PICO DE ORIZABA / CITLALTÉPETL PEINT PAR DIEGO RIVERA

 

DIEGO RIVERA (1886-1957)
Pico de Orizaba / Citlaltépetl (5,636 m -18,491 ft)
Mexique

In Mountain peaks, aquarelle  26.6 x 37.4 cm

La montagne

Pico de Orizaba  (5,636 m -18,491 ft) ou Citlaltépetl est un volcan du Mexique, à la limite entre les États de Veracruz et Puebla. Il est  situé dans la cordillère Néovolcanique, il constitue le point culminant du pays et de cette chaîne de montagnes, mais également le plus haut volcan d'Amérique du Nord ce qui en fait un des sept sommets volcaniques. Sa dernière éruption remonte à 1846. Sa première ascension officielle a lieu deux ans plus tard, à la fin de la Guerre américano-mexicaine, par les lieutenants américains F. Maynard et G. Reynolds.
Le parc national Pico de Orizaba a été créé le 16 décembre 1936 sur une superficie de 19 750 ha afin de protéger la richesse naturelle du volcan, ses environs et les localités de Tlachichuca, Ciudad Serdán, La Perla, Mariano Escobedo et Calcahualco. Le décret fédéral a été traduit en loi fédérale le 4 janvier 1937.
Le pic d'Orizaba est une figure majeure dans les cultures pré-hispaniques, comme chez les Aztèques et les Totonaques. Le volcan est l'objet de nombreuses mythologies autochtones. Chez les Olmèques, Orizaba est l'esprit d'un aigle réincarné en volcan ; le fait de le gravir et de prier au sommet prévient de ses colères et l'empêche d'entrer en éruption.

Le peintre
Diego María de la Concepción Juan Nepomuceno Estanislao de la Rivera y Barrientos Acosta y Rodríguez, plus connu sous le nom de Diego Rivera  est un peintre mexicain. Bien qu'il ait tout au long de sa vie pratiqué la peinture de chevalet, Rivera est mondialement connu pour ses peintures murales, réalisées au Mexique, principalement à Mexico, et aux États-Unis. Ses peintures murales sont indissociables de ses convictions communistes et de sa fascination pour le passé préhispanique du Mexique. Il fut l'époux de l'artiste Frida Kahlo. De 1913 à 1918, ses peintures sont d'inspiration cubiste (dont Paysage zapatiste - Le Guérillero, 1915). À la suite d'un conflit avec le critique d'art Pierre Reverdy, il rompt avec le cubisme et revient à la figuration. Son voyage en Italie en 1920 lui fait découvrir les fresques murales qui vont l'inspirer pour son œuvre ultérieure la plus connue, ses immenses peintures murales. Il utilise pour cela les pigments traditionnels utilisés à l'époque pré-hispanique. Les thèmes traités sur commande du gouvernement sont sociaux et historiques, concernant l'histoire officielle récente du Mexique. L'inspiration est également politique avec la représentation du travail ouvrier (L'industrie de Detroit, 1932-1933).
Rivera a fait l'objet de nombreuses critiques de son vivant, notamment de la part de David Alfaro Siqueiros, qui l'accusa, dans un article publié le 29 mai 1934 par le magazine New Masses d'être un opportuniste, d'avoir une vision idéalisée et fausse des indigènes, d'être un touriste mental (parce qu'il s'était « planqué » à l'étranger durant la révolution), un snob, un saboteur du travail collectif, le peintre de la nouvelle bourgeoisie et des millionnaires, techniquement dépassé, de dépendre financièrement des subsides du gouvernement et d'être un de ses agents, un esthète de l'impérialisme.

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2024 - Gravir les montagnes en peinture
Un blog de Francis Rousseau   

PICO DE ORIZABA / CILALTÉPETL PAINTED BY DIEGO RIVERA

 

DIEGO RIVERA (1886-1957)
Pico de Orizaba / Citlaltépetl (5,636 m -18,491 ft) 
Mexico (Vera Cruz)

The mountain
Pico de Orizaba (5,636 m -18,491 ft) also known as Citlaltépetl is a stratovolcano, the highest mountain in Mexico and the third highest in North America, after Denali of Alaska in the United States and Mount Logan of Canada. It rises in the eastern end of the Trans-Mexican Volcanic Belt, on the border between the states of Veracruz and Puebla. The volcano is currently dormant but not extinct, with the last eruption taking place during the 19th century. It is the second most prominent volcanic peak in the world after Africa's Mount Kilimanjaro. Pico de Orizaba was important in pre-Hispanic cultures, such as those of the Nahuatl-speaking Aztecs and the Totonacs. The volcano is part of many native mythologies. Pico de Orizaba is located 200 kilometres (120 mi) east of Mexico City and approximately 480 kilometres (300 mi) south of the Tropic of Cancer. A companion peak lying about six km to the southwest of Pico de Orizaba is the Sierra Negra, at 4,640 metres (15,223 ft). Pico de Orizaba is one of only three volcanoes in México that continue to support glaciers and is home to the largest glacier in Mexico, Gran Glaciar Norte. Orizaba has nine known glaciers: Gran Glaciar Norte, Lengua del Chichimeco, Jamapa, Toro, Glaciar de la Barba, Noroccidental, Occidental, Suroccidental, and Oriental. Pico de Orizaba, like the Sierra Madre Oriental, forms a barrier between the coastal plains of the Gulf of Mexico and the Mexican Plateau. The volcano blocks the moisture from the Gulf of Mexico from saturating central Mexico and influences the climates of both areas. Both the state of Veracruz and Puebla depend on Pico de Orizaba for supplying fresh water. The largest river originating on the volcano is the Jamapa River.

The painter
Diego María de la Concepción Juan Nepomuceno Estanislao de la Rivera y Barrientos Acosta y Rodríguez, known as Diego Rivera was a prominent Mexican painter. His large frescoes helped establish the Mexican mural movement in Mexican art. Between 1922 and 1953, Rivera painted murals in, among other places, Mexico City, Chapingo, Cuernavaca, San Francisco, Detroit, and New York City. In 1931, a retrospective exhibition of his works was held at the Museum of Modern Art in New York. Rivera had a volatile marriage with fellow Mexican artist Frida Kahlo. In 1926, Rivera became a member of AMORC, the Ancient Mystical Order Rosae Crucis, an occult organization founded by American occultist Harvey Spencer Lewis. In 1926, Rivera was among the founders of AMORC's Mexico City lodge, called Quetzalcoatl, and painted an image of Quetzalcoatl for the local temple. In 1954, when he tried to be readmitted into the Mexican Communist Party from which he had previously been excluded because of his support of Trotsky, Rivera had to justify his AMORC activities. The Mexican Communist Party at that time excluded from its ranks members of Freemasonry, and regarded AMORC as suspiciously similar to Freemasonry. Rivera answered that, by joining AMORC, he wanted to infiltrate a typical “Yankee” organization on behalf of Communism. However, he also claimed that AMORC was “essentially materialist, insofar as it only admits different states of energy and matter, and is based on ancient Egyptian occult knowledge from Amenhotep IV and Nefertiti.”
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2022 - Wandering Vertexes...
by Francis Rousseau

COFRE DE PEROTE / NAUPA-TECVUTÉPTL SKETCHED BY ALEXANDER VON HUMBOLDT

 

ALEXANDER VON HUMBOLDT (1769-1859),
Cofre de Perote/ Naupa-Tecutépetl (4,282 m (14,049 ft)
Mexico

 The mountain
Cofre de Perote, also known by its Nahuatl names Naupa-Tecutépetl ,  meaning something like "Place of Four Mountain" or "Mountain of the Lord of Four Places", is an inactive volcano located in the Mexican state of Veracruz, at the point where the Trans-Mexican Volcanic Belt, home to all of Mexico's highest peaks, joins the Sierra Madre Oriental. Cofre de Perote is Mexico's eighth highest mountain summit.
Cofre de Perote is a shield volcano, shaped very differently from the stratovolcanic Pico de Orizaba, which lies about 50 km (31 mi) to the southeast. A cofre is a coffer, and the name alludes to a volcanic outcropping on the shield which constitutes the peak of the mountain. To the north is the town of Perote, Veracruz, after which the mountain is named. The area surrounding the volcano was protected by the Mexican government as a national park, known as Cofre de Perote National Park (Parque Nacional Cofre de Perote), in 1937.

The artist
Friedrich Wilhelm Heinrich Alexander von Humboldt was a Prussian geographer, naturalist, explorer, and influential proponent of Romantic philosophy and science. He was the younger brother of the Prussian minister, philosopher, and linguist Wilhelm von Humboldt (1767–1835). Humboldt's quantitative work on botanical geography laid the foundation for the field of biogeography. Humboldt's advocacy of long-term systematic geophysical measurement laid the foundation for modern geomagnetic and meteorological monitoring.
Between 1799 and 1804, Humboldt travelled extensively in Latin America, exploring and describing it for the first time from a modern scientific point of view. His description of the journey was written up and published in an enormous set of volumes over 21 years. Humboldt was one of the first people to propose that the lands bordering the Atlantic Ocean were once joined (South America and Africa in particular). Humboldt resurrected the use of the word cosmos from the ancient Greek and assigned it to his multi-volume treatise, Kosmos, in which he sought to unify diverse branches of scientific knowledge and culture. This important work also motivated a holistic perception of the universe as one interacting entity.
On their way back to Europe from Mexico on their way to the United States, Humboldt and his fellow scientist Aimé Bonpland stopped in Cuba for a while. After their first stay in Cuba of three months they returned the mainland at Cartagena de Indias (now in Colombia), a major center of trade in northern South America. Ascending the swollen stream of the Magdalena River to Honda and arrived in Bogotá on July 6, 1801 where they met Spanish botanist José Celestino Mutis, the head of the Royal Botanical Expedition to New Granada, staying there until September 8, 1801. Mutis was generous with his time and gave Humboldt access to the huge pictorial record he had compiled since 1783. Humboldt had hopes of connecting with the French sailing expedition of Baudin, now finally underway, so Bonpland and Humboldt hurried to Ecuador. They crossed the frozen ridges of the Cordillera Real, they reached Quito on 6 January 1802, after a tedious and difficult journey.
Their stay in Ecuador was marked by the ascent of Pichincha and their climb of Chimborazo, where Humboldt and his party reached an altitude of 19,286 feet (5,878 m). This was a world record at the time, but a thousand feet short of the summit. Humboldt's journey concluded with an expedition to the sources of the Amazon en route for Lima, Peru.
At Callao, the main port for Peru, Humboldt observed the transit of Mercury. On 9 November and studied the fertilizing properties of guano, rich in nitrogen, the subsequent introduction of which into Europe was due mainly to his writings.
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2021 - Wandering Vertexes...
by Francis Rousseau

POPOCATEPETL AND IZTACCHIHUATL (6) PAINTED BY JOSÉ MARIRA VELASCO

JOSE MARIA VELASCO (1840-1912)
Popocatépetl (5, 426 m -17, 802 ft) on left)
Iztaccíhuatl (5,230 m - 17,160 ft) (on right)
Mexico

In Popocatepetl and Iztacchihuatl , 1895, watercolor, The José María Velasco Museum, Mexico

The volcanoes
Popocatépetl (5,426 m - 17,802 ft), on right in this painting, is an active volcano, located in the states of Puebla, Mexico, and Morelos, in Central Mexico, and lies in the eastern half of the Trans-Mexican volcanic belt. The name Popocatépetl comes from the Nahuatl words Popōca (It smokes) and Tepētl (mountain), meaning Smoking Mountain. It is the second highest peak in Mexico, after Citlaltépetl (Pico de Orizaba) at 5,636 m (18,491 ft).
It is linked to the Iztaccihuatl volcano to the north by the high saddle known as the Paso de Cortés.
Popocatépetl is 70 km (43 mi) southeast of Mexico City, from where it can be seen regularly, depending on atmospheric conditions. Until recently, the volcano was one of three tall peaks in Mexico to contain glaciers, the others being Iztaccihuatl and Pico de Orizaba.
Iztaccíhuatl (5,230 m - 17,160 ft) is dormant volcanic mountain in Mexico located on the border between the State of Mexico and Puebla. It is the nation's third highest, after Pico de Orizaba 5,636 m (18,491 ft) and Popocatépetl 5,426 m (17,802 ft). The name "Iztaccíhuatl" is Nahuatl for "White woman", reflecting the four individual snow-capped peaks which depict the head, chest, knees and feet of a sleeping female when seen from east or west.The peak is sometimes nicknamed La Mujer Dormida (The Sleeping Woman.) Iztaccíhuatl is to the north of Popocatépetl, to which it is connected by the high altitude Paso de Cortés. Depending on atmospheric conditions Iztaccíhuatl is also visible much of the year from Mexico City some 70 km (43 mi) to the northwest.
The first recorded ascent was made in 1889, though archaeological evidence suggests the Aztecs and previous cultures climbed it previously. It is the lowest peak containing permanent snow and glaciers in Mexico.
In Aztec mythology : Iztaccíhuatl was a princess who fell in love with one of her father's warriors, Popocatépetl. The emperor sent Popocatépetl to war in Oaxaca, promising him Iztaccíhuatl as his wife when he returned (which Iztaccíhuatl's father presumed he would not). Iztaccíhuatl was falsely told that Popocatépetl had died in battle, and believing the news, she died of grief. When Popocatépetl returned to find his love dead, he took her body to a spot outside Tenochtitlan and kneeled by her grave. The gods covered them with snow and changed them into mountains.
Popocatépetl became an active volcano, raining fire on Earth in blind rage at the loss of his beloved.

The painter
José Maria Tranquilino Francisco de Jesus Velasco Gomez Obregуn, generally known as José Maria Velasco, was a 19th-century Mexican polymath, most famous as a painter who made Mexican geography a symbol of national identity through his paintings. He was both one of the most popular artists of the time and internationally renowned. He received many distinctions such as the gold medal of the Mexican National Expositions of Bellas Artes in 1874 and 1876; the gold medal of the Philadelphia International Exposition in 1876, on the centenary of U.S. independence; and the medal of the Paris Universal Exposition in 1889, on the centenary of the outbreak of the French Revolution. His painting El valle de Mexico is considered Velasco's masterpiece, of which he created seven different renditions. Of all the nineteenth-century painters, Velasco was the "first to be elevated in the post-Revolutionary period as an exemplar of nationalism."
Velasco's long career elevated Mexican landscape painting to international standing. One of his landscapes of the Valley of Mexico is in the Vatican Museum, a gift to Pope Leo XIII. His scenes of the Mexican landscape are a visual source for environmental historians, since they show the Valley of Mexico before its degradation in the twentieth century, with air pollution and urban sprawl. His landscape art has a wide appeal, since it is more accessible than history paintings that require the viewer to understand a particular event.
Today the Government of the State of Mexico, where Velasco was from, presents an award for artistic merit in his name to painters born in that state. Among the most outstanding winners are Luis Nishizawa, Leopoldo Flores, Ignacio Barrios and Héctor Cruz.
The José María Velasco Museum was opened in 1992 in Toluca City with the task of preserving and promoting his paintings.

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2021 - Wandering Vertexes...
by Francis Rousseau

POPOCATÉPETL AND IZTACCÍHUATL (5) PAINTED BY JOSÉ MARIA VELASCO (1840-1912),

 

JOSE MARIA VELASCO (1840-1912)
Popocatépetl (5, 426 m -17, 802 ft) on left)
Iztaccíhuatl (5,230 m - 17,160 ft) (on right)
Mexico

In Popocatepetl and Iztacchihuatl from the back, 1895, oil on canvas, The   José María Velasco Museum, Mexico

The volcanoes
Popocatépetl (5,426 m - 17,802 ft), on right in this painting, is an active volcano, located in the states of Puebla, Mexico, and Morelos, in Central Mexico, and lies in the eastern half of the Trans-Mexican volcanic belt. The name Popocatépetl comes from the Nahuatl words Popōca (It smokes) and Tepētl (mountain), meaning Smoking Mountain. It is the second highest peak in Mexico, after Citlaltépetl (Pico de Orizaba) at 5,636 m (18,491 ft).
It is linked to the Iztaccihuatl volcano to the north by the high saddle known as the Paso de Cortés.
Popocatépetl is 70 km (43 mi) southeast of Mexico City, from where it can be seen regularly, depending on atmospheric conditions. Until recently, the volcano was one of three tall peaks in Mexico to contain glaciers, the others being Iztaccihuatl and Pico de Orizaba.
Iztaccíhuatl (5,230 m - 17,160 ft) is dormant volcanic mountain in Mexico located on the border between the State of Mexico and Puebla. It is the nation's third highest, after Pico de Orizaba 5,636 m (18,491 ft) and Popocatépetl 5,426 m (17,802 ft). The name "Iztaccíhuatl" is Nahuatl for "White woman", reflecting the four individual snow-capped peaks which depict the head, chest, knees and feet of a sleeping female when seen from east or west.The peak is sometimes nicknamed La Mujer Dormida (The Sleeping Woman.) Iztaccíhuatl is to the north of Popocatépetl, to which it is connected by the high altitude Paso de Cortés. Depending on atmospheric conditions Iztaccíhuatl is also visible much of the year from Mexico City some 70 km (43 mi) to the northwest.
The first recorded ascent was made in 1889, though archaeological evidence suggests the Aztecs and previous cultures climbed it previously. It is the lowest peak containing permanent snow and glaciers in Mexico.
In Aztec mythology : Iztaccíhuatl was a princess who fell in love with one of her father's warriors, Popocatépetl. The emperor sent Popocatépetl to war in Oaxaca, promising him Iztaccíhuatl as his wife when he returned (which Iztaccíhuatl's father presumed he would not). Iztaccíhuatl was falsely told that Popocatépetl had died in battle, and believing the news, she died of grief. When Popocatépetl returned to find his love dead, he took her body to a spot outside Tenochtitlan and kneeled by her grave. The gods covered them with snow and changed them into mountains.
Popocatépetl became an active volcano, raining fire on Earth in blind rage at the loss of his beloved.

The painter
José Maria Tranquilino Francisco de Jesus Velasco Gomez Obregуn, generally known as José Marнa Velasco, was a 19th-century Mexican polymath, most famous as a painter who made Mexican geography a symbol of national identity through his paintings. He was both one of the most popular artists of the time and internationally renowned. He received many distinctions such as the gold medal of the Mexican National Expositions of Bellas Artes in 1874 and 1876; the gold medal of the Philadelphia International Exposition in 1876, on the centenary of U.S. independence; and the medal of the Paris Universal Exposition in 1889, on the centenary of the outbreak of the French Revolution. His painting El valle de Mexico is considered Velasco's masterpiece, of which he created seven different renditions. Of all the nineteenth-century painters, Velasco was the "first to be elevated in the post-Revolutionary period as an exemplar of nationalism."
Velasco's long career elevated Mexican landscape painting to international standing. One of his landscapes of the Valley of Mexico is in the Vatican Museum, a gift to Pope Leo XIII. His scenes of the Mexican landscape are a visual source for environmental historians, since they show the Valley of Mexico before its degradation in the twentieth century, with air pollution and urban sprawl. His landscape art has a wide appeal, since it is more accessible than history paintings that require the viewer to understand a particular event.
Today the Government of the State of Mexico, where Velasco was from, presents an award for artistic merit in his name to painters born in that state. Among the most outstanding winners are Luis Nishizawa, Leopoldo Flores, Ignacio Barrios and Héctor Cruz.
The José María Velasco Museum was opened in 1992 in Toluca City with the task of preserving and promoting his paintings.

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2020 - Wandering Vertexes...
by Francis Rousseau  

PICO DE ORIZABA / CITLALTÉPETL PAINTED BY EUGENIO LANDESIO

EUGENIO LANDESIO  (1810-1879) 

Pico de Orizaba / Citlaltépetl (5,636 m -18,491 ft) 

Mexico (Vera Cruz) 

In Monte-Blanco-Farm-Mexico, Vera Cruz, 1879, oil on canvas, 

Museo de Arte del Estado de Veracruz 

About the painting

In 1873 Eugenio Landesio began working on the project that was to become Hacienda de Monte Blanco (above) and upon his return to Rome, Landesio commissioned José María Velasco to finish it. Hacienda de Monte Blanco is a view of Monte Blanco, a hacienda of the state of Veracruz and describes the biological, geological and regional characteristics that Landesio considered essential for landscaping. From the natural vegetation of the region to the rugged ascent to the mountain that can be seen in the distance, each aspect of the painting reflects its specific location, a hallmark of Landesio's style. At last, on the background of the composition one can see the Pico de Orizaba, a dormant volcano which is the highest mountain in Mexico and the third highest in North America.

The mountain 

Pico de Orizaba  (5,636 m -18,491 ft) also known as Citlaltépetl is a stratovolcano, the highest mountain in Mexico and the third highest in North America, after Denali of Alaska in the United States and Mount Logan of Canada. It rises  in the eastern end of the Trans-Mexican Volcanic Belt, on the border between the states of Veracruz and Puebla. The volcano is currently dormant but not extinct, with the last eruption taking place during the 19th century. It is the second most prominent volcanic peak in the world after Africa's Mount Kilimanjaro.
Pico de Orizaba was important in pre-Hispanic cultures, such as those of the Nahuatl-speaking Aztecs and the Totonacs. The volcano is part of many native mythologies.
Pico de Orizaba  is located 200 kilometres (120 mi) east of Mexico City  and approximately 480 kilometres (300 mi) south of the Tropic of Cancer. A companion peak lying about six km to the southwest of Pico de Orizaba is the Sierra Negra, at 4,640 metres (15,223 ft). 

Pico de Orizaba is one of only three volcanoes in México that continue to support glaciers and is home to the largest glacier in Mexico, Gran Glaciar Norte. Orizaba has nine known glaciers: Gran Glaciar Norte, Lengua del Chichimeco, Jamapa, Toro, Glaciar de la Barba, Noroccidental, Occidental, Suroccidental, and Oriental.
Pico de Orizaba, like the Sierra Madre Oriental, forms a barrier between the coastal plains of the Gulf of Mexico and the Mexican Plateau. The volcano blocks the moisture from the Gulf of Mexico from saturating central Mexico and influences the climates of both areas. Both the state of Veracruz and Puebla depend on Pico de Orizaba for supplying fresh water. The largest river originating on the volcano is the Jamapa River.

The painter
Eugenio Landesio was an Italian painter and a pupil of the Hungarian landscape painter Károly Markó the Elder. Landesio’s career in Mexico was marked by his years at the Academy of San Carlos, where he exercised an influence on later exponents of Mexican landscape painting such as José María Velasco.  In January 1855, at the invitation of the Catalan painter Pelegrín Clavé, who was director of the figure painting section of the Academy, he went to Mexico to give classes in landscape, perspective, and the principles of ornamentation.
Like his teacher, Landesio was a Romantic landscape painter, with a tendency to emphasize the sweetness and mellowness of his scenes. His work became known in Mexico when several of his paintings were acquired by the Academy of San Carlos. Landesio wrote three books on landscape painting that served as textbooks for the students of the Academy of San Carlos.

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2019 - Wandering Vertexes...

by Francis Rousseau 

THE POPOCATEPETL PAINTED BY DIEGO RIVERA

DIEGO RIVERA (1886-1957) 

The Popocatépetl (5,426 m -17,802 ft) 

Mexico

In   The Threshing Floor (La era), oil on canvas, 100 x 114.6 cm, 1904,  

Museo Casa Diego Rivera, Guanajuato.

The mountain
Popocatépetl (5,426 m - 17,802 ft) is an active volcano, located in the states of Puebla, Mexico, and Morelos, in Central Mexico, and lies in the eastern half of the Trans-Mexican volcanic belt. The name Popocatépetl comes from the Nahuatl words popōca (it smokes) and tepētl (mountain), meaning Smoking Mountain. It is the second highest peak in Mexico, after Citlaltépetl (Pico de Orizaba) at 5,636 m (18,491 ft).
It is linked to the Iztaccihuatl volcano to the north by the high saddle known as the Paso de Cortés.
Popocatépetl is 70 km (43 mi) southeast of Mexico City, from where it can be seen regularly, depending on atmospheric conditions. Until recently, the volcano was one of three tall peaks in Mexico to contain glaciers, the others being Iztaccihuatl and Pico de Orizaba. In the 1990s, the glaciers such as Glaciar Norte (North Glacier) greatly decreased in size, partly due to warmer temperatures but largely due to increased volcanic activity. By early 2001, Popocatépetl's glaciers were gone; ice remained on the volcano, but no longer displayed the characteristic features of glaciers such as crevasses.
Magma erupting from Popocatépetl has historically been predominantly andesitic, but it has also erupted large volumes of dacite. Magma produced in the current cycle of activity tends to be a mixture of the two.

The painter
Diego María de la Concepción Juan Nepomuceno Estanislao de la Rivera y Barrientos Acosta y Rodríguez, known as Diego Rivera was a prominent Mexican painter. His large frescoes helped establish the Mexican mural movement in Mexican art. Between 1922 and 1953, Rivera painted murals in, among other places, Mexico City, Chapingo, Cuernavaca, San Francisco, Detroit, and New York City. In 1931, a retrospective exhibition of his works was held at the Museum of Modern Art in New York.

Rivera had a volatile marriage with fellow Mexican artist Frida Kahlo.
In 1926, Rivera became a member of AMORC, the Ancient Mystical Order Rosae Crucis, an occult organization founded by American occultist Harvey Spencer Lewis. In 1926, Rivera was among the founders of AMORC's Mexico City lodge, called Quetzalcoatl, and painted an image of Quetzalcoatl for the local temple.  In 1954, when he tried to be readmitted into the Mexican Communist Party from which he had previously been excluded because of his support of Trotsky, Rivera had to justify his AMORC activities. The Mexican Communist Party at that time excluded from its ranks members of Freemasonry, and regarded AMORC as suspiciously similar to Freemasonry.  Rivera answered that, by joining AMORC, he wanted to infiltrate a typical “Yankee” organization on behalf of Communism. However, he also claimed that AMORC was “essentially materialist, insofar as it only admits different states of energy and matter, and is based on ancient Egyptian occult knowledge from Amenhotep IV and Nefertiti.”

___________________________________________

2019 - Wandering Vertexes...

by Francis Rousseau 

POPOCATEPETL & IZTACCIHUATL (4) BYJOSE MARIA VELASCO

JOSE MARIA VELASCO GOMEZ (1840-1912)

Popocatépetl (5, 426 m -17, 802 ft) on left)

Iztaccíhuatl (5,230 m - 17,160 ft) (on right)

Mexico

In The volcanic peaks Popocatepetl and behind Iztacchihuatl, oil on canvas,1890 

 National Museum of Art of Mexico 

Other paintings by Velasco of the series representing those volcanoes in this blog

The volcanoes
Popocatépetl (5,426 m - 17,802 ft), on right in this painting, is an active volcano, located in the states of Puebla, Mexico, and Morelos, in Central Mexico, and lies in the eastern half of the Trans-Mexican volcanic belt. The name Popocatépetl comes from the Nahuatl words Popōca (It smokes) and Tepētl (mountain), meaning Smoking Mountain. It is the second highest peak in Mexico, after Citlaltépetl (Pico de Orizaba) at 5,636 m (18,491 ft).
It is linked to the Iztaccihuatl volcano to the north by the high saddle known as the Paso de Cortés.
Popocatépetl is 70 km (43 mi) southeast of Mexico City, from where it can be seen regularly, depending on atmospheric conditions. Until recently, the volcano was one of three tall peaks in Mexico to contain glaciers, the others being Iztaccihuatl and Pico de Orizaba.
Iztaccíhuatl (5,230 m - 17,160 ft) is dormant volcanic mountain in Mexico located on the border between the State of Mexico and Puebla. It is the nation's third highest, after Pico de Orizaba 5,636 m (18,491 ft) and Popocatépetl 5,426 m (17,802 ft). The name "Iztaccíhuatl" is Nahuatl for "White woman", reflecting the four individual snow-capped peaks which depict the head, chest, knees and feet of a sleeping female when seen from east or west.The peak is sometimes nicknamed La Mujer Dormida (The Sleeping Woman.) Iztaccíhuatl is to the north of Popocatépetl, to which it is connected by the high altitude Paso de Cortés. Depending on atmospheric conditions Iztaccíhuatl is also visible much of the year from Mexico City some 70 km (43 mi) to the northwest.

The first recorded ascent was made in 1889, though archaeological evidence suggests the Aztecs and previous cultures climbed it previously. It is the lowest peak containing permanent snow and glaciers in Mexico.
In Aztec mythology : Iztaccíhuatl was a princess who fell in love with one of her father's warriors, Popocatépetl. The emperor sent Popocatépetl to war in Oaxaca, promising him Iztaccíhuatl as his wife when he returned (which Iztaccíhuatl's father presumed he would not). Iztaccíhuatl was falsely told that Popocatépetl had died in battle, and believing the news, she died of grief. When Popocatépetl returned to find his love dead, he took her body to a spot outside Tenochtitlan and kneeled by her grave. The gods covered them with snow and changed them into mountains.
Popocatépetl became an active volcano, raining fire on Earth in blind rage at the loss of his beloved.

The painter
José Maria Tranquilino Francisco de Jesus Velasco Gomez Obregуn, generally known as José Marнa Velasco, was a 19th-century Mexican polymath, most famous as a painter who made Mexican geography a symbol of national identity through his paintings. He was both one of the most popular artists of the time and internationally renowned. He received many distinctions such as the gold medal of the Mexican National Expositions of Bellas Artes in 1874 and 1876; the gold medal of the Philadelphia International Exposition in 1876, on the centenary of U.S. independence; and the medal of the Paris Universal Exposition in 1889, on the centenary of the outbreak of the French Revolution. His painting El valle de Mexico is considered Velasco's masterpiece, of which he created seven different renditions. Of all the nineteenth-century painters, Velasco was the "first to be elevated in the post-Revolutionary period as an exemplar of nationalism."
Velasco's long career elevated Mexican landscape painting to international standing. One of his landscapes of the Valley of Mexico is in the Vatican Museum, a gift to Pope Leo XIII. His scenes of the Mexican landscape are a visual source for environmental historians, since they show the Valley of Mexico before its degradation in the twentieth century, with air pollution and urban sprawl. His landscape art has a wide appeal, since it is more accessible than history paintings that require the viewer to understand a particular event.
Nowadays the Government of the State of Mexico, where Velasco was from, presents an award for artistic merit in his name to painters born in that state. Among the most outstanding winners are Luis Nishizawa, Leopoldo Flores, Ignacio Barrios and Héctor Cruz. The José María Velasco Museum was opened in 1992 in Toluca City with the task of preserving and promoting his paintings.

_______________________________

2019 - Wandering Vertexes...
by Francis Rousseau

POPOCATEPETL & IZTACCIHUATL (3) PAINTED BYJOSE MARIA VELASCO

JOSE MARIA VELASCO (1840-1912)

 Popocatépetl (5, 426 m -17, 802 ft) on right
Iztaccíhuatl (5,230 m - 17,160 ft) (on left)

Mexico

In  The volcanic peaks Popocatepetl and Iztacchihuatl in The Valley of Mexico, oil on canvas, 1890

 Other paintings by Velasco representing those volcanoes in this blog

The volcanoes 

Popocatépetl  (5,426 m (17,802 ft),  on right in this painting,  is an active volcano, located in the states of Puebla, Mexico, and Morelos, in Central Mexico, and lies in the eastern half of the Trans-Mexican volcanic belt.  The name Popocatépetl comes from the Nahuatl words Popōca   (It smokes) and Tepētl  (mountain), meaning Smoking Mountain. It is the second highest peak in Mexico, after Citlaltépetl (Pico de Orizaba) at 5,636 m (18,491 ft).

It is linked to the Iztaccihuatl volcano to the north by the high saddle known as the Paso de Cortés.

Popocatépetl is 70 km (43 mi) southeast of Mexico City, from where it can be seen regularly, depending on atmospheric conditions. Until recently, the volcano was one of three tall peaks in Mexico to contain glaciers, the others being Iztaccihuatl and Pico de Orizaba. 

Iztaccíhuatl  (5,230 m - 17,160 ft) is  dormant volcanic mountain in Mexico located on the border between the State of Mexico and Puebla. It is the nation's third highest, after Pico de Orizaba 5,636 m (18,491 ft) and Popocatépetl 5,426 m (17,802 ft). The name "Iztaccíhuatl" is Nahuatl for "White woman", reflecting the four individual snow-capped peaks which depict the head, chest, knees and feet of a sleeping female when seen from east or west.The peak is sometimes nicknamed La Mujer Dormida ("The Sleeping Woman".)  Iztaccíhuatl is to the north of Popocatépetl, to which it is connected by the high altitude Paso de Cortés. Depending on atmospheric conditions Iztaccíhuatl is also visible much of the year from Mexico City some 70 km (43 mi) to the northwest.

The first recorded ascent was made in 1889, though archaeological evidence suggests the Aztecs and previous cultures climbed it previously. It is the lowest peak containing permanent snow and glaciers in Mexico.

In Aztec mythology : Iztaccíhuatl was a princess who fell in love with one of her father's warriors, Popocatépetl. The emperor sent Popocatépetl to war in Oaxaca, promising him Iztaccíhuatl as his wife when he returned (which Iztaccíhuatl's father presumed he would not). Iztaccíhuatl was falsely told that Popocatépetl had died in battle, and believing the news, she died of grief. When Popocatépetl returned to find his love dead, he took her body to a spot outside Tenochtitlan and kneeled by her grave. The gods covered them with snow and changed them into mountains. 

Popocatépetl became an active volcano, raining fire on Earth in blind rage at the loss of his beloved.

The Painter 
José Maria Tranquilino Francisco de Jesus Velasco Gomez Obregуn, generally known as José Marнa Velasco, was a 19th-century Mexican polymath, most famous as a painter who made Mexican geography a symbol of national identity through his paintings. He was both one of the most popular artists of the time and internationally renowned. He received many distinctions such as the gold medal of the Mexican National Expositions of Bellas Artes in 1874 and 1876; the gold medal of the Philadelphia International Exposition in 1876, on the centenary of U.S. independence; and the medal of the Paris Universal Exposition in 1889, on the centenary of the outbreak of the French Revolution. His painting El valle de Mexico is considered Velasco's masterpiece, of which he created seven different renditions. Of all the nineteenth-century painters, Velasco was the "first to be elevated in the post-Revolutionary period as an exemplar of nationalism."

Velasco's long career elevated Mexican landscape painting to international standing. One of his landscapes of the Valley of Mexico is in the Vatican Museum, a gift to Pope Leo XIII. His scenes of the Mexican landscape are a visual source for environmental historians, since they show the Valley of Mexico before its degradation in the twentieth century, with air pollution and urban sprawl. His landscape art has a wide appeal, since it is more accessible than history paintings that require the viewer to understand a particular event.

Today the Government of the State of Mexico, where Velasco was from, presents an award for artistic merit in his name to painters born in that state. Among the most outstanding winners are Luis Nishizawa, Leopoldo Flores, Ignacio Barrios and Héctor Cruz. The José María Velasco Museum was opened in 1992 in Toluca City with the task of preserving and promoting his paintings.

_______________________________

2019 - Wandering Vertexes...

by Francis Rousseau   

POPOCATEPETL & IZTACCIHUATL (2) PAINTED BYJOSE MARIA VELASCO

JOSE MARIA VELASCO (1840-1912)

 Popocatépetl (5, 426 m -17, 802 ft) on right
Iztaccíhuatl (5,230 m - 17,160 ft) (on left)

Mexico

 In  The volcanic peaks Popocatepetl and Iztacchihuatl  With a View of Mexico City, oil on canvas, 1880,
 Other paintings by Velasco representing those volcanoes in this blog

The volcanoes 

Popocatépetl  (5,426 m (17,802 ft),  on right in this painting,  is an active volcano, located in the states of Puebla, Mexico, and Morelos, in Central Mexico, and lies in the eastern half of the Trans-Mexican volcanic belt.  The name Popocatépetl comes from the Nahuatl words Popōca   (It smokes) and Tepētl  (mountain), meaning Smoking Mountain. It is the second highest peak in Mexico, after Citlaltépetl (Pico de Orizaba) at 5,636 m (18,491 ft).

It is linked to the Iztaccihuatl volcano to the north by the high saddle known as the Paso de Cortés.

Popocatépetl is 70 km (43 mi) southeast of Mexico City, from where it can be seen regularly, depending on atmospheric conditions. Until recently, the volcano was one of three tall peaks in Mexico to contain glaciers, the others being Iztaccihuatl and Pico de Orizaba. 

Iztaccíhuatl  (5,230 m - 17,160 ft) is  dormant volcanic mountain in Mexico located on the border between the State of Mexico and Puebla. It is the nation's third highest, after Pico de Orizaba 5,636 m (18,491 ft) and Popocatépetl 5,426 m (17,802 ft). The name "Iztaccíhuatl" is Nahuatl for "White woman", reflecting the four individual snow-capped peaks which depict the head, chest, knees and feet of a sleeping female when seen from east or west.The peak is sometimes nicknamed La Mujer Dormida ("The Sleeping Woman".)  Iztaccíhuatl is to the north of Popocatépetl, to which it is connected by the high altitude Paso de Cortés. Depending on atmospheric conditions Iztaccíhuatl is also visible much of the year from Mexico City some 70 km (43 mi) to the northwest.

The first recorded ascent was made in 1889, though archaeological evidence suggests the Aztecs and previous cultures climbed it previously. It is the lowest peak containing permanent snow and glaciers in Mexico.

In Aztec mythology : Iztaccíhuatl was a princess who fell in love with one of her father's warriors, Popocatépetl. The emperor sent Popocatépetl to war in Oaxaca, promising him Iztaccíhuatl as his wife when he returned (which Iztaccíhuatl's father presumed he would not). Iztaccíhuatl was falsely told that Popocatépetl had died in battle, and believing the news, she died of grief. When Popocatépetl returned to find his love dead, he took her body to a spot outside Tenochtitlan and kneeled by her grave. The gods covered them with snow and changed them into mountains. 

Popocatépetl became an active volcano, raining fire on Earth in blind rage at the loss of his beloved.

The Painter 
José Maria Tranquilino Francisco de Jesus Velasco Gomez Obregуn, generally known as José Marнa Velasco, was a 19th-century Mexican polymath, most famous as a painter who made Mexican geography a symbol of national identity through his paintings. He was both one of the most popular artists of the time and internationally renowned. He received many distinctions such as the gold medal of the Mexican National Expositions of Bellas Artes in 1874 and 1876; the gold medal of the Philadelphia International Exposition in 1876, on the centenary of U.S. independence; and the medal of the Paris Universal Exposition in 1889, on the centenary of the outbreak of the French Revolution. His painting El valle de Mexico is considered Velasco's masterpiece, of which he created seven different renditions. Of all the nineteenth-century painters, Velasco was the "first to be elevated in the post-Revolutionary period as an exemplar of nationalism."

Velasco's long career elevated Mexican landscape painting to international standing. One of his landscapes of the Valley of Mexico is in the Vatican Museum, a gift to Pope Leo XIII. His scenes of the Mexican landscape are a visual source for environmental historians, since they show the Valley of Mexico before its degradation in the twentieth century, with air pollution and urban sprawl. His landscape art has a wide appeal, since it is more accessible than history paintings that require the viewer to understand a particular event.

Today the Government of the State of Mexico, where Velasco was from, presents an award for artistic merit in his name to painters born in that state. Among the most outstanding winners are Luis Nishizawa, Leopoldo Flores, Ignacio Barrios and Héctor Cruz.

The José María Velasco Museum was opened in 1992 in Toluca City with the task of preserving and promoting his paintings.

_______________________________

2018 - Wandering Vertexes...

by Francis Rousseau 

POPOCATEPETL & IZTACCIHUATL PAINTED BYJOSE MARIA VELASCO

JOSE MARIA VELASCO (1840-1912)
Iztaccíhuatl (5,230 m - 17,160 ft) (on left)

 Popocatépetl (5, 426 m -17, 802 ft) on right 

Mexico

In  Volcanes Popocatepetl y Iztacchihuatl en Valle de México desde el Cerro de Santa Isabel,
oil on  canvas,1875

The mountains 

Popocatépetl  (5,426 m (17,802 ft),  on right in this painting,  is an active volcano, located in the states of Puebla, Mexico, and Morelos, in Central Mexico, and lies in the eastern half of the Trans-Mexican volcanic belt.  The name Popocatépetl comes from the Nahuatl words Popōca   (It smokes) and Tepētl  (mountain), meaning Smoking Mountain. It is the second highest peak in Mexico, after Citlaltépetl (Pico de Orizaba) at 5,636 m (18,491 ft).

It is linked to the Iztaccihuatl volcano to the north by the high saddle known as the Paso de Cortés.

Popocatépetl is 70 km (43 mi) southeast of Mexico City, from where it can be seen regularly, depending on atmospheric conditions. Until recently, the volcano was one of three tall peaks in Mexico to contain glaciers, the others being Iztaccihuatl and Pico de Orizaba. 

Iztaccíhuatl  (5,230 m - 17,160 ft) is  dormant volcanic mountain in Mexico located on the border between the State of Mexico and Puebla. It is the nation's third highest, after Pico de Orizaba 5,636 m (18,491 ft) and Popocatépetl 5,426 m (17,802 ft). The name "Iztaccíhuatl" is Nahuatl for "White woman", reflecting the four individual snow-capped peaks which depict the head, chest, knees and feet of a sleeping female when seen from east or west.The peak is sometimes nicknamed La Mujer Dormida ("The Sleeping Woman".)  Iztaccíhuatl is to the north of Popocatépetl, to which it is connected by the high altitude Paso de Cortés. Depending on atmospheric conditions Iztaccíhuatl is also visible much of the year from Mexico City some 70 km (43 mi) to the northwest.

The first recorded ascent was made in 1889, though archaeological evidence suggests the Aztecs and previous cultures climbed it previously. It is the lowest peak containing permanent snow and glaciers in Mexico.

In Aztec mythology : Iztaccíhuatl was a princess who fell in love with one of her father's warriors, Popocatépetl. The emperor sent Popocatépetl to war in Oaxaca, promising him Iztaccíhuatl as his wife when he returned (which Iztaccíhuatl's father presumed he would not). Iztaccíhuatl was falsely told that Popocatépetl had died in battle, and believing the news, she died of grief. When Popocatépetl returned to find his love dead, he took her body to a spot outside Tenochtitlan and kneeled by her grave. The gods covered them with snow and changed them into mountains. 

Popocatépetl became an active volcano, raining fire on Earth in blind rage at the loss of his beloved.




The painter 

José Maria Tranquilino Francisco de Jesus Velasco Gomez Obregуn, generally known as José Marнa Velasco, was a 19th-century Mexican most famous painter who made Mexican geography a symbol of national identity through his paintings. A wonderful landscaper, he was both one of the most popular artists of the time and internationally renowned. He received many distinctions such as the gold medal of the Mexican National Expositions of Bellas Artes in 1874 and 1876; the gold medal of the Philadelphia International Exposition in 1876, on the centenary of U.S. independence; and the medal of the Paris Universal Exposition in 1889, on the centenary of the outbreak of the French Revolution. His painting El valle de Mexico is considered Velasco's masterpiece, of which he created seven different renditions. Of all the nineteenth-century painters, Velasco was the "first to be elevated in the post-Revolutionary period as an exemplar of nationalism."

Velasco's long career elevated Mexican landscape painting to international standing. One of his landscapes of the Valley of Mexico is in the Vatican Museum, a gift to Pope Leo XIII. His scenes of the Mexican landscape are a visual source for environmental historians, since they show the Valley of Mexico before its degradation in the twentieth century, with air pollution and urban sprawl. His landscape art has a wide appeal, since it is more accessible than history paintings that require the viewer to understand a particular event.

Today the Government of the State of Mexico, where Velasco was from, presents an award for artistic merit in his name to painters born in that state. Among the most outstanding winners are Luis Nishizawa, Leopoldo Flores, Ignacio Barrios and Héctor Cruz.

The José María Velasco Museum was opened in 1992 in Toluca City with the task of preserving and promoting his paintings.

THE POPOCATEPETL BY JOSE MARIA VELASCO

JOSE MARIA VELASCO (1840-1912)

The Popocatépetl (5, 426 m -17, 802 ft)  

Mexico

In The Metlac Ravine, oil on canvas, 1893, Museo Nacional de Arte, Mexico   

The mountain 
Popocatépetl  (5,426 m (17,802 ft) is an active volcano, located in the states of Puebla, Mexico, and Morelos, in Central Mexico, and lies in the eastern half of the Trans-Mexican volcanic belt.  The name Popocatépetl comes from the Nahuatl words popōca  (it smokes) and tepētl  (mountain), meaning Smoking Mountain. It is the second highest peak in Mexico, after Citlaltépetl (Pico de Orizaba) at 5,636 m (18,491 ft).
It is linked to the Iztaccihuatl volcano to the north by the high saddle known as the Paso de Cortés.
Popocatépetl is 70 km (43 mi) southeast of Mexico City, from where it can be seen regularly, depending on atmospheric conditions. Until recently, the volcano was one of three tall peaks in Mexico to contain glaciers, the others being Iztaccihuatl and Pico de Orizaba. In the 1990s, the glaciers such as Glaciar Norte (North Glacier) greatly decreased in size, partly due to warmer temperatures but largely due to increased volcanic activity. By early 2001, Popocatépetl's glaciers were gone; ice remained on the volcano, but no longer displayed the characteristic features of glaciers such as crevasses.
Magma erupting from Popocatépetl has historically been predominantly andesitic, but it has also erupted large volumes of dacite. Magma produced in the current cycle of activity tends to be a mixture of the two.

The Painter 
José Maria Tranquilino Francisco de Jesus Velasco Gomez Obregуn, generally known as José Marнa Velasco, was a 19th-century Mexican polymath, most famous as a painter who made Mexican geography a symbol of national identity through his paintings. He was both one of the most popular artists of the time and internationally renowned. He received many distinctions such as the gold medal of the Mexican National Expositions of Bellas Artes in 1874 and 1876; the gold medal of the Philadelphia International Exposition in 1876, on the centenary of U.S. independence; and the medal of the Paris Universal Exposition in 1889, on the centenary of the outbreak of the French Revolution. His painting El valle de Mexico is considered Velasco's masterpiece, of which he created seven different renditions. Of all the nineteenth-century painters, Velasco was the "first to be elevated in the post-Revolutionary period as an exemplar of nationalism."

Velasco's long career elevated Mexican landscape painting to international standing. One of his landscapes of the Valley of Mexico is in the Vatican Museum, a gift to Pope Leo XIII. His scenes of the Mexican landscape are a visual source for environmental historians, since they show the Valley of Mexico before its degradation in the twentieth century, with air pollution and urban sprawl. His landscape art has a wide appeal, since it is more accessible than history paintings that require the viewer to understand a particular event.

Today the Government of the State of Mexico, where Velasco was from, presents an award for artistic merit in his name to painters born in that state. Among the most outstanding winners are Luis Nishizawa, Leopoldo Flores, Ignacio Barrios and Héctor Cruz.

The José María Velasco Museum was opened in 1992 in Toluca City with the task of preserving and promoting his paintings.

_______________________________

2018 - Wandering Vertexes...
by Francis Rousseau 

THE POPOCATEPTL BY ALFRED G. BUCKHAM

ALFRED G. BUCKHAM (1879-1956)  

The Popocatépetl (5,426 m -17,802 ft)  

Mexico

In Volcano - Crater of Popocatepetl, 1930, photo, 1930  National Galleries Scotland

The mountain 
Popocatépetl  (5,426 m (17,802 ft) is an active volcano, located in the states of Puebla, Mexico, and Morelos, in Central Mexico, and lies in the eastern half of the Trans-Mexican volcanic belt.  The name Popocatépetl comes from the Nahuatl words popōca  (it smokes) and tepētl  (mountain), meaning Smoking Mountain. It is the second highest peak in Mexico, after Citlaltépetl (Pico de Orizaba) at 5,636 m (18,491 ft).
It is linked to the Iztaccihuatl volcano to the north by the high saddle known as the Paso de Cortés.
Popocatépetl is 70 km (43 mi) southeast of Mexico City, from where it can be seen regularly, depending on atmospheric conditions. Until recently, the volcano was one of three tall peaks in Mexico to contain glaciers,[6] the others being Iztaccihuatl and Pico de Orizaba. In the 1990s, the glaciers such as Glaciar Norte (North Glacier) greatly decreased in size, partly due to warmer temperatures but largely due to increased volcanic activity] By early 2001, Popocatépetl's glaciers were gone; ice remained on the volcano, but no longer displayed the characteristic features of glaciers such as crevasses.
Magma erupting from Popocatépetl has historically been predominantly andesitic, but it has also erupted large volumes of dacite. Magma produced in the current cycle of activity tends to be a mixture of the two.
Climbing route 
The first ascent was made by ameridian Tecuanipas in 1289. Nowadays the easiest way to reach the top is via the north face. It begins at Tlamacas Lodge located at 3947 meters above sea level and accessible from the neck separating the Popocatepetl of Ixtaccihuatl via a paved road. The trail, which passes through Las Cruces and crosses snowfields and glaciers, measuring nearly five kilometers long with a climb of 1453 mètres. The best time to climb is winter and early spring, especially from  December to  April. The first mountain ski descent was conducted by Francisco Gonzalez Rul and Eduardo de Maria y Campos 1947.

The photographer 
 Alfred George Buckham  was a British photographer who specialised in aerial photography. He began his career in photography in 1905 and joined the Royal Naval Air Service as a reconnaissance photographer in 1917. He became the first head of aerial reconnaissance for the Royal Navy in the First World War and later a captain in the Royal Naval Air Service. Buckham was involved in 9 crashes, 8 of which saw him relatively unscathed. After the ninth, however, he had to have a tracheotomy and breathed through a small pipe in his neck for the rest of his life. Despite this, he carried on his aerial photography career, often in very perilous conditions. He felt the best shots were made standing up, writing If one's right leg is tied to the seat with a scarf or a piece of rope, it is possible to work in perfect security.

NEVADO DE COLIMA BY JOHANN MORITZ RUGENDAS

JOHANN MORITZ RUGENDAS (1802-1858) 

Nevado de Colima (4,260 m - 13,976 ft)

Mexico 

  In Nevado de Colima y Lake Zapotlan - Mexico 

The mountain 

Nevado de Colima (4,260 m - 13,976 ft) also known as Tzapotйpetl is part of  the Colima Volcanic Complex consisting of Volcбn de Colima (or Volcan del Fuego), Nevado de Colima and the eroded El Cantaro (listed as extinct), located in the state of Jalisco, in the west of Mexico, on the Trans Mexican Volcanic Belt.  It is the 26th-most prominent peak in North America. Unlike its immediate neighbor, Volcбn de Colima, the Nevado de Colima no longer has any volcanic activity. Its summit shows signs of glacial erosion which make it difficult to determine certain aspects of its violent history. Today it is possible to find pyroclastic materials up to more than 80 km from the crater, projections probably caused by a catastrophic eruption accompanied by avalanches dating back to the Pleistocene.

The area where the volcano is located is protected by the Mexican government by decree promulgated in 1936, and creating a natural park of 6,554 hectares. This natural park also includes the neighbor, Volcano de Colima or Volcán de Fuego, which is considered today as the most active volcano in Mexico.

The Nevado de Colima is often covered with winter snow, that's why it is more visited between November and March. To reach the summit, one has to cross the city of Ciudad Guzman, in the state of Jalisco, taking the road of La Mesa and El Fresnito. The sides of the volcano can be accessed by car up to 4000 m.

The painter 

Johann Moritz Rugendas was a German painter, famous for his works depicting landscapes and ethnographic subjects in several countries in the Americas, in the first half of the 19th century. Rugendas is considered "by far the most varied and important of the European artists to visit Latin America." whom Alexander von Humboldt influenced.  

Rugendas was born in Augsburg, then Holy Roman Empire, now Germany, into the seventh generation of a family of noted painters and engravers of Augsburg, the great grandson of Georg Philipp Rugendas, 1666–1742, a famous painter of battles.  Inspired by the artistic work of Thomas Ender (1793–1875) and the travel accounts in the tropics by German naturalists Johann Baptist von Spix (1781–1826) and Carl von Martius (1794–1868), in the course of the Austrian Brazil Expedition, Rugendas arrived in Brazil in 1821. There he was soon hired as an illustrator for Baron von Langsdorff's scientific expedition to Minas Gerais and São Paulo. Consul-general of the Russian Empire in Brazil, Langsdorff had a farm in the northern region of Rio de Janeiro, where Rugendas went to live with other members of the expedition. Rugendas visited the Serra da Mantiqueira and the historical towns of Barbacena, São João del Rei, Mariana, Ouro Preto, Caeté, Sabará and Santa Luzia. Just before the fluvial phase of the expedition started (a fateful journey to the Amazon), he became alienated from von Langsdorff, left the expedition and was replaced by the artists Adrien Taunay and Hércules Florence. However, he remained on his own in Brazil until 1825, exploring and recording his many impressions of daily life in the provinces of Mato Grosso, Pernambuco, Bahia, Espírito Santo and Rio de Janeiro. He produced mostly drawings and watercolors.

On his return to Europe between 1825 and 1828, he lived successively in Paris, Augsburg and Munich, with the aim of learning new art techniques, such as oil painting. There, he published from 1827 to 1835, with the help of Victor Aimé Huber, his monumental book Voyage Pittoresque dans le Brésil (Picturesque Voyage to Brazil), with more than 500 illustrations, which became one of the most important documents about Brazil in the 19th century.

In 1831 he traveled first to Haiti, and then to Mexico. In Mexico, he did drawings and watercolors of Morelia, Teotihuacan, Xochimilco, and Cuernavaca. He also began to use oil painting, with excellent results. Unfortunately, Rugendas was incarcerated and expelled from the country after he became involved in a failed coup against Mexico's president, Anastasio Bustamante, in 1834.

From 1834-44 he travelled to Chile, Argentina, Uruguay, Peru and Bolivia, and finally went back to Rio de Janeiro, in 1845. Well-accepted and feted by the court of Emperor Dom Pedro II, he executed portraits of several members of the royal court and participated in an artistic exposition. At the age of 44, in 1846, Rugendas departed for Europe.

He died on 29 May 1858 in Weilheim an der Teck, Germany, King Maximilian II of Bavaria having acquired most of his works in exchange for a life pension. His painting "Columbus taking Possession of the New World" (1855) is on view at the Neue Pinakothek, in Munich.

THE POPOCATEPETL BY ROBERT JENKINS ONDERDONK

ROBERT JENKINS ONDERDONK (1852-1917) 

The Popocatépetl (5,426 m -17,802 ft)  

Mexico

Painted in 1911

The mountain 
Popocatépetl  (5,426 m (17,802 ft) is an active volcano, located in the states of Puebla, Mexico, and Morelos, in Central Mexico, and lies in the eastern half of the Trans-Mexican volcanic belt.  The name Popocatépetl comes from the Nahuatl words popōca  (it smokes) and tepētl  (mountain), meaning Smoking Mountain. It is the second highest peak in Mexico, after Citlaltépetl (Pico de Orizaba) at 5,636 m (18,491 ft).
It is linked to the Iztaccihuatl volcano to the north by the high saddle known as the Paso de Cortés.
Popocatépetl is 70 km (43 mi) southeast of Mexico City, from where it can be seen regularly, depending on atmospheric conditions. Until recently, the volcano was one of three tall peaks in Mexico to contain glaciers, the others being Iztaccihuatl and Pico de Orizaba. In the 1990s, the glaciers such as Glaciar Norte (North Glacier) greatly decreased in size, partly due to warmer temperatures but largely due to increased volcanic activity.  By early 2001, Popocatépetl's glaciers were gone; ice remained on the volcano, but no longer displayed the characteristic features of glaciers such as crevasses.
Magma erupting from Popocatépetl has historically been predominantly andesitic, but it has also erupted large volumes of dacite. Magma produced in the current cycle of activity tends to be a mixture of the two.
Climbing route 
The first ascent was made by ameridian Tecuanipas in 1289. Nowadays the easiest way to reach the top is via the north face. It begins at Tlamacas Lodge located at 3947 meters above sea level and accessible from the neck separating the Popocatepetl of Ixtaccihuatl via a paved road. The trail, which passes through Las Cruces and crosses snowfields and glaciers, measuring nearly five kilometers long with a climb of 1453 mètres. The best time to climb is winter and early spring, especially from  December to  April. The first mountain ski descent was conducted by Francisco Gonzalez Rul and Eduardo de Maria y Campos 1947.
Eruptive history 
Popocatépetl is the most active volcano in Mexico, having had more than 15 major eruptions since the arrival of the Spanish in 1519. A major eruption occurred in 1947.
- On December 21, 1994, the volcano spewed gas and ash which was carried as far as 25 km (16 mi) away by prevailing winds. The activity prompted the evacuation of nearby towns and scientists to begin monitoring for an eruption.
- In December 2000, tens of thousands of people were evacuated by the government based on the warnings of scientists. The volcano then made its largest display in 1,200 years.
- On December 25, 2005, the volcano's crater produced an explosion which ejected a large column of smoke and ash about 3 km (1.9 mi) into the atmosphere and expulsion of lava.
- In January and February 2012, scientists observed increased volcanic activity at Popocatépetl. On January 25, 2012, an ash explosion occurred on the mountain causing much dust and ash to contaminate the atmosphere around it.
- On April 19, 2012, there were reports of superheated rock fragments being hurled into the air by the volcano. Ash and water vapor plumes were reported 15 times over 24 hours.
- On Wednesday May 8, 2013, at 7:28 pm local time, Popocatépetl erupted again with a high amplitude tremor that lasted and was recorded for 3.5 hours. It began with plumes of ash that rose 3 km into the air and began drifting W at first, but later began to drift ESE covering areas of the villages of San Juan Tianguismanalco, San Pedro Benito Juárez and the City of Puebla in smoke and ash. Explosions from the volcano itself subsequently ejected fragments of fiery volcanic rock to distances of 700 m from the crater.
- On July 4, 2013, due to several eruptions of steam and ash for at least 24 hours, at least six U.S. airlines canceled more than 40 flights into and out of Mexico City and Toluca airports that day.
- During 27 August–September 2014, CENAPRED reported explosions accompanied by steam-and-gas emissions with minor ash and ash plumes that rose 800-3,000 m above Popocatépetl’s crater and drifted W, SW, and WSW. On most nights incandescence was observed, increasing during times with larger emissions.
- On 1 September partial visibility due to cloud cover was reported.
- On 29 and 31 August the Washington VAAC reported discrete ash emissions.
- On January 7, 2015, CENAPRED reported that ash from recent explosions coats the snow on the volcano's upper slopes.
- On March 28, 2016, an ash column 2,000 metres high was released, prompting the establishment of a 12-kilometer “security ring” around the summit.
- On 3 April 2016, Popocatépetl erupted, spewing lava, ash and rock.

The painter 
Robert Jenkins Onderdonk  was an American painter and art teacher, born in Catonsville, Maryland.  IT is considered as an Aimportant artist in the first stage of Texas art. Robert Jenkins Onderdonk studied art at the National Academy of Design and the Art Students League of New York in the 1870s. Among his teachers were William Merritt Chase[3] and James Carroll Beckwith.
R. J. Onderdonk went to Texas in 1878  and married Emily Gould in 1881 and they had three children. He hoped to execute portraits for rich Texas citizens and make enough money to travel to Europe. He eventually stayed in Texas for thirty-eight years, where he painted and taught. In San Antonio, he founded an art association for women painters, the Van Dyck club, which later became the San Antonio Arts League; his daughter Eleanor was an important member and organizer.  In 1893 in Dallas, he co-founded the Art Students League of Dallas, pupils of which displayed their paintings each year at the State Fair of Texas, in Dallas.
Onderdonk's masterpiece, the 1903 painting Fall of the Alamo, was displayed at the 1904 Louisiana Purchase Exposition in St. Louis, and is now held in the Texas State Archives. Occupying central position in the painting is Davy Crockett, a depiction reproduced countless times in print; Crockett is portrayed in iconic style, "swinging his flintlock over his head to club the Mexicans advancing through a hanging cloud of gun smoke."  According to Fisk's A History of Texas Artists, he would have been ranked one of America's finest artists if he had spent more time painting rather than teaching.