FRITZ MELBYE (1826-1896)
Cerro El Avila / Pico Naiguatá (2,765m - 9,072ft)
Venezuela
In Vista de Caracas y del Cerro El Avila, oil on canvas
The mountain
Pico Naiguatá (2,765m - 9,072ft) is the summit of a mountain called Cerro el Avila in South America near Caracas, Venezuela, part of the Venezuelan Coastal Range, of which it is the highest peak. It is situated on the border of the Venezuelan states Miranda and Vargas. It is the highest point in both of these states and the fourth highest of the Caribbean after Pico Simón Bolivar and Pico Cristóbal Colón of The Santa Marta Coastal range in Colombia and Pico Duarte in the Dominican Republic.
The El Ávila National Park (or Waraira Repano, from an indigenous name for the area) protects part of the Cordillera de la Costa Central mountain range, in the coastal region of central-northern Venezuela. El Ávila National Park is located along the central section of the Cordillera de la Costa mountain system, in the Cordillera de la Costa Central mountain range. El Ávila was declared a park in 1958, fulfilling an interest in its protection that had been prevalent since the 19th century. With its creation came the protection of the forested mountains that surround Caracas, the capital of Venezuela. These mountains now serve as both a recreational area and as a buffer to pollution and urban expansion. El Ávila has always been an important resource for the inhabitants of Caracas, who have used the area for a variety of activities, some of which have threatened its conservation.
The painter
Fritz Sigfred Georg Melbye was a Danish marine painter, the brother of
Anton Melbye and Vilhelm Melbye who were also marine painters. He
traveled widely, painting seascapes, coastal and harbour scenes as well
as some landscapes in Europe, the Caribbean, Venezuela, North America
and Asia.
In 1849, he set off for the Danish West Indies, settling on Saint
Thomas. There he met the young Camille Pissarro whom he inspired to take
up painting as a full-time profession. Pissarro became his pupil as
well as close friend.
In April 1852, Melbye was on Saint Croix, preparing a trip to Venezuela.
Pissarro decided to join him and they spent two years together in
Caracas and the harbour city of La Guaira before Pissarro returned to
Saint Thomas. Melbye stayed until 1856 and then briefly returned to
Europe, living some time in Paris, before traveling to North America
where he set up a studio in New York City.
He continued to travel widely, mainly to the Caribbean but also north to
Newfoundland. A close friend in New York and frequent travelling
companion on his Caribbean travels was the famous American landscape
painter Frederick Church who also had a studio in New York.
In 1866, Melbye set off on a journey to the Far East in search of new
adventures, leaving his studio in Church's care. In Asia he used Peking
as a base for travels around the region which also took him to Japan. He
died in Shanghai three years later.
Fritz Melbye initially painted seascapes in the family tradition his
brother had taught him, but he increasingly turned to landscapes,
coastal and town views with mountains. He preferred a realistic style,
often with romantic scenes. He exhibited at Charlottenborg in Copenhagen
from 1849-1858.
In Peking he was commissioned to paint the Imperial Summer Palace and
during his years in America he exhibited at the Pennsylvania Academy of
Fine Art.
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Wandering Vertexes 2020
A blog by Francis Rousseau
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Wandering Vertexes 2020
A blog by Francis Rousseau
