the 1950s until his death in 1972, Amorsolo averaged to finishing 10 paintings a month. However, during his later years, diabetes, cataracts, arthritis, headaches, dizziness and the death of two sons affected the execution of his works. Amorsolo underwent a cataract operation when he was 70 years old, a surgery that did not impede him from drawing and painting.
After being confined at the St. Luke's Hospital in Quezon City for two months, Amorsolo died  at the age of 79 on April 24, 1972. The volume of paintings, sketches and studies of Amorsolo is believed to have reached more than 10,000 pieces. Amorsolo was an important influence on contemporary Filipino art and artists, even beyond the so-called "Amorsolo school." Amorsolo's influence can be seen in many landscape paintings by Filipino artists, including early landscape paintings by abstract painter Federico Aguilar Alcuaz.
In 2003, Amorsolo's children founded the Fernando C. Amorsolo Art Foundation, which is dedicated to preserving Fernando Amorsolo's legacy, promoting his style and vision, and preserving a national heritage through the conservation and promotion of his works.

2017 - Wandering Vertexes...
by Francis Rousseau 

MOUNT BANAHAW (2) BY FERNANDO AMORSOLO

FERNANDO AMORSOLO (1882-1972),

Mount Banahaw (2, 170m- 7, 120 ft) 

Philippines (Luzon)

 In Afternoon meal of the rice workers with Mount Banaho de Luchan, Private collection 

The mountain

Mount Banahaw (2, 170m- 7, 120 ft) is an active volcano on Luzon in the Philippines. The three-peaked volcano complex is located between the provinces of Laguna and Quezon and is the tallest mountain in the Calabarzon region dominating the landscape for miles around. 

Mount Banahaw is a traditional pilgrimage site for locals, believed by many as a "Holy mountain", a spiritually-charged location. The mountain and its environs are considered sacred by local residents; the water from its sacred springs are deemed "holy water" for allegedly having beneficial qualities, issuing forth from locations called "puestos" or "holy sites". These sites are unique natural features composed not only of springs, but also caves, streams and boulders; with names with biblical allusions, and shrines erected in, on or around them. These locations were allegedly revealed to a man named Agripino Lontoc by the "Santong Boses" or the "Holy Voices", which also gave the names to these places way back during the Spanish Colonial Era. Another one of this mountain is the adjacent Mount Banahaw de Lucbán.

Due to incessant climbing activity the mountain trails have become littered with trash. In March 2004, the Department of Environment and Natural Resources ordered a 5-year suspension of hiking activity in the mountains, covering the Dolores and Sariaya trails. Reopening was delayed was then scheduled to March 2012, but was further extended to February 2015.

The painter 
Fernando Cueto Amorsolo was one of the most important artists in the history of painting in the Philippines.Amorsolo was a portraitist and painter of rural Philippine landscapes. He is popularly known for his craftsmanship and mastery in the use of light. After graduating from the Univeajor influences on his work. Amorsolo set up his own studio upon his return to Manila and painted prodigiously during the 1920s and the 1930s. His Rice Planting (1922), which appeared on posters and tourist brochures, became one of the most popular images of the Commonwealth of the Philippines. Beginning in the 1930s, Amorsolo's work was exhibited widely both in the Philippines and abroad. His bright,optimistic, pastoral images set the tone for Philippine painting before World War II . Except for his darker World War II-era paintings, Amorsolo painted quiet and peaceful scenes throughout his career.

Amorsolo was sought after by influential Filipinos including Luis Araneta, Antonio Araneta and Jorge B. Vargas. Amorsolo also became the favourite Philippine artist of United States officials and visitors to the country. Due to his popularity, Amorsolo had to resort to photographing his works and pasted and mounted them in an album. Prospective patrons could then choose from this catalog of his works. Amorsolo did not create exact replicas of his trademark themes; he recreated the paintings by varying some elements.

His works later appeared on the cover and pages of children textbooks, in novels, in commercial designs, in cartoons and illustrations for the Philippine publications such The Independent, Philippine Magazine, Telembang, El Renacimiento Filipino, and Excelsior. He was the director of the University of the Philippine's College of Fine Arts from 1938 to 1952.

During the 1950s until his death in 1972, Amorsolo averaged to finishing 10 paintings a month. However, during his later years, diabetes, cataracts, arthritis, headaches, dizziness and the death of two sons affected the execution of his works. Amorsolo underwent a cataract operation when he was 70 years old, a surgery that did not impede him from drawing and painting.

After being confined at the St. Luke's Hospital in Quezon City for two months, Amorsolo died  at the age of 79 on April 24, 1972. The volume of paintings, sketches and studies of Amorsolo is believed to have reached more than 10,000 pieces. Amorsolo was an important influence on contemporary Filipino art and artists, even beyond the so-called "Amorsolo school." Amorsolo's influence can be seen in many landscape paintings by Filipino artists, including early landscape paintings by abstract painter Federico Aguilar Alcuaz.

In 2003, Amorsolo's children founded the Fernando C. Amorsolo Art Foundation, which is dedicated to preserving Fernando Amorsolo's legacy, promoting his style and vision, and preserving a national heritage through the conservation and promotion of his works.

Sources

 - Fernando Amorsolo foundation web site 

2017 - Wandering Vertexes...
by Francis Rousseau 

MOUNT BANAHAW PAINTED BY FERNANDO AMORSOLO

FERNANDO AMORSOLO (1882-1972)

 Mount Banahaw (2, 170m- 7, 120ft)

Philippines (Luzon)

In Banahao de Luchan, oil on canvas

The Mountain 
Mount Banahaw (2, 170m- 7, 120ft) also called Banahao or Banбjao is an active volcano on Luzon in the Philippines. The three-peaked volcano complex is located between the provinces of Laguna and Quezon and is the tallest mountain in the Calabarzon region dominating the landscape for miles around.
The andesitic Banahaw volcano complex is composed of several mountains of which Mount Banahaw is the largest . The summit is topped by a 1.5 by 3.5 kilometres (0.93 mi × 2.17 mi) and 210 metres (690 ft) deep crater that is breached on the southern rim believed to have been caused by the 1730 eruption. Prior to 1730, a lake occupied the summit crater of Mount Banahaw. The resulting flood destroyed the town of Sariaya, Quezon located below the mountain. The las eruption was in 1843.
Banahaw is a traditional pilgrimage site for locals, believed by many as a "Holy mountain", a spiritually-charged location.  The mountain and its environs are considered sacred by local residents; the water from its sacred springs are deemed "holy water" for allegedly having beneficial qualities, issuing forth from locations called "puestos" or "holy sites". These sites are unique natural features composed not only of springs, but also caves, streams and boulders; with names with biblical allusions, and shrines erected in, on or around them. These locations were allegedly revealed to a man named Agripino Lontoc by the "Santong Boses" or the "Holy Voices", which also gave the names to these places way back during the Spanish Colonial Era. Another one of this mountain is the adjacent Mount Banahaw de Lucbán.
Due to incessant climbing activity the mountain trails have become littered with trash. In March 2004, the Department of Environment and Natural Resources ordered a 5-year suspension of hiking activity in the mountains, covering the Dolores and Sariaya trails. Reopening was delayed was then scheduled to March 2012, but was further extended to February 2015. Mount Banahaw is located in a protected area known as Mounts Banahaw–San Cristobal Protected Landscape covering 10,901 hectares (26,940 acres) of land.

The painter 
Fernando Cueto Amorsolo was one of the most important artists in the history of painting in the Philippines.Amorsolo was a portraitist and painter of rural Philippine landscapes. He is popularly known for his craftsmanship and mastery in the use of light. After graduating from the Univeajor influences on his work. Amorsolo set up his own studio upon his return to Manila and painted prodigiously during the 1920s and the 1930s. His Rice Planting (1922), which appeared on posters and tourist brochures, became one of the most popular images of the Commonwealth of the Philippines. Beginning in the 1930s, Amorsolo's work was exhibited widely both in the Philippines and abroad. His bright,optimistic, pastoral images set the tone for Philippine painting before World War II . Except for his darker World War II-era paintings, Amorsolo painted quiet and peaceful scenes throughout his career.

Amorsolo was sought after by influential Filipinos including Luis Araneta, Antonio Araneta and Jorge B. Vargas. Amorsolo also became the favourite Philippine artist of United States officials and visitors to the country. Due to his popularity, Amorsolo had to resort to photographing his works and pasted and mounted them in an album. Prospective patrons could then choose from this catalog of his works. Amorsolo did not create exact replicas of his trademark themes; he recreated the paintings by varying some elements.

His works later appeared on the cover and pages of children textbooks, in novels, in commercial designs, in cartoons and illustrations for the Philippine publications such The Independent, Philippine Magazine, Telembang, El Renacimiento Filipino, and Excelsior. He was the director of the University of the Philippine's College of Fine Arts from 1938 to 1952.

During the 1950s until his death in 1972, Amorsolo averaged to finishing 10 paintings a month. However, during his later years, diabetes, cataracts, arthritis, headaches, dizziness and the death of two sons affected the execution of his works. Amorsolo underwent a cataract operation when he was 70 years old, a surgery that did not impede him from drawing and painting.

After being confined at the St. Luke's Hospital in Quezon City for two months, Amorsolo died  at the age of 79 on April 24, 1972. The volume of paintings, sketches and studies of Amorsolo is believed to have reached more than 10,000 pieces. Amorsolo was an important influence on contemporary Filipino art and artists, even beyond the so-called "Amorsolo school." Amorsolo's influence can be seen in many landscape paintings by Filipino artists, including early landscape paintings by abstract painter Federico Aguilar Alcuaz.

In 2003, Amorsolo's children founded the Fernando C. Amorsolo Art Foundation, which is dedicated to preserving Fernando Amorsolo's legacy, promoting his style and vision, and preserving a national heritage through the conservation and promotion of his works.

Sources

 - Fernando Amorsolo foundation web site 

2017 - Wandering Vertexes...
by Francis Rousseau 

MOUNT UGO PAINTED BY FERNANDO AMORSOLO

FERNANDO AMORSOLO (1882-1972)

Mount Ugo (2, 150m - 7, 053 ft)

Philippines 

The mountain 

Mount Ugo (2, 150m - 7, 053 ft) sometimes called Mount Ugu, is a mountain located in Province of Nueva Vizcaya, Cagayan Valley, Philippines.  The name “Ugo” was derived from an Ibaloi word “Ugo-an” (“to cut the neck”). This is probably because the mountain was an area where the indigenous used to killed the invading Spaniards by cutting their neck. Contrary to the brutal origin of its name, Mount Ugo can be perceived as a landmark that showcases the people’s culture and beliefs.

Mount Ugo is one of the picturesque mountains of this mountain range. It is one of the most known climbing destinations in the country. Ugo is said to be one of the higher mountains in the Cordillera. At the peak, it presents a spectacular view of other Cordillera mountains, including the 2 of the highest peaks in Luzon (Mt. Pulag and Mt. Tabayoc).

Many mountain-enthusiasts and adventure-seekers have proven that Mt. Ugo is unquestionably a great hiking destination. The climb to Mount Ugo usually takes 2 – 3 days depending on how much you would like to enjoy your trekking. During our time, we allotted 3 days for the entire climb.

The painter
Fernando Cueto Amorsolo was one of the most important artists in the history of painting in the Philippines.Amorsolo was a portraitist and painter of rural Philippine landscapes. He is popularly known for his craftsmanship and mastery in the use of light...
- More about Fernando Amorsolo 

2017 - Wandering Vertexes...

by Francis Rousseau 

MOUNT PINATUBO PAINTED BY FERNANDO AMORSOLO

FERNANDO AMORSOLO (1882-1972)

Mount Pinatubo or Bundok Pinatubo 
(1,745 m - 5,725 ft before 1991 eruption) (1, 486 m - 4,875 ft current)
Philippines

Painted before the 1938 eruption

The mountain 

Mount Pinatubo  (1,745 m - 5,725 ft before 1991 eruption reduced to 1, 486m- 4,875ft nowadays) also called Bundok Pinatubo or Bulkang Pinatubo in Philippino is an active stratovolcano in the Cabusilan Mountains on the island of Luzon, near the tripoint of the Philippine provinces of Zambales, Tarlac and Pampanga. Its eruptive history was unknown to most before the volcanic activities of 1991. Pinatubo was heavily eroded, inconspicuous, and obscured from view. It was covered with dense forest which supported a population of several thousand indigenous Aetas people.
The volcano's Plinian / Ultra-Plinian eruption on June 15, 1991 produced the second largest terrestrial eruption of the 20th century after the 1912 eruption of Novarupta in the Alaska Peninsula. Complicating the eruption was the arrival of Typhoon Yunya (Diding), bringing a lethal mix of ash and rain to areas surrounding the volcano. Predictions at the onset of the climactic eruption led to the evacuation of tens of thousands of people from the surrounding areas, saving many lives. Surrounding areas were severely damaged by pyroclastic flows, ash deposits, and, subsequently, by the lahars caused by rainwaters re-mobilizing earlier volcanic deposits. This caused extensive destruction to infrastructure and changed river systems for years after the eruption.
The effects of the eruption were felt worldwide. It injected more particulate into the stratosphere than any eruption since Krakatoa in 1883. Over the following months, the aerosols formed a global layer of sulfuric acid haze.  Global temperatures dropped by about 0.5 °C (0.9 °F) in the years 1991-93, and ozone depletion temporarily increased substantially.

Source:

- Wikipedia 

The painter 

Fernando Cueto Amorsolo was one of the most important artists in the history of painting in the Philippines.Amorsolo was a portraitist and painter of rural Philippine landscapes. He is popularly known for his craftsmanship and mastery in the use of light. After graduating from the Univeajor influences on his work. Amorsolo set up his own studio upon his return to Manila and painted prodigiously during the 1920s and the 1930s. His Rice Planting (1922), which appeared on posters and tourist brochures, became one of the most popular images of the Commonwealth of the Philippines. Beginning in the 1930s, Amorsolo's work was exhibited widely both in the Philippines and abroad. His bright,optimistic, pastoral images set the tone for Philippine painting before World War II . Except for his darker World War II-era paintings, Amorsolo painted quiet and peaceful scenes throughout his career.

Amorsolo was sought after by influential Filipinos including Luis Araneta, Antonio Araneta and Jorge B. Vargas. Amorsolo also became the favourite Philippine artist of United States officials and visitors to the country. Due to his popularity, Amorsolo had to resort to photographing his works and pasted and mounted them in an album. Prospective patrons could then choose from this catalog of his works. Amorsolo did not create exact replicas of his trademark themes; he recreated the paintings by varying some elements.

His works later appeared on the cover and pages of children textbooks, in novels, in commercial designs, in cartoons and illustrations for the Philippine publications such The Independent, Philippine Magazine, Telembang, El Renacimiento Filipino, and Excelsior. He was the director of the University of the Philippine's College of Fine Arts from 1938 to 1952.

During the 1950s until his death in 1972, Amorsolo averaged to finishing 10 paintings a month. However, during his later years, diabetes, cataracts, arthritis, headaches, dizziness and the death of two sons affected the execution of his works. Amorsolo underwent a cataract operation when he was 70 years old, a surgery that did not impede him from drawing and painting.

After being confined at the St. Luke's Hospital in Quezon City for two months, Amorsolo died  at the age of 79 on April 24, 1972. The volume of paintings, sketches and studies of Amorsolo is believed to have reached more than 10,000 pieces. Amorsolo was an important influence on contemporary Filipino art and artists, even beyond the so-called "Amorsolo school." Amorsolo's influence can be seen in many landscape paintings by Filipino artists, including early landscape paintings by abstract painter Federico Aguilar Alcuaz.

In 2003, Amorsolo's children founded the Fernando C. Amorsolo Art Foundation, which is dedicated to preserving Fernando Amorsolo's legacy, promoting his style and vision, and preserving a national heritage through the conservation and promotion of his works.

Sources

 - Fernando Amorsolo foundation web site 

2016 - Wandering Vertexes...

by Francis Rousseau 

MAYON VOLCANO PAINTED BY FERNANDO AMORSOLO

 FERNANDO AMORSOLO (1882-1972) 

Mayon Volcano (2,463 m - 8,081 ft)  

Philippines (Luzon)

In Harvesting rice near Mayon, 1950, oil on canvas , Private collection 

The mountain 

Mayon, also known as Mayon Volcano or Mount Mayon, is an active stratovolcano in the province of Albay in Bicol Region, on the large island of Luzon in the Philippines. Renowned as the "perfect cone" because of its symmetric conical shape, the volcano and its surrounding landscape was declared a national park on July 20 of 1938, the first in the nation. It was reclassified a Natural Park and renamed as the Mayon Volcano Natural Park in 2000.[3] Local folklore refers to the volcano being named after the legendary princess-heroine Daragang Magayon.
Like other volcanoes around the Pacific Ocean, Mayon is a part of the Pacific Ring of Fire. It is on the southeast side of Luzon, close to the Philippine Trench, which is the convergent boundary where the Philippine Sea Plate is driven under the Philippine Mobile Belt. When a continental plate meets an oceanic plate, the lighter and thicker continental material overrides the thinner and heavier oceanic plate, forcing it down into the Earth's mantle and melting it. Superheated magma and gases may be forced through weaknesses in the continental crust caused by the subduction of the oceanic plate, and one such exit point is Mayon.
Mayon is the most active volcano in the Philippines, erupting over 49 times in the past 400 years. The first record of a major eruption was witnessed in February 1616 by Dutch explorer Joris van Spilbergen who recorded it on his log in his circumnavigation trip around the world. The first eruption for which an extended account exists was the six-day event of July 20, 1766.
The main eruptions are :
- February 1, 1814  the most destructive one) ;
- From July 6, 1881 until approximately August 1882 ;
- June 23, 1897 (VEI=4), which lasted for seven days of raining fire ;
- 1884 and 1993 eruptions ;
- 2006 eruption ;
- 2008 eruption ;
- 2009-2010 eruptions ;
- 2013 phreatic eruption :
-August 12 - September 18, 2014, earthquake events and 251rockfall events. 

The painter 
Fernando Cueto Amorsolo was one of the most important artists in the history of painting in the Philippines.Amorsolo was a portraitist and painter of rural Philippine landscapes. He is popularly known for his craftsmanship and mastery in the use of light. After graduating from the Univeajor influences on his work. Amorsolo set up his own studio upon his return to Manila and painted prodigiously during the 1920s and the 1930s. His Rice Planting (1922), which appeared on posters and tourist brochures, became one of the most popular images of the Commonwealth of the Philippines. Beginning in the 1930s, Amorsolo's work was exhibited widely both in the Philippines and abroad. His bright,optimistic, pastoral images set the tone for Philippine painting before World War II . Except for his darker World War II-era paintings, Amorsolo painted quiet and peaceful scenes throughout his career.

Amorsolo was sought after by influential Filipinos including Luis Araneta, Antonio Araneta and Jorge B. Vargas. Amorsolo also became the favourite Philippine artist of United States officials and visitors to the country. Due to his popularity, Amorsolo had to resort to photographing his works and pasted and mounted them in an album. Prospective patrons could then choose from this catalog of his works. Amorsolo did not create exact replicas of his trademark themes; he recreated the paintings by varying some elements.

His works later appeared on the cover and pages of children textbooks, in novels, in commercial designs, in cartoons and illustrations for the Philippine publications such The Independent, Philippine Magazine, Telembang, El Renacimiento Filipino, and Excelsior. He was the director of the University of the Philippine's College of Fine Arts from 1938 to 1952.

During the 1950s until his death in 1972, Amorsolo averaged to finishing 10 paintings a month. However, during his later years, diabetes, cataracts, arthritis, headaches, dizziness and the death of two sons affected the execution of his works. Amorsolo underwent a cataract operation when he was 70 years old, a surgery that did not impede him from drawing and painting.

After being confined at the St. Luke's Hospital in Quezon City for two months, Amorsolo died  at the age of 79 on April 24, 1972. The volume of paintings, sketches and studies of Amorsolo is believed to have reached more than 10,000 pieces. Amorsolo was an important influence on contemporary Filipino art and artists, even beyond the so-called "Amorsolo school." Amorsolo's influence can be seen in many landscape paintings by Filipino artists, including early landscape paintings by abstract painter Federico Aguilar Alcuaz.

In 2003, Amorsolo's children founded the Fernando C. Amorsolo Art Foundation, which is dedicated to preserving Fernando Amorsolo's legacy, promoting his style and vision, and preserving a national heritage through the conservation and promotion of his works.

2016 - Wandering Vertexes...
by Francis Rousseau