google.com, pub-0288379932320714, DIRECT, f08c47fec0942fa0 GRAVIR LES MONTAGNES... EN PEINTURE: HASUI KAWASE (1883-1957)
Showing posts with label HASUI KAWASE (1883-1957). Show all posts
Showing posts with label HASUI KAWASE (1883-1957). Show all posts

Friday, January 19, 2018

MOUNT UNZEN BY HASUI KAWASE



 HASUI KAWASE (1883-1957), 
Mount Unzen (1,500 m - 4,900 ft)
 Japan

 In Mount Unzen in Hizen, print on paper 

The mountain 
Mount Unzen or Unzen Dake (雲仙岳 ) (1,500 m -4,900 ft) is an active volcanic group of several overlapping stratovolcanoes, near the city of Shimabara, Nagasaki Prefecture, on the island of Kyūshū, Japan's southernmost main island. Its highest peaks are Fugen-dake (普賢岳) (1,359 m -4,459 ft) and Heisei-shinzan (平成新山)  ( 1,486 -(4,875 ft). The latter emerged during the eruptions of the early, eponymous Heisei era (1989 - ...)
In 1792, the collapse of one of its several lava domes triggered a megatsunami that killed 14,524 people in Japan's worst volcanic-related disaster. The volcano was most recently active from 1990 to 1995, and a large eruption in 1991 generated a pyroclastic flow that killed 43 people, including three volcanologists.
Between 1991 and 1994 the volcano generated at least 10,000 small pyroclastic flows, destroying about 2,000 houses. From 1993 onward, the rate of lava effusion gradually decreased, and eruptions came to an end in 1995. Since then heavy rains have frequently remobilised pyroclastic material, generating lahars. Dikes have been constructed in several river valleys to channel lahar flows away from vulnerable areas, and warning systems and evacuation plans have been developed and deployed.
Mount Unzen was designated a Decade Volcano by the United Nations, in 1991 as part of their International Decade for Natural Disaster Reduction, due to its history of violent activity and location in a densely populated area.

The artist
Hasui Kawase (川瀬 巴水) was one of the most prominent print japanese designers of the shin-hanga ("new prints") movement. Kawase worked almost exclusively on landscape and townscape prints based on sketches he made in Tokyo and during travels around Japan. However, his prints are not merely meishō (famous places) prints that are typical of earlier ukiyo-e masters such as Hiroshige and Katsushika Hokusai (1760-1849). Kawase's prints feature locales that are tranquil and obscure in urbanizing Japan. Hasui considered himself a realist and employed his training in Western painting in his compositions. Like Hiroshige he made travel and landscape prints, though his subjects were less known locations rendered with naturalistic light, shade, and texture, without the captions and titles that were standard in prints of Hiroshige's age.
Kawase left a large body of woodblock prints and watercolors. Many of the watercolors are linked to the woodblock prints, he also produced oil paintings, traditional hanging scrolls and a few byōbu (folding screens). In the West, Kawase is mainly known as a Japanese woodblock printmaker. He and Hiroshi Yoshida are widely regarded as two of the greatest artists of the shin-hanga style, and are known especially for their landscape prints.

Wednesday, August 16, 2017

FUJIYAMA / 富士山 BY HASUI KAWASE



 HASUI KAWASE (1883-1957) 
Fujiyama / 富士山  (3,776.24 m -12,389 ft)
Japan

In  Mt Fuji seen from Oshino, 1942, woodblock print (shin hanga), Private collection 

The mountain 
This is the legendary Mount Fuji or Fujiyama (富士山)  (3,776.24 m -12,389 ft)
It is located on Honshu Island and is the highest mountain peak in Japan. Several names are attributed to it:  "Fuji-san", "Fujiyama" or, redundantly, "Mt. Fujiyama". Usually Japanese speakers refer to the mountain as "Fuji-san".  The other Japanese names for Mount Fuji,  have become obsolete or poetic like: Fuji-no-Yama (ふじの山 - The Mountain of Fuji), Fuji-no-Takane (ふじの高嶺- The High Peak of Fuji), Fuyō-hō (芙蓉峰 - The Lotus Peak), and Fugaku (富岳/富嶽), created by combining the first character of 富士, Fuji, and 岳, mountain.
Mount Fuji is an active stratovolcano that last erupted in 1707–08. Mount Fuji lies about 100 kilometres (60 mi) south-west of Tokyo, and can be seen from there on a clear day.
Mount Fuji's exceptionally symmetrical cone, which is snow-capped several months a year, is a well-known symbol of Japan and it is frequently depicted in art and photographs, as well as visited by sightseers and climbers.
Mount Fuji is one of Japan's Three Holy Mountains (三霊山) along with Mount Tate and Mount Haku. It is also a Special Place of Scenic Beauty and one of Japan's Historic Sites.
It was added to the World Heritage List as a Cultural Site on June 22, 2013. As per UNESCO, Mount Fuji has “inspired artists and poets and been the object of pilgrimage for centuries”. UNESCO recognizes 25 sites of cultural interest within the Mt. Fuji locality. These 25 locations include the mountain itself, Fujisan Hongū Sengen Shrine and six other Sengen shrines, two lodging houses, Lake Yamanaka, Lake Kawaguchi, the eight Oshino Hakkai hot springs, two lava tree molds, the remains of the Fuji-kō cult in the Hitoana cave, Shiraito Falls, and Miho no Matsubara pine tree grove; while on the low alps of Mount Fuji lies the Taisekiji temple complex, where the central base headquarters of Nichiren Shoshu Buddhism is located.

The artist
Hasui Kawase (川瀬 巴水) was one of the most prominent print japanese designers of the shin-hanga ("new prints") movement. Kawase worked almost exclusively on landscape and townscape prints based on sketches he made in Tokyo and during travels around Japan. However, his prints are not merely meishō (famous places) prints that are typical of earlier ukiyo-e masters such as Hiroshige and Katsushika Hokusai (1760-1849). Kawase's prints feature locales that are tranquil and obscure in urbanizing Japan. Hasui considered himself a realist and employed his training in Western painting in his compositions. Like Hiroshige he made travel and landscape prints, though his subjects were less known locations rendered with naturalistic light, shade, and texture, without the captions and titles that were standard in prints of Hiroshige's age.
Kawase left a large body of woodblock prints and watercolors. Many of the watercolors are linked to the woodblock prints, he also produced oil paintings, traditional hanging scrolls and a few byōbu (folding screens). In the West, Kawase is mainly known as a Japanese woodblock printmaker. He and Hiroshi Yoshida are widely regarded as two of the greatest artists of the shin-hanga style, and are known especially for their landscape prints.