MUIR GLACIER PAINTED BY THOMAS HILL

THOMAS HILL (1829-1908)
Muir Glacier (90 m - 200 ft)
United States of America ( Alaska)

In Muir Glacier, Alaska. oil on canvas, Oakland Museum of California

The Glacier
Muir Glacier is a glacier in Glacier Bay National Park and Preserve in the U.S. state of Alaska. It is currently about 0.7 km (0.43 mi) wide at the terminus. As recently as the mid-1980s the glacier was a tidewater glacier and calved icebergs from a wall of ice 90 m (200 feet) tall.
The glacier is named after Scottish-born naturalist John Muir, who traveled around the area and wrote about it, generating interest in the local environment and in its preservation. His first two visits were in 1879 (at age 41) and 1880. During the visits, he sent an account of his visits in installments to the San Francisco Bulletin. Later, he collected and edited these installments in a book, Travels in Alaska, published in 1915, the year after he died.
Muir Glacier has undergone very rapid, well-documented retreat since its Little Ice Age maximum position at the mouth of Glacier Bay around 1780. In 1794, the explorer Captain George Vancouver found that most of Glacier Bay was covered by an enormous ice sheet, some 1,200 meters (3,900 ft) in places.
In 1904 the glacier reportedly "broke through the mountains" with Pyramid Peak to the west and Mt. Wright and Mount Case to the east.
From 1892 to approximately 1980, it had retreated nearly 32 kilometers (20 mi). Between 1941 and 2004, the glacier retreated more than 12 kilometers (7.5 mi) and thinned by over 800 meters (2,600 ft). Ocean water has filled the valley replacing the ice and creating Muir Inlet.

The painter
Thomas Hill was an American artist of the 19th century. He produced many fine paintings of the California landscape, in particular of the Yosemite Valley, as well as the White Mountains of New Hampshire. Hill’s work was often driven by a vision resulting from his experiences with nature. For Thomas Hill, Yosemite Valley and the White Mountains of New Hampshire were his sources of inspiration to begin painting and captured his direct response to nature.
Hill was loosely associated with the Hudson River School of painters. The Hudson River School celebrated nature with a sense of awe for its natural resources, which brought them a feeling of enthusiasm when thinking of the potential it held. Mainly the earlier members of the Hudson River School, around the 1850-60’s, displayed man as in unison with nature in their landscape paintings by often painting men on a very small scale compared to the vast landscape. Thomas Hill often brought this technique into his own paintings in for example in his painting, Yosemite Valley, 1889.
He made early trips to the White Mountains with his friend Benjamin Champney and painted White Mountain subjects throughout his career. An example of his White Mountain subjects is Mount Lafayette in his Mount Lafayette in Winter.
Hill acquired the technique of painting en plein air. These paintings in the field later served as the basis for larger finished works. In plein air means to “paint outdoors and directly from the landscape”,[ which Hill incorporated into many of his paintings. Hill’s landscape paintings demonstrate how he combined his powers of observation with powerful motifs in each painting.
Hill’s move to California in 1861 brought him new material for his paintings. He chose monumental vistas, like Yosemite. During his lifetime, Hill’s paintings were popular in California, costing as much as $10,000. Hill's best works are considered to be these monumental subjects, including Great Canyon of the Sierra, Yosemite, Vernal Falls and Yosemite Valley.

___________________________________________

2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT TALLAC PAINTED BY THOMAS HILL

THOMAS HILL (1829-1908) 

Mount Tallac (2,968m - 9, 739ft) 

United States of America (California) 

In  Mount Tallac from Lake Tahoe, 1880, oil on canvas, San Fransisco De Young Museum

The mountain
Mount Tallac  (2,968m - 9, 739ft) is a mountain peak southwest of Lake Tahoe, in El Dorado County, California. The peak lies within the Desolation Wilderness in the Eldorado National Forest.
Mount Tallac is quite visible from State Routes 89 and 28, and U.S. Route 50.  It is probably the most recognizable of the Tahoe Area peaks. With its distinctive "cross" of snow rising directly above the southwest corner of Lake Tahoe, Mount Tallac commands attention. While neither the highest peak in the area nor the hardest to summit, Mount Tallac nonetheless serves up enough adventure to satisfy nearly everyone.  Compared to the giants of the southern Sierra Nevada, Mount Tallac is a mere child. Still, it stands over 3,500 feet above the surface of Lake Tahoe, and from the summit, one may take in panoramic views of that amazing lake, as well as the enchanting peaks of Desolation Wilderness area. .The views from the summit, as well as the mountain's proximity to highway 89 and its wide selection of terrain types, make Mount Tallac one of the top hiking and backcountry skiing destinations in California.
Geologically, Mount Tallac is situated roughly on the boundary between the granites of the Sierra Nevada batholith, and the earlier metamorphosed sedimentary rocks. The southern and eastern slopes, especially Cathedral Peak, are crumbly, clinky "metaseds", while the other parts of the mountain are a bit more solid, but not Sierran granite, quite like Mount Ritter.
Source:
- Summit post

The painter
Thomas Hill was an American artist of the 19th century. He produced many fine paintings of the California landscape, in particular of the Yosemite Valley, as well as the White Mountains of New Hampshire. Hill’s work was often driven by a vision resulting from his experiences with nature. For Thomas Hill, Yosemite Valley and the White Mountains of New Hampshire were his sources of inspiration to begin painting and captured his direct response to nature.
Hill was loosely associated with the Hudson River School of painters. The Hudson River School celebrated nature with a sense of awe for its natural resources, which brought them a feeling of enthusiasm when thinking of the potential it held. Mainly the earlier members of the Hudson River School, around the 1850-60’s, displayed man as in unison with nature in their landscape paintings by often painting men on a very small scale compared to the vast landscape. Thomas Hill often brought this technique into his own paintings in for example in his painting, Yosemite Valley, 1889.
He made early trips to the White Mountains with his friend Benjamin Champney and painted White Mountain subjects throughout his career. An example of his White Mountain subjects is Mount Lafayette in his Mount Lafayette in Winter.
Hill acquired the technique of painting en plein air. These paintings in the field later served as the basis for larger finished works.
In plein air means to “paint outdoors and directly from the landscape”,[ which Hill incorporated into many of his paintings. Hill’s landscape paintings demonstrate how he combined his powers of observation with powerful motifs in each painting.
Hill’s move to California in 1861 brought him new material for his paintings. He chose monumental vistas, like Yosemite. During his lifetime, Hill’s paintings were popular in California, costing as much as $10,000.  Hill's best works are considered to be these monumental subjects, including Great Canyon of the Sierra, Yosemite, Vernal Falls and Yosemite Valley.
Source: 
- Sullivan Goss An American Gallery 

MOUNT ST HELENA / KANAMOTA BY THOMAS HILL

THOMAS HILL (1829-1908) 

 Mount St. Helena / Kanamota  (1, 323 m - 4,342 ft)  

United States of America  (California) 

 In Mount St. Helena, Napa Valley, 1887, oil on canvas, Private Collection  

The mountain
Mount Saint Helena or  Kanamota  (1, 323 m - 4,342 ft)   which means "Human Mountain", not to be confused with the volcano Mount St Helens (Washington State) is a peak in the Mayacamas Mountains with flanks in Napa, Sonoma, and Lake counties of California. Composed of uplifted 2.4-million-year-old volcanic rocks from the Clear Lake Volcanic Field, it is one of the few mountains in the San Francisco Bay Area to receive any snowfall during the winter.
The mountain has five peaks, arranged in a rough "M" shape. Its highest point, North Peak, is in Sonoma County. The second-tallest, immediately east of the main summit, is the highest point in Napa County.
Mount Saint Helena has had an explosive history of pyroclastic flows that resulted in The Petrified Forest. Mount Saint Helena was originally named Mount Mayacamas, but the name was changed after a Russian survey party ascended the peak in 1841 and left a copper plate on the summit inscribed with the date of their visit. The plate also bore the name of Princess Helena de Gagarin, wife of Count Alexander G. Rotchev, the commanding officer of Fort Ross.
Robert Louis Stevenson and Fanny Vandegrift Osbourne spent the summer of 1880 honeymooning in an abandoned mining camp on Mount Saint Helena. Stevenson's book The Silverado Squatters includes his experiences while living there.
 The mount is also described by Ambrose Bierce in his ghost story The Death of Halpin Frayser.
The peak is reachable by hiking trails leading from Robert Louis Stevenson State Park. The trails are approximately 6 miles long.

The painter
Thomas Hill was an American artist of the 19th century. He produced many fine paintings of the California landscape, in particular of the Yosemite Valley, as well as the White Mountains of New Hampshire. Hill’s work was often driven by a vision resulting from his experiences with nature. For Thomas Hill, Yosemite Valley and the White Mountains of New Hampshire were his sources of inspiration to begin painting and captured his direct response to nature.
Hill was loosely associated with the Hudson River School of painters. The Hudson River School celebrated nature with a sense of awe for its natural resources, which brought them a feeling of enthusiasm when thinking of the potential it held. Mainly the earlier members of the Hudson River School, around the 1850-60’s, displayed man as in unison with nature in their landscape paintings by often painting men on a very small scale compared to the vast landscape. Thomas Hill often brought this technique into his own paintings in for example in his painting, Yosemite Valley, 1889.
He made early trips to the White Mountains with his friend Benjamin Champney and painted White Mountain subjects throughout his career. An example of his White Mountain subjects is Mount Lafayette in his Mount Lafayette in Winter.
Hill acquired the technique of painting en plein air. These paintings in the field later served as the basis for larger finished works.
In plein air means to “paint outdoors and directly from the landscape”,[ which Hill incorporated into many of his paintings. Hill’s landscape paintings demonstrate how he combined his powers of observation with powerful motifs in each painting.
Hill’s move to California in 1861 brought him new material for his paintings. He chose monumental vistas, like Yosemite. During his lifetime, Hill’s paintings were popular in California, costing as much as $10,000.  Hill's best works are considered to be these monumental subjects, including Great Canyon of the Sierra, Yosemite, Vernal Falls and Yosemite Valley.

HALF DOME PAINTED BY THOMAS HILL

 THOMAS HILL (1829-1908),

Half Dome (2, 695 m - 8,844 ft)

United States of America (California)

In Royal Arches And Half Dome, Yosemite National Park, Private collection

The mountain
Half Dome (2, 695 m - 8,844 ft) is a granite dome at the eastern end of Yosemite Valley in Yosemite National Park, California, part of the Sierra Nevada Range. It is a well-known rock formation in the park, named for its distinct shape; One side is a sheer face while the other three sides are smooth and round, making it appear like a dome cut in half. The granite crest rises more than 4,737 ft (1,444 m) above the valley floor. The impression from the valley floor that this is a round dome that has lost its northwest half is an illusion. From Washburn Point, Half Dome can be seen as a thin ridge of rock, an arête, that is oriented northeast-southwest, with its southeast side almost as steep as its northwest side except for the very top. Although the trend of this ridge, as well as that of Tenaya Canyon, is probably controlled by master joints, 80 percent of the northwest "half" of the original dome may well still be there. As late as the 1870s, Half Dome was described as "perfectly inaccessible" by Josiah Whitney of the California Geological Survey. The summit was finally conquered by George G. Anderson in October 1875, via a route constructed by drilling and placing iron eyebolts into the smooth granite.
Today, Half Dome may now be ascended in several different ways. Thousands of hikers reach the top each year by following an 8.5 mi (13.7 km) trail from the valley floor. After a rigorous 2 mi (3.2 km) approach, including several hundred feet of granite stairs, the final pitch up the peak's steep but somewhat rounded east face is ascended with the aid of a pair of post-mounted braided steel cables originally constructed close to the Anderson route in 1919.
Alternatively, over a dozen rock climbing routes lead from the valley up Half Dome's vertical northwest face. The first technical ascent was in 1957 via a route pioneered by Royal Robbins, Mike Sherrick, and Jerry Gallwas, today known as the Regular Northwest Face. Their five-day epic was the first Grade VI climb in the United States. Their route has now been free soloed several times in a few hours' time. Other technical routes ascend the south face and the west shoulder.

The painter
Thomas Hill was an American artist of the 19th century. He produced many fine paintings of the California landscape, in particular of the Yosemite Valley, as well as the White Mountains of New Hampshire. Hill’s work was often driven by a vision resulting from his experiences with nature. For Thomas Hill, Yosemite Valley and the White Mountains of New Hampshire were his sources of inspiration to begin painting and captured his direct response to nature.
Hill was loosely associated with the Hudson River School of painters. The Hudson River School celebrated nature with a sense of awe for its natural resources, which brought them a feeling of enthusiasm when thinking of the potential it held. Mainly the earlier members of the Hudson River School, around the 1850-60’s, displayed man as in unison with nature in their landscape paintings by often painting men on a very small scale compared to the vast landscape. Thomas Hill often brought this technique into his own paintings in for example in his painting, Yosemite Valley, 1889.
He made early trips to the White Mountains with his friend Benjamin Champney and painted White Mountain subjects throughout his career. An example of his White Mountain subjects is Mount Lafayette in his Mount Lafayette in Winter.
Hill acquired the technique of painting en plein air. These paintings in the field later served as the basis for larger finished works. In plein air means to “paint outdoors and directly from the landscape”,[ which Hill incorporated into many of his paintings. Hill’s landscape paintings demonstrate how he combined his powers of observation with powerful motifs in each painting.
Hill’s move to California in 1861 brought him new material for his paintings. He chose monumental vistas, like Yosemite. During his lifetime, Hill’s paintings were popular in California, costing as much as $10,000. Hill's best works are considered to be these monumental subjects, including Great Canyon of the Sierra, Yosemite, Vernal Falls and Yosemite Valley.

___________________________________________

2020 - Wandering Vertexes...
by Francis Rousseau

EL CAPITAN PAINTED BY THOMAS HILL

 

THOMAS HILL  (1829-1908)

El Capitan (2,309m - 7,573 ft) 

United States of America

In El Capitan, oil on cnavas,  Oakland Museum of California

The mountain
El Capitan  (2,309m - 7,573 ft) is a vertical rock formation in Yosemite National Park, located on the north side of Yosemite Valley, near its western end. The granite monolith extends about 3,000 feet (900 m) from base to summit along its tallest face and is one of the world's favorite challenges for rock climbers.
The formation was named "El Capitan" by the Mariposa Battalion when it explored the valley in 1851. El Capitan ("the captain") was taken to be a loose Spanish translation of the local Native American name for the cliff, variously transcribed as "To-to-kon oo-lah" or "To-tock-ah-noo-lah".
It is unclear if the Native American name referred to a specific tribal chief or simply meant "the chief" or "rock chief". In modern times, the formation's name is often contracted to "El Cap", especially among rock climbers and BASE jumpers.
The top of El Capitan can be reached by hiking out of Yosemite Valley on the trail next to Yosemite Falls, then proceeding west. For climbers, the challenge is to climb up the sheer granite face. There are many named climbing routes, all of them arduous, including Iron Hawk and Sea of Dreams, for example.
The Nose was first climbed in 1958 by Warren Harding, Wayne Merry and George Whitmore in 47 days using "siege" tactics: climbing in an expedition style using fixed ropes along the length of the route, linking established camps along the way.
In September 1973, Beverly Johnson and Sibylle Hechtel were the first team of women to ascend El Capitan via the Triple Direct route.

The painter
Thomas Hill produced many fine paintings of the California landscape, in particular of the Yosemite Valley, as well as the White Mountains of New Hampshire. Hill’s work was often driven by a vision resulting from his experiences with nature.
Hill was loosely associated with the Hudson River School of painters. The Hudson River School celebrated nature with a sense of awe for its natural resources, which brought them a feeling of enthusiasm when thinking of the potential it held. Mainly the earlier members of the Hudson River School, around the 1850-60’s, displayed man as in unison with nature in their landscape paintings by often painting men on a very small scale compared to the vast landscape. Thomas Hill often brought this technique into his own paintings in for example in his painting, Yosemite Valley, 1889.
He made early trips to the White Mountains with his friend Benjamin Champney and painted White Mountain subjects throughout his career. An example of his White Mountain subjects is Mount Lafayette in his Mount Lafayette in Winter.
Hill acquired the technique of painting en plein air. These paintings in the field later served as the basis for larger finished works.
Hill’s move to California in 1861 brought him new material for his paintings. He chose monumental vistas, like Yosemite. During his lifetime, Hill’s paintings were popular in California, costing as much as $10,000. Hill's best works are considered to be these monumental subjects, including Great Canyon of the Sierra, Yosemite, Vernal Falls and Yosemite Valley.

_____________________________
2019 - Wandering Vertexes...
by Francis Rousseau

MOUNTAINS OF YOSEMITE VALLEY PAINTED BY THOMAS HILL

 

THOMAS HILL (1829-1908)  

Middle Cathedral Rock (2,026 m - 6,648 ft)

El Capitan (2,309 m - 7,573 ft)

Sentinel Dome (2,477 m - 8,127 ft)

Half Dome (2, 695 m - 8,844  ft)

United States of America (California)

In View of Yosemite Valley oil on canvas, 1885, (92.1 x 137.8 cm), Metropolitan Museum of Art, New York, NY (not on view)



Mountains of Yosemite Valley
The Middle Cathedral Rock (2,026 m- 6,648 ft)  (on right in the painting above with the cascades) is a prominent rock face on the south side of Yosemite Valley, California.
El Capitan (2,309m - 7,573 ft) (on left in the painting above) is a vertical rock formation in Yosemite National Park, located on the north side of Yosemite Valley, near its western end. The granite monolith extends about 3,000 feet (900 m) from base to summit along its tallest face and is one of the world's favorite challenges for rock climbers. The formation was named "El Capitan" by the Mariposa Battalion when it explored the valley in 1851. El Capitan ("the captain", "the chief") was taken to be a loose Spanish translation of the local Native American name for the cliff, variously transcribed as "To-to-kon oo-lah" or "To-tock-ah-noo-lah". It is unclear if the Native American name referred to a specific tribal chief or simply meant "the chief" or "rock chief". In modern times, the formation's name is often contracted to "El Cap", especially among rock climbers and BASE jumpers.
Sentinel Dome (2,477m - 8,127ft) (behind Cathedral rock in the painting above) is a granite dome in Yosemite National Park, United States. It lies on the south wall of Yosemite Valley, 0.8 miles (1.3 km) southwest of Glacier Point and 1.4 miles (2.3 km) northeast of Profile Cliff. Sentinel Dome is known for a Jeffrey Pine that grew from its peak (see photograph above). The pine was photographed as early as 1867 by Carleton Watkins, and was the subject of the well-known photograph by Ansel Adams. The pine died during the drought of 1976, but remained standing until August 2003. The original Native American name of Sentinel Dome, in the Southern Sierra Miwok language, was "Sakkaduch". The Bunnell survey named it "South Dome", but the Whitney survey renamed it Sentinel Dome (from its likeness to a watch-tower). The view from the top offers a 360 degree view of Yosemite Valley and surroundings. One can see Half Dome,Yosemite Falls, El Capitan, North Dome, Basket Dome, and much more.
Half Dome (2, 695 m - 8,844 ft) (behind Sentinel Dome in the painting above) is a granite dome at the eastern end of Yosemite Valley in Yosemite National Park, California, part of the Sierra Nevada Range. It is a well-known rock formation in the park, named for its distinct shape; One side is a sheer face while the other three sides are smooth and round, making it appear like a dome cut in half. The impression from the valley floor that this is a round dome that has lost its northwest half is an illusion. From Washburn Point, Half Dome can be seen as a thin ridge of rock, an arête, that is oriented northeast-southwest, with its southeast side almost as steep as its northwest side except for the very top. Although the trend of this ridge, as well as that of Tenaya Canyon, is probably controlled by master joints, 80 percent of the northwest "half" of the original dome may well still be there. As late as the 1870s, Half Dome was described as "perfectly inaccessible" by Josiah Whitney of the California Geological Survey. The summit was finally conquered by George G. Anderson in October 1875, via a route constructed by drilling and placing iron eyebolts into the smooth granite.


The painter
Thomas Hill produced many fine paintings of the California landscape, in particular of the Yosemite Valley, as well as the White Mountains of New Hampshire. Hill’s work was often driven by a vision resulting from his experiences with nature.
Hill was loosely associated with the Hudson River School of painters. The Hudson River School celebrated nature with a sense of awe for its natural resources, which brought them a feeling of enthusiasm when thinking of the potential it held. Mainly the earlier members of the Hudson River School, around the 1850-60’s, displayed man as in unison with nature in their landscape paintings by often painting men on a very small scale compared to the vast landscape. Thomas Hill often brought this technique into his own paintings in for example in his painting, Yosemite Valley, 1889.
He made early trips to the White Mountains with his friend Benjamin Champney and painted White Mountain subjects throughout his career. An example of his White Mountain subjects is Mount Lafayette in his Mount Lafayette in Winter.
Hill acquired the technique of painting en plein air. These paintings in the field later served as the basis for larger finished works.
Hill’s move to California in 1861 brought him new material for his paintings. He chose monumental vistas, like Yosemite. During his lifetime, Hill’s paintings were popular in California, costing as much as $10,000. Hill's best works are considered to be these monumental subjects, including Great Canyon of the Sierra, Yosemite, Vernal Falls and Yosemite Valley.

_____________________________
2020 - Wandering Vertexes...
by Francis Rousseau

LE GLACIER DAVIDSON PEINT PAR THOMAS HILL

THOMAS HILL (1829-1908)
Le Glacier Davidson (7, 4 km)
Etats Unis d'Amérique (Alaska)

In The Davidson Glacier, oil on board 1888, The Gilcrease Museum, Tulsa, Oklahoma

Le peintre
Thomas Hill est un peintre américain du 19e siècle, qui réalisa de nombreux tableaux du paysage californien, en particulier de la Vallée de Yosemite, ainsi que des Montagnes Blanches (New Hampshire).Hill est un peintre proche de l'Hudson River School. Il resta très attaché à la peinture des Montagnes Blanches durant toute sa carrière ; on le voit à travers des tableaux comme Le Mont Lafayette en hiver. Hill acquit la technique de la peinture en plein air ; ces peintures, faites sur le terrain, servaient d'esquisses à des tableaux plus grands. L'arrivée en Californie en 1861 lui donna de nouveaux matériaux pour sa peinture. Il appréciait les vues et les paysages monumentaux, à l'instar de Yosemite. Durant sa vie, ses peintures furent populaires en Californie et pouvaient s'élever à 10 000 US$. Ses plus réussies sont celles du Great Canon of the Sierra, de Yosemite, des Vernal Falls et de Yosemite Valley. Sa Vue de la Vallée de Yosemite de 1865 fut choisie comme arrière-plan de la table principale lors du repas inaugural de l'Investiture de Barack Obama en 2009, pour commémorer la signature en 1864 par Abraham Lincoln du Yosemite Grant. Mais The Last Spike (1881) est son tableau le plus connu ; il représente la cérémonie de jonction à Promontory Summit entre les chemins de fer de l'Union Pacific Railroad et la Central Pacific Railroad, constituant ainsi le premier chemin de fer transcontinental des États-Unis. Il est exposé au California State Railroad Museum de Sacramento.

Le glacier
Le glacier Davidson est un glacier d'Alaska aux États-Unis situé dans le borough de Haines. Long de 7,4 km, il s'étend depuis le chaînon Chilkat (chaîne Saint-Élie) jusqu'à 42 km de Skagway. Son nom lui a été donné en 1867 par l'United States Geological Survey en l'honneur de George Davidson (1825-1911). Il représente actuellement une importante destination touristique des environs de Haines.

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2024 - Gravir les montagnes en peinture
Un blog de Francis Rousseau

TUCUPIT POINT BY THOMAS MORAN

THOMAS MORAN (1837-1926)

Tucupit Point (2,346 m - 7,698 ft)

United States of America  (Utah)

In Colburn's Butte, South Utah, watercolor, 1873, 35,2 x 24cm,  The Metropolitan Museum of Art

 About the painting
The journey that resulted in the first painting of the Grand Canyon also yielded this watercolor by the same artist, Thomas Moran. In late July 1873, Moran was en route from Salt Lake City to the north rim of the Grand Canyon to join the expedition of John Wesley Powell. Near Kanarraville, Utah, he recorded in his sketchbook two Navajo sandstone pinnacles that offered a preview of the magnificent Zion Canyon to the south, which he visited days later. With Moran was Justin Colburn, a correspondent for the New York Times, to whom he eventually gave the watercolor he made from the sketch and whose name he gave to its principal feature.
Colburn's Butte, today called Tucupit Point, is in the Kolob Canyon section of Zion National Park. In Moran's watercolor, it is distinguished by the white cloud swirling down to silhouette its peak. The spontaneous-looking passage sets off a zigzag pattern of hill and grass that continues to the bottom of the sheet. Such celestial-terrestrial dynamics were a hallmark of the work of the English-born Moran, an admirer of the turbulent landscapes of J. M. W. Turner. From the watercolor Moran designed an engraving that was published in the art magazine The Aldine in 1874.  

From the MET museum  notice

 The mountain

Tucupit Point (2,346 m - 7,698 ft ) is a prominent sandstone pinnacle in the Kolob Canyons of Zion National Park. The formation lays off of Taylor Creek Trail. The pinnacle - visible from U.S. Route 40 to the west - has been the subject of numerous photographs. ans paintings. The pinnacle was then named "Colburn's Butte" after Justin Colburn, a correspondent for the New York Times travelling with Thomas Moran; it would later be renamed Tucupit Point, "Tucupit" being the Paiute word for wildcat.

The painter
Thomas Moran was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.
Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.
Thomas Moran has a painting exhibited as part of the White House collection with The Three Tetons painted in 1895.
_____________________________

2020 - Wandering Vertexes...
by Francis Rousseau

MOSQUITO PASS PAINTED BY THOMAS MORAN

THOMAS MORAN (1837-1926)

Mosquito Pass  (4,019 m -13,185 ft)  

United States of America (Colorado)

Painted in 1874 

The mountain 

Mosquito Pass (4,019 m-13,185 ft), is a high mountain pass in the Mosquito Range of central Colorado in the United States. About the origin of the Mosquito pass name, there are lots of versions. One of the most popular says that just after nearby Montgomery was founded, gold was discovered high in the mountains above and gave rise to the town of Mosquito. The name came from a town meeting where a mosquito was crushed between pages of a book during the meeting. It was the only name they could agree on. 

Mosquito Pass is situated on the boundary between Lake and Park counties between Leadville (west) and Fairplay (east). It also lies on the divide between the Arkansas and South Platte Rivers, which is the informal demarcation between the northern and southern parts of Colorado east of the Continental Divide.

One of the highest passes in the state, Mosquito Pass can be traversed only on foot, on an off road motorcycle or with a proper four-wheel drive (4WD) vehicle. 2WD vehicles will find the road difficult due to the stream crossings and high rocky sections. Even with 4WD, it is typically passable only during the summer months. The best time to attempt the pass is between late July and early September. With such a high summit altitude the road can be closed anytime due to snowfalls. The zone is prone to heavy mist and can be dangerous in low visibility conditions.

The pass is two way, so you could start at Fairplay or Leadville. Starting at the intersection of Highways 285 and 9 it heads towards Alma. There is a sign that marks the entrance to 'Mosquito Gulch' - turn left here (Colorado Highway 12). Proper preparation is essential to having a safe, enjoyable trop on this road. Due to the remoteness of the area, take special care to ensure that your vehicle is ready for the trip: inspect all tires and make sure they are properly inflated, check all vehicle fluids, replace worn hoses and belts, empty your RV's holding tank and fill the water tank, purchase groceries and supplies. For the vehicle, bring at least two full-sized spare tires mounted on rims, tire jack and tools for flat tires, emergency flares, extra gasoline, motor oil, and wiper fluid and a radio.

The pioneering Methodist circuit rider John Lewis Dyer crossed over Mosquito Pass several times a week during the 1860s, using snowshoes in winter, in his mission to spread the gospel. Father Dyer Peak is named in his honor.

Reference

- Mosquito Pass in Dangeruos roads website

The painter 

Thomas Moran was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.

Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.

Thomas Moran has a painting exhibited as part of the White House collection. In the photograph depicting President Barack Obama and Israeli President Shimon Peres in the Oval Office it is seen on the wall: the portrait of George Washington is between City of Washington From Beyond the Navy Yard (1833) by George Cooke (on the left) and The Three Tetons (1895) by Thomas Moran (on the right). 

Reference

- The National Gallery of Art, Washington 

TETON RANGE PAINTED BY THOMAS MORAN

THOMAS MORAN (1837-1926)
Grand Teton (4,199 m - 13,775 ft)
United States of America (Wyoming)

In Teton range, Oil on cnavas, 1897, 76.2 x 114.3 cm, The MET, (on view on Gallery 765)

 About this painting in the MET note
" As Albert Bierstadt claimed the Rocky Mountains and the Sierra Nevada for his art, so Moran made the Yellowstone region and the Grand Canyon his signature subjects. His dazzling watercolors of Yellowstone led directly to its designation, in 1872, as the first national park. A native of Great Britain and an ardent admirer of the English painter J. M. W. Turner, Moran used prismatic color to capture the splendors of the American West—such as this dramatic view of the Tetons, located just south of Yellowstone. For centuries, Indigenous communities lived on and cared for this land, yet they are notably absent from Moran’s work. Instead, the artist depicted the landscape as an untouched pre-industrial paradise—thus, ripe for White settlement and colonization "

The mountain
Grand Teton (4,199 m - 13,775 ft) is the highest mountain in Grand Teton National Park in Northwest Wyoming, and a classic destination in American mountaineering. It is the highest point of the Teton Range, and the second highest peak in the U.S. state of Wyoming after Gannett Peak. The mountain is entirely within the Snake River drainage basin, which it feeds by several local creeks and glaciers.The Teton Range is a subrange of the Rocky Mountains, which extend from southern Alaska to northern New Mexico.  Grand Teton's name was first recorded as Mount Hayden by the Washburn-Langford-Doane Expedition of 1870. However, the name "the Grand Teton" had early currency. The Edition of April, 1901 of the USGS 1:125,000 quadrangle map of the area shows "Grand Teton" as the name of the peak. A United States National Park named "Grand Teton National Park" was established by law in 1929. By 1931, the name Grand Teton Peak was in such common usage that it was recognized by the USGS Board on Geographic Names. Another shift in usage led the Board to shorten the name on maps to Grand Teton in 1970. The origin of the name is disputed. The most common explanation is that "Grand Teton" means "large teat" in French, named by either French-Canadian or Iroquois members of an expedition led by Donald McKenzie of the North West Company. However, other historians disagree, and claim that the mountain was named after the Teton Sioux tribe of Native Americans.

The painter
Thomas Moran was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.
Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.
Thomas Moran has a painting exhibited as part of the White House collection with The Three Tetons painted in 1895.

_____________________________

2020 - Wandering Vertexes...
by Francis Rousseau

GRAND CANYON OF THE YELLOWSTONE BY THOMAS MORAN

THOMAS MORAN  (1837-1926)

Grand Canyon of the Yellowstone  (240 - 370 m / 800 - 1,200 ft  

United States of America (Wyoming)

 1.   In The Grand Canyon, 1900,  oil on canvas Smithsonian American Art Museum

2.  In The Grand Canyon of the Yellowstone,1904, oil on canvas, Honolulu Museum of Art.

The mountain  

The Grand Canyon of the Yellowstone- not to be confused with Grand Canyon of the Colorado River or any other Grand Canyons - is the first large canyon on the Yellowstone River downstream from Yellowstone Falls in Yellowstone National Park in Wyoming. The canyon is approximately 24 miles (39 km) long, between 800 and 1,200 ft (240 and 370 m) deep and from .25 to .75 mi (0.40 to 1.21 km) wide.
The specifics of the geology of the canyon are not well understood, except that it is an erosional feature rather than the result of glaciation. After the Yellowstone Caldera eruption of about 600,000 years ago, the area was covered by a series of lava flows. The area was also faulted by the doming action of the caldera before the eruption. The site of the present canyon, as well as any previous canyons, was probably the result of this uplift and related faulting, which allowed erosion to proceed at an accelerated rate. The area was also covered by the glaciers that formed during several ice ages. Glacial deposits probably filled the canyon at one time, but have since been eroded away, leaving little or no evidence of their presence.
Although trappers and prospectors who visited the Yellowstone region had knowledge of the canyon earlier, the first significant descriptions were publicized after the Cook–Folsom–Peterson Expedition of 1869 and the Washburn-Langford-Doane Expedition of 1870.
When Charles W. Cook first viewed the canyon after traveling west from the Lamar Valley on September 20, 1869, he subsequently wrote these words in his journal:
«I was riding ahead, the two pack animals following, and then Mr. Folsom and Mr. Peterson on their saddle horses. I remembered seeing what appeared to be an opening in the forest ahead, which I presumed to be a park, or open country. While my attention was attracted by the pack animals, which had stopped to eat grass, my saddle horse suddenly stopped. I turned and looked forward from the brink of the great canyon, at a point just across from what is now called Inspiration Point. I sat there in amazement, while my companions came up, and after that, it seemed to me that it was five minutes before anyone spoke. »
Source
- Wikipedia page 

The painter
Thomas Moran was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.
Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.
Thomas Moran has a painting exhibited as part of the White House collection. In the photograph depicting President Barack Obama and Israeli President Shimon Peres in the Oval Office it is seen on the wall: the portrait of George Washington is between City of Washington From Beyond the Navy Yard (1833) by George Cooke (on the left) and The Three Tetons (1895) by Thomas Moran (on the right).
Source: 
- The National Gallery of Art, Washington 

TOWER FALL AND SUlPHUR MOUNTAIN BY THOMAS MORAN

THOMAS MORAN (1837-1926)

Tower fall, Sulphur mountain  (1,933 m - 6,342 ft) 

United States of America (Wyoming)

In Tower Fall and Sulphur Mountain, Thomas Moran, 1875, The library of Congress

The formation
Tower of Tower Fall  (1,933 m - 6,342 ft) is a rock pinnacles, part of a most famous waterfall on Tower Creek in the northeastern region of Yellowstone National Park, in the U.S. state of Wyoming. Approximately 1,000 yards (910 m) upstream from the creek's confluence with the Yellowstone River, the fall plunges 132 feet (40 m). Its name comes from the rock pinnacles at the top of the fall. Tower Creek and Tower Fall are located approximately three miles south of Roosevelt Junction on the Tower-Canyon road. On September 15–16, 1869, members of the Cook–Folsom–Peterson Expedition spent a whole day in the Tower Fall area before crossing the river and traveling up the East Fork of the Yellowstone (Lamar River). In August 1870, the Washburn-Langford-Doane Expedition camped near and explored the Tower Fall area for several days en route to Yellowstone Lake.  The fall was renamed Tower Fall (singular) by the U.S. Geological Survey in 1928
Suplhur Moutain not to be confused with  the 10 others ones in United States of America and Canada, having the same name.  Those mountains are usaually name that way because of the hot springs on their slopes.

The painter
Thomas Moran was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.
Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.
Thomas Moran has a painting exhibited as part of the White House collection with The Three Tetons painted in 1895.

_____________________________

2019 - Wandering Vertexes...
by Francis Rousseau

THORPE CLOUD BY FRANÇOIS VIVARES

FRANÇOIS VIVARES (1708-1780) 

Thorpe Cloud (287 m - 942 ft)  

United Kingdom (England)

The Hill 

Thorpe Cloud  (287m - 942ft)  is an isolated limestone hill (a reef knoll) lying between the villages of Thorpe and Ilam on the Derbyshire/Staffordshire border at the southern end of Dovedale. It is a popular hill amongst the many day-trippers who visit the area, and provides a fine viewpoint north up the dale and south across the Midland plain.

Like much of the dale, including Bunster Hill on the opposite bank, it is in the ownership of the National Trust, and is part of their South Peak Estate. These Dovedale properties were acquired by the Trust in 1934. In 1997, the writer Jeff Kent discovered that a double sunset could be seen against Thorpe Cloud from the top of nearby Lin Dale and, two years later, the phenomenon was first captured on film by the photographer Chris Doherty. The occurrence is visible in good weather on and around the summer solstice and perhaps beyond, when the sun sets on the summit of the hill, partially reappears from its steep northern slope and sets for a second and final time shortly afterwards. The precise event and its location are described in Kent's book The Mysterious Double Sunset. Thorpe Cloud and Dovedale were used as locations in the 2010 film of Robin Hood, starring Russell Crowe. Thorpe Cloud can be clearly made out in several scenes towards the end of the film.

Thorpe Cloud also has a rifle range which local and national shooting clubs use.

The artist

François Vivares was a French landscape-engraver, active in England. He was born in France at Saint-Jean-du-Bruel, near Montpellier, and brought up in Geneva. At the age of 18 he moved permanently to London. He took on Peter Paul Benazech as apprentice in 1746. Vivares exhibited engravings with the Incorporated Society of Artists in 1766 and 1768. During the last thirty years of his life he resided in Great Newport Street, central London, where he kept a print-shop. There he died on 28 November 1780, and was buried in Paddington churchyard. He was three times married, and had 31 children. His son Thomas Vivares also worked as an engraver.

His plates number about 160, and were largely published by John Boydell. Many were from the old masters: Claude, Poussin, Il Bolognese, Vanderneer and Cuyp; but a large proportion of them are views of English scenery after Thomas Gainsborough, Wootton, Thomas Smith of Derby, the Smiths of Chichester, and others. Claude's Enchanted Castle he left unfinished at his death, and it was completed by William Woollett.

MOUNT OF HOLY CROSS PAINTED BY THOMAS MORAN

 

THOMAS MORAN (1837-1926)

Mount of the Holy Cross (4,270 m - 14, 011 ft)
 United States of America  (Colorado)

In  Mountain of  the Holy Cross, oil on canvas, 1875, Museum of the American West, Los Angeles.

The mountain 
Mount of the Holy Cross  (4,270 m - 14, 011 ft) is a high and prominent mountain summit in the northern Sawatch Range of the Rocky Mountains of North America. It was named for the distinctive cross-shaped snowfield on its northeast face. Under USDA Forest Service administration, the mountain was proclaimed "Holy Cross National Monument" by Herbert Hoover on May 11, 1929. The monument was transferred to the National Park Service in 1933.  In 1950, it was returned to the Forest Service and lost its National Monument status. This mountain has been the subject of painters, photographers and even a poem by Henry Wadsworth Longfellow, The Cross of Snow. The first publicly available photograph was published in National Geographic magazine. It is still much photographed but it is not as well known today as it was in the past.
Nearby features include Bowl of Tears Lake, directly under the east face of the peak, Tuhare Lakes, in a cirque that lies south of a significant subpeak, and several other lakes. Notable locations within 35 mi (56 km) include the Dotsero volcano (near Interstate 70),  abd the famous resort of Vail and  Aspen.  The first recorded ascent of Holy Cross was in 1873, by F. V. Hayden and photographer W. H. Jackson during one of Hayden's geographical surveys. However, the peak may well have been ascended previously by miners or American Indians.

The painter
Thomas Moran was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.
Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.
Thomas Moran has a painting exhibited as part of the White House collection with The Three Tetons painted in 1895.

_____________________________

2020 - Wandering Vertexes...
by Francis Rousseau

RYAN PEAK BY THOMAS MORAN

THOMAS MORAN (1837-1926)

Ryan Peak (3,570 m - 11,714 ft) 

United States of America (Idaho) 

 In Peak Idaho, rocky mountain, oil on canvas, 1890

 The mountain 

Ryan Peak (3,570 m - 11,714 ft)  is the highest peak in the Boulder Mountains of Idaho. Located in Custer County, Ryan Peak is about 0.5 miles (800 m) north of the Blaine County border. The peak is also on the border of Sawtooth National Recreation Area and Salmon-Challis National Forest and partially within the Hemingway–Boulders Wilderness. Ryan Peak is the second highest peak in the Sawtooth National Recreation Area, after Castle Peak as well as the 16th highest peak in Idaho. Kent Peak, which is the second highest peak in the Boulder Mountains is about 0.75 miles (1,210 m) southeast of Ryan Peak. The primary route to Ryan Peak begins north of Ketchum along Idaho State Highway 75 at the Sawtooth National Recreation Area headquarters. Take national forest road 146 north from the headquarters until you reach the trailhead at the end of the road. Trail 115 ascends the ridge to the southwest of Ryan Peak, and from the ridge Ryan Peak is about a 1 mile (1,600 m) off trail hike from the ridge.

The painter
Thomas Moran was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.
Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.
Thomas Moran has a painting exhibited as part of the White House collection with The Three Tetons painted in 1895.

INDEX PEAK PAINTED BY THOMAS MORAN

THOMAS MORAN (1837-1926),

Index Peak (3,264 m - 10,709 feet)

 United States of America (Wyoming)

The mountain 
Index Peak (3,264 m - 10,709 feet) is a prominent mountain peak in the Absaroka Range in Park County, Wyoming. The peak is visible from US Route 212, the Beartooth Highway just east of the Northeast Entrance Station to Yellowstone National Park. Pilot Peak rises just south of Index Peak.

The painter
Thomas Moran was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.
Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.
Thomas Moran has a painting exhibited as part of the White House collection with The Three Tetons painted in 1895.

THE PIC DU MIDI D'OSSAU BY THOMAS ALLOM

THOMAS ALLOM (1804-1872)
Le Pic du Midi d'Ossau  (2, 848m-9,462 ft)
France ( Pyrénées)

In "Les Eaux Bonnes dans les Pyréneées ",vers 1840, Lithographed by J. Kernot

The mountain
The Pic du Midi d'Ossau (2, 848m-9,462 ft) not to be confused with the Pic du Midi de Bigorre is a mountain rising above the Ossau Valley in the French Pyrenees. Despite possessing neither a glacier nor, in the context of the range, a particularly high summit, its distinctive shape makes it a symbol of the French side of the Pyrenees. This familiar shape also makes it easily recognisable from afar, and it is particularly distinctive from the Boulevard des Pyrénées in Pau, some 55 km to the north.
The Pic du Midi d'Ossau lies within the commune of Laruns, in the département of Pyrénées Atlantiques and the Aquitaine region of France. It lies within the fully protected area of the Pyrenees National Park. As normally seen from the north, the mountain presents itself as having two distinct peaks, although from the south two other summits are also visible. It stands separate from any surrounding peaks, being largely surrounded by the valleys of the Gave de Bious, to the west, and the Gave du Brousset, to the east. These two mountain streams come together in the hamlet of Gabas at the foot of the mountain's northern slopes, to form the Gave d'Ossau.
The valley of Ossau is placed in the Béarnaises Pyrénées, between la vallée d'Aspe and the Vallée de Gavarnie, from Rébénacq to the French-Spanish frontier (Col du Portalet). The Col d'Aubisque closes the valley to the east. The villages (from N to S) of the high Ossau are: Bilhères, Bielle, Béon, Bélesten, Gère-Bélesten, Aste-Béon, Louvie-Soubiron, Béost, Assouste, Aas, Laruns, Eaux-Bonnes, Gourette, Eaux-Chaudes, Goust, Gabas, Arouste-Fabréges and Pont de Camps.
The Pic du Midi d'Ossau was reputedly first climbed in 1552 by an expedition led by François de Foix-Candale, later to become the Bishop of Aire. Although the success of this first climb is disputed, it is known that the mountain had been successfully climbed by 1787 when a military surveyor noted that a triangulation cairn had been built on the summit. The first fully recorded climb was by Guillaume Delfau accompanied by Mathieu (a shepherd from Eaux-Bonnes) on October 2, 1797.
The mountain offers many routes of ascent; the voie normale is a serious scramble and rock climb with a grading of PD, II+, 550 m. It approaches the summit via the Refuge de Pombie, a Club Alpin Français owned mountain hut situated at 2,031 m - 6,663 ft, and requires most of a day to execute.
Two others refuges : Cabane Pyrenea Sports belonging to Société Pyrénées Sports at Pau, 25 places located on the NE shore of Lac de Bious-Artigues, and Cabane de Peyreget (1.950 m)
non guarded, 4 places located near Lac de Peyreget and W of Peyreget' little peak ridge.

 The artist
Thomas Allom was an English architect, artist, and topographical illustrator. He was a founding member of what became the Royal Institute of British Architects (RIBA). He designed many buildings in London, including the Church of St Peter's and parts of the elegant Ladbroke Estate in Notting Hill. He also worked with Sir Charles Barry on numerous projects, most notably the Houses of Parliament, and is chiefly known for his numerous topographical works, which were used to illustrate books on travel. From the 1820s onwards, he travelled extensively through the UK and mainland Europe. In 1832 he published Westmorland, Durham and Northumberland Illustrated from Original Drawings (three volumes). In 1834 Allom arrived in Istanbul, Turkey, and produced hundreds of drawings during journeys through Anatolia, Syria and Palestine. The results of this expedition were published in 1838 in Constantinople and the Scenery of the Seven Churches of Asia Minor published in two volumes with text by Robert Walsh.  He is also remembered for numerous illustrations of China, published in China Illustrated in 1845. He also provided illustrations for "Family Secrets" by Mrs Ellis (1841) and E W Brayley's "A topographical history of Surrey" (1850).

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2022 - Wandering Vertexes
Un blog de Francis Rousseau

MOUNT TAMALPAIS PAINTED BY WILLIAM KEITH

WILLIAM KEITH (1838-1911)  

Mount Tamalpais (784m -  2,571 ft)  

 United State of America (California)

  In Sunset Glow on Mt Tamalpais, oil on canvas, 1896 Nelson-Atkins Museum of Art

The mountain 
Mount Tamalpais (784m -  2,571 ft)  known locally as Mount Tam is a peak in Marin County, California, United States, often considered symbolic of Marin County.  The name Tamalpais was first recorded in 1845. It comes from the Coast Miwok name for this mountain, támal pájiṣ, literally "west hill". Much of Mount Tamalpais is protected within public lands such as Mount Tamalpais State Park, the Marin Municipal Water District watershed, and National Park Service land, such as Muir Woods. Mount Tamalpais is the highest peak in the Marin Hills, which are part of the Northern California Coast Ranges.
Mount Tamalpais provides one of the last remaining wildlife refuges in the Bay Area. Urbanization has invaded wildlife habitat, forcing many fauna in southern Marin County to retreat up onto Mount Tamalpais, Muir Woods, and the Bolinas Ridge. A wide variety of avifauna, amphibians, arthropods and mammals are found on Mount Tamalpais, including a number of rare and endangered species. Nonetheless, Mt. Tamalpais and the neighboring Golden Gate Recreation Area together encompass over 115 square miles (298 square kilometers) of land, forming one of the largest preserved parklands located near a U.S. urban center.
Mount Tamalpais has been a common subject in California landscape painting. Painters who have made Tamalpais the subject of one or more paintings include Etel Adnan, Harry Cassie Best, Albert Bierstadt, Norton Bush, Russell Chatham, Edwin Deakin, Percy Gray, Ransome Gillett Holdridge, Tom Killion, William Marple, William Birch McMurtrie, Gilbert Munger, Julian Rix, Frederick Schafer, Jules Tavernier, Nancy Wallace, Thaddeus Welch, Ludmilla Welch, Virgil Williams, Jack Wisby, Theodore Wores, and Raymond Dabb Yelland.

The painter
William Keith (November 18, 1838 – April 13, 1911) was a Scottish-American painter famous for his California landscapes. He is associated with Tonalism and the American Barbizon school. Although most of his career was spent in California, he started out in New York, made two extended study trips to Europe, and had a studio in Boston in 1871-72 and one in New York in 1880.
When Keith went to California, and traveled to Yosemite Valley in the 70' with a letter of introduction to John Muir. The two men became deep friends for the next 38 years. Both had been born in Scotland the same year, and they shared a love for the mountains of California. James Mitchell Clarke described their friendship as one "in which deep affection and admiration were expressed through a kind of verbal boxing, counter-jibe answering jibe, counter-insult responding to insult."
During the 1870s Keith painted a number of six- by ten-foot panoramas, including Kings River Canyon (Oakland Museum, originally owned by Gov. Leland Stanford) and "California Alps" (Mission Inn, Riverside). These competed with paintings of similar size and subject matter by Albert Bierstadt and Thomas Hill.
 "My subjective pictures are the ones that come from the inside. I feel some emotion and I immediately paint a picture that expresses it. The sentiment is the only thing of real value in my pictures, and only a few people understand that. Suppose I want to paint something recalling meditation or repose. If people do not feel that sensation when my work is completed, they do not appreciate nor realize the picture. The fact that they like it means nothing. Any one who can use paint and brushes can paint a true scene of nature — that is an objective picture. The artist must not depend on extraneous things. There is no reality in his art if he must depend on outside influences — it must come from within."
 ( From 1913 Exhibition booklet, Art Institute of Chicago)

2018 - Wandering Vertexes...
Un blog de Francis Rousseau

MOUNT PRINCETON BY CHARLES PARTRIDGE ADAMS

CHARLES PARTRIDGE ADAMS (1858 -1942) 

Mount Princeton (4, 327 m- 14, 2014ft)

United States of America (Colorado)

In Mount Princeton in  1895, watercolor

The mountain 
Mount Princeton  (4, 327 m- 14, 2014ft) also known as Clak Peak or Princeton Mountain is a high and prominent mountain summit of the Collegiate Peaks in the Sawatch Range of the Rocky Mountains of North America. This fourteener is located in San Isabel National Forest, 7.8 miles (12.6 km) southwest (bearing 225°) of the Town of Buena Vista in Chaffee County, Colorado, United States. The mountain was named in honor of Princeton University.[
While not one of the highest peaks of the Sawatch Range, Mount Princeton is one of the most dramatic, abruptly rising nearly 7,000 feet above the Arkansas River valley in only 6 miles.
The first recorded ascent was on July 17, 1877, at 12:30 pm by William Libbey of Princeton University.  It is likely that various miners had climbed the peak earlier.  The name Mount Princeton was in use as early as 1873, and the peak was most likely named by Henry Gannett, a Harvard graduate and chief topographer in a government survey led by George M. Wheeler.

The painter
Charles Partridge Adams was a largely self-taught American landscape artist who painted primarily in Colorado, and secondarily in California. Some paintings were also made in other Rocky Mountain states, the Pacific Northwest and Canada, and a few in Louisiana, the East Coast and Europe.
In 1877 he began work in the Chain and Hardy bookstore in Denver, and received lessons from Helen Henderson Chain, an artist who had studied with George Inness. In 1885 he traveled to the East Coast and visited the studios of George Inness and Worthington Whittredge, and in 1888 he traveled to California and visited the studios of William Keith and Thomas Hill. He traveled to Louisiana in 1890, and to Europe in the summer of 1914. He spent the winter of 1916 in California, and moved to Los Angeles in 1920, and built a second home in Laguna Beach in 1926.
Adams is known for his views of snowy mountain peaks in early morning or sunset light, or wreathed in storm clouds, and for his luminous sunset and twilight paintings of the river bottoms near Denver.
Most of Adams paintings are enhanced by the use of stronger colors than one would find in a photograph. The evening shadows are bluer, the spring grass is greener, the sunsets more strikingly yellow or orange. He sometimes used very small areas of intense blue and red to enliven a dark shadowed area such as the heart of a clump of willows or the dark base of an aspen tree. He also made the mountains look about twice as tall as they actually look, as if seen through a telephoto lens.
Some of his earlier paintings include animals or human figures, but later paintings do not include them. Roughly half of Adams paintings are oils and half are watercolors, which he began painting in the early 1890s. Over 950 paintings have been documented.