MOUNT TUTOKO PAINTED BY LAURENCE WILLIAM WILSON

LAURENCE WILLIAM  WILSON  (1851-1912)

Mount Tutoko  (2,723 m -8,934 ft) 

New Zealand (South Island)

 In  Mount Tutoko from Pykes River, Martins Bay Oil on canvas, 1900, Private collection 

The mountain
Mount Tutoko (2,723 m -8,934 ft)  is the highest peak in Fiordland National Park, in southwest New Zealand. It lies between the Hollyford Valley and Milford Sound, 15 kilometres due north of the Homer Tunnel at the northern end of the Darran Mountains. The glacier-covered mountain is visible from the Hollyford Track. Two slightly lower summits lie just to the south of the main peak. The first ascent of Tutoko was by Samuel Turner and Peter Graham in 1924, climbing by way of the northwest ridge. The mountain is thought to have been named after Tutoko, a Māori chief who lived at Martin's Bay, close to the mouth of the Hollyford River.

The painter
Laurence William Wilson emigrated to Auckland in 1877 and then travelled extensively to settle in Dunedin in 1884. He painted in both oils and watercolours, became a painting companion of George O'Brien and a teacher. One of his pupils was the Dunedin artist Alfred O'Keefe. In 1895, LW Wilson together with Grace Joel, Alfred O'Keefe, Jane Wimperis and Girolami Nerli formed the Easel Club , a breakaway from the Dunedin Establishment, which offered a programme of special classes and the introduction of a professional lady model for life drawing. In 1904 LW Wilson left Dunedin for Melbourne where he spent 5 months on a commissioned painting of the city before he set out for England, eventually returning to New Zealand via India and Africa. He exhibited with the Canterbury Society of Arts in 1882 and the Otago Art Society between 1994 and 1904. His work was included in the NZ and South Seas Exhibition Dunedin 1889-90 and at the St Louis Exposition in 1904. LW Wilson is represented in the collections of all the major public galleries in New Zealand.

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2020 - Wandering Vertexes...
by Francis Rousseau

CERRO TORRE (3) PAINTED BY JAMES HART DYKE

 

JAMES HART DYKE (bn.1966)

Cerro Torre (3,128 m - 10,262 ft)

Argentina, Chile border

In Cerro Torre, 2018, oil on canvas, Courtesy John Mitchell Gallery London

The mountain
Cerro Torre (3,128 m - 10,262 ft) is one of the mountains of the Southern Patagonian Ice Field in South America. It is located in the border between Argentina and Chile, west of Cerro Chalten /Fitz Roy. The peak is the highest in a four mountain chain: the other peaks are Torre Egger (2,685 m), Punta Herron, and Cerro Standhardt. The top of the mountain often has a mushroom of rime ice, formed by the constant strong winds, increasing the difficulty of reaching the actual summit.
Cesare Maestri claimed in 1959 that he and Toni Egger had reached the summit and that Egger had been swept to his death by an avalanche while they were descending. Maestri declared that Egger had the camera with the pictures of the summit, but this camera was never found. Inconsistencies in Maestri's account, and the lack of bolts, pitons or fixed ropes on the route, have led most mountaineers to doubt Maestri's claim.
More about the mountain =>

The painter
James Hart Dyke’s work is centred on landscape painting, from the domesticity of paintings of country houses to paintings generated from physically demanding expeditions over remote mountains. James has also undertaken a series of projects including accompanying HRH The Prince of Wales as the official artist on royal tours, working as ‘artist in residence’ for The British Secret Intelligence Service, working as an artist embedded with the British Forces in war zones, working for the producers of the James Bond films and working as ‘artist in residence’ for Aston Martin. These projects required him to respond in many different ways and have allowed him to experiment with more graphic forms of painting influenced by his studies as an architect at the Royal College of Art. His portraits have been shown at the National Portrait Gallery and at the Royal Society of Portrait Painters exhibitions.

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2020 - Wandering Vertexes
Un blog de Francis Rousseau

CHOGOLISA PAINTED BY NICHOLAS ROERICH

 

NICHOLAS ROERICH (1874-1947)

Chogolisa (7,668 m - 25,157 ft).
Pakistan

In  Himalaya, 1934.  Papier, tempera, crayon. 25,3 x 36,5  Nicholas Rœrich Museum 

The mountain
Chogolisa (7,668 m- 25,157 ft). also called Bride Peak is a mountain in the Karakoram region of Pakistan. It lies near the Baltoro Glacier in the Concordia region which is home to some of the highest peaks of the world. Chogolisa has several peaks, the highest on the SW face is Chogolisa I (7,668 m- 25,157 ft). The second highest at 7,654 metres on the NE side is Chogolisa II, once named Bride Peak by Martin Conway in 1892.
In 1909, a expedition led by Duke of the Abruzzi reached 7,498 m (24,600 ft) from a base camp located on the northern side and a high camp on the Chogolisa saddle at 6,335m (photo above). Bad weather stopped the team from ascending further, but their climb established a world altitude record.
Hermann Buhl and Kurt Diemberger attempted Chogolisa in 1957 after they had successfully summitted Broad Peak behind Marcus Schmuck and Fritz Wintersteller a few weeks earlier. On June 25 they left camp I and camped in a saddle at 6,706m on the SE ridge. On June 27 a sudden snow storm forced them to retreat and on the descent, Buhl broke off a big cornice and fell into the mountain's near vertical north face. His body has never been found.
In 1958, a Japanese expedition from Kyoto University led by Takeo Kuwabara made the first ascent of Chogolisa II, placing M. Fujihira and K. Hirai on top.
The first ascent of Chogolisa I was made on August 2, 1975 by Fred Pressl and Gustav Ammerer of an Austrian expedition led by Eduard Koblmueller. Koblmueller almost suffered the same fate as Buhl, as he also fell through a cornice on the ascent; fortunately, he was roped and team members were able to pull him to safety.

The painter
Nicholas Roerich known also as Nikolai Konstantinovich Rerikh (Никола́й Константи́нович Ре́рих) is quite an important figure of mountain paintings in the early 20th century. He was a Russian painter, writer, archaeologist, theosophist, perceived by some in Russia as an enlightener, philosopher, and public figure. In his youth was he was quite influenced by a movement in Russian society around the occult and was interested in hypnosis and other spiritual practices. His paintings are said to have hypnotic expression.
More about the painter =>


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2020 - Wandering Vertexes...
by Francis Rousseau

THE AIGUILLE VERTE ( 2) BY JACQUES FOURCY

 

JACQUES FOURCY (1906-1990)
Aiguille Verte (4,122m - 13,525 ft)
France (Haute-Savoie)

In The Aiguille Verte from Chamonix, oil on canvas

The mountain
The Aiguille verte (4122 - 13,525 ft) ( The Green Needle) is a summit of the Mont-Blanc massif in Haute-Savoie,. It is one of 82 summits over 4,000 meters identified in the Alps. This vast mountain, difficult to access and long undefeated, is articulated on three slopes:
- the southern slope, where its normal ascent route develops, the Whymper corridor. Access is by the refuge of the cover (2,867 meters). The descent by this route is perilous and supposes to keep a tight schedule (go down before the corridor is too exposed to the sun) and excellent snow and ice conditions; a recently installed abseiling line currently allows for a less risky descent;
- the Nant-Blanc slope, which overlooks the Chamonix valley;
- the north side or Argentière side, where we notice in particular the Couturier corridor, a long snow and ice slide more than a thousand meters high.
Below and between these two slopes is the Grands-Montets ski resort.
None of the routes to the summit are easy

The painter
Jacques Fourcy was a French painter, member of the Société des peintres de montagnes.
Born in Paris, he studied engineering at Ecole Centrale Paris and then joined the railways firm Compagnie des Chemins de Fer de Paris à Lyon et à la Méditerranée (PLM), then the Société Nationale des Chemins de Fer. A prisoner of war for five years, he was repatriated as a result of the loss of one eye; he later receives the Croix de Guerre 1939-1945.
His training seems to be that of an self taught one. He began to paint very early, especially watercolors at first. He paints in his spare time and after his retirement. He joined the Société des peintres de montagnes in 1925 and exhibited at the Salon of French artists from 1926. Well known for his particularly lively and colorful watercolors, he also devoted himself, especially after the Second World War, to the oil painting most often done on panels (Isorel). He especially painted the high mountains; his works represent in particular the great peaks of the Chamonix Valley and Oisans but also the summits of the Swiss Alps. The Museum of Chamonix exhibits several of his works.

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2020 - Wandering Vertexes...
by Francis Rousseau

THE JUNGFRAU MASSIF PAINTED BY ALEXANDRE CALAME

 

ALEXANDRE CALAME (1810-1864)

The Jungfrau (4,158 m - 13,642 ft)

Switzerland (Valais)

In The Jungfrau Massif and Lauterbrunnen Valley, Bernese Oberland, Switzerland oil on canvas, 50 x 63 cm, John Mitchell gallery, London 

The mountain
The Jungfrau (4,158 m - 13,642 ft) ("The virgin" in german) is one of the main summits of the Bernese Alps, located between the northern canton of Bern and the southern canton of Valais, halfway between Interlaken and Fiesch. Together with the Eiger and Mönch, the Jungfrau forms a massive wall overlooking the Bernese Oberland and the Swiss Plateau, one of the most distinctive sights of the Swiss Alps. It is one of the most represented by artists summits with the Matterhorn and the Mont Blanc. The summit was first reached on August 3, 1811 by the Meyer brothers of Aarau and two chamois hunters from Valais. The ascent followed a long expedition over the glaciers and high passes of the Bernese Alps. It was not until 1865 that a more direct route on the northern side was opened. The construction of the Jungfrau railway in the early 20th century, which connects Kleine Scheidegg to the Jungfraujoch, the saddle between the Mönch and the Jungfrau, made the area one of the most-visited places in the Alps. Along with the Aletsch Glacier to the south, the Jungfrau is part of the Jungfrau-Aletsch area, which was declared a World Heritage Site in 2001.
Politically, the Jungfrau is split between the municipalities of Lauterbrunnen (Bern) and Fieschertal (Valais). It is the third-highest mountain of the Bernese Alps after the nearby Finsteraarhorn and Aletschhorn, respectively 12 and 8 km away. But from Lake Thun, and the greater part of the canton of Bern, it is the most conspicuous and the nearest of the Bernese Oberland peaks; with a height difference of 3,600 m between the summit and the town of Interlaken. This, and the extreme steepness of the north face, secured for it an early reputation for inaccessibility.
The landscapes around the Jungfrau are extremely contrasted. Instead of the vertiginous precipices of the north-west, the south-east side emerges from the upper snows of the Aletsch Glacier at around 3,500 metres. The 20 km long valley of Aletsch on the south-east is completely uninhabited and also surrounded by other similar glacier valleys. The whole area constitutes the largest glaciated area in the Alps as well as in Europe.

The painter
Alexandre Calame was a Swiss painter. He was the son of a skillful marble worker in Vevey. His father lost the family fortune, and Alexandre Calame was forced to work in a bank at the age of 15. When his father fell from a building and then died, the young Calame provided for his mother.
In his spare time he began to practice drawing small views of Switzerland. In 1829 he met his patron, the banker Diodati, who made it possible for him to study under landscape painter François Diday. After a few months he decided to devote himself fully to art.
In 1835, he began exhibiting his Swiss-Alps and forest paintings in Paris and Berlin. He became quite well known, especially in Germany, although Calame was more a drawer than an illustrator. He is associated with the Dusseldorf school of painting. In 1842 he went to Paris and displayed his works Mont Blanc, the Jungfrau, the Brienzersee, the Monte Rosa and Mont Cervin. He taught in Geneva, where Adolf Mosengel was one of his pupils.
He went to Italy in 1844 and brought back from Rome and Naples countless paintings, among them one of the ruins of Paestum (in the city museum in Leipzig). He showed that he was capable of understanding Italian nature; but the Alps remained his speciality.
The glaciers, emerald-green, white foaming mountain water, which split the trees during the storm, and the whipped clouds, the multi-colored rocks, half masked from fog, in the rays of the gleaming sun, are those things, which he knew to be true to nature.
One of his most ingenious works is the representation of the four seasons and times of the day in four landscapes, a spring morning in the south, a summer midday in the Nordic flatlands, an Autumn evening, and a winter night on a mountain. He became popular with these large works, and his popularity grew with smaller pieces and lithographies, namely 18 studies of Lauterbrunnen and Meiringen and the 24 sheets of Alpine passes. These were widespread in France, England, and Germany and are still today used to teach this style of painting.
He died in Menton, France in 1864. An exhibition featuring more than thirty of Calame's paintings was held at the Sterling and Francine Clark Art Institute in Williamstown, Massachusetts in 2006.

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2020 - Wandering Vertexes...
by Francis Rousseau

 

 

 

CERRO EL AVILA PAINTED BY FRITZ MELBYE

 

 FRITZ MELBYE (1826-1896)  

Cerro El Avila / Pico Naiguatá (2,765m - 9,072ft)

Venezuela

 In Vista de Caracas y del Cerro El Avila, oil on canvas

 The mountain
 Pico Naiguatá (2,765m - 9,072ft) is the summit of a mountain called Cerro el Avila in South America near Caracas, Venezuela, part of the Venezuelan Coastal Range, of which it is the highest peak. It is situated on the border of the Venezuelan states Miranda and Vargas. It is the highest point in both of these states and the fourth highest of the Caribbean after Pico Simón Bolivar and Pico Cristóbal Colón of The Santa Marta Coastal range in Colombia and Pico Duarte in the Dominican Republic.
The El Ávila National Park (or Waraira Repano, from an indigenous name for the area) protects part of the Cordillera de la Costa Central mountain range, in the coastal region of central-northern Venezuela. El Ávila National Park is located along the central section of the Cordillera de la Costa mountain system, in the Cordillera de la Costa Central mountain range. El Ávila was declared a park in 1958, fulfilling an interest in its protection that had been prevalent since the 19th century. With its creation came the protection of the forested mountains that surround Caracas, the capital of Venezuela. These mountains now serve as both a recreational area and as a buffer to pollution and urban expansion. El Ávila has always been an important resource for the inhabitants of Caracas, who have used the area for a variety of activities, some of which have threatened its conservation.

The painter 

Fritz Sigfred Georg Melbye  was a Danish marine painter, the brother of Anton Melbye and Vilhelm Melbye who were also marine painters. He traveled widely, painting seascapes, coastal and harbour scenes as well as some landscapes in Europe, the Caribbean, Venezuela, North America and Asia.

In 1849, he set off for the Danish West Indies, settling on Saint Thomas. There he met the young Camille Pissarro whom he inspired to take up painting as a full-time profession. Pissarro became his pupil as well as close friend.

In April 1852, Melbye was on Saint Croix, preparing a trip to Venezuela. Pissarro decided to join him and they spent two years together in Caracas and the harbour city of La Guaira before Pissarro returned to Saint Thomas. Melbye stayed until 1856 and then briefly returned to Europe, living some time in Paris, before traveling to North America where he set up a studio in New York City.

He continued to travel widely, mainly to the Caribbean but also north to Newfoundland. A close friend in New York and frequent travelling companion on his Caribbean travels was the famous American landscape painter Frederick Church who also had a studio in New York.

In 1866, Melbye set off on a journey to the Far East in search of new adventures, leaving his studio in Church's care. In Asia he used Peking as a base for travels around the region which also took him to Japan. He died in Shanghai three years later.

Fritz Melbye initially painted seascapes in the family tradition his brother had taught him, but he increasingly turned to landscapes, coastal and town views with mountains. He preferred a realistic style, often with romantic scenes. He exhibited at Charlottenborg in Copenhagen from 1849-1858.

In Peking he was commissioned to paint the Imperial Summer Palace and during his years in America he exhibited at the Pennsylvania Academy of Fine Art.

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Wandering Vertexes 2020
A blog by Francis Rousseau 

THE SCHÖNBERG PAINTED BY FERDINAND GEORG WALDMÜLLER

 

FERDINAND GEORG WALDMÜLLER (1793-1865)

Schönberg (2,104m -6,903 ft)

Lichtenstein 

In The Schönberg seen from the Hoisernradalpe, oil on canvas, Museo Thyssen-Bornemisza, Madrid

The mountain
Schönberg (2,104m -6,903 ft) is a mountain in Liechtenstein in the Rätikon range of the Eastern Alps north-east of the village of Steg. The Rätikon is a mountain range of the Central Eastern Alps, located at the border between Vorarlberg, Liechtenstein and Graubünden. It is the geological border between the Eastern and Western Alps and stretches from the Montafon as far as the Rhine. In the south, the Prättigau is its limit, and in the north, it is the Walgau. In the east, it borders the Silvretta groups. The Rätikon mountain range derives its name from Raetia, a province of the Roman Empire, named after the Rhaetian (Raeti or Rhaeti) people.

The painter
Ferdinand Georg Waldmüller was an Austrian writer and  one of the most important painters of the Biedermeier period. Whether it was the conquest of the landscape and thus the convincing rendering of closeness or distance, the accurate characterisation of the human face, the detailed and refined description of textures, or the depiction of rural everyday life: his works – brilliant, explanatory, moralising, and socially critical – influenced a whole generation of artists. Being an advocate of natural observation and plein air painting, as well as a critic of academic painting, Waldmüller was far ahead of his time.

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Wandering Vertexes 2020
A blog by Francis Rousseau

ELBRUS PAINTED BY VASILY VERESHCHAGIN

 

VASILY VERESHCHAGIN (1842-1904)
Mount Elbrus (5,642 m - 18,510 ft)
Russia

The mountain
Mount Elbrus (Эльбру́с) also called Karachay-Balkar (Минги таy) is the highest mountain in Europe, and the seven highest summit in the world. The seven summit (which are obviously 8, with 2 in Europe !) are : Mount Everest (8,848m), Aconcagua (6,961m), Mt Denali or Mc Kinley (6,194m), Kilimandjaro (5,895m), Mt Elbrus (5,642m), Vinson Massif (4,892m), Mt Blanc (4,807m) and Mount Kosciuszko (2,228m) in Australia.
Mount Elbrus should not be confused with the Alborz (also called Elburz) mountains in Iran, which also derive their name from the legendary mountain Harā Bərəzaitī in Persian mythology.
A dormant volcano, Elbrus forms part of the Caucasus Mountains in Southern Russia, near the border with Georgia. Elbrus has two summits, both of which are dormant volcanic domes. With its slightly taller west summit, the mountain stands at 5,642 metres (18,510 ft); the east summit is 5,621 metres (18,442 ft). The lower east summit was first ascended on 10 July 1829 by Khillar Khachirov, a Karachayguide for an Imperial Russian army scientific expedition led by General Emmanuel, and the higher in 1874 by an British expedition led by F. Crauford Grove and including Frederick Gardner, Horace Walker, and the Swiss guide Peter Knubel of St. Niklaus in the canton Valais.
While there are differing authorities on how the Caucasus are distributed between Europe and Asia, most relevant modern authorities define the continental boundary as the Caucasus watershed, placing Elbrus in Europe due to its position on the north side in Russia.
More about Mount Elbrus

The painter
Vasily Vasilyevich Vereshchagin (Васи́лий Васи́льевич Вереща́гин) transcribed in English as "Basil Verestchagin", was one of the most famous Russian war artists and one of the first Russian artists to be widely recognized abroad. The graphic nature of his realist scenes led many of them to never be printed or exhibited. In 1864 he proceeded to Paris, where he studied under Jean-Léon Gérôme, though he dissented widely from his master's methods. In the Paris Salon of 1866 he exhibited a drawing of Dukhobors chanting their Psalms. In the next year he was invited to accompany General Konstantin Kaufman's expedition to Turkestan. He was an indefatigable traveler, returning to St. Petersburg in late 1868, to Paris in 1869, back to St. Petersburg later in the year, and then back to Turkestan at the end 1869 via Siberia. In 1871, he established an atelier in Munich, and made a solo exhibition of his works at the Crystal Palace in London in 1873.
More about the painter 

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Wandering Vertexes 2020
A blog by Francis Rousseau

BEN VRACKIE BY GEORGE FENNEL ROBSON

 

GEORGE FENNEL ROBSON  (1788-1833) 

Ben Vrackie (841m - 2,759 ft)

United Kingdom  (Scotland)

The mountain
Ben Vrackie (841m - 2759 ft)  is a mountain in Perthshire, Scotland. It lies north of the town of Pitlochry. The summit may be reached easily by a direct path from Pitlochry or Killiecrankie, and commands views of Pitlochry and the surrounding glens.
cotland has approximately 221 hills as of 2018 Scotland is the most mountainous country in the United Kingdom.


The painter 
George Fennell Robson was an English watercolour painter. He received instruction in drawing from a Mr. Harle of Durham. In 1806 he went to London with £5 in his pocket.
Robson began to exhibit at the Royal Academy in 1807, in 1810 landscapes in the Bond Street gallery of the Associated Painters, where he was a member, and in 1813 with the Society of Painters in Oil and Watercolours. At the anniversary meeting on 30 November 1819 he was elected president of the last society, for a year. Robson was an honorary member of the Sketching Society, but weakness of sight prevented him from drawing at their evening meetings.
More about the painter 

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2020 - Wandering Vertexes...
Un blog de Francis Rousseau

ZUGSPITZE & WAXENSTEIN BY EDWARD H. COMPTON

 

EDWARD H. COMPTON (1861-1960)
Die Zugspitze (2, 962 m - 9, 718 ft) 
Die Waxenstein (2,277m - 7,470ft)
Germany (Bavaria)

In  Blick vom wank auf Alpspitze, Zugspitze und Waxenstein, 1949

The mountain 
The Zugspitze (2,962m -9,718 ft) above sea level, is the highest peak of the Wetterstein Mountains as well as the highest mountain in Germany. It lies south of the town of Garmisch-Partenkirchen, and the border between Germany and Austria runs over its western summit. South of the mountain is the Zugspitzplatt, a high karst plateau with numerous caves. On the flanks of the Zugspitze are three glaciers, including the two largest in Germany: the Northern Schneeferner with an area of 30.7 hectares and the Höllentalferner with an area of 24.7 hectares. The third is the Southern Schneeferner which covers 8.4 hectares.
More about the mountain 

The Waxenstein (2,277m - 7,470ft) is an Alpine summit, at an altitude of 2,227 m, in the Wetterstein, Germany (Bavaria). It is composed of five points: the Großer Waxenstein ; the Vorderer Waxenstein  ; the Zwölferkopf ; the Mittagscharte and  the Männ.

The painter 
Edward Harrison Compton (1881–1960) not to be confused with his father Edward Theodore Compton (1849-1921) was a German landscape painter and illustrator of English descent. Compton was born in Feldafing in Upper Bavaria, Germany, the second son of notable landscape painter Edward Theodore Compton. He received his early art training from his father, and after a period of study in London at the Central School of Arts and Crafts settled back in Bavaria. Like his father he was inspired by the Alps to become a mountain painter ("bergmaller") working in both oils and watercolour. However, an attack of Polio at the age of 28 meant that he had to find more accessible landscapes to paint in Germany, England northern Italy and Sicily. He also provided illustrations for several travel books published by A & C Black. Compton exhibited at galleries in Munich and Berlin, and also in England at the Royal Academy in London and in Bradford. He died in Feldafing in 1960.
He had two sisters, both of whom were artists: Marion Compton, the flowers and still-life painter, and Dora Keel-Compton, flower and mountain painter.

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2020 - Wandering Vertexes...
Un blog de Francis Rousseau 

TARANAKI / MOUNT EGMONT( 2) BY CHARLES BLOMFIELD

 

CHARLES BLOMFIELD (1848-1926)

Taranaki /Mount Egmont (2,518 m - 8,261 ft)

New Zealand (North Island)

In Mont Egmont, 1880, oil on canvas, Museum of New Zealand  /Te Papa Tongarewa

The mountain
Taranaki or Mount Egmont (2,518 m - 8,261 ft) is an active but quiescent stratovolcano in the Taranaki region on the west coast of New Zealand's North Island. Although the mountain is more commonly referred to as Taranaki, it has two official names under the alternative names policy of the New Zealand Geographic Board. The mountain is one of the most symmetrical volcanic cones in the world. There is a secondary cone, Fanthams Peak or Panitahi in Māori (1,966 me - 6,450 ft), on the south side. Because of its resemblance to Mount Fuji, Taranaki provided the backdrop for the movie The Last Samurai.
More about the mountain

The painter
Charles Blomfield was a New Zealand decorator, artist and music teacher born in London, England.
A widow, Blomfield's mother brought her family to New Zealand in the 1860's intending to settle in Northland as part of a settlement called Albertland. On arrival in Auckland they decided not to proceed on Northland to become farmers but to pursue urban trades in Auckland. The family remained in Auckland after that and many of the descendants of the various children still reside in the Auckland area.
More about the painter 

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2020 - Wandering Vertexes...
by Francis Rousseau

GUNUNG AGUNG PAINTED BY JOHN LA FARGE

 

JOHN LA FARGE (1835-1910)

Gunung Agung (3, 031m - 9,944 ft)

Indonesia (Bali)

The mountain
Gunung Agung (3, 031m - 9,944 ft) or Mount Agung, is a active volcano standing majestically on the eastern seaboard of Bali is the island’s highest mountain, located in the district of Karangasem. Mt. Agung affects its surrounding climate, its western slopes catching the rain clouds and making the west side lush and fertile, while its eastern slopes remains dry and barren.
The Balinese believe that Mt. Agung is the abode of the gods, and the volcano therefore is revered as sacred. It is on this mountain that the mother of all temples in Bali is located, called Pura Besakih. Entering the temple one has to climb hundreds of steps before reaching the main gate. But, fortunately, other staircases with easier climbs are available to make it easier for women carrying high mountains of offerings on their head to reach the temple.Although Mt. Agung inspires peace and tranquility, nonetheless, after 100 years of slumber, on 17 March 1963 the volcano burst violently, spewing ash and volcanic materials 8 to 10 km high into the air while pyroclastic clouds rolled down all sides of the mountain. Over a thousand people perished that day. And the entire surrounding down to Kintamani was blanketed for months in deep grey ash. But surprisingly, the ash brought fertility and large sweet potatoes grew from the volcanic material.

The painter

John La Farge was an American painter, muralist, stained glass window maker, decorator, and writer.

born in New York City to wealthy French parents and was raised bilingually; as a child, he and his brothers produced a handmade magazine in French entitled Le Chinois.  His interest in art began during his studies at Mount St. Mary's University in Maryland and St. John's College (now Fordham University) in New York.  He initially intended to study law, but this changed after his first visit to Paris, France in 1856. Stimulated by the arts in the city, he studied with Thomas Couture and became acquainted with notable literary people. La Farge also studied with the painter William Morris Hunt in Newport, Rhode Island.

More about the painter 

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2020 - Wandering Vertexes...
by Francis Rousseau

FUJIYAMA / 富士山 BY KATSUSHIKA HOKUSAI / 葛飾 北斎

 

KATSUSHIKA HOKUSAI  / 葛飾 北斎 (1760–1849)
Fujiyama / 富士山 (3, 776 m -12,389 ft)
Japan

In Fuji Concluded in One Stroke, c.1834. Detached page from One Hundred Views of Mount Fuji (Fugaku hyakkei) Vol. 3, Edo period, circa 1835-1847, Harvard Art Museum

The mountain
Fujiyama / 富士山 (3, 776 m -12,389 ft) is located on Honshu Island and is the highest mountain peak in Japan. Mount Fuji is an active stratovolcano that last erupted in 1707-08. Mount Fuji lies about 100 kilometres (60 mi) south-west of Tokyo, and can be seen from there on a clear day.
Mount Fuji's exceptionally symmetrical cone, which is snow-capped several months a year, is a well-known symbol of Japan and it is frequently depicted in art and photographs, as well as visited by sightseers and climbers.
More about Mount Fuji

The artist
Katsushika Hokusai (葛飾 北斎) was a Japanese artist, ukiyo-e painter and printmaker of the Edo period. He was influenced by such painters as Sesshu, and other styles of Chinese painting. Born in Edo (now Tokyo), Hokusai is best known as author of the woodblock print series Thirty-six Views of Mount Fuji (富嶽三十六景 c. 1831) which includes the internationally recognized print, The Great Wave off Kanagawa, created during the 1820s.
Hokusai created the "Thirty-Six Views of Mt Fuji " both as a response to a domestic travel boom and as part of a personal obsession with Mount Fuji. In this series, Mt Fuji is painted on different meteorological conditions, in different hours of the days, in different seasons and from different places.
More about Katsushika Hokusai...

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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT MARCY (2) PAINTED BY ROCKWELL KENT

 

ROCKWELL KENT (1882-1971)

Mount Marcy (1,629m - 5,343ft) 

United States of America 

In  Moonlight in the Adirondacks, 1960, oil on panel

The mountain
Mount Marcy (1,629m - 5,343ft) in Mohawk langage Tewawe’estha is the highest point in New York State, USA. It is located in the Town of Keene in Essex County. The mountain is in the heart of the Adirondack High Peaks Region of the High Peaks Wilderness Area. Its stature and expansive views make it a popular destination for hikers, who crowd its summit in the summer months.
Lake Tear of the Clouds, at the col between Mt. Marcy and Mt. Skylight, is often cited as the highest source of the Hudson River, via Feldspar Brook and the Opalescent River, even though the main stem of the Opalescent River has as its source a higher point two miles north of Lake of the Clouds, and that stem is a mile longer than Feldspar Brook.
The mountain is named after Gov. William L. Marcy, the 19th-century Governor of New York, who authorized the environmental survey that explored the area. Its first recorded ascent was on August 5, 1837, by a large party led by Ebenezer Emmons looking for the source of the East Fork of the Hudson River.[6] Today the summit may be reached by multiple trails; though long by any route, a round-trip may be made in a day.

The painter
Rockwell Kent, artist, author, and political activist, had a long and varied career. During his lifetime, he worked as an architectural draftsman, illustrator, printmaker, painter, lobsterman, ship's carpenter, and dairy farmer. Born in Tarrytown Heights, New York, he lived in Maine, Newfoundland, Alaska, Greenland, and the Adirondacks and explored the waters around Tierra del Fuego in a small boat. Kent's paintings, lithographs, and woodcuts often portrayed the bleak and rugged aspects of nature; a reflection of his life in harsh climates.His experience as a carpenter and builder and his familiarity with tools served him well when he took up the graphic process. His blocks were marvels of beautiful cutting, every line deliberate and under perfect control. The tones and lines in his lithography were solidly built up, subtle, and full of color. He usually made preliminary studies- old-mater style- for composition or detail before starting on a print. Nothing was vague or accidental about his work; his expression was clear and deliberate. Neither misty tonalities nor suggestiveness were to his taste. He was a highly objectified art - clean, athletic, sometimes almost austere and cold. He either recorded adventures concretely, or dealt in ideas. His studio was a model of the efficient workshop: neat, orderly, with everything in its place. His handwriting, the fruit of his architectural training, was beautiful and precise.
Among the many notes of increasing awareness of Kent's contributions to American culture is the reproduction of one of Kent's pen-and-ink drawings from Moby Dick on a U.S. postage stamp, part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish, Frederic Remington, and Norman Rockwell.

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2020 - Wandering Vertexes...
Un blog de Francis Rousseau

THE RIGI PAINTED BY J;M;W TURNER

 

JOSEPH MALLORD WILLIAM TURNER (1775-1851)

The Rigi or Rigi Kulm or Mount Rigi (1, 797m - 5,897ft)

Switzerland

In A Storm over the Rigi, c.1844, Watercolour on paper, 25 x 37,1cm,  Tate Britain

The mountain
The Rigi (1, 797m - 5,897ft) is a mountain massif of the Alps, located in Central Switzerland.
The whole massif is almost entirely surrounded by the water of three different water bodies: Lake Lucerne, Lake Zug and Lake Lauerz. The range is in the Schwyzer Alps, and is split between the cantons of Schwyz and Lucerne, although the main summit, named Rigi Kulm, at 1,798 meters above sea level, lies within the canton of Schwyz. Technically, the Rigi is not a part of the Alps, and belongs instead to the Swiss plateau. It is mostly composed of molasse and other conglomerate, as opposed to the Bündner schist and flysch of the Alps.
The Rigi Kulm and other areas, such as the resort of Rigi Kaltbad, are served by Europe's oldest mountain railways, the Rigi Railways. Swiss Railways offer a special round-trip excursion, the “Rigi-Rundfahrt”, covering multiple segments by train, cog-railway, gondola (optional) and lake steamer. The whole area offers many activities such as skiing or sledging in the winter, and hiking in the summer.
The name Rigi is from Old High German "rîga" which means "row, stripe, furrow", after the stratification that is clearly visible on the north-side of the mountain. The name is first recorded in 1350 as Riginun. The name was interpreted as Regina montium "queen of mountains" by Albrecht von Bonstetten (1479), who however gives Rigena as alternative form.
Mt. Rigi has been featured in many works of art, including both paintings and literary publications. Perhaps the most famous paintings of the Rigi were the series by J.M.W. Turner , several of which are in the collection of the Tate Britain in London.
Mark Twain also visited Rigi during his tour of Central Europe in the late 1870s, and wrote about his travels in chapter 28 of his "A Tramp Abroad."

The painter
The english painter Joseph Mallord William Turner was considered a controversial figure in his day, but is now regarded as the artist who elevated landscape painting to an eminence in the history of painting. Although renowned for his oil paintings, Turner is also one of the greatest masters of British watercolour landscape painting. He is commonly known as "the painter of light" and his work is regarded as a Romantic preface to Impressionism.
More about Turner 

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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT ELEPHANT BY EUGENE VON GUERARD

 

EUGENE VON GUERARD (1811-1901)

Mount Elephant or Djerrinallum (240 m -790 ft) 

Australia

This work is a preparatory drawing to the oil on canvas representing the Mount Elephant already published on this blog.

THE TAIHANG MOUNTAINS / 太行山) BY WANG HUI / 王翬(

 

WANG HUI  / 王翬(1632-1717)

The Taihang mountains  /  太行山  (2,882 m -9,455 f)

China 

 In The colors of Mount Taihang, 1669, handscroll ; ink and color on silk, (29.8 x 883.9 cm), 

The MET museum, NYC

The mountains
The Taihang mountains /太行山 are a Chinese mountain range running down the eastern edge of the Loess Plateau in Shanxi, Henan and Hebei provinces. The range extends over 400 kilometres (250 mi) from north to south and has an average elevation of 1,500 to 2,000 metres (4,900 to 6,600 feet). The principal peak is Xiao Wutaishan (2,882 metres (9,455 feet)). The Taihang's eastern peak is Cangyan Shan in Hebei; Baishi Mountain forms its northern tip. The name of Shanxi Province, meaning west of the mountains" derives from its location west of the Taihang Mountains, as does the name of Shandong Province (east of the mountains).

The artist
Wang Hui, like his teachers, believed that the study of old masters was the correct path to innovation. But, whereas Dong Qichang and Wang Shimin championed the impressionistic, abstract brushwork of Yuan dynasty (1271–1368) painters and their southern forebears, Wang Hui increasingly became interested in northern painters who used detailed, descriptive brushwork. This important handscroll, made in response to a work by Guan Tong (fl. ca. 907–923), signals the beginning of Wang’s intensive exploration of northern painting that would last the rest of his career. Wang believed that reconciling his teachers’ interests and his own would lead to a “great synthesis” in painting.
From The Met notice 

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2020 - Wandering Vertexes...
by Francis Rousseau

KILIMANDJARO (3) PAINTED BY RUDOLF HELLGREWE

 

RUDOLF HELLGREWE (1860–1935) 

Kilimandjaro (5,885m - 19, 340ft)

Tanzania 

 In Kilimandjaro from Victoria, 1925, oil on canvas

The mountain
Mount Kilimanjaro (5,885m - 19, 340ft) is a dormant volcano in Tanzania composed of three volcanic cones, "Kibo", "Mawenzi", and "Shira. The Kilimandjaro is the highest mountain in Africa. The first recorded ascent to the summit was by Hans Meyer and Ludwig Purtscheller in 1889.
The mountain is part of the Kilimanjaro National Park and is a major climbing destination. The mountain has been the subject of many scientific studies because of its shrinking glaciers, especially since 2005.
- More informations about Kilimandjaro

The artist
The landscape painter and illustrator Rudolf Hellgrewe is the most famous painter of Germany's colonies. He taught for a long time at the Kunstgewerbemuseum (Museum of Decorative Arts) in Berlin. He attended the Königstädtische Realschule and later the Andreas Realschule in Berlin before studying under Eugen Bracht and Christian Wilberg at the Berliner Kunstakademie (Berlin Art Academy). He was drawn to landscape painting, and became known as the "painter of Brandenburg's lakes and sunsets".
In 1885–86, Hellgrewe travelled to East Africa, where he made numerous paintings. He later illustrated the books of the African explorers Carl Peters and Hermann von Wissmann, and produced dioramas of life in Germany's tropical colonies for use in schools. In 1888 at Berlin he published many of his works as a book, Aus Deutsch-Ostafrika. He took part in the colonial exhibitions of 1896 and 1907, and was one of the founding members of the Deutsches Kolonialmuseum (German Colonial Museum) in 1899. He also joined the Berlin Writers' Club.
In 1903 the German Colonial House was constructed based on the native architecture of the colonies. Hellgrewe provided the ceiling paintings.
Hellgrewe received Medal for Art and Science from the Grand Duchy of Mecklenburg-Schwerin and the Honorary Medal of the Geographical Society of Jena. He died at Berlin in 1935.

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2020 - Wandering Vertexes...
by Francis Rousseau

CERRO ACONCAGUA BY LEO WEHRLI

 

LEO WEHRLI (1870–1854)

Cerro Aconcagua (6, 961m - 22,838ft) 

Argentina

In Aconcagua, von der Cumbre de Uspallata, photo1897, hand colorized by Anna Wehrli-Frey 1918,

ETH Library, Zurich 

The mountain
Cerro Aconcagua (6,961 meters -22,838 ft) is the highest mountain outside of Asia and by extension the highest point in both the Western Hemisphere and the Southern Hemisphere.
Aconcagua is not a volcano.
The origin of the name is contested; it is either from the Mapuche "Aconca-Hue", which refers to the Aconcagua River, the Quechua "Ackon Cahuak", meaning "Sentinel of Stone", or Quechua "Anco Cahuac", meaning "White Sentinel" or the Aymara "Janq'u Q'awa" meaning "White Ravine", "White Brook".
Aconcagua is located in the Andes mountain range, in the Mendoza Province, Argentina, and lies 112 kilometers (70 mi) northwest of its capital, the city of Mendoza and 108 km (67 mi) from Santiago de Chile (the capital of Chile). The summit is in fact located about 5 kilometers from San Juan Province and 15 kilometers from the international border with Chile; its nearest higher neighbor is Tirich Mir in the Hindu Kush, 16,520 kilometers (10,270 mi) away.
Aconcagua is one of the Seven Summit, which includes the highest mountains of each of the seven continents. The 7 summits (which are obviously 8 !)... are :  Mt Everest (8,848m),  Mt Denali or Mc Kinley (6,194m), Kilimandjaro (5,895m), Mt Elbrus (5,642m), Vinson Massif (4,892m), Mt Blanc (4,807m) and Mount Kosciuszko (2,228m). Summiting all of them is regarded as a mountaineering challenge, first achieved on April 30, 1985 by Richard Bass.
The mountain and its surroundings are part of the Aconcagua Provincial Park. The mountain has a number of glaciers. The largest glacier is the Ventisquero Horcones Inferior at about 10 km long, which descends from the south face to about 3600 m altitude near the Confluencia camp. Two other large glacier systems are the Ventisquero de las Vacas Sur and Glaciar Este/Ventisquero Relinchos system at about 5 km.

The photographer
Leo Wehrli was a Swiss geologist, professor and explorer. After studying music, botany, chemistry, mineralogy, petrography and geology in Berlin and Zurich, Wehrli became assistant to Albert Heim. Immediately after completing his thesis, he left for Argentina with the famous Carl Emanuel Burckhardt in 1896. Accredited by the La Plata Museum and the government of Argentina, he explored the Andes he crossed at least five times during a stay of two years. His work was more particularly oriented on the delimitation of the border between Argentina and Chile after the agreement signedbetween these two countries in 1881 and on the determination of the property of mountain peaks, ridge lines and basins slopes.
After his return to Switzerland, he worked between 1900 and 1935 as a teacher and then lecturer for the Geol. Centralblatt in Berlin ; between 1901 and 1912, he wrote nearly 500 articles. He made other trips through Europe and North Africa (Egypt) before going back to Argentina again in 1938. He has summarized his research results in numerous articles, notably in the Geographic Lexicon of Switzerland. He participated in the founding of the Zurich Adult Education Center and gave lectures there from 1921 to 1953. From 1931 to 1951 he was a member of the Swiss Alpine Club SAC commission for the Central Library and has was president for 14 years.
Wehrli left a collection of 15,000 slides, some of which were hand-colored by his wife, born Anna Frey. A large part of the works is made available online by the photographic archives of the ETH-Bibliothek in Zurich.

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2020 - Wandering Vertexes...
by Francis Rousseau

FUJIYAMA / 富士山 AND TSUKUBA SAN/ 筑波山 (2) BY SUZUKI KIITSZU / 鈴木其

 

SUZUKI KIITSZU / 鈴木其 (1796 -1858)

Fujiyama / 富士山 (3, 776 m -12,389 ft)

Mount Tsukuba / 筑波山 ( 877 m - 2,877 ft)

Japan

 In  Mount Fuji and Mount Tsukuba, Fan  East Asia, Japan - c. 1835-43

The mountains

Mount Tsukuba / 筑波山 (877 m- 2,877 ft), located near Tsukuba is one of the most famous mountains in Japan, particularly well known for its double peaks, Nyotai-san (女体山, female body (877 m -2,877 ft) and Nantai-san (男体山, male body (871 m-2,858 ft).

Many people climb the so-called "purple mountain" every year for the panoramic view of the Kantō plain from the summit. On clear days the Tōkyō skyline, Lake Kasumigaura and even Mount Fuji are visible from the summit. Japanese mountains are mostly volcanic, but Mount Tsukuba is non-volcanic granite and gabbroin origin. Renowned beautiful granites are produced in the northern quarries even today. As legend has it, thousands of years ago, a deity descended from the heavens and asked two mountains for a place to spend the night. With its great summit and almost perfect cone, Mt. Fuji refused, believing with pride and arrogance that it does not need the deity's blessings. Mt. Tsukuba, on the other hand, humbly welcomed the honored guest, even offering food and water. Today, Mt. Fuji is a cold, lonely, and barren mountain, while Mt. Tsukuba bursts with vegetation and is filled with colors as the seasons change.

Fujiyama / 富士山 (3, 776 m -12,389 ft) is located on Honshu Island and is the highest mountain peak in Japan. Mount Fuji is an active stratovolcano that last erupted in 1707-08. Mount Fuji lies about 100 kilometres (60 mi) south-west of Tokyo, and can be seen from there on a clear day.

Mount Fuji's exceptionally symmetrical cone, which is snow-capped several months a year, is a well-known symbol of Japan and it is frequently depicted in art and photographs, as well as visited by sightseers and climbers.

More about Mount Fuji

The painter

Suzuki Kiitsu / 鈴木其 (1796 – 1858) was a Japanese painter of the Rinpa school. A student of the famous painter Sakai Hoitsu (1761–1828), he was for a long time considered a minor member of Rinpa school of Japanese painting. In recent years his work has been reevaluated and gained recognition, leading to a series of major exhibitions of his art in 2016-2017 in Tokyo, Hyogo and Kyoto.

Kiitsu is best known for his byōbu folding screens, often a reinterpretation of screens by other Rinpa artists, such as his massive Wind God and Thunder God following Tawaraya Sōtatsu (c. 1570 – c. 1640), Ogata Kōrin (1658–1716) and Hoitsu. But he has been most acclaimed for his original screens, including his famed Morning Glories and Mountain Stream in Summer and Autumn.

He was also a notable master with many pupils. Although he was not the official successor of Hoitsu's school, he trained himself many of the Edo Rinpa artists. This has sometimes been labeled as the Kiitsu school of Edo Rinpa.

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2020 - Wandering Vertexes...

by Francis Rousseau

PUY DE DÔME PAINTED BY THÉODORE ROUSSEAU

 

THÉODORE ROUSSEAU (1812-1867)  

Puy de Dôme (1,465 m- 4,806 ft)

France (Auvergne Rhône-Alpes)

 

In Vue du Puy de Dôme et de Royat, 1839, oil on paper laid on canvas, 29, 5x38, 5cm 

Private collection 

The mountain
Puy de Dôme (1,465 m- 4,806 ft)  is a lava dome and one of the youngest volcanoes in the Chaîne des Puys region of Massif Central in central France. This chain of volcanoes including numerous cinder cones, lava domes and maars is far from the edge of any tectonic plate. Puy de Dôme was created by a Peléan eruption, some 10,700 years ago. Puy de Dôme is approximately 10 kilometres (6 mi) from Clermont-Ferrand. The Puy-de-Dôme département is named after the volcano.  In pre-Christian Europe, Puy de Dôme served as an assembly place for spiritual ceremonies. Temples were built at the summit, including a Gallo-Roman temple of Mercury, the ruins of which were discovered in 1873.
In 1648, Florin Périer, at the urging of Blaise Pascal, proved Evangelista Torricelli's theory that barometric observations were caused by the weight of air by measuring the height of a column of mercury at three elevations on Puy de Dôme.In 1875, a physics laboratory was built at the summit. The Puy de Dôme is one of the most visited sites in the Auvergne region, attracting nearly 500,000 visitors a year. The summit offers expansive views of the Chaîne des Puys and Clermont-Ferrand.

The painter
Etienne-Pierre-Théodore Rousseau was a French painter of the Barbizon school. Not to be confused with Henri Rousseau (called Le Douanier), he was born in Paris, of a bourgeois family and received at first a business training, but soon displayed aptitude for painting. The influence of classically trained artists was against Rousseau and its paintings had to wait until 1848 before to be presented adequately to the public. In 1848, Rousseau took up his residence in the forest village of Barbizon, and spent most of his remaining days in the vicinity. He was now able to obtain fair sums for his pictures (but only about one-tenth of their value thirty years after his death), and the number of his admirers increased. He was still ignored by the authorities, for while Narcisse Virgilio Diaz was made Chevalier of the Legion of Honour in 1851, Rousseau was left undecorated at this time, but was nominated and awarded the Cross soon afterwards.
At the Exposition Universelle of 1853, where all Rousseau's rejected pictures of the previous twenty years were gathered together, his works were acknowledged to form one of the best of the many splendid groups there exhibited. But, after an unsuccessful sale of his works by auction in 1861, he contemplated leaving Paris for Amsterdam or London, or even New York. Rousseau's pictures are always grave in character, with an air of exquisite melancholy. They are well finished when they profess to be completed pictures, but Rousseau spent so much time developing his subjects that his absolutely completed works are comparatively few. He left many canvases with parts of the picture realized in detail and with the remainder somewhat vague; and also a good number of sketches and water-color drawings. His pen work in monochrome on paper is rare. There are a number of good pictures by him in the Louvre, and the Wallace collection contains one of his most important Barbizon pictures. There is also an example in the Ionides collection at the Victoria and Albert Museum in London.


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2020 - Wandering Vertexes...
by Francis Rousseau

CRIMSON CLIFFS GREENLAND BY CHARLES HAMILTON SMITH

CHARLES HAMILTON SMITH  (1776-1859) 

Crimson Cliffs (300 m- 984 ft) 

Danemark- Greenland

  In  Red Snow along cliffs in Greenland - Watercolour from  Views of Polar region, Yale Center for British arts- Connectitcut, USA

The Cliffs
Crimson Cliffs ( 300m) are a cape on the northwestern coast of Greenland, in northern Baffin Bay.Crimson Cliffs are located west of Cape York, an important geographical landmark that delimits the northwestern end of Melville Bay, with the other end commonly defined as Wilcox Head, the western promontory on Kiatassuaq Island.
Red snow or blood snow  also called or watermelon snow, pink snow or snow algae is a phenomenon caused by Chlamydomonas nivalis, a species of green algae containing a secondary red carotenoid pigment (astaxanthin) in addition to chlorophyll. Unlike most species of fresh-water algae, it is cryophilic (cold-loving) and thrives in freezing water.
This type of snow is common during the summer in alpine and coastal polar regions worldwide, such as the Sierra Nevada of California. Here, at altitudes of 10,000 to 12,000 feet (3,000–3,600 m), the temperature is cold throughout the year, and so the snow has lingered from winter storms. Compressing the snow by stepping on it or making snowballs leaves it looking red. Walking on watermelon snow often results in getting bright red soles and pinkish trouser cuffs.
 "By August first he had reached a point near the Petowik glacier which lies just northward of the "Crimson Cliffs" of Sir John Ross. This is so called from the fact that on the snow-clad cliffs and glacier surfaces at this point Sir John Ross, in 1818, discovered a red deposit which had fallen about and mixed with the snow, giving it a reddish color which was pretty widely distributed. What was it? For a long time this was a mystery, but it was at last proven to be of vegetable origin: now, the point--to be taken up in detail later is simply this: where could any vegetable matter, either a pollen from larger plants or a very humble sort of red mossy or spore like growth, come from? There is no other case in the whole realm of botany that would justify us in assuming that a plant can grow on ice-bergs or on snow. A plant requires certain elements and certain temperatures. Evidently, somewhere those factors must be in existence. Where, we shall see later."
Excerpt form "Three Years of Arctic Service", by General A. W. Greely, 1881

The artist
Lieutenant-Colonel Charles Hamilton Smith, was an English artist, naturalist, antiquary, illustrator, soldier, and... spy as well !. His military career began in 1787, when he studied at the Austrian academy for artillery and engineers at Mechelen and Leuven in Belgium (his native country). Although his military service, which ended in 1820 and included the Napoleonic Wars, saw him travel extensively (including the West Indies, Canada, United States, Southern and Northern Europe and ...Antarctica).
As a prolific self-taught illustrator (over 38,000 drawings!) He left quite an important number of books of beautifully watercolored landscapes taken all around the world. those nooks of watercolors are nowadays in the collections of the Yale Center From British Art. Among them :
- Views of France, Volume I (81 watercolors), Views of France, Volume II (93 watercolors),
- Views of England and Wales, Volume I (82 watercolors), Views of England and Wales, Volume II (74 watercolors),
- Views of Northern Europe, Volume I (68watercolors) , Views of Northern Europe, Volume II (78) watercolors),
- Views of Polar Regions (75 watercolors) (see above)
- Views of Spain, Volume I (69 watercolors), Views of Spain, Volume II (72 watercolors), But one of his noteworthy achievements was an 1800 experiment to determine which color should be used for military uniforms. He is also known in military history circles for Costume of the Army of the British Empire, produced towards the end of the Napoleonic Wars and an accurate depiction of contemporary British uniform.
As an antiquarian, he also produced, in collaboration with Samuel Rush Meyrick, Costume of the Original Inhabitants of the British Islands, 1815, and The Ancient Costume of England, with historical illustrations of medieval knights, ladies, shipsm and battles.
He also wrote on the history of the Seven Years' War and The Natural history of dogs.
Quite a productive fellow !

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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT BAKER / KULSHAN PAINTED BY ALBERT BIERSTADT

 

ALBERT BIERSTADT (1830-1902)

Mount Baker / Kulshan ((3,286 m - 10,781 ft

United States of America

In Mount Baker from the Frazier River, c. 1890, oil on canvas, Brooklyn Museum

The mountain
Mount Baker ((3,286 m - 10,781 ft), also known as Koma Kulshan or simply Kulshan, is a active glaciated andesitic stratovolcano in the Cascade Volcanic Arc and the North Cascades of Washington in the United States. Mount Baker has the second-most thermally active crater in the Cascade Range after Mount Saint Helens. About 30 miles (48 km)[due east of the city of Bellingham, Whatcom County, Mount Baker is the youngest volcano in the Mount Baker volcanic field. While volcanism has persisted here for some 1.5 million years, the current glaciated cone is likely no more than 140,000 years old, and possibly no older than 80–90,000 years. Older volcanic edifices have mostly eroded away due to glaciation.
After Mount Rainier, Mount Baker is the most heavily glaciated of the Cascade Range volcanoes; the volume of snow and ice on Mount Baker, 0.43 cu mi (1.79 km3) is greater than that of all the other Cascades volcanoes (except Rainier) combined. It is also one of the snowiest places in the world; in 1999, Mount Baker Ski Area, located 9 mi (14.5 km) to the northeast, set the world record for recorded snowfall in a single season—1,140 in (29 m; 95 ft).
Mt. Baker is the third-highest mountain in Washington and the fifth-highest in the Cascade Range, if Little Tahoma Peak, a subpeak of Mount Rainier, and Shastina, a subpeak of Mount Shasta, are not counted.[Located in the Mount Baker Wilderness, it is visible from much of Greater Victoria, Nanaimo, and Greater Vancouver in British Columbia, and to the south, from Seattle (and on clear days Tacoma) in Washington.
Indigenous peoples have known the mountain for thousands of years, but the first written record of the mountain is from Spanish explorer Gonzalo Lopez de Haro, who mapped it in 1790 as Gran Montaña del Carmelo, "Great Mount Carmel". The explorer George Vancouver renamed the mountain for 3rd Lieutenant Joseph Baker of HMS Discovery, who saw it on April 30, 1792.

The painter
Albert Bierstadt was a German-born American painter. He was brought to the United States at the age of one by his parents. He later returned to study painting for several years in Düsseldorf. At an early age Bierstadt developed a taste for art and made clever crayon sketches in his youth.
In 1851, he began to paint in oils. He became part of the Hudson River School in New York, an informal group of like-minded painters who started painting along this scenic river. Their style was based on carefully detailed paintings with romantic, almost glowing lighting, sometimes called luminism. An important interpreter of the western landscape, Bierstadt, along with Thomas Moran, is also grouped with the Rocky Mountain School....
Full Wandering Vertextes entry =>


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2020 - Wandering Vertexes...
by Francis Rousseau

HALF DOME PAINTED BY THOMAS HILL

 THOMAS HILL (1829-1908),

Half Dome (2, 695 m - 8,844 ft)

United States of America (California)

In Royal Arches And Half Dome, Yosemite National Park, Private collection

The mountain
Half Dome (2, 695 m - 8,844 ft) is a granite dome at the eastern end of Yosemite Valley in Yosemite National Park, California, part of the Sierra Nevada Range. It is a well-known rock formation in the park, named for its distinct shape; One side is a sheer face while the other three sides are smooth and round, making it appear like a dome cut in half. The granite crest rises more than 4,737 ft (1,444 m) above the valley floor. The impression from the valley floor that this is a round dome that has lost its northwest half is an illusion. From Washburn Point, Half Dome can be seen as a thin ridge of rock, an arête, that is oriented northeast-southwest, with its southeast side almost as steep as its northwest side except for the very top. Although the trend of this ridge, as well as that of Tenaya Canyon, is probably controlled by master joints, 80 percent of the northwest "half" of the original dome may well still be there. As late as the 1870s, Half Dome was described as "perfectly inaccessible" by Josiah Whitney of the California Geological Survey. The summit was finally conquered by George G. Anderson in October 1875, via a route constructed by drilling and placing iron eyebolts into the smooth granite.
Today, Half Dome may now be ascended in several different ways. Thousands of hikers reach the top each year by following an 8.5 mi (13.7 km) trail from the valley floor. After a rigorous 2 mi (3.2 km) approach, including several hundred feet of granite stairs, the final pitch up the peak's steep but somewhat rounded east face is ascended with the aid of a pair of post-mounted braided steel cables originally constructed close to the Anderson route in 1919.
Alternatively, over a dozen rock climbing routes lead from the valley up Half Dome's vertical northwest face. The first technical ascent was in 1957 via a route pioneered by Royal Robbins, Mike Sherrick, and Jerry Gallwas, today known as the Regular Northwest Face. Their five-day epic was the first Grade VI climb in the United States. Their route has now been free soloed several times in a few hours' time. Other technical routes ascend the south face and the west shoulder.

The painter
Thomas Hill was an American artist of the 19th century. He produced many fine paintings of the California landscape, in particular of the Yosemite Valley, as well as the White Mountains of New Hampshire. Hill’s work was often driven by a vision resulting from his experiences with nature. For Thomas Hill, Yosemite Valley and the White Mountains of New Hampshire were his sources of inspiration to begin painting and captured his direct response to nature.
Hill was loosely associated with the Hudson River School of painters. The Hudson River School celebrated nature with a sense of awe for its natural resources, which brought them a feeling of enthusiasm when thinking of the potential it held. Mainly the earlier members of the Hudson River School, around the 1850-60’s, displayed man as in unison with nature in their landscape paintings by often painting men on a very small scale compared to the vast landscape. Thomas Hill often brought this technique into his own paintings in for example in his painting, Yosemite Valley, 1889.
He made early trips to the White Mountains with his friend Benjamin Champney and painted White Mountain subjects throughout his career. An example of his White Mountain subjects is Mount Lafayette in his Mount Lafayette in Winter.
Hill acquired the technique of painting en plein air. These paintings in the field later served as the basis for larger finished works. In plein air means to “paint outdoors and directly from the landscape”,[ which Hill incorporated into many of his paintings. Hill’s landscape paintings demonstrate how he combined his powers of observation with powerful motifs in each painting.
Hill’s move to California in 1861 brought him new material for his paintings. He chose monumental vistas, like Yosemite. During his lifetime, Hill’s paintings were popular in California, costing as much as $10,000. Hill's best works are considered to be these monumental subjects, including Great Canyon of the Sierra, Yosemite, Vernal Falls and Yosemite Valley.

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2020 - Wandering Vertexes...
by Francis Rousseau