PUERTO DE PAGARES PEINT PAR CARLOS DE HAES

 

 

CARLOS DE HAES (1829-1898)
Puerto de Pajares (1,378m - 4,520ft)
Espagne (Asturias)

La montagne
Puerto de Pajares (1 378 m - 4 520 pieds) est un col de montagne dans les montagnes cantabriques situé à Pajares, en Espagne. C'est la principale voie de communication par chemin de fer et route gratuite entre les Asturies, la province de León et le centre de l'Espagne. Il existe une autoroute privée alternative à péage, L'AP-66.réputée pour son brouillard persistant  pendant les nuits d'été et sa déclivité qui atteint  jusqu'à 17%,.

L'artiste
Le peintre espagnol Carlos Sebastián Pedro Hubert de Haes était connu pour le réalisme de ses paysages et était considéré comme le "premier artiste espagnol contemporain capable de capturer quelque chose de particulièrement espagnole dans son travail". Il a souvent été cité comme l'un des trois grands maîtres espagnols de la peinture de paysage. Dans les années 1850, Haes participa à l'essor de l'école réaliste du paysage.  En 1857, il devint le premier professeur de peinture de paysage en Espagne qui enseigna la peinture sur le sujet, en plein air directement d'après nature. En 1860, il devint académicien à l'Académie royale espagnole.  En 1876, il  se présenta à l'Exposition nationale avec La Canal de Mancorbo en los Picos de Europa ("Le canal de Mancorbo dans les Picos de Europa") acquis plus tard par l'État espagnol pour faire partie des collections du Museo del Prado, en raison de son importance dans l'Histoire de la  peinture espagnole du paysage.

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2022 - Wandering Vertexes ....
            Errant au-dessus des Sommets Silencieux...
            Un blog de Francis Rousseau

 

PICO DE LES CABRONES BY CARLOS DE HAES

CARLOS DE HAES (1829-1898)

 Pico de los Cabrones (2,552 m - 8,372 ft) 

Spain (Asturias/León)

In Picos de Europa, oil on canvas, 1876, Museo nacional del Prado  

The mountain 
The Pico de los Cabrones (2,552 m-8,372ft) is a mountain in the north of Spain located in the Central massif of the Picos de Europa or massif of the Urrieles, in the division of the Principality of Asturias and the province of León. The first known ascent to the summit was made by Emilio Ribera Pou and Carlos Mier in 1933.  The silhouette of the peak of Los Cabrones, together with its spiers dominates spectacularly on the Jou de los Cabrones, where the mountain refuge of the same name located at 2100 m.
The summit is part of the ridge Cabrones-Cerredo (, one of the most alpine of the Picos de Europa, which connects the peak of Los Cabrones and the highest peak, the Torrecerredo peak of 2650 m. The first crossing to the ridge was completed by the Regil brothers on August 19, 1958.

The painter 
The spanish painter Carlos Sebastián Pedro Hubert de Haes was noted for the Realism in his landscapes, and was considered to be the "first contemporary Spanish artist able to capture something of a particularly Spanish 'essence' in his work". He was cited along with Jenaro Perez Villaamil and Aureliano de Beruete as one of the three Spanish grand masters of landscape painting, the latter of which was his pupil.
In the 1850s, Haes was involved in the rise of the Realist school of landscape. Coincidentally his landscape and wildlife paintings of the Monasterio de Piedra occurred at the time of an academic opening for the Painting School of the Real Academia de Bellas Artes de San Fernando, the selection to be made by a landscape competition. In 1857 he became the first professor of landscape painting, the first in Spain to teach painting directly from nature. In 1860, he became an Academic at the Royal Academy. In 1876, he presented at the National Exhibition with La Canal de Mancorbo en los Picos de Europa ("The Canal of Mancorbo in the Picos de Europa") later acquired by the Spanish state to be part of the collection of the Museo del Prado, because of its significance as a realistic Spanish landscape painting.
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2019 - Wandering Vertexes...

A blog by Francis Rousseau

PICOS DE EUROPA PAINTED BY CARLOS DE HAES

CARLOS DE HAES ( 1829-1898) 

Picos de Europa  (2,445 m - 8,022 ft)

Spain (Asturias) 

 In A canal de Mancorbo en los Picos de Europa,1876, Museo nacional del Prado 

About he painting
The place that appears in this painting lies at the foot of mount Andara, on the eastern side of Picos de Europa, above the village of Argüébanes in the Cantabrian county of Liébana. Haes fits the landscape’s geographical features into a clear structure of diagonal lines that brings out the stony peak rising from the back of the canal at the center of the composition, and flanked by the slopes of the two foothills in the foreground. The peak projects a shadow on the left foothill, that contrasts with the brightly illuminated face of the right one.

The mountain 
 The Picos de la Europa   (2,445 m - 8,022 ft) is  a mountainous massif located in the north of Spain that belongs to the central part of the Cantabrian mountain range. Although not very extensive, its proximity to the sea makes it lavish in geographic features of great interest. Currently, the Picos de Europa National Park is the second most visited national park in Spain.
This limestone formation extends through Cantabria, León and the Principality of Asturias, and its heights stand out, in many cases above 2500 m, because of how close they are to the Cantabrian Sea, because at its northernmost point they are only a short distance away. 15 kilometers from the sea.

The painter 
The spanish painter Carlos Sebastián Pedro Hubert de Haes was noted for the Realism in his landscapes, and was considered to be the "first contemporary Spanish artist able to capture something of a particularly Spanish 'essence' in his work". He was cited along with Jenaro Perez Villaamil and Aureliano de Beruete as one of the three Spanish grand masters of landscape painting, the latter of which was his pupil.
In the 1850s, Haes was involved in the rise of the Realist school of landscape. Coincidentally his landscape and wildlife paintings of the Monasterio de Piedra occurred at the time of an academic opening for the Painting School of the Real Academia de Bellas Artes de San Fernando, the selection to be made by a landscape competition. In 1857 he became the first professor of landscape painting, the first in Spain to teach painting directly from nature. In 1860, he became an Academic at the Royal Academy. In 1876, he presented at the National Exhibition with La Canal de Mancorbo en los Picos de Europa ("The Canal of Mancorbo in the Picos de Europa") later acquired by the Spanish state to be part of the collection of the Museo del Prado, because of its significance as a realistic Spanish landscape painting.
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2019 - Wandering Vertexes...
A blog by Francis Rousseau

TORRES DELLA CEBOLLEDA III PAINTED BY CARLOS DE HAES

CARLOS DE HAES ( 1829-1898) 

Torres della Cebolleda III  (2,445 m - 8,022 ft)

Spain (Asturias) 

 In Picos de Europa, oil on canvas, c. 1872-1875   Museo nacional del Prado 

The mountain 
Torre de Cebolleda III is located in the Western Massif of the Picos de Europa or Cornión, on the edge of the Asturian councils of Amieva and Cangas de Onís in the Cantabrian Mountains. It is the main and highest peak of the three towers called Torres de Cebolleda. The difficulty of his ascension is classified as something difficult higher. The normal itinerary starts from the Lakes of Covadonga and passes through the refuge of Vegarredonda.
Torre de CebolledaIII is part of the  The Picos de la Europa massif, a mountainous massif located in the north of Spain that belongs to the central part of the Cantabrian mountain range. Although not very extensive, its proximity to the sea makes it lavish in geographic features of great interest. Currently, the Picos de Europa National Park is the second most visited national park in Spain.
This limestone formation extends through Cantabria, León and the Principality of Asturias, and its heights stand out, in many cases above 2500 m, because of how close they are to the Cantabrian Sea, because at its northernmost point they are only a short distance away. 15 kilometers from the sea.

The painter 
The spanish painter Carlos Sebastián Pedro Hubert de Haes was noted for the Realism in his landscapes, and was considered to be the "first contemporary Spanish artist able to capture something of a particularly Spanish 'essence' in his work". He was cited along with Jenaro Perez Villaamil and Aureliano de Beruete as one of the three Spanish grand masters of landscape painting, the latter of which was his pupil.
In the 1850s, Haes was involved in the rise of the Realist school of landscape. Coincidentally his landscape and wildlife paintings of the Monasterio de Piedra occurred at the time of an academic opening for the Painting School of the Real Academia de Bellas Artes de San Fernando, the selection to be made by a landscape competition. In 1857 he became the first professor of landscape painting, the first in Spain to teach painting directly from nature. In 1860, he became an Academic at the Royal Academy. In 1876, he presented at the National Exhibition with La Canal de Mancorbo en los Picos de Europa ("The Canal of Mancorbo in the Picos de Europa") later acquired by the Spanish state to be part of the collection of the Museo del Prado, because of its significance as a realistic Spanish landscape painting.

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2018 - Wandering Vertexes...
A blog by Francis Rousseau

THE DOME DES NEIGES DES ECRINS PAINTED BY CARLOS DE HAES

CARLOS DE HAES (1829-1898)

Dôme de neige des Ecrins (4, 009 m  - 13,153 ft)

France (Auvergne-Rhône-Alpes) 

In Delfinado, oil on canvas, 1864,  Museo del Prado, Madrid

About this painting
In the  text of the Prado Museum about this painting, one can read :
 "To the left, bordered by bushes and shrubs, a path through which several cows pass and that goes towards the bottom of the valley in which the settlement of a population among the forest mass can be guessed. Closing the composition, the high heights of the Cordillera that runs along the Dauphiné  on whose summits persist snow patches that fade into the clarity of a clear sky dotted by some cloud."
 The painting recalls a summit of the Ecrins Bar range, possibly the Dôme de Neiges des Ecrins  (Ecrins snow dome) rather than the Ecrin bar itself...

The mountain 
The Domes de neige des Ecrins (Ecrins snow dome) (4,009 m - 13, 154ft ) is an alpine peak at the foot of the Écrins Bar, at the border between the French departments of Isère and Hautes-Alpes in the Dauphiné region (Delfinado in spanish). The Blanc glacier is surrounded by peaks allowing you to get acquainted with the high mountains before the ascent of this "4000" and acclimatize your body to the altitude. The climb is usually from the Ecrins refuge (3,170 m) and takes three to four hours for trained alpinists. It is a glacial race without technical difficulty, except for the crossing of the summit rimaye, random.
The current climb record is 1 h 57 from the Carle yard (1,874 m), made by Mathéo Jacquemoud in June 2011; it improves the record of Kílian Jornet dating from 2005. The record for round-trip skiing in mountain is 2 h 46 from the meadow of Madame Carle, directed by Steven Blanc in May 2014

The painter 
The spanish painter Carlos Sebastián Pedro Hubert de Haes was noted for the Realism in his landscapes, and was considered to be the "first contemporary Spanish artist able to capture something of a particularly Spanish 'essence' in his work". He was cited along with Jenaro Perez Villaamil and Aureliano de Beruete as one of the three Spanish grand masters of landscape painting, the latter of which was his pupil.
In the 1850s, Haes was involved in the rise of the Realist school of landscape. Coincidentally his landscape and wildlife paintings of the Monasterio de Piedra occurred at the time of an academic opening for the Painting School of the Real Academia de Bellas Artes de San Fernando, the selection to be made by a landscape competition. In 1857 he became the first professor of landscape painting, the first in Spain to teach painting directly from nature. In 1860, he became an Academic at the Royal Academy. In 1876, he presented at the National Exhibition with La Canal de Mancorbo en los Picos de Europa ("The Canal of Mancorbo in the Picos de Europa") later acquired by the Spanish state to be part of the collection of the Museo del Prado, because of its significance as a realistic Spanish landscape painting.

2018 - Wandering Vertexes...
A blog by Francis Rousseau