PECA VIEJA PAINTED BY DAVID BOMBERG

 

DAVID BOMBERG (1890-1957)  

Peca Vieja (2,617m) 

Spain (Asturias)

In Sunrise in the mountains, Picos de Asturias, oil on canvas, 1935

The mountain
Peca Vieja (2,617m) is a mountain that is one of the Picos de Europa, also known as Picos de Aturias or Picos in Spain. The peaks of Europe (in Spanish: Picos de Europa, often called Los Picos), the highest massif of the Cordillera Cantabria, are located between the provinces of Asturias, Leûn and Cantabria, about thirty kilometers from the sea. They culminate in Torre de Cerredo, at 2,648 m.
The approximate dimensions of the massif are 40 km long (east - west) by 20 km wide (north - south) and an area of ​​502 km2. On May 30, 1995, the Picos de Europa National Park was created. For sailors coming from the west on the Atlantic Ocean who sailed by sight, Los Picos was the first land visible on the horizon, which explains the origin of the name. They are framed in the north by the Sierra de Cuera and the Sierra del Escudo, to the south by the Sierra de Alba and to the west by the Sierra de Ave.

The painter 
David Garshen Bomberg was an English painter, and one of the Whitechapel Boys. Bomberg was one of the most audacious of the exceptional generation of artists who studied at the Slade School of Art under Henry Tonks, and which included Mark Gertler, Stanley Spencer, C.R.W. Nevinson and Dora Carrington.  Bomberg painted a series of complex geometric compositions combining the influences of cubism and futurism in the years immediately preceding World War I; typically using a limited number of striking colours, turning humans into simple, angular shapes, and sometimes overlaying the whole painting a strong grid-work colouring scheme. He was expelled from the Slade School of Art in 1913, with agreement between the senior teachers Tonks, Frederick Brown and Philip Wilson Steer, because of the audacity of his breach from the conventional approach of that time.
Whether because his faith in the machine age had been shattered by his experiences as a private soldier in the trenches or because of the pervasive retrogressive attitude towards modernism in Britain Bomberg moved to a more figurative style in the 1920s and his work became increasingly dominated by portraits and landscapes drawn from nature. Gradually developing a more expressionist technique, he travelled widely through the Middle East and Europe.

2018 - Wandering Vertexes...
by Francis Rousseau 

PICO CALDOVEIRO PAINTED BY DAVID BOMBERG

DAVID BOMBERG (1890-1957) 

Pico Caldoveiro (1,357 m - 4,452 ft)

Spain (Asturias) 

In The Mountains of Asturias, Spain, 1925,  oil on canvas, Private collection 

The Mountain 
Pico Caldoveiro (1,357 m - 4,452 ft) is a protected mountain range in Asturias, Northern Spain, It spans the parishes of Yernes, Proaza, Tameza, Grau (Grado), and Teberga (Teverga). Minerals found in Caldoveiro mines include Fluorite, Calcite, and Quartz. The Asturian administration uses Pico Caldoveiro in its tourism advertising, describing the mountain range as so:
The varied vegetation of this nature area and the different processes of erosion that sculpt contrasting terrain form a picturesque landscape dotted with small mountain lakes and high pastures with stone huts known as corros.

The painter 
David Garshen Bomberg was an English painter, and one of the Whitechapel Boys. Bomberg was one of the most audacious of the exceptional generation of artists who studied at the Slade School of Art under Henry Tonks, and which included Mark Gertler, Stanley Spencer, C.R.W. Nevinson and Dora Carrington.  Bomberg painted a series of complex geometric compositions combining the influences of cubism and futurism in the years immediately preceding World War I; typically using a limited number of striking colours, turning humans into simple, angular shapes, and sometimes overlaying the whole painting a strong grid-work colouring scheme. He was expelled from the Slade School of Art in 1913, with agreement between the senior teachers Tonks, Frederick Brown and Philip Wilson Steer, because of the audacity of his breach from the conventional approach of that time.
Whether because his faith in the machine age had been shattered by his experiences as a private soldier in the trenches or because of the pervasive retrogressive attitude towards modernism in Britain Bomberg moved to a more figurative style in the 1920s and his work became increasingly dominated by portraits and landscapes drawn from nature. Gradually developing a more expressionist technique, he travelled widely through the Middle East and Europe.

2018 - Wandering Vertexes...
by Francis Rousseau 

MOUNT ST HILARION BY DAVID BOMBERG

DAVID BOMBERG (1890-1957) 

Mount St Hilarion (732 m - 2,401 ft)

Cyprus

 In Mount St Hilarion- Cyprus, oil on canvas, 

The hill

Mount St Hilarion (732 m - 2,401 ft)  is the name of the hill where the Saint Hilarion Castle was built. it  lies on the Kyrenia mountain range, in Cyprus. This location provided the castle with command of the pass road from Kyrenia to Nicosia. It is the best preserved ruin of the three former strongholds in the Kyrenia mountains, the others being Kantara and Buffavento.

The castle is not named after St. Hilarion, active in Palestine and Cyprus in the 4th century. It was named after an obscure saint, who is traditionally held to have fled to Cyprus after the Arab conquest of the Holy Land and retired to the hilltop on which the castle was built for hermitage. 

Starting in the 11th century, the Byzantines began fortification. Saint Hilarion formed the defense of the island with the castles of Buffavento and Kantara against Arab pirates raiding the coast. Some sections were further upgraded under the Lusignan rule, who may have used it as a summer residence. During the rule of Lusignans, the castle was the focus of a four-year struggle between Holy Roman Emperor Frederick II and Regent John d' Ibelin for control of Cyprus.

The painter 

David Garshen Bomberg  was an English painter, and one of the Whitechapel Boys. He was one of the most audacious of the exceptional generation of artists who studied at the Slade School of Art under Henry Tonks, and which included Mark Gertler, Stanley Spencer, C.R.W. Nevinson and Dora Carrington.[  Bomberg painted a series of complex geometric compositions combining the influences of cubism and futurism in the years immediately preceding World War I; typically using a limited number of striking colours, turning humans into simple, angular shapes, and sometimes overlaying the whole painting a strong grid-work colouring scheme. He was expelled from the Slade School of Art in 1913, with agreement between the senior teachers Tonks, Frederick Brown and Philip Wilson Steer, because of the audacity of his breach from the conventional approach of that time.

Whether because his faith in the machine age had been shattered by his experiences as a private soldier in the trenches or because of the pervasive retrogressive attitude towards modernism in Britain Bomberg moved to a more figurative style in the 1920s and his work became increasingly dominated by portraits and landscapes drawn from nature. Gradually developing a more expressionist technique, he travelled widely through the Middle East and Europe.
From 1945 to 1953, he worked as a teacher at Borough Polytechnic (now London South Bank University) in London, where his pupils included Frank Auerbach, Leon Kossoff, Philip Holmes, Cliff Holden, Edna Mann, Dorothy Mead, Gustav Metzger, Dennis Creffield, Cecil Bailey and Miles Richmond. David Bomberg House, one of the student halls of residences at London South Bank University, is named in his honor.

SGOR GAOITH (CAIRNGORMS) BY DAVID BOMBERG

DAVID BOMBERG (1890-1957) 

Sgòr Gaoith (1,118 m (3,668 ft)

 United Kingdom (Scotland) 

In the Cairngorms, late summer , oil on canvas, Tate, London

The mountain 

Sgòr Gaoith (1,118 m (3,668 ft) is a mountain in the western massif of the Cairngorms, and is separated from the Braeriach massif by the broad valley of Glen Einich. The second-highest summit of the mountain is Sgoran Dubh Mòr (1,111 m), which lies 1.3 km away due NNE along the summit ridge. The eastern side of Sgòr Gaoith is girded by steep cliffs which plunge down to Loch Einich; the western side is composed of heather slopes and a number of shallow corries.

The Cairngorms are a mountain range in the eastern Highlands of Scotland, consisting of high plateaux at about 1000–1200 m above sea level, above which domed summits. Many of the summits have tors, free-standing rock outcrops that stand on top of the boulder-strewn landscape. The edges of the plateaux are in places steep cliffs of granite and they are excellent for skiing, rock climbing and ice climbing. The Cairngorms form an arctic-alpine mountain environment, with tundra-like characteristics and long-lasting snow patches.
The range lies in the Scottish council areas of Aberdeenshire, Moray and Highland, and within the counties of Aberdeenshire, Inverness-shire and Banffshire.

The painter 

David Garshen Bomberg  was an English painter, and one of the Whitechapel Boys. He was one of the most audacious of the exceptional generation of artists who studied at the Slade School of Art under Henry Tonks, and which included Mark Gertler, Stanley Spencer, C.R.W. Nevinson and Dora Carrington.[  Bomberg painted a series of complex geometric compositions combining the influences of cubism and futurism in the years immediately preceding World War I; typically using a limited number of striking colours, turning humans into simple, angular shapes, and sometimes overlaying the whole painting a strong grid-work colouring scheme. He was expelled from the Slade School of Art in 1913, with agreement between the senior teachers Tonks, Frederick Brown and Philip Wilson Steer, because of the audacity of his breach from the conventional approach of that time.

Whether because his faith in the machine age had been shattered by his experiences as a private soldier in the trenches or because of the pervasive retrogressive attitude towards modernism in Britain Bomberg moved to a more figurative style in the 1920s and his work became increasingly dominated by portraits and landscapes drawn from nature. Gradually developing a more expressionist technique, he travelled widely through the Middle East and Europe.
From 1945 to 1953, he worked as a teacher at Borough Polytechnic (now London South Bank University) in London, where his pupils included Frank Auerbach, Leon Kossoff, Philip Holmes, Cliff Holden, Edna Mann, Dorothy Mead, Gustav Metzger, Dennis Creffield, Cecil Bailey and Miles Richmond. David Bomberg House, one of the student halls of residences at London South Bank University, is named in his honor.