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Showing posts with label Mount Marcy. Show all posts
Showing posts with label Mount Marcy. Show all posts

Tuesday, October 5, 2021

MOUNT MARCY PAINTED BY JONAS LIE



JONAS LIE (1880-1940) Mount Marcy (1,629m - 5,343ft) United States of America (Essex County)  In Snow - Adirondacks, Private collection (Christie's)

 
JONAS LIE (1880-1940)
Mount Marcy (1,629m - 5,343ft)
United States of America (Essex County)

In Snow - Adirondacks, Private collection (Christie's)


The mountain
Mount Marcy (1,629m - 5,343ft) in Mohawk langage Tewawe’estha is the highest point in New York State. It is located in the Town of Keene in Essex County. The mountain is in the heart of the Adirondack High Peaks Region of the High Peaks Wilderness Area. Its stature and expansive views make it a popular destination for hikers, who crowd its summit in the summer months.
Lake Tear of the Clouds, at the col between Mt. Marcy and Mt. Skylight, is often cited as the highest source of the Hudson River, via Feldspar Brook and the Opalescent River, even though the main stem of the Opalescent River has as its source a higher point two miles north of Lake of the Clouds, and that stem is a mile longer than Feldspar Brook.
The mountain is named after Gov. William L. Marcy, the 19th-century Governor of New York, who authorized the environmental survey that explored the area. Its first recorded ascent was on August 5, 1837, by a large party led by Ebenezer Emmons looking for the source of the East Fork of the Hudson River.  Today the summit may be reached by multiple trails; though long by any route, a round-trip may be made in a day.

The painter
Jonas Lie was a Norwegian-born American painter. He is best known for colorful paintings of coastlines of New England and city scenes of New York City.
Between 1901 and the memorial exhibition in 1940 his work was shown all over America. In 1905 Lie exhibited 34 pictures in the Pratt Institute, Brooklyn Museum of Art. Between 1905 and 1938 Lie had 57 one-man shows, each including from 12 to 45 paintings. He participated in important annual and biennial exhibitions at the National Academy of Design, the Pennsylvania Academy of the Fine Arts, the Art Institute of Chicago, and the Corcoran Gallery of Art in Washington as well as most of the world fairs. While living in Panama in 1913, he painted scenes of the construction of Panama Canal which were later donated to U.S. Military Academy at West Point in memory of the West Pointer who, as chief engineer, was most potent in channeling the isthmus, General George W. Goethals. In 1932, Jonas Lie was awarded the Knight of Order of St. Olav by the King of Norway.
Jonas Lie often depicted the sea, channels, and ships with dramatic perspective and powerful use of color. He became known for colorful impressionistic scenes of harbors & coves, painted during the many summers he spent on the coasts of New England & Canada. Throughout his prolific career he painted brilliantly colored images of the rocky coves and harbors that identify the region's dramatic shoreline.

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2021 - Wandering Vertexes...
by Francis Rousseau

Friday, April 24, 2020

MOUNT MARCY (2) PAINTED BY ROCKWELL KENT

 

ROCKWELL KENT (1882-1971)
Mount Marcy (1,629m - 5,343ft) 
United States of America 

In  Moonlight in the Adirondacks, 1960, oil on panel

The mountain
Mount Marcy (1,629m - 5,343ft) in Mohawk langage Tewawe’estha is the highest point in New York State, USA. It is located in the Town of Keene in Essex County. The mountain is in the heart of the Adirondack High Peaks Region of the High Peaks Wilderness Area. Its stature and expansive views make it a popular destination for hikers, who crowd its summit in the summer months.
Lake Tear of the Clouds, at the col between Mt. Marcy and Mt. Skylight, is often cited as the highest source of the Hudson River, via Feldspar Brook and the Opalescent River, even though the main stem of the Opalescent River has as its source a higher point two miles north of Lake of the Clouds, and that stem is a mile longer than Feldspar Brook.
The mountain is named after Gov. William L. Marcy, the 19th-century Governor of New York, who authorized the environmental survey that explored the area. Its first recorded ascent was on August 5, 1837, by a large party led by Ebenezer Emmons looking for the source of the East Fork of the Hudson River.[6] Today the summit may be reached by multiple trails; though long by any route, a round-trip may be made in a day.

The painter
Rockwell Kent, artist, author, and political activist, had a long and varied career. During his lifetime, he worked as an architectural draftsman, illustrator, printmaker, painter, lobsterman, ship's carpenter, and dairy farmer. Born in Tarrytown Heights, New York, he lived in Maine, Newfoundland, Alaska, Greenland, and the Adirondacks and explored the waters around Tierra del Fuego in a small boat. Kent's paintings, lithographs, and woodcuts often portrayed the bleak and rugged aspects of nature; a reflection of his life in harsh climates.His experience as a carpenter and builder and his familiarity with tools served him well when he took up the graphic process. His blocks were marvels of beautiful cutting, every line deliberate and under perfect control. The tones and lines in his lithography were solidly built up, subtle, and full of color. He usually made preliminary studies- old-mater style- for composition or detail before starting on a print. Nothing was vague or accidental about his work; his expression was clear and deliberate. Neither misty tonalities nor suggestiveness were to his taste. He was a highly objectified art - clean, athletic, sometimes almost austere and cold. He either recorded adventures concretely, or dealt in ideas. His studio was a model of the efficient workshop: neat, orderly, with everything in its place. His handwriting, the fruit of his architectural training, was beautiful and precise.
Among the many notes of increasing awareness of Kent's contributions to American culture is the reproduction of one of Kent's pen-and-ink drawings from Moby Dick on a U.S. postage stamp, part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish, Frederic Remington, and Norman Rockwell.

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2020 - Wandering Vertexes...
Un blog de Francis Rousseau

Saturday, May 11, 2019

MOUNT MARCY BY ROCKWELL KENT



ROCKWELL KENT (1882-1971)
Mount Marcy (1,629m - 5,343ft) 
United States of America 

In Adirondacks View, watercolor, 1928-30 

The mountain
Mount Marcy (1,629m - 5,343ft) in Mohawk langage Tewawe’estha is the highest point in New York State, USA. It is located in the Town of Keene in Essex County. The mountain is in the heart of the Adirondack High Peaks Region of the High Peaks Wilderness Area. Its stature and expansive views make it a popular destination for hikers, who crowd its summit in the summer months.
Lake Tear of the Clouds, at the col between Mt. Marcy and Mt. Skylight, is often cited as the highest source of the Hudson River, via Feldspar Brook and the Opalescent River, even though the main stem of the Opalescent River has as its source a higher point two miles north of Lake of the Clouds, and that stem is a mile longer than Feldspar Brook.
The mountain is named after Gov. William L. Marcy, the 19th-century Governor of New York, who authorized the environmental survey that explored the area. Its first recorded ascent was on August 5, 1837, by a large party led by Ebenezer Emmons looking for the source of the East Fork of the Hudson River.[6] Today the summit may be reached by multiple trails; though long by any route, a round-trip may be made in a day.

The painter
Rockwell Kent, artist, author, and political activist, had a long and varied career. During his lifetime, he worked as an architectural draftsman, illustrator, printmaker, painter, lobsterman, ship's carpenter, and dairy farmer. Born in Tarrytown Heights, New York, he lived in Maine, Newfoundland, Alaska, Greenland, and the Adirondacks and explored the waters around Tierra del Fuego in a small boat. Kent's paintings, lithographs, and woodcuts often portrayed the bleak and rugged aspects of nature; a reflection of his life in harsh climates.His experience as a carpenter and builder and his familiarity with tools served him well when he took up the graphic process. His blocks were marvels of beautiful cutting, every line deliberate and under perfect control. The tones and lines in his lithography were solidly built up, subtle, and full of color. He usually made preliminary studies- old-mater style- for composition or detail before starting on a print. Nothing was vague or accidental about his work; his expression was clear and deliberate. Neither misty tonalities nor suggestiveness were to his taste. He was a highly objectified art - clean, athletic, sometimes almost austere and cold. He either recorded adventures concretely, or dealt in ideas. His studio was a model of the efficient workshop: neat, orderly, with everything in its place. His handwriting, the fruit of his architectural training, was beautiful and precise.
Among the many notes of increasing awareness of Kent's contributions to American culture is the reproduction of one of Kent's pen-and-ink drawings from Moby Dick on a U.S. postage stamp, part of the 2001 commemorative panel celebrating such American illustrators as Maxfield Parrish, Frederic Remington, and Norman Rockwell.

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2019 - Wandering Vertexes...
Un blog de Francis Rousseau

Wednesday, September 19, 2018

MOUNT MARCY PAINTED BY REGIS-FRANÇOIS GIGNOUX

https://wanderingvertexes.blogspot.com/


RÉGIS-FRANÇOIS GIGNOUX (1816-1882)
Mount Marcy (1,629m - 5,343ft)
United States of America (Essex County) 

 In Winter in the Adirondacks,  Oil on canvas, 1853, Driscoll Babcock Galleries, New York

The mountain 
Mount Marcy (1,629m - 5,343ft)    in Mohawk  langage  Tewawe’estha is the highest point in New York State. It is located in the Town of Keene in Essex County. The mountain is in the heart of the Adirondack High Peaks Region of the High Peaks Wilderness Area. Its stature and expansive views make it a popular destination for hikers, who crowd its summit in the summer months.
Lake Tear of the Clouds, at the col between Mt. Marcy and Mt. Skylight, is often cited as the highest source of the Hudson River, via Feldspar Brook and the Opalescent River, even though the main stem of the Opalescent River has as its source a higher point two miles north of Lake of the Clouds, and that stem is a mile longer than Feldspar Brook.
The mountain is named after Gov. William L. Marcy, the 19th-century Governor of New York, who authorized the environmental survey that explored the area. Its first recorded ascent was on August 5, 1837, by a large party led by Ebenezer Emmons looking for the source of the East Fork of the Hudson River.[6] Today the summit may be reached by multiple trails; though long by any route, a round-trip may be made in a day.

The painter 
Régis François Gignoux  was a French painter who was active in the United States from 1840 to 1870, also known under aliases Marie-François-Régis Gignoux or Régis Gignoux. He was born in Lyon, France and studied at the École des Beaux-Arts under the French historical painter Hippolyte Delaroche, who inspired Gignoux to turn his talents toward landscape painting.  Gignoux arrived in the United States from France in 1840 and eventually opened a studio in Brooklyn, New York. He was a member of the National Academy of Design, and was the first president of the Brooklyn Art Academy. George Inness, John LaFarge (1835–1910), and Charles Dormon Robinson were his students.  By 1844, Gignoux had opened a studio in New York City and became one of the first artists to join the famous Tenth Street Studio, where other members included Albert Bierstadt, Frederic Church, Jasper Francis Cropsey, and John Frederick Kensett. He returned to France in 1870 and died in Paris in 1882. 
Gignoux is best known for his meticulous renderings of Northeast American landscapes, and was the only member of the Hudson River School to specialize in snow scenes. The fame of Gignoux is still quite considerable nowadays in the US and at least a dozen of the most important american museums are among the public collections holding work by Régis François Gignoux, which is often considered a precursor of the Luminist movement.

2018 - Wandering Vertexes...
Un blog de Francis Rousseau