CERRO PEDERNAL BY GEORGIA O' KEEFFE

GEORGIA O' KEEFFE (1887–1986)

Cerro Pedernal (3,006 m - 9,862 ft)

United State of America (New Mexico) 

1. In Road to Pedernal, 1936, Georgia O'Keeffe Museum, Santa Fe

2.   In Cerro Pedernal at dawn, 1936, Georgia O'Keeffe Museum, Santa Fe

3.  In Pedernal from Ghost ranch, 1936, Georgia O'Keeffe Museum, Santa Fe

The mountain 

Cerro Pedernal  (3,006 m - 9,862 ft) locally known as just "Pedernal", is a narrow mesa in northern New Mexico (U.S.A). The name is Spanish for "flint hill". The mesa lies on the north flank of the Jemez Mountains, south of Abiquiu Lake, in the Coyote Ranger District of the Santa Fe National Forest.  Cerro Pedernal is essentially a high, long butte created by a volcanic process. Viewed along its East-West line, it appears as a tall point rising out of the New Mexico desert, but viewed along its North-South vantage, its true shape is more apparent as a long ridge.

Pedernal is the source of a chert used by the prehistoric Gallina people. The native peoples of the area used the rock around this mountain for arrowheads and other tools. 

Its cliffs are popular with rock climbers. Despite Cerro Pedernal's history and beauty, she is seldom climbed. The high butte is ringed by a long, sheer cliff band that seems impossible to climb unroped. Perhaps this is why few see her summit. However, there is a weakness in the cliffs that offers a short Class 4 scramble to the top. From the summit of Cerro Pedernal, you are afforded uncommon views. The Sangre de Cristo range is visible from Colorado to New Mexico. The Colorado 14er Culebra Peak is easily visible, as well as New Mexico's highest point, Wheeler Peak. On a clear day, the southern San Juan range in Colorado is visible, and even the La Platas around Durango. Ringing Cerro Pedernal is the Jemez range, which are mostly rolling mountains with lush greens. To the West is high desert landscape of deep red sandstone, blue rivers, and the tans and browns of the high desert. The summit of Cerro Pedernal is quite a spectacular spot. 

The famous artist Georgia O'Keeffe used to live for a time in this area (Ghost Ranch) and painted Cerro Pedernal several times (more than 20 paintings). She referred to Pedernal as her "favorite mountain."   Her ashes were scattered on its top.

The painter 

Georgia O’Keeffe is one of the most significant and intriguing artists of the twentieth century, known internationally for her boldly innovative art. Her distinct flowers, dramatic cityscapes, glowing landscapes, and images of bones against the stark desert sky are iconic and original contributions to American Modernism.
Born on November 15, 1887, the second of seven children, Georgia Totto O’Keeffe grew up on a farm near Sun Prairie, Wisconsin. She studied at the Art Institute of Chicago in 1905-1906 and the Art Students League in New York in 1907-1908. Under the direction of William Merritt Chase, F. Luis Mora, and Kenyon Cox she learned the techniques of traditional realist painting. The direction of her artistic practice shifted dramatically in 1912 when she studied the revolutionary ideas of Arthur Wesley Dow. Dow’s emphasis on composition and design offered O’Keeffe an alternative to realism. She experimented for two years, while she taught art in South Carolina and west Texas. Seeking to find a personal visual language through which she could express her feelings and ideas, she began a series of abstract charcoal drawings in 1915 that represented a radical break with tradition and made O’Keeffe one of the very first American artists to practice pure abstraction.
O’Keeffe mailed some of these highly abstract drawings to a friend in New York City, who showed them to Alfred Stieglitz. An art dealer and internationally known photographer, he was the first to exhibit her work in 1916. He would eventually become O’Keeffe’s husband.
In the summer of 1929, O’Keeffe made the first of many trips to northern New Mexico. The stark landscape, distinct indigenous art, and unique regional style of adobe architecture inspired a new direction in O’Keeffe’s artwork. For the next two decades she spent part of most years living and working in New Mexico . She made the state her permanent home in 1949, three years after Stieglitz’s death. O’Keeffe’s New Mexico paintings coincided with a growing interest in regional scenes by American Modernists seeking a distinctive view of America. Her simplified and refined representations of this region express a deep personal response to the high desert terrain.
In the 1950s, O’Keeffe began to travel internationally. She created paintings that evoked a sense of the spectacular places she visited, including the mountain peaks of Peru and Japan’s Mount Fuji. At the age of seventy-three she embarked on a new series focused on the clouds in the sky and the rivers below.
Suffering from macular degeneration and discouraged by her failing eyesight, O’Keeffe painted her last unassisted oil painting in 1972. But O’Keeffe’s will to create did not diminish with her eyesight. In 1977, at age ninety, she observed, “I can see what I want to paint. The thing that makes you want to create is still there.”
Late in life, and almost blind, she enlisted the help of several assistants to enable her to again create art.  In these works she returned to favorite visual motifs from her memory and vivid imagination.
Georgia O’Keeffe died in Santa Fe, on March 6, 1986, at the age of 98.

TAISHAN / 泰山 PAINTED BY WANG HUI / 王翬

WANG HUI  / 王翬(1632-1717)
Taishan /泰山 (1,533m - 5,029ft)

China 

 In The Kangxi Emperor's Southern Tour, Scroll 3, 1698. The MET, New York 

The mountain 

Taishan /泰山  or Mount Tai  (1,533m - 5,029ft)  is a mountain of historical and cultural significance located north of the city of Tai'an, in Shandong province, China. The tallest peak is the Jade Emperor Peak (玉皇頂). Mount Tai is of key importance in Chinese religion, being the eastern one of the Sacred Mountains of China. It is associated with sunrise, birth, and renewal, and is often regarded the foremost of the five. According to historical records, Mount Tai became a sacred place haunted by emperors to offer sacrifices and meditate in the Zhou Dynasty before 1,000 BC. A total of 72 emperors were recorded as visiting it. Writers also came to acquire inspiration, to compose poems, write essays, paint and take pictures. Hence, a great many cultural relics were left on the mountain.
Mount Tai is a tilted fault-block mountain with height increasing from the north to the south. It is the oldest example of a paleo-metamorphic formation from the Cambrian Period in eastern China. Known as the Taishan Complex, this formation contains magnetized, metamorphic, and sedimentary rock as well as intrusions of other origins during the Archean Era. The uplift of the region started in the Proterozoic Era; by the end of the Proterozoic, it had become part of the continent. Besides the Jade Emperor Peak, other distinctive rock formations are the Heaven Candle Peak, the Fan Cliff, and the Rear Rock Basin.
Visitors can reach the peak of Mount Tai via a bus which terminates at the Midway Gate to Heaven, from there a cable car connects to the summit. Covering the same distance on foot takes from two and a half to six hours.
To climb up the mountain, one can take one of two routes. The more popular east route starts from Taishan Arch. On the way up the 7,200 stone steps, the climber first passes the Ten Thousand Immortals Tower (Wanxianlou), Arhat Cliff (Luohanya), and Palace to Goddess Dou Mu (Doumugong). The climbing from the First Gate to Heaven, the main entrance bordering on Tai'an town, up the entire mountain can take two and a half hours for the sprinting hiker to six hours for the leisure pace.

The artist
Wang Hui / 王翬 was a Chinese landscape painter, one of the Four Wangs. He, and the three other Wangs, dominated orthodox art in China throughout the late Ming and early Qing periods. Of the Four Wangs, Wang Hui is considered the best-known today.
Wang Hui followed in the footprints of his great grandfathers, grandfather, father and uncles and learned painting at a very early age. He was later taught by two contemporary masters, Zhang Ke and Wang Shimin, who taught him to work in the tradition of copying famous Chinese paintings. Along with the other Wangs, Wang Hui helped to perpetuate the tradition of copying the ancient masters rather than creating original work.
Notice about the scroll above:
In 1689 the Kangxi emperor (r. 1662 – 1722), a Manchu whose forebears had conquered China in 1644, made a grand tour to consolidate his authority over southern China. The renowned landscapist Wang Hui was commissioned to record the journey in a series of twelve oversize handscrolls. This scroll, the third in the set, highlights the emperor’s visit to Mount Tai, China’s “Sacred Peak of the East.” Although Wang based his design on maps and woodblock prints — he never visited the mountain — he also connected specific sites with imaginary landscape passages inspired by classical precedents and employed a traditional “blue-and-green” palette to underscore the emperor’s beneficent rule.
Source:
 -  Wang Hui in the MET collections

THE ESJA BY JOHANNES SVEINSSON KJARVAL

 JOHANNES SVEINSSON KJARVAL (1885-1972) 

The Esja or Esjan  (914 m - 2, 999ft)

Iceland.  

Painted in 1939

The mountain

Esja (914 m - 2,999 ft) often called "Esjan" or "The Esja" is situated in the south-west of Iceland, about 10 km to the north of Iceland's capital city Reykjavik. Esja is not a single mountain, but a volcanic mountain range, made from basalt and tuff. The etymology of the name is unclear. Esja can be used as a first name in Iceland. In the Kjalnesingasaga, there is a rich widow among Irish settlers named Esja, but it is likely that the women's name is derived from the mountain and not vice versa.

The easternmost summits of the mountain range, called Móskarðshnúkar, are of an unusually light colour. An Icelandic writer in the 19th century, so goes the story, hoped to see the sun there after a long period of rain. But when he looked closer, it was only the mountaintops with their colours. In reality, it is the rhyolite stone, often to be found in Icelandic nature near old (and also active) central volcanoes.

Climbing 

Within easy reach of the capital, Esja is a very popular recreation area for hikers and climbers. The best known hiking paths lead to the summits Pverfellshorn (780 m) and Kerhólakambur (851 m). Pverfellshorn is also easily accessible by public transport. The path is divided into sections, marked with signs along the way. Each sign gives an indication of the difficulty of the path ahead with a grade system ranging from 1 boot (easy) to 3 boots (challenging). At the third sign experienced climbers can choose to climb directly to the peak, instead of following the path which goes off to the right. Approximately 6.6 kilometers of walking and 200 meters away from sea level is an point a big rock called Steinn. It is here that most inexperienced climbers choose to go down again, as the path becomes increasingly difficult from there. The highest point, at 914 m, is called Hábunga. From Þverfellshorn, reaching Habunga requires another three-kilometer trek northeast, across a rocky plateau with no directional signs or clear path. As of August 2011, Habunga was marked only by a large cairn with a wooden stick at the top.

The painter
Johannes Sveinsson Kjarval was an Icelandic painter. He is considered one of the most important artists of Iceland. Born in poverty, he was adopted and, as a young man, worked as a fisherman. However, he spent every spare time drawing and painting and managed to learn basics from artist Ásgrímur Jónsson. At age 27 with financial support from fishermen and the Icelandic Confederation of Labour he passed an entrance examination and was admitted to the Royal Danish Academy of Fine Arts for higher education in the arts where he completed his studies. During the Copenhagen years he became acquainted with various styles including impressionism, expressionism and cubism but he also became an accomplished draughtsman. Later he also took shorter trips to France and Italy.
Kjarval was a prolific painter, leaving thousands of drawings and paintings after a long life. The paintings vary greatly in style and frequently mix different styles into a very personal style. Although not surreal, some of his works include absurd and symbolist elements mixing elves and myths into landscape. Many of his works include Icelandic landscape and lava formation but many of his landscape paintings are partially "cubist" and abstract with his focus on zooming on the closest ground and less the impressive mysterious mountains in the background. Later in his life his art frequently also included abstract painting.
Because of the unique mix of styles, it is an oversimplification to classify him has a landscape painter. His work includes expressionist, abstract, cubist, landscape and portrait paintings and drawings - and his "style promiscuity" was highly original as the man himself was. He was a highly original modernizer of his time and still remains quite unique among Icelandic and world painters. In 1958 he was awarded the Prince Eugen Medal by the King of Sweden.

_______________________________
2018 - Wandering Vertexes...
by Francis Rousseau 

MAKALU PAINTED BY NICHOLAS ROERICH

NICHOLAS ROERICH (1874-1947)

Makalu  (8, 485m - 27, 838 ft)  

Nepal - China Border

1. Makalu  main peak, 1937-39  

2. Makalu main  peak and subsidiary peaks 1937-39

Nicholas Roerich  Museum New York City

The mountain 

Makalu  (8, 485m - 27, 838 ft)  is the fifth highest mountain in the world. It is located in the Mahalangur Himalayas 19 km (12 mi) southeast of Mount Everest, on the border between Nepal and China. One of the eight-thousanders, Makalu is an isolated peak whose shape is a four-sided pyramid.
Makalu has two notable subsidiary peaks. Kangchungtse, or Makalu II (7,678 m) lies about 3 km (2 mi) north-northwest of the main summit. Rising about 5 km (3.1 mi) north-northeast of the main summit across a broad plateau, and connected to Kangchungtse by a narrow, 7,200 m saddle, is Chomo Lonzo (7,804 m).
The first climb on Makalu was made by an American team led by William Siri in the spring of 1954. The expedition was composed of Sierra Club members including Allen Steck, and was called the California Himalayan Expedition to Makalu. They attempted the southeast ridge but were turned back at 7,100 m (23,300 ft) by a constant barrage of storms.
A New Zealand team including Sir Edmund Hillary was also active in the spring, but did not get very high due to injury and illness. In the fall of 1954, a French reconnaissance expedition made the first ascents of the subsidiary summits Kangchungtse (October 22: Jean Franco, Lionel Terray, Sardar Gyaltsen Norbu and Pa Norbu) and Chomo Lonzo (October 30: Jean Couzy and Terray).
Makalu was first climbed on May 15, 1955 by Lionel Terray and Jean Couzy of a French expedition led by Jean Franco. Franco, G. Magnone and Sardar Gyaltsen Norbu summitted the next day, followed by Bouvier, S. Coupe, Leroux and A. Vialatte on the 17th. This was an amazing achievement at the time to have the vast majority of expedition members summit, especially on such a difficult peak. Prior to this time, summits were reached by 1-2 people at most with the rest of teams providing logistical support before turning around and heading home. The French team climbed Makalu by the north face and northeast ridge, via the saddle between Makalu and Kangchungtse (the Makalu-La), establishing the standard route.

The painter 
Nicholas Roerich known also as Nikolai Konstantinovich Rerikh (Никола́й Константи́нович Ре́рих) is quite an important figure of mountain paintings in the early 20th century.  He was a Russian painter, writer, archaeologist, theosophist, perceived by some in Russia as an enlightener, philosopher, and public figure. In his youth was he was quite influenced by a movement in Russian society around the occult and was interested in hypnosis and other spiritual practices. His paintings are said to have hypnotic expression.
Born in Saint Petersburg, Russia, he lived in various places around the world until his death in Naggar, Himachal Pradesh, India. Trained as an artist and a lawyer, his main interests were literature, philosophy, archaeology, and especially art. After the February Revolution of 1917 and the end of the czarist regime, Roerich, a political moderate who valued Russia's cultural heritage more than ideology and party politics, had an active part in artistic politics. With Maxim Gorky and Aleksandr Benois, he participated with the so-called "Gorky Commission" and its successor organization, the Arts Union (SDI).
After the October Revolution and the acquisition of power of Lenin's Bolshevik Party, Roerich became increasingly discouraged about Russia's political future. During early 1918, he, Helena, and their two sons George and Sviatoslav emigrated to Finland. After some months in Finland and Scandinavia, the Roerichs relocated to London, arriving in mid-1919. Later, a successful exhibition resulted in an invitation from a director at the Art Institute of Chicago, offering to arrange for Roerich's art to tour the United States. During the autumn of 1920, the Roerichs traveled to America by sea.  The Roerichs remained in the United States from October 1920 until May 1923.
After leaving New York, the Roerichs – together with their son George and six friends – began the five-year-long 'Roerich Asian Expedition' that, in Roerich's own words: "started from Sikkim through Punjab, Kashmir, Ladakh, the Karakoram Mountains, Khotan, Kashgar, Qara Shar, Urumchi, Irtysh, the Altai Mountains, the Oyrot region of Mongolia, the Central Gobi, Kansu, Tsaidam, and Tibet" with a detour through Siberia to Moscow in 1926.
In 1929 Nicholas Roerich was nominated for the Nobel Peace Prize by the University of Paris. He received two more nominations in 1932 and 1935. His concern for peace resulted in his creation of the Pax Cultura, the "Red Cross" of art and culture. His work for this cause also resulted in the United States and the twenty other nations of the Pan-American Union signing the Roerich Pact on April 15, 1935 at the White House. The Roerich Pact is an early international instrument protecting cultural property.
In 1934–1935, the U.S. Department of Agriculture (then headed by Roerich admirer Henry A. Wallace) sponsored an expedition by Roerich and USDA scientists H. G. MacMillan and James F. Stephens to Inner Mongolia, Manchuria, and China.
Roerich was in India during the Second World War, where he painted Russian epic heroic and saintly themes, including: Alexander Nevsky, The Fight of Mstislav...
In 1942, Roerich received Jawaharlal Nehru at his house in Kullu. Together they discussed the fate of the new world: "We spoke about Indian-Russian cultural association, it is time to think about useful and creative cooperation ...”.
Gandhi would later recall about several days spent together with Roerich's family: "That was a memorable visit to a surprising and gifted family where each member was a remarkable figure in himself, with a well-defined range of interests." ..."Roerich himself stays in my memory. He was a man with extensive knowledge and enormous experience, a man with a big heart, deeply influenced by all that he observed". During the visit, "ideas and thoughts about closer cooperation between India and USSR were expressed. Now, after India wins independence, they have got its own real implementation[clarification needed]. And as you know, there are friendly and mutually-understanding relationships today between both our countries".
In 1942, the American-Russian cultural Association (ARCA) was created in New York.
Its active participants were Ernest Hemingway, Rockwell Kent, Charlie Chaplin, Emil Cooper, Serge Koussevitzky, and Valeriy Ivanovich Tereshchenko. The Association's activity was welcomed by scientists like Robert Millikan and Arthur Compton.
Roerich died on December 13, 1947.
_______________________________
2017 - Wandering Vertexes...
by Francis Rousseau 

MOUNT ERRIGAL PAINTED BY PAUL HENRY

PAUL HENRY (1877-1958)

 Mount Errigal  (751m - 2, 464 ft)

Ireland 

The mountain

Mount Errigal  (751m - 2, 464 ft) called in Irish An Earagail, possibly meaning "oratory" is a mountain near Gweedore in County Donegal, Ireland. It is the tallest peak of the Derryveagh Mountains, the tallest peak in County Donegal, and the 76th tallest peak in Ireland.  Errigal is also the most southern, steepest and highest of the mountain chain, called the "Seven Sisters" by locals. The Seven Sisters includes Muckish, Crocknalaragagh, Aghla Beg, Ardloughnabrackbaddy, Aghla More, Mackoght and Errigal. The nearest peak is Mackoght, which is also known as Little Errigal or Wee Errigal (Irish: an Earagail Bheag). Errigal is well known for the pinkish glow of its quartzite in the setting sun. Another noted quality is the ever-changing shape of the mountain depending on what direction you view it from. Errigal was voted 'Ireland's Most Iconic Mountain' by Walking & Hiking Ireland in 2009.
Climbing
The mountain is most often climbed from the carpark off the R251 road. The route initially starts off by crossing heavily eroded and boggy land towards a visible track through the shiny scree from where the ascent proper starts. After reaching the summit, people usually walk the short but exposed walk along ‘One Man’s Pass’ which leads across to the second and lower of the twin summits. No special equipment is needed to climb the mountain, but caution is advised.

The painter
Paul Henry was an Irish artist noted for depicting the West of Ireland landscape and particularly landscapes of Achill Island and Connemara in a spare post-impressionist style. Born in Belfast, Ireland, the son of a Baptist minister, Paul Henry began studying at Methodist College Belfast in 1882. During this period he first began drawing regularly. At the age of fifteen he moved to the Royal Belfast Academical Institution. He studied art in Belfast before going to Paris in 1898 to study at the Académie Julian and at Whistler's studio. He married the painter Grace Henry in 1903 and returned to Ireland in 1910. From then until 1919 he lived on , where he learned to capture the peculiar interplay of light and landscape specific to the West of Ireland. In 1919 he moved to Dublin and in 1920 was one of the founders of the Society of Dublin Painters.  In the 1920s and 1930s Paul Henry was Ireland's best known artist, one who had a considerable influence on the popular image of the west of Ireland. Although he seems to have ceased experimenting with his technique after he left Achill and his range is limited, he created a large body of fine images whose familiarity is a testament to its influence. The National Gallery of Ireland held a major exhibition of his work in 2004.
A painting by Paul Henry was featured on an episode of the BBC's Antiques Roadshow, broadcast on 12 November 2006. The painting was given a value of approximately £40,000 - £60,000 by the roadshow. However, due to the buoyancy of the Irish art market at that time, it sold for €260,000 on 5 December 2006 in James Adams' and Bonhams' joint Important Irish Art sale.
Source: 
- Paul Henry and Achill Island

SUPERSTITION MOUNTAIN PAINTED BY HANSON PUTHUFF

HANSON PUTHUFF (1875-1972)

Superstition mountain (1,910 m - 6,266 ft) 

United State of America (Arizona) 

In Enduring Ramparts - Superstition Mountains 

The mountain

 Superstition Mountain (1,910 m - 6,266 ft) is part of the Supertistions mountains range popularly called "The Superstitions",  also called Wi:kchsawa in Yavapai langage and Sierra de la Espuma  Spanish. It is  located in Arizona, east of Phoenix. The mountain range is in the federally designated Superstition Wilderness Area, and includes a variety of natural features in addition to its namesake mountain. 

- Weavers Needle, a prominent landmark and rock climbing destination set behind and to the east of Superstition Mountain, is a tall eroded volcanic remnant that plays a significant role in the legend of the Lost Dutchman's Gold Mine. According to this legend, a German immigrant named Jacob Waltz discovered a mother lode of gold in the Superstition Wilderness and revealed its location on his deathbed in Phoenix in 1891 to Julia Thomas, a boarding-house owner who had taken care of him for many years. 

-  Peralta Canyon, on the northeast side of Superstition Mountain, contains a popular trail that leads up to Fremont Saddle, which provides a very picturesque view of Weavers Needle. Some Apaches believe that the hole leading down into the lower world, or hell, is located in the Superstition Mountains. Winds blowing from the hole is supposed to be the cause of severe dust storms in the metropolitan region.

- Miner's Needle is another prominent formation in the wilderness and a popular hiking destination.

The Superstition Mountains have a desert climate, with high summer temperatures and a handful of perennial sources of water.  Numerous hiking trails cross the mountains from multiple access points, including the Peralta Trailhead, the most popular. The Lost Dutchman State Park, located on the west side of Superstition Mountain, includes several short walking trails.

The Superstition Mountains are bounded roughly by U.S. Route 60 on the south, State Route 88 on the northwest, and State Route 188 on the northeast.

The painter 

Hanson Duvall Puthuff was a landscape painter and muralist, born in Waverly, Missouri. Puthuff studied at the Art Institute of Chicago before moving to Colorado in 1889 to study at University of Denver Art School. He traveled to Los Angeles in 1903 and for 23 years worked as a commercial artist painting billboards while painting landscapes in his leisure. In 1926, he abandoned commercial art and devote full-time to fine art and exhibitions. He is nationally famous for his lyric interpretations of the Southern California deserts.  Puthuff was one of the cofounders of the California Art Club and the Laguna Beach Art Association. He won awards in 1909 from the Alaska–Yukon–Pacific Exposition, a bronze medal at the Paris Salon in 1914, and two silver medals from the Panama-California Exposition in 1915. His works are exhibited in, among other places, the Los Angeles County Museum of Art, Laguna Art Museum, and Bowers Museum. Many of his works are also cataloged in the Smithsonian American Art Museum art inventory. Puthuff died in Corona del Mar on May 12, 1972. In 2007, the Pasadena Museum of California Art featured California Colors: Hanson Puthuff, the first solo museum exhibition of his work. In conjunction with the exhibit, the Museum republished the artist's autobiography.

MULHACEN PAINTED BY JOAQUIN SOROLLA

JOAQUIN SOROLLA Y BATISTA  (1863-1923)

 Mulhacén  (3, 478 m - 11,411ft)

Spain

Painted in 1890

The mountain 

Mulhacén (3, 478 m - 11,411ft) is the highest mountain in continental Spain and in the Iberian Peninsula. It is part of the Sierra Nevada range in the Cordillera Penibética. It is named after Abu l-Hasan Ali, or Muley Hacén as he is known in Spanish, the penultimate Muslim King of Granada in the 15th century who, according to legend, was buried on the summit of the mountain.
Mulhacén is the highest peak in Europe outside the Caucasus Mountains and the Alps. It is also the third most topographically prominent peak in Western Europe, after Mont Blanc and Mount Etna, and is ranked 64th in the world by prominence.  The peak is not exceptionally dramatic in terms of steepness or local relief. The south flank of the mountain is gentle and presents no technical challenge, as is the case for the long west ridge. The shorter, somewhat steeper north east ridge is slightly more technical. The north face of the mountain, however, is much steeper, and offers several routes involving moderately steep climbing on snow and ice (up to French grade AD) in the winter
Mulhacén can be climbed in a single day from the villages of either Capileira or Trevélez, but it is more common to spend a night at the mountain refuge at Poqueira, or in the bare shelter at Caldera to the west. Those making the ascent from Trevelez can also bivouac at the tarns to the northeast of the peak.


The painter 
Joaquin Sorolla y Bastida  was a Spanish painter.  Sorolla excelled in the painting of portraits, landscapes, and monumental works of social and historical themes. His most typical works are characterized by a dexterous representation of the people and landscape under the sunlight of his native land....
More about Joaquin Sorolla, follow the link. 

TINDFJALLAJÖKULL PAINTED BY ASGRIMUR JONSSON

ASGRIMUR JONSSON (1876-1958)

  Tindfjallajökull (1,462m - 4,797ft) 

Iceland

 Painted in 1909

The mountain 
Tindfjallajцkull (1,462m - 4,797ft) is a stratovolcano in the south of Iceland.  It has erupted rocks of basaltic to rhyolitic composition, and a 5-km-wide caldera was formed during the eruption of the 54,000-year-old Thуrsmцrk Ignimbrite. It is capped by a glacier of 19 km2. Its highest peak is Ymir which takes its name from the giant Ymir of Norse mythology. The most recent eruption was at an unknown time in the Holocene. The name means "Tindfjцll glacier". Tindfjцll ("peak mountains") is a ridge that extends to the south of the glacier. The rivers that flow from the glacier are Hvitmaga to the north-east, Gilsa to the south, Porolfsa to the south-west, Vala to the north-west and Blesa to the north. Hvнtmaga, Gilsб and Юуrуlfsб drain into Markarfljot while Vala and Blesa drain into Eystri Ranga.

 The Painter 
Asgrímur Jónsson was an Icelandic painter, and one of the first in the country to make art a professional living. He studied at the Royal Academy in Copenhagen between 1900 and 1903 and traveled widely after graduation. The subjects of his pictures are mostly the landscapes of his home country, particularly mountains. His painting style is similar to the French impressionists like Corot. Some of his pictures also illustrate Icelandic sagas and folk tales.
He was also noted for his murals in various churches in Iceland. A number of his works are on display in the National Gallery of Iceland. Jónsson influenced many artists in Iceland. A short time before he died he had donated his house in Reykjavík to the Icelandic Government along with all those paintings which were at that time in his possession. These consisted of 192 oil paintings and 277 water colours together with a great number of unfinished pictures dating from various periods in his life. During his lifetime Ásgrímur Jónsson was honoured in many ways. He was made honorary professor at the University of Iceland and, in 1933 he was made Grand Knight of the Icelandic Order of the Falcon. He was an honorary member of the Royal Swedish Academy of Arts and Knight of Dannebrog, first class. He died in 1958 and was buried in Gaulverjabær.


2017 - Wandering Vertexes...
by Francis Rousseau 

HUNTS MESA BY ARTHUR WESLEY DOW

ARTHUR WESLEY DOW (1857-1922)

Hunts Mesa (1,942 m - 6,370 ft)

United State of America (Arizona)

In The Enchanted Mesa, 1913

The mountain 

Hunts Mesa (1,942 m - 6,370 ft) is a rock formation located in Monument Valley, south of the border between Utah and Arizona in the United States and west of the border between Arizona's Navajo County and Apache County. It is one of two popular interior destinations in the Monument Valley Navajo Tribal Park for tourists to experience panoramic views of the popular sandstone formations from a distance. The other is Mystery Valley. A Navajo guide is required to hike to either.

Hunts Mesa forms the southeastern edge of Monument Valley and the northern edge of Little Capitan Valley. Access to Hunts Mesa is not through the general entrance of the park but rather through the sand dunes northeast of the town of Kayenta, Arizona.

On October 16, 1984, a United States Air Force B-52G bomber crashed on Hunts Mesa, killing two of the seven crewmen.

The painter 

Arthur Wesley Dow was an American painter, printmaker, photographer and influential arts educator.
Dow taught at three major American arts training institutions over the course of his career beginning with the Pratt Institute from 1896-1903 and the New York Art Students League from 1898-1903; then, in 1900, he founded and served as the director of the Ipswich Summer School of Art in Ipswich, Massachusetts, and from 1904 to 1922, he was a professor of fine arts at Columbia University Teachers College. His ideas were quite revolutionary for the period; he taught that rather than copying nature, art should be created by elements of the composition, like line, mass and color.  He wanted leaders of the public to see art is a living force in everyday life for all, not a sort of traditional ornament for the few. Dow suggested this lack of interest would improve if the way art was presented would permit self-expression and include personal experience in creating art. His ideas on Art were published in the 1899 book Composition: A Series of Exercises in Art Structure for the Use of Students and Teachers. The following extracts are from the prefatory chapter "Beginnings" to the second edition of this book (1912) : " Composition ... expresses the idea upon which the method here presented is founded - the "putting together" of lines, masses and colors to make a harmony. ... Composition, building up of harmony, is the fundamental process in all the fine arts. ... A natural method is of exercises in progressive order, first building up very simple harmonies ... Such a method of study includes all kinds of drawing, design and painting. It offers a means of training for the creative artist, the teacher or one who studies art for the sake of culture."

THE STROMBOLI PAINTED BY LUIGI MAYER

LUIGI MAYER (1755-1803) 

Stromboli volcano  (924 m -3,031 ft)

Italy (Island of Stromboli) 

In Island of Stromboli, New York Public Library 

The mountain 

Stromboli  is a small island in the Tyrrhenian Sea, off the north coast of Sicily, containing one of the three active volcanoes  (924 m -3,031 ft) in Italy. It is one of the eight Aeolian Islands, a volcanic arc north of Sicily. This name is derived from the Ancient Greek name Strongulē which was given to it because of its round swelling form. The island's population is about 500. The volcano has erupted many times and is constantly active with minor eruptions, often visible from many points on the island and from the surrounding sea, giving rise to the island's nickname "Lighthouse of the Mediterranean". The most recent major eruption was on 13 April 2009. Stromboli stands 926 m (3,034 ft) above sea level, and over 2,700 m (8,860 ft) on average above the sea floor.  There are three active craters at the peak. A significant geological feature of the volcano is the Sciara del Fuoco ("Stream of fire"), a big horseshoe-shaped depression generated in the last 13,000 years by several collapses on the northwestern side of the cone. Two kilometers to the northeast lies Strombolicchio, the volcanic plug remnant of the original volcano.

Mt. Stromboli has been in almost continuous eruption for the past 2,000 years. A pattern of eruption is maintained in which explosions occur at the summit craters, with mild to moderate eruptions of incandescent volcanic bombs, at intervals ranging from minutes to hours. This Strombolian eruption, as it is known, is also observed at other volcanoes worldwide. Eruptions from the summit craters typically result in a few short, mild, but energetic bursts, ranging up to a few hundred meters in height, containing ash, incandescent lava fragments and stone blocks. Stromboli's activity is almost exclusively explosive, but lava flows do occur at times when volcanic activity is high: an effusive eruption occurred in 2002, the first in 17 years, and again in 2003, 2007, and 2013–14. Volcanic gas emissions from this volcano are measured by a Multi-Component Gas Analyzer System, which detects pre-eruptive degassing of rising magma, improving prediction of volcanic activity.

The artist

Luigi Mayer was an Italian-German artist and one of the earliest and most important late 18th-century European painters of the Ottoman Empire. Mayer was a close friend of Sir Robert Ainslie, 1st Baronet, a British ambassador to Turkey between 1776 and 1792, and the bulk of his paintings and drawings during this period were commissioned by Ainslie.  He travelled extensively through the Ottoman Empire between 1776 and 1794, and became well known for his sketches and paintings of panoramic landscapes of ancient sites from the Balkans to the Greek Islands, Sicily, Turkey and Egypt, particularly ancient monuments and the Nile. Many of the works were amassed in Ainslie's collection, which was later presented to the British Museum, providing a valuable insight into the Middle East of that period.

SAN JACINTO PEAK PAINTED BY JOHN FROST

JOHN FROST (1890-1937)

 San Jacinto Peak  (3,302 m - 10,834 ft) 

 United States of America (California) 

1. In  Mount San Jacinto, Whitewater Wash, 1926, oil on canvas

2. In Mount San Jacinto, 1928, oil on canvas

The mountain

San Jacinto Peak  (3,302 m - 10,834 ft) often designated Mount San Jacinto, is the highest peak of the San Jacinto Mountains, and of Riverside County, California. It lies within Mount San Jacinto State Park. To the Cahuilla Indians, the peak was known as I a kitch (or Aya Kaich), meaning "smooth cliffs." It was the home of Dakush, the meteor and legendary founder of the Cahuilla. Naturalist John Muir wrote of San Jacinto Peak, "The view from San Jacinto is the most sublime spectacle to be found anywhere on this earth!".  From the peak, San Gorgonio Mountain can be seen across the San Gorgonio Pass. Also easily visible below is the Coachella Valley and the Salton Sea. In addition, much of the Inland Empire, including Ontario to the west, can be viewed on a clear day.

San Jacinto Peak is one of the most topographically prominent peaks in the United States. It is ranked sixth among peaks in the 48 contiguous states. Mount San Jacinto is one of the "Four Saints", a name occasionally used to describe the high points of the four mountains over 10,000 feet named for Catholic saints in Southern California: San Jacinto Peak, Mount San Gorgonio (high point of the San Bernardino Mountains), San Bernardino Peak, and Mount San Antonio (high point of the San Gabriel Mountains).

Known for its spectacular north escarpment, the peak rises 10,000 feet (3,000 m) above San Gorgonio Pass. It plays host to the famous Cactus to Clouds Trail.
The first successful ascent of the difficult northeast escarpment was made in 1931 by Floyd Vernoy and Stewart White of Riverside.
Source: 
-Mount San Jacinto State Park  website

The painter

John (Jack) Frost was an American artist who holds a high place in the California school of Impressionism. He was born in Philadelphia, Pennsylvania on May 14, 1890 and his initial art training came from his famous father, Arthur B. Frost who was known as an illustrator.  Later John Frost traveled to France to study at the Academie Julian under Richard Miller and Jean-Paul Laurens. 

For reasons of health, Frost decided to relocate to Pasadena, California in 1918. In California, he became a highly respected artist, his paintings show the influence of his training in French Impressionism. Inspired by his new surroundings, Frost glorified the California landscape with atmospheric and impressionistic renderings of the Sierra Nevada mountains, sunsets, meadows, the small town of Lone Pine, California, shacks in Palm Springs, the arid California desert with pink verbena flowers and the coastal sand dunes near Carmel.

Frost exhibited and sold his paintings at the Stendhal Gallery that was located at the Ambassador Hotel in Los Angeles. He was a member of the California Art Club, Painters and Sculptors of Los Angeles and the Pasadena Society of Fine Arts. He was awarded the Gold Medal at the Painters and Sculptors in 1924. 

His works can be found in the Gardena High School collection, the Irvine Museum collection, Irvine, California and important private collections. John Frost died at the young age of forty-seven in Pasadena.

LES GRANDES JORASSES BY NOEL ROOKE

 NOEL ROOKE (1881-1953) 

 Les Grandes Jorasses ( 4,208m -13, 806 ft) 

 France - Italy border  

 In Les Grandes Jorasses et la Mer de Glace.

The mountain 

The Grandes Jorasses (4,208 m - 13,806 ft) is a mountain in the Mont Blanc massif, on the boundary between Haute-Savoie in France and Aosta Valley in Italy.  Les Grandes Jorasses are, simply speaking, the most strikingly complex and powerful structure of the entire Mont Blanc massif. If Mt. Blanc is the king of the Alps, the Grandes Jorasses complex is truly the queen.
The summits on the mountain (from east to west) are:
- Pointe Walker (4,208 m; 13,806 ft), named after Horace Walker, who made the first ascent of the mountain.
- Pointe Whymper (4,184 m; 13,727 ft), he second-highest summit named after Edward Whymper, who made the first ascent.
- Pointe Croz (4,110 m - 13,484 ft), named after Michel Croz, a guide from Chamonix.
- Pointe Elena (4,045 m -13,271 ft), named after Princess Elena of Savoy.
- Pointe Margherita (4,065 m- 13,337),named after Queen Margherita of Savoy, wife of King Umberto I of Italy
- Pointe Young (3,996 m - 13,110 ft)   named after Geoffrey Winthrop Young.
The first ascent of the highest peak of the mountain (Pointe Walker) was by Horace Walker with guides Melchior Anderegg, Johann Jaun and Julien Grange on 30 June 1868. The second-highest peak on the mountain (Pointe Whymper )was first climbed by Edward Whymper, Christian Almer, Michel Croz and Franz Biner on June 24, 1865, using what has become the normal route of ascent and the one followed by Walker's party in 1868.
North Face
Located on the French side of the mountain, the north face is one of the three great north faces of the Alps, along with the north faces of the Eiger and the Cervin/Matterhorn (known as 'the Trilogy'). One of the most famous walls in the Alps, it towers 1200 m (3,900 ft) above the Leschaux Glacier, stretching 1 km from end to end. The classic route on the face is the Walker Spur (Cassin/Esposito/Tizzoni, 1938, TD+/ED1, IV, 5c/6a, A1, 1200 m) which leads directly to the summit of Pointe Walker. The other major buttress on the mountain is the Croz Spur, which leads to the summit of Pointe Croz. In her solo ascents of the six most difficult north faces of the Alps, Alison Hargreaves chose this route in preference to the Walker Spur.
South face
On the Italian side of the mountain, the south face can be accessed from the Boccalatte cabin, above the hamlet of Planpincieux in the Italian Val Ferret, part of the  municipality.
Summit ridge.
From the Col des Hirondelles, the summit ridge connects Pt. Walker to the other summit points and then descends to the Col des Grandes Jorasses where a bivouac shelter is located - the Bivouac E Canzio hut. The ridge forms the French-Italian border, almost all of which is above 4,000 m -13,000 ft).

The artist 
Noel Rooke  was an English wood engraver and artist. His ideas and teaching made a major contribution to the revival of British wood engraving in the twentieth century. Rooke was born in Acton, in London, where he would remain all of his life. His father was Thomas Matthews Rooke, for many years the studio assistant of Edward Burne-Jones, and an accomplished artist in his own right. He completed his education at the Slade and the Central School of Arts and Crafts.
In 1920 Rooke helped to found the Society of Wood Engravers and exhibited with the society from 1920-1933. In the same year he became an associate of the Royal Society of Painter-Etchers and Engravers. As a result of his teaching, his own production was comparatively small - wood engraved, line drawn and watercolour illustrations, individual prints, posters and paintings, many of which reflect his passion for mountains. He described himself as one who draws mountains and also climbs them.  Margaret Pilkington remembers classes where Rooke dwelt on the dramatic contrasts of dark rock and snow covered sunlit slopes, on the angularity of line and on the possibilities of abstraction presented by such scenes.
He produced colour plates for two books by Robert Louis Stevenson - An Inland Voyage (1908) and Travels with a Donkey in the Cevennes (1909) - and a King Penguin book on Flowers of Marsh and Stream (1946).  The final judgement on Rooke as a wood engraver goes to Douglas Percy Bliss, who wrote of Vivien Gribble and Rooke: If their work had more verve and vitality they would be among the best book -decorators of our time.

CERRO TORRE BY JÜRGEN STÄUDTNER

JÜRGEN STÄUDTNER 

Cerro Torre (3,128 m - 10,262 ft) 

Argentina, Chile border

The mountain 

Cerro Torre  (3,128 m - 10,262 ft) is one of the mountains of the Southern Patagonian Ice Field in South America. It is located in the border between Argentina and Chile, west of Cerro Chalten /Fitz Roy. The peak is the highest in a four mountain chain: the other peaks are Torre Egger (2,685 m), Punta Herron, and Cerro Standhardt. The top of the mountain often has a mushroom of rime ice, formed by the constant strong winds, increasing the difficulty of reaching the actual summit.
Cesare Maestri claimed in 1959 that he and Toni Egger had reached the summit and that Egger had been swept to his death by an avalanche while they were descending. Maestri declared that Egger had the camera with the pictures of the summit, but this camera was never found. Inconsistencies in Maestri's account, and the lack of bolts, pitons or fixed ropes on the route, have led most mountaineers to doubt Maestri's claim.
 In 2005, Ermanno Salvaterra, Rolando Garibotti and Alessandro Beltrami, after many attempts by world-class alpinists, put up a confirmed route on the face that Maestri claimed to have climbed. They did not find any evidence of previous climbing on the route described by Maestri and found the route significantly different from Maestri's description. In 2015 Rolando Garibotti published evidence that the information provided by Maestri do not agree with respect to the alleged summit ascent. Instead he and Egger were on the western flank of Perfil de Indio.
Maestri went back to Cerro Torre in 1970 with Ezio Alimonta, Daniele Angeli, Claudio Baldessarri, Carlo Claus and Pietro Vidi, trying a new route on the southeast face. With the aid of a gas-powered compressor drill, Maestri equipped 350 m of rock with bolts and got to the end of the rocky part of the mountain, just below the ice mushroom. Maestri claimed that "the mushroom is not part of the mountain" and did not continue to the summit. The compressor was left, tied to the last bolts, 100 m below the top. Maestri was heavily criticised for the "unfair" methods he used to climb the mountain.
The route Maestri followed is now known as the Compressor route and was climbed to the summit in 1979 by Jim Bridwell and Steve Brewer.  Most parties consider the ascent complete only if they summit the often-difficult ice-rime mushroom.
The first undisputed ascent was made in 1974 by the "Ragni di Lecco" climbers Daniele Chiappa, Mario Conti, Casimiro Ferrari, and Pino Negri.

The painter 

Today, the artist Juergen Staeudtner lives and works in Haan close to Duesseldorf, Germany. he studied fine arts from 2003 through 2008 at free academy of fine arts in Essen, Germany. He had intensive discussions with Bernard Lokai, Thomas Zika, Wolfgang Hambrecht, Michael Seeling und Danica Dakic). Jürgen Stäudtner graduated as Master Scholar of Bernard Lokai, Thomas Zika and Stefan Schneider in 2008. He started painting abstract subjects as a teenager with acryl on paper.
Also interested in technical and business matters Jürgen Stäudtner started studying after civil service in Munich, Dublin, Madrid and Hagen and graduated as a Master of Mechanical Engineering and a Master of Business Administration. Since 1993 Jürgen Stäudtner worked for renowned management consulting firms and growing companies in the telecommunication and internet industry. In 1999 Jürgen Stäudtner founded Cridon and since 2005 his professional time is focused on this firm.
Jürgen Stäudtner travelled a lot in Europe, Asia and America. Also he is doing sports, among this marathon running, mountain climbing and 600 skydives.
Source:
- Juergen Staeudtner website

MOUNT ATHOS (4 VIEWS) BY EDWARD LEAR

 EDWARD LEAR (1812-1888) 

Mount Athos (2,033  m - 6,670 ft )

Greece

1. In view of Mount Athos in a distance, 1848, oil

2.  In The Monastery of Stavroniketes, Mount Athos, 1861, oil

3.  In A distant view of Mount Athos, 1856, watercolor,
4.  In  The Monastery of Xenophontos, Mount Athos, 1856, watercolor 

The mountain 

Mount Athos (2,033  m - 6,670 ft ) is a mountain and a peninsula in northeastern Greece and an important centre of Eastern Orthodox monasticism. It is governed as an autonomous polity within the Greek Republic under the official name Autonomous Monastic State of the Holy Mountain (Greek: Αὐτόνομη Μοναστικὴ Πολιτεία Ἁγίου Ὄρους). Mount Athos is home to 20 monasteries under the direct jurisdiction of the Ecumenical Patriarch of Constantinople.)
Mount Athos is commonly referred to in Greek as the "Holy Mountain" ( Ἅγιον Ὄρος) and the entity as the "Athonite State" (Αθωνική Πολιτεία). Other languages of orthodox tradition also use names translating to "Holy Mountain" (e.g. Bulgarian and Serbian, Russian, Georgian). In the classical era, while the mountain was called Athos, the peninsula was known as Akté (Ἀκτή).
Mount Athos has been inhabited since ancient times and is known for its nearly 1,800-year continuous Christian presence and its long historical monastic traditions, which date back to at least 800 A.D. and the Byzantine era. Today, over 2,000 monks from Greece and many other countries, including Eastern Orthodox countries such as Romania, Moldova, Georgia, Bulgaria, Serbia and Russia, live an ascetic life in Athos, isolated from the rest of the world. The Athonite monasteries feature a rich collection of well-preserved artifacts, rare books, ancient documents, and artworks of immense historical value, and Mount Athos has been listed as a World Heritage Site since 1988.
Although Mount Athos is technically part of the European Union like the rest of Greece, the status of the Monastic State of the Holy Mountain, and the jurisdiction of the Athonite institutions, were expressly described and ratified upon admission of Greece to the European Community. The free movement of people and goods in its territory is prohibited, unless formal permission is granted by the Monastic State's authorities, and only males are allowed to enter.

The painter 
Edward Lear was an English artist, illustrator, musician, author and poet, and is known now mostly for his literary nonsense in poetry and prose and especially his limericks, a form he popularised. His principal areas of work as an artist were threefold: as a draughtsman employed to illustrate birds and animals; making coloured drawings during his journeys, which he reworked later, sometimes as plates for his travel books; as a illustrator of Alfred Tennyson's poems. As an author, he is known principally for his popular nonsense collections of poems, songs, short stories, botanical drawings, recipes, and alphabets. He also composed and published twelve musical settings of Tennyson's poetry.
Lear was already drawing "for bread and cheese" by the time he was aged 16. (...)

Complete biography and others mountain paintings by Edward Lear already published in this blog 

MOUNT SNOWDON BY SIDNEY RICHARD PERCY

SIDNEY RICHARD PERCY (1821-1886)

Mount Snowdon (1, 085 m -3,560 ft) 

United Kingdom (Wales)

In View of Mount Snowdon In Snowdania, 1853 - Tate

The mountain 
Mount Snowdon (1, 085 m -3,560 ft),Yr Wyddfa in welsh, is the highest mountain in Wales and the highest point in the British Isles south of the Scottish Highlands. A 1682 survey estimated that the summit of Snowdon was at a height of 1,130 m - 3,720 feet ; in 1773, Thomas Pennant quoted a later estimate of 1,088 m- 3,568 ft above sea level at Caernarfon. Recent surveys give the height of the summit as 1,085 m -3,560 ft. The name Snowdon is from the Old English for "snow hill", while the Welsh name – Yr Wyddfa – means "the tumulus" or "the barrow", which may refer to the cairn thrown over the legendary giant Rhitta Gawr after his defeat by King Arthur. As well as other figures from Arthurian legend, the mountain is linked to a legendary Afanc (water monster) and the Tylwyth Teg (fairies). Mount Snowdon is located in Snowdonia National Park (Parc Cenedlaethol Eryri) in Gwynedd. It has been described as "probably the busiest mountain in Britain", with approximately 444,000 people having walked up the mountain in 2016.  It is designated as a national nature reserve for its rare flora and fauna. The rocks that form Snowdon were produced by volcanoes in the Ordovician period, and the massif has been extensively sculpted by glaciation, forming the pyramidal peak of Snowdon and the Arêtes of Crib Goch and Y Lliwedd. The cliff faces on Snowdon, including Clogwyn Du'r Arddu, are significant for rock climbing, and the mountain was used by Edmund Hillary in training for the 1953 ascent of Mount Everest.
The summit can be reached by a number of well-known paths, and by the Snowdon Mountain Railway, a rack and pinion railway opened in 1896 which carries passengers the 4.7 miles (7.6 km) from Llanberis to the summit station.

The painter 
Sidney Richard Percy had his greatest success painting landscapes of grazing cattle, typically set against backgrounds of distant mountains and cloudy skies. The prevailing hues of his landscapes are earth tones and soft greens, accentuated by a variety of pastel hues. The detail in his work is part of its appeal, and "it was remarked that his rocks and stones were sufficiently accurate to have served as illustrations to the writings of Sir Roderick Murchison, the popular 19th-century geologist." Llyn-y-Ddinas, North Wales, one of his more popular works on the internet, displays these qualities. He also painted landscapes of farm fields, wheel-rutted country roads, and the occasional boat scene on a lake. Although he generally painted in oils, a number of small watercolors on cardboard exist, typically unsigned, that are his work. The family, and his son the painter Herbert Sidney Percy in particular, referred to these as "potboilers", meaning that they were quickly, and often crudely executed, yet easily and cheaply sold "to put food on the table" when working on larger, more time-consuming oils for exhibition, or commissions. Many of these watercolor "potboilers" were done in the field, and then brought back to the studio to refer to when executing a more formal oil on canvas.
Sidney Richard Percy was extremely popular during the early part of his career, which for a short time brought him a fair amount of income. Among his patrons during this time was Prince Albert the Royal consort who in 1854 gave Percy's landscape of A view of Llyn Dulyn, North Wales, which had just been exhibited at the Royal Academy, as a gift to his wife Queen Victoria. This painting still hangs today in the Royal Collection. Unfortunately Sidney Richard Percy outlived his popularity, and the art world was more excited about impressionism and other styles than landscapes when he died. Today though, his work is much sought after, and his better paintings bring much higher prices in auction than any of those of his brethren in the Williams family.
When the Athenaeum in 1886 (i. 592) ran an obituary for Sidney Richard Percy they called him, "the well-known and popular painter, founder of the so-called School of Barnes . . ." Although depending on the context of what is meant by the so-called Barnes School, this is a bit of an injustice to his father Edward Williams, whom it might be argued is the founder of the Barnes School of painters, but it illustrates the popularity that Sidney Richard Percy held with the art-buying public of his day.

LYSKAMM PAINTED BY BLANCHE BERTHOUD

BLANCHE BERTHOUD (1864 -1938)

Lyskamm or Silberbast (4,527 m - 14,852 ft)

Switzerland - Italy border 

In blick auf den Liskamm, 1900

The mountain 
Lyskamm (4,527 m - 14,852 ft) which means literally "comb of the Lys", also known as Silberbast (literally "silver bast"), is a mountain in the Pennine Alps lying on the border between Switzerland and Italy. It consists of a five-kilometre-long ridge with two distinct peaks. The mountain has gained a reputation for seriousness because of the many cornices lying on the ridge and the frequent avalanches, thus leading to its nickname the Menschenfresser ("people eater"). Because of its modest prominence (376 m), Liskamm is sometimes considered to be part of the extended Monte Rosa group (in fact the Dufourspitze is only 107 metres higher). But visually Liskamm is a huge massif, composed of two summits: the Eastern Liskamm and the lower Western Liskamm, separated by a 1 kilometre (0.62 mi) long ridge, both lying on the border between the Swiss canton of Valais (north) and the Italian region of the Aosta Valley (south). The northern side of the mountain is an impressive 1,100 metres (3,600 ft) ice-covered wall, rising up from the Grenzgletscher. The gentler southern side rises only a few hundred metres above the glacier of the same name: Lysgletscher.

The painter 
Blanche Berthoud was a Swiss painter from the region of Neufchatel (Switzerland) who was very active throughout the first half of the 20th century. She was part of the Société romande des femmes peintres  (Romande Society of Women Painter) founded  by the painter Jeanne Lombard (1865-1945) who defended very fiercely mountain women painters, a world often reserved for men. She made several paintings and watercolors of the Breithorn, one of which was acquired by the Museum of Art and History of Neufchatel

2017 - Wandering Vertexes...
by Francis Rousseau 

BOGDA FENG BY NASA LANDSAT 8 MISSION

NASA LANDSAT 8 MISSION (1999-2017)

Bogda Peak (5,445 m -17,864 ft)

China

 Photographed from space on July 11, 2016

The mountain 

Bogda Peak (5,445 m -17,864 ft) or Bogda Feng  (博格达峰) sometimes referred to as Mount Bogda, is the highest mountain in the Bogda Shan range, in the eastern Tian Shan mountains, China.

Bogda Peak is a challenging climb due to its steep relief. Its sides slope at angles of between 70° and 80°. It was first climbed in 1981 by an 11-person team from Kyoto, Japan.

The Bogda Shan ( 博格达山 ) range is part of the eastern Tian Shan mountains, and located in Xinjiang. Administratively, the range forms the border between Dabancheng District to the south and Fukang City and Jimsar County to the north. In all three units, irrigated agriculture is based on the water flowing in streams that starts in the Bogda Shan.

The photo 

Launched on February 11, 2013, Landsat 8 (formerly the Landsat Data Continuity Mission, LDCM) is the future of Landsat satellites. It is collecting valuable data and imagery to be used in agriculture, education, business, science, and government. The Landsat Program provides repetitive acquisition of high resolution multispectral data of the Earth’s surface on a global basis. The data from Landsat spacecraft constitute the longest record of the Earth’s continental surfaces as seen from space. It is a record unmatched in quality, detail, coverage, and value.

MOUNT ARBEL BY THOMAS KINKADE

THOMAS KINKADE (bn. 1958)

Mount Arbel or Har Arbel  (380 m - 1, 250ft)

Israel 

Painted in 2006 

The mountain 
Mount Arbel  (380 m- 1,250 ft)  in Hebrew הר ארבל‎‎, is a mountain in The Lower Galilee near Tiberias in Israel, with high cliffs, views of Mount Hermon in the Golan Heights, trails to a cave-fortress, and ruins of an ancient synagogue. Mt. Arbel sits across from Mount Nitai; their cliffs were created as a result of the Jordan Rift Valley and the geological faults that produced the valleys.
There are four villages on the mountain: Kfar Zeitim, Arbel, Kfar Hittim, and Mitzpa. The peak, at 181 metres above sea level (380 m above the surrounding area), dominates the surroundings (much of the area is below sea level) and from the lookout atop the mountain, almost all of the Galilee into the Golan Heights including Safed, Tiberias and most of the Sea of Galilee, is visible.
The area was declared a nature reserve in 1967, covering 1400 dunams. The national park (8509 dunams) includes most of Nahal Arbel, that begins near Eilabun and empties into the Sea of Galilee near Migdal. The reserve covers the immediate area around the cliff.
On the south side of the cliff, there is a gradual prolonged climb through agricultural and pasture land and from the peak there is a steep 400 meters drop. From here there are metal handholds driven into the rock to aid those who want to make the climb down to the valley below. Below that are a series of switchbacks that eventually lead to the Bedouin village of Hamaam.
Mt. Arbel, with its 110-metre vertical drop, is the only known mountain in Israel to serve as a base jumping site. A hike to the top of Mount Arbel from the south is included in the Israel National Trail, and an approach from the west is part of the Jesus Trail; the trails converge temporarily at the peak.

The painter 
Thomas Kindade is a american painter born in 1958 in California.
For more about his biography, click his official website 

MOUNT MONADNOCK BY ABBOTT HANDERSON THAYER

ABBOTT HANDERSON THAYER (1849 -1921)

Monadnock  mountain  (965m - 3, 125ft) 

United States of America  (New Hampshire)  

1. In Mount Monadnock- Winter Sunrise, 1919

2.  In Mount Monadnock- Winter , 1904

The mountain 
Mount Monadnock (965m - 3, 125ft)  or Grand Monadnock is a mountain in the New England state of New Hampshire. It is the most prominent mountain peak in southern New Hampshire and is the highest point in Cheshire County, New Hampshire. It has long been known as one of the most frequently climbed mountains in the world. The word "monadnock" is an Abenaki-derived word used to describe a mountain. Loosely translated it means "mountain that stands alone", although the exact meaning of the word (what kind of mountain) is uncertain. The term was adopted by early settlers of southern New Hampshire and later by American geologists as an alternative term for an Inselberg or isolated mountain. Mount Monadnock is often called Grand Monadnock, to differentiate it from other Vermont and New Hampshire peaks with "Monadnock" in their names. Its official name on federal maps is "Monadnock Mountain".
Both Ralph Waldo Emerson and Henry David Thoreau visited the mountain and wrote fondly of it. Emerson was a frequent visitor, and made the mountain the subject of "Monadnoc", one of his most famous poems. Thoreau visited the mountain four times between 1844 and 1860 and spent a great deal of time observing and cataloging natural phenomena. He is regarded as having written one of the first serious naturalist inventories of the mountain. A bog near the summit of Mount Monadnock and a rocky lookout off the Cliff Walk trail are named after him; another lookout is named after Emerson.
Mount Monadnock is nearly 1,000 feet (300 m) higher than any other mountain peak within 30 miles (48 km) and rises 2,000 feet (610 m) above the surrounding landscape. Mount Monadnock, 62 miles (100 km) northwest of Boston and 38 miles (61 km) southwest of Concord, is located within the towns of Jaffrey and Dublin, New Hampshire.
Monadnock's bare, isolated, and rocky summit provides expansive views. A number of hiking trails ascend the mountain, including the 110-mile (180 km) Metacomet-Monadnock Trail and the 50-mile (80 km) Monadnock-Sunapee Greenway.
The earliest recorded ascent of Mount Monadnock took place in 1725 by Captain Samuel Willard and fourteen rangers under his command who camped at the top and used the summit as a lookout while patrolling for Native Americans. Before the practice came to be frowned upon, many early hikers carved their names in the summit; the earliest such engraving reads "S. Dakin, 1801" and is attributed to a local town clerk. Notable "power hiking" records associated with the mountain include that of Garry Harrington, who hiked to the summit 16 times in a 24-hour period, and Larry Davis, who claimed to have hiked to the summit daily for 2,850 consecutive days (7.8 years).
Monadnock is often claimed to be the second-most frequently climbed mountain in the world, after Mount Fuji in Japan. Monadnock is climbed by 125,000 hikers yearly, while Mount Fuji sees 200,000-300,000 hikers yearly.  However, according to UNESCO, neither mountain comes close in climbing popularity to Tai Shan in China, with more than 2 million visitors a year.

The painter 
Abbott Handerson Thayer was an American artist, naturalist and teacher. As a painter of portraits, figures, animals and landscapes, he enjoyed a certain prominence during his lifetime, and his paintings are represented in the major American art collections. He is perhaps best known for his 'angel' paintings, some of which use his children as models.
During the last third of his life, he worked together with his son, Gerald Handerson Thayer, on a major book about protective coloration in nature, titled Concealing-Coloration in the Animal Kingdom. First published by Macmillan in 1909, then reissued in 1918, it may have had an effect on military camouflage during World War I. However it was roundly mocked by Theodore Roosevelt and others for its assumption that all animal coloration is cryptic. Thayer also influenced American art through his efforts as a teacher, training apprentices in his New Hampshire studio.
Thayer is sometimes referred to as the "father of camouflage". While he did not invent camouflage, he was one of the first to write about disruptive patterning to break up an object's outlines, about masquerade, as when a butterfly mimics a leaf (though here he was anticipated by Bates, Wallace, and Poulton), and especially about countershading.