MORVEN SKETCHED BY A. G. CARRICK / H. M. THE KING CHARLES III

A. G. CARRICK / H.M KING CHARLES III former PRINCE OF WALES (bn.1948)
Morven / A' Mhòr Bheinn ((871 m -2858 ft)
United Kingdom (Scotland)

In View of Morven From Bovaglie, Balmoral, watercolour, 1994. Courtesy The  Royal Trust Collection

The mountain
Morven (871 m -2858 ft) in scottish galeic A' Mhòr Bheinn, is a Corbett (mountains between 2,500–3,000 feet (762.0–914.4 m) in height with a prominence over 500 feet (152.4 m); solely imperial measurement thresholds) in Aberdeenshire, Scotland. It has not to be confused with Morven in in Caithness.
The poet, Lord Byron, who spent some of his childhood in the area, mentions the mountain in his poem, When I Roved a Young Highlander mentioned in it Mary Duff, his first love.
The hill gives its name to one of the houses at Aboyne Academy.

The painter
Arthur George Carrick is actually H.M. the King Charles III, former Prince of Wales.
When he began showing his paintings, he was too nervous to display his name so displayed under a pseudonym. Arthur George are two of his names (Charles Phillip Arthur George) and one of his titles is Earl of Carrick. King Charles III is an experienced watercolourist.  He has been painting for most of his adult life, during holidays or when his official diary allows. King Charles' interest began during the 1970s and 1980s when he was inspired by Robert Waddell, who had been his art master at Gordonstoun in Scotland. In time, King Charles met leading artists such as Edward Seago, with whom he discussed watercolour technique, and received further tuition from John Ward, Bryan Organ and Derek Hill.
The Royal Family has a tradition of drawing and painting, and King Charles’ work first came to public notice at a 1977 exhibition at Windsor Castle at which other Royal artists included Queen Victoria, The Duke of Edinburgh and The Duke of York.
King Charles paints in the open air, often finishing a picture in one go and his favourite locations include The Queen's estate at Balmoral in Scotland and Sandringham House in Norfolk, England. Sometimes King Charles  III paints during his skiing holidays, and during overseas tours when possible.
The copyright of King Charles' watercolours belongs to A. G. Carrick Ltd, a trading arm of The King's Charities Foundation. Over the years King Charles III has agreed to exhibitions of his watercolours and of lithographs made from them, on the understanding that any income they generate goes to The Prince of Wales's Charitable Foundation.
Money from the sale of the lithographs also goes to the Foundation but the paintings themselves are never for sale.
In the 1980s King Charles III, then Prince of Wales,  began inviting young British artists to accompany him on official tours overseas and record their impressions, a tradition that has continued to this day.
Reference :
- The prince of Wales paintings  

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2022 - Wandering Vertexes...
by Francis Rousseau 

THE TORRIDON HILLS SKETCHED BY WILLIAM TURNER OF OXFORD

 

WILLIAM TURNER OF OXFORD (1789-1862)
The Torridon Hills:
Beinn Alligin (986 m -3,235 ft)
Liathach (1, 055 m- 3,461 ft)
Beinn Eighe (1,010m -3,310 ft)
United Kingdom (Scotland)

In Before Sunrise, Loch Torridon, Rossshire,watercolor, 44,5 x 89 cm, 1856,
Courtesy John Mitchell Gallery, London

About this watercolor
At nearly three feet across this is one of William Turner’s largest known paintings, and belongs to the series of Scottish views which formed the major part of his output after his tour of Scotland undertaken in 1838. His expedition that year took him north from Inverness as far as Loch Inver, and then via Loch Torridon to Skye, whose hills and coast he explored thoroughly. The dramatic effect of the sun’s rays at dawn and the noble stag in the foreground combine with the grandiose scenery to conjure up all the appeal of Scotland which so captivated the popular spirit of the time; indeed, in studying this fresh and imposing watercolour, it is hard to escape the romantic overtones of Sir Walter Scott’s vision of the Highlands.
(From John Mitchell Gallery notice)

The painter
William Turner (1789-1862) was sent to London at the age of fifteen to take up an apprenticeship under John Varley, and was elected a full member of the Old Watercolour Society in 1808. It was in this period that J.M.W.Turner rose to fame, and as a result the younger artist became known as ‘Turner of Oxford’. His own reputation firmly established, he returned to his uncle’s estate at Shipton-under-Cherwell in 1812 and began to build up his practice as a drawing master in Oxford. His range of subject matter was vast, and he travelled throughout the British Isles in search of subjects – from the Wye Valley to the Lake District, from Wales and the Hebrides to the Isle of Wight, and he was a loyal exhibitor at the Society of Painters in Watercolour, submitting a total of 455 pictures, including this one. Turner of Oxford was described as follows: ‘Worthy and dignified, looking like a parson of the old school, dressed in black and wearing a white tie, he lived a hum-drum life at his house, 16 John Street, near Worcester College, where he resided from 1833 till his death on 7th August 1862’ (quoted in Martin Hardie, ‘William Turner of Oxford’, Old Watercolour Society’s Club, Vol. IX (1931-32). It is worth noting that in signing this present painting on the reverse, Turner includes his Oxford address.
(From John Mitchell Gallery notice)

The mountains
The Torridon Hills. The loch Torridon is surrounded by various mountains to the north, including Liathach, Beinn Alligin and Beinn Eighe, all of which are over 3,000 feet (910 m) in height. The Torridon Hills exhibit dramatic mountain scenery. The rocks of which they are made are known as Torridonian sandstone, some of which are crowned by white Cambrian quartzite. They are amongst the oldest rocks in Britain, and sit on yet older rocks, Lewisian gneiss.

Beinn Alligin (986 m -3,235 ft) on left , is one of the classic mountains of the Torridon region of Scotland, lying to the north of LochTorridon, in the Highlands. The name Beinn Alligin is from the Scottish Gaelic, meaning Jewelled Hill. The mountain has two peaks of Munro status: Tom na Gruagaich (922 metres -3,025 ft)) to the south, and Sgùrr Mhòr at 986 metres -3,235 ft) to the north. One of the most prominent features of Beinn Alligin is a great cleft known as Eag Dhubh na h-Eigheachd (black gash of the wailing) or Leum na Caillich, which cuts into the ridge south of the summit. It is the scar of the most spectacular rockslide or rock avalanche in Britain, which runs out into the corrie of Toll a' Mhadaidh Mor. It occurred around 3750 years ago and is around 3.5 million cubic metres in volume. According to local folklore shepherds on the mountain would hear cries from the gash; those who investigated the source of these cries would inevitably fall to their deaths. Beinn Alligin lies on the National Trust for Scotland's Torridon Estate, which has been owned by the charity since 1967, and forms part of both a Site of Special Scientific Interest (SSSI) and a Special Area of Conservation (SAC). 

Liathach  (1,055 m- 3,461 ft) in the center of the waterolor is a mountain in the Torridon Hills. It lies to the north of the A896 road, in the Northwest Highlands of Scotland, and has two peaks of Munro status: Spidean a' Choire Lèith at the east of the main ridge, and Mullach an Rathain at the western end of the mountain. The name Liathach is pronounced in Scottish Gaelic, and means 'The grey one'. When seen from the roadside below, its slopes appear to rise up in a series of near vertical rocky terraces. 

Beinn Eighe (1,010m -3,310 ft)  on right is a complex mountain massif in the Torridon area of Wester Ross in the Highlands of Scotland. Lying to the south of Loch Maree, it forms a long ridge with many spurs and summits, two of which are classified as Munros. The name Beinn Eighe comes from the Scottish Gaelic meaning file mountain.[ Unlike most other hills in the area it has a cap of Cambrian basal quartzite which gives the peaks of Beinn Eighe a distinctive light colour. Its complex topography has made it popular with both hillwalkers and climbers and the national nature reserve on its northern side makes it an accessible mountain for all visitors.

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2021 - Wandering Vertexes...
by Francis Rousseau

BEN LOMOND/ BEINN LAOMAINN PAINTED BY ALFRED DE BREANSKI Sr.

ALFRED DE BREANSKI Sr. (1852-1928)
Ben Lomond / Beinn Laomainn (974 m - 3,196 ft)
United Kingdom (Scotland)

In Head of Loch Lomond, Scotland, Oil on canvas, 16" x 24".

The mountain

Ben Lomond / Beinn Laomainn (974 m- 3,196 ft) is a mountain in the Scottish Highlands, not to be confused with Ben Lomond/Turbunna (Autstralia) is  situated on the eastern shore of Loch Lomond, it is the most southerly of the Munros, Scotland. Ben Lomond lies within the Ben Lomond National Memorial Park and the Loch Lomond and The Trossachs National Park, property of the National Trust for Scotland. Its accessibility from Glasgow and elsewhere in central Scotland, together with the relative ease of ascent from Rowardennan, makes it one of the most popular of all the Munros. On a clear day, it is visible from the higher grounds of Glasgow and across Strathclyde; this may have led to it being named 'Beacon Mountain', as with the equally far-seen Lomond Hills in Fife. Ben Lomond summit can also be seen from Ben Nevis, the highest peak in Britain, over 40 miles (64 km) away. The West Highland Way runs along the western base of the mountain, by the loch. Ben Lomond's popularity in Scotland has resulted in several namesakes in the former British colonies of Australia, New Zealand, Jamaica, Trinidad and Tobago, and the United States.

 

The painter 

Alfred de Breanski Sr. is a British landscape painter best known for his idyllic but realistic depictions of rural Scotland and Wales. Thanks to the particular attention paid to the multiple textures, light and colouristic qualities of each landscape, it is evident that Breanski is deeply influenced by the work of John Constable. It is also inspired by the dramatic nature of the Scottish countryside such as the Highlands, noted for their stark beauty and spectacular scenery. Born in 1852 in Greenwich, England, he exhibited his works at the Royal Academy in London from 1872 to 1918. Today, his works are in the collections of the Southampton City Art Gallery, the Laing Art Gallery in Newcastle and museums Brighton & Hove in East Sussex. De Breanski died in London in 1928.

 
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2021 - Wandering Vertexes...
by Francis Rousseau

BEN NEVIS PAINTED BY JAMES ALFRED AÏIKEN

 

JAMES ALFRED AITKEN (1846-1897)

Ben Nevis (1,344 m - 4, 118 ft)

United KIngdom  (Scotland)

In  Ben Nevis- The First Snow, Glasgow Museums Resource Centre

The mountain 

Ben Nevis  (1,344 m - 4, 118 ft)  in Scottish Gaelic: Beinn Nibheis is the highest mountain in the British Isles, located in Scotland, at the western end of the Grampian Mountains in the Lochaber area of the Scottish Highlands, close to the town of Fort William.
The mountain is a popular destination, attracting an estimated 100,000 ascents a year, around three-quarters of which use the Pony Track from Glen Nevis. The 700 metre - 2,300 ft cliffs of the north face are among the highest in Scotland, providing classic scrambles and rock climbs of all difficulties for climbers and mountaineers. They are also the principal locations in Scotland for ice climbing.
The summit, which is the collapsed dome of an ancient volcano, features the ruins of an observatory which was continuously staffed between 1883 and 1904. The meteorological data collected during this period are still important for understanding Scottish mountain weather. C. T. R. Wilson was inspired to invent the cloud chamber after a period spent working at the observatory.
More about Ben Nevis 

The painter
James Alfred Aitken was a Scottish landscape painter.
Aitken studied art with Horatio McCulloch, before moving to Dublin. There he attended the Royal Dublin Society's school, and had Henry MacManus as teacher.]
In 1872 Aitken moved to Glasgow. He exhibited at the Royal Academy, Glasgow Institute and Royal Hibernian Academy.


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2020 - Wandering Vertexes...
by Francis Rousseau

BEN VRACKIE BY GEORGE FENNEL ROBSON

 

GEORGE FENNEL ROBSON  (1788-1833) 

Ben Vrackie (841m - 2,759 ft)

United Kingdom  (Scotland)

The mountain
Ben Vrackie (841m - 2759 ft)  is a mountain in Perthshire, Scotland. It lies north of the town of Pitlochry. The summit may be reached easily by a direct path from Pitlochry or Killiecrankie, and commands views of Pitlochry and the surrounding glens.
cotland has approximately 221 hills as of 2018 Scotland is the most mountainous country in the United Kingdom.


The painter 
George Fennell Robson was an English watercolour painter. He received instruction in drawing from a Mr. Harle of Durham. In 1806 he went to London with £5 in his pocket.
Robson began to exhibit at the Royal Academy in 1807, in 1810 landscapes in the Bond Street gallery of the Associated Painters, where he was a member, and in 1813 with the Society of Painters in Oil and Watercolours. At the anniversary meeting on 30 November 1819 he was elected president of the last society, for a year. Robson was an honorary member of the Sketching Society, but weakness of sight prevented him from drawing at their evening meetings.
More about the painter 

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2020 - Wandering Vertexes...
Un blog de Francis Rousseau

BEN CRUACHAN BY THOMAS MILES RICHARDSON II

THOMAS MILES RICHARDSON II (1813-1890) 

Ben Cruachan (1,126 m- 3,964 ft)

United Kingdom (Scotland) 

  In Ben Cruachan, Loch Etive, 1836, watercolour and gouache, with graphite and gum arabic on brown paper, Portland Art museum 

The mountain 

Ben Cruachan (1,126 m- 3,964 ft) is the highest point in Argyll and Bute, Scotland. It gives its name to the Cruachan Dam, a pumped-storage hydroelectric power station located in a cavern inside the mountain, Cruachan! is the battle cry for Highland clans Campbell and MacIntyre. It is the high point of a ring of mountains, known as the Cruachan Horseshoe, that surrounds the power station reservoir. The horseshoe includes a further Munro (Stob Diamh), a Corbett (Beinn a' Bhuiridh), and several subsidiary summits.

 The painter 

Thomas Miles Richardson  was an English landscape-painter whose first notable picture was a ‘View of Newcastle from Gateshead Fell,’  purchased by the Newcastle corporation. In 1816 he began to illustrate with aquatints his brother's ‘Collection of Armorial Bearings … in the Chapel of St. Andrew, Newcastle-upon-Tyne’ which was published in 1818, and followed in 1820 by a larger work dealing with the church of St. Nicholas. In 1833 and 1834 he was engaged on a work on the ‘Castles of the English and Scottish Borders’ which he illustrated with mezzotints. These publications remained unfinished. Richardson became well known as a contributor to London exhibitions from 1818, when he sent his first picture to the Royal Academy, and was elected a member of the New Watercolour Society. His work was represented in public galleries at South Kensington, at Dublin, and at Liverpool.

BEN LOMOND/ BEINN LAOMAINN BY GEORGE FENNEL ROBSON

GEORGE FENNEL ROBSON  (1788 - 1833) 

 Ben Lomond / Beinn Laomainn (974 m - 3,196 ft
United Kingdom Scotland 

The mountain 

Ben Lomond  / Beinn Laomainn  (974 m- (3,196 ft) is a mountain in the Scottish Highlands. Situated on the eastern shore of Loch Lomond, it is the most southerly of the Munros. Ben Lomond lies within the Ben Lomond National Memorial Park and the Loch Lomond and The Trossachs National Park, property of the National Trust for Scotland. Its accessibility from Glasgow and elsewhere in central Scotland, together with the relative ease of ascent from Rowardennan, makes it one of the most popular of all the Munros. On a clear day, it is visible from the higher grounds of Glasgow and across Strathclyde; this may have led to it being named 'Beacon Mountain', as with the equally far-seen Lomond Hills in Fife. Ben Lomond summit can also be seen from Ben Nevis, the highest peak in Britain, over 40 miles (64 km) away. The West Highland Way runs along the western base of the mountain, by the loch.
Ben Lomond's popularity in Scotland has resulted in several namesakes in the former British colonies of Australia, New Zealand, Jamaica, Trinidad and Tobago, and the United States.

The painter 
George Fennell Robson was an English watercolour painter. He received instruction in drawing from a Mr. Harle of Durham. In 1806 he went to London with £5 in his pocket.
Robson began to exhibit at the Royal Academy in 1807, in 1810 landscapes in the Bond Street gallery of the Associated Painters, where he was a member, and in 1813 with the Society of Painters in Oil and Watercolours. At the anniversary meeting on 30 November 1819 he was elected president of the last society, for a year. Robson was an honorary member of the Sketching Society, but weakness of sight prevented him from drawing at their evening meetings.
Robson published in 1808 a print of Durham, the profits of which enabled him to visit Scotland. In 1811 and 1812 he exhibited drawings of the Trossachs and Loch Katrine; and in 1814 published Scenery of the Grampians, with forty mountain landscapes, etched by Henry Morton after his drawings. From 1813 to 1820 he contributed, on the average, twenty drawings annually to the Oil and Watercolour Society's exhibition, mostly of the Perthshire highlands, but comprising also scenes from Durham, the Isle of Wight, and Wales.
When in 1821 the Society of Painters in Oil and Watercolours, now the Royal Watercolour Society of Painters, excluded oil paintings, Robson contributed 26 drawings to the exhibition of that year. Between 1821 and 1833 he exhibited 484 works there.
From 1829 to 1833 Robson worked with Robert Hills, the animal painter. His main talent was for the treatment of mountain scenery under broad effects of light and

THE CUILLIN PAINTED BY GEORGE FENNEL ROBSON

GEORGE FENNEL ROBSON  (1788 - 1833)

The Cuillin (992m - 3,255ft)

United Kingdom (Scotland- Isles of Skye) 

 In Cuchullin Mountains, Isles of Skye, Scotland,  watercolor, 1822,V&A Museum, London.

The mountains 

The Cuillin (992m - 3,255ft) is a range of rocky mountains located on the Isle of Skye in Scotland. The main Cuillin ridge is also known as the Black Cuillin to distinguish it from the Red Cuillin ( known locally as Red Hills), which lie to the east of Glen Sligachan.

The peaks of the Black Cuillin are mainly composed of gabbro, a very rough igneous rock which provides a superb grip for mountaineers; and basalt, which can be very slippery when wet.  The rocks forming the ridge of the Black Cuillin (and outliers such Bla Bheinn) are dark in colour, particularly in the shade, but when in sunlight the Black Cuillin can appear grey to brown in colour (as shown in the paintings above).   The main ridge forms a narrow crest, with steep cliffs and scree slopes.[5] The ridge is about 14 km long (measured from Gars-behinn in the south to Sgщrr nan Gillean in the northeast), and curves in an irregular semi-circle around Loch Coruisk, which lies at the heart of the range. The highest point of the Cuillin, and of the Isle of Skye, is Sgщrr Alasdair in the Black Cuillin.

The Red Cuillin are mainly composed of granite, which is paler than the gabbro (with a reddish tinge from some angles in some lights) and has weathered into more rounded hills with vegetation cover to summit level and long scree slopes on their flanks. These hills are lower and, being less rocky, have fewer scrambles or climbs.  The highest point of the red hills is Glamaig (775 m), one of only two Corbetts on Skye.

About those mountains, one can read  in Scottish Natural Heritage Commissioned Report no 374: "The mountains rise up dramatically from the sea creating formidable, enclosed sea lochs, with the absence of foothills enhancing their vast scale. Many iconic views of Scotland are centred here, whether Sgurr nan Gillean soaring above Sligachan, Loch Scavaig and the Cuillin ridge from Elgol, or Bla Bheinn above Torrin. "

The painter 

George Fennell Robson was an English watercolour painter. He received instruction in drawing from a Mr. Harle of Durham. In 1806 he went to London with £5 in his pocket.[
Robson began to exhibit at the Royal Academy in 1807, in 1810 landscapes in the Bond Street gallery of the Associated Painters, where he was a member, and in 1813 with the Society of Painters in Oil and Watercolours. At the anniversary meeting on 30 November 1819 he was elected president of the last society, for a year. Robson was an honorary member of the Sketching Society, but weakness of sight prevented him from drawing at their evening meetings.
Robson published in 1808 a print of Durham, the profits of which enabled him to visit Scotland. In 1811 and 1812 he exhibited drawings of the Trossachs and Loch Katrine; and in 1814 published Scenery of the Grampians, with forty mountain landscapes, etched by Henry Morton after his drawings. From 1813 to 1820 he contributed, on the average, twenty drawings annually to the Oil and Watercolour Society's exhibition, mostly of the Perthshire highlands, but comprising also scenes from Durham, the Isle of Wight, and Wales.
When in 1821 the Society of Painters in Oil and Watercolours, now the Royal Watercolour Society of Painters, excluded oil paintings, Robson contributed 26 drawings to the exhibition of that year. Between 1821 and 1833 he exhibited 484 works there.
From 1829 to 1833 Robson worked with Robert Hills, the animal painter. His main talent was for the treatment of mountain scenery under broad effects of light and

BEN NEVIS BY CECIL ARTHUR HUNT

CECIL ARTHUR HUNT (1873-1965)

Ben Nevis (1,344 m - 4, 118 ft)

Great Britain - Scotland




The mountain 

Ben Nevis  (1,344 m - 4, 118 ft)  in Scottish Gaelic: Beinn Nibheis is the highest mountain in the British Isles, located in Scotland, at the western end of the Grampian Mountains in the Lochaber area of the Scottish Highlands, close to the town of Fort William.

The mountain is a popular destination, attracting an estimated 100,000 ascents a year, around three-quarters of which use the Pony Track from Glen Nevis. The 700m  (2,300 ft) cliffs of the north face are among the highest in Scotland, providing classic scrambles and rock climbs of all difficulties for climbers and mountaineers. They are also the principal locations in Scotland for ice climbing.

The summit, which is the collapsed dome of an ancient volcano, features the ruins of an observatory which was continuously staffed between 1883 and 1904. The meteorological data collected during this period are still important for understanding Scottish mountain weather. C. T. R. Wilson was inspired to invent the cloud chamber after a period spent working at the observatory.

The first recorded ascent of Ben Nevis was made on 17 August 1771 by James Robertson, an Edinburgh botanist, who was in the region to collect botanical specimens. Another early ascent was in 1774 by John Williams, who provided the first account of the mountain's geological structure. John Keats climbed the mountain in 1818, comparing the ascent to "mounting ten St. Pauls without the convenience of a staircase".  The following year William MacGillivray, who was later to become a distinguished naturalist, reached the summit only to find "fragments of earthen and glass ware, chicken bones, corks, and bits of paper". 

It was not until 1847 that Ben Nevis was confirmed by the Ordnance Survey as the highest mountain in Britain and Ireland, ahead of its rival Ben Macdhui.

In 2000, the Ben Nevis Estate, comprising all of the south side of the mountain including the summit, was bought by the Scottish conservation charity the John Muir Trust.

The painter 
Cecil Arthur Hunt was educated at Winchester and Trinity College, Cambridge, studying Classics and Law, and being called to the Bar in 1899. He treated painting and writing as serious pastimes until 1925, when he was elected to the full membership of the Royal Society of Painters in Water-Colours. He then relinquished his legal career to become a professional painter.
Hunt had first exhibited in 1900, at the Alpine Club Galleries, and had held his first major show a year later, alongside E Home Bruce at the Ryder Gallery. From the first, he established himself as an atmospheric painter of mountains, especially of the Alps and Dolomites. However, he was soon accepted as a master of a great variety of topographies, for he exhibited the products of his wide travels frequently and extensively. Favourite destinations included the West Country, the West Coast of Scotland, the Rhone Valley, Northern Italy, Rome and Taormina. From 1911, until his death, Hunt lived at Mallord House in Chelsea, especially designed for him by Sir Ralph Knott to include a large studio on the ground floor. During the summer months he and his family retreated to the farm estate of Foxworthy, on the edge of Dartmoor.
Hunt showed work regularly at the Royal Academy (from 1912), the Royal Society of British Artists (from 1914) and the Royal Society of Painters in Water-Colours (from 1918). He was elected a member of the RBA in 1914, an associate of the RWS in 1919, and a full member six years later. He acted as the Vice-President of the RWS for a three-year period from 1930. His many substantial solo shows included six at the Fine Art Society (1919-34) and one at Colnaghi’s (1945). Following his death, in 1965,  he was the subject of a large memorial show at the Royal Society of Painters in Water-Colours.
Chris Beetles has done much to revive interest in the work of Cecil Arthur Hunt. He mounted a large scale retrospective exhibition in 1996 at his London gallery, on the exact site of the artist’s first substantial show in 1901. The retrospective was accompanied by a definitive catalogue.

BEINN A' BHUIRD PAINTED BY A. G. CARRICK / H.M KING CHARLES III

A. G. CARRICK / H.M KING CHARLES III former PRINCE OF WALES (bn.1948)

Beinn a' Bhùird (1,197m - 3,927ft) 

United Kingdom (Scotland) 

 In  Beinn a' Bhùird, watercolour on paper, 2005 

The mountain 

Beinn a' Bhщird  (1,197m - 3,927ft), meaning mountain of the table in Galic, is a Munro in the Cairngorm mountain range of Scotland. In Watson (1975) the author suggests the mountain should be named Beinn Bтrd - table hill, saying that local Scottish Gaelic speakers pronounced the mountain Paing Bтrd, with some of the older local folk still using Painna Bтrd. The closest village to Beinn a' Bhщird is Braemar, Aberdeenshire and the most common approach by car is through this village. To reach Beinn a' Bhщird by car, the most common approach is by the Linn of Dee road along the south side of the River Dee to the Linn of Dee, looping back along the north-bank to the car park at Allanaquoich where camping is permitted. The distance between Braemar and Allanaquoich by this route is about 10 miles.

In the early 1960s there was an attempt to develop a large ski area on Beinn a' Bhùird. The development was financed by the Panchaud brothers (Gerald and Jhon) of Switzerland who had purchased the estate when skiing in Scotland was booming.  The area was to be called Mar Lodge and opened in 1963 after a series of record snowfalls. At the time of opening there were two T-bars on site, one 620 ft long and one 2050 ft long. These offered a total uphill capacity of 1,400 people per hour. Unfortunately, the seasons of 1963-64 and 1964-65 offered very little snow to the area, meaning that the ski lifts were rarely used, with the resort becoming abandoned in 1965.  When the resort closed both T-bars were moved to Glenshee to become the Cairnwell T-Bar and Trainer Tow.

In 2006 a glider pilot from Deeside Gliding Club crashed on the hillside, spending 24 hours trapped in his plane before he was located by the RAF.

The painter
Arthur George Carrick is actually H.M. the King Charles III, former Prince of Wales.
When he began showing his paintings, he was too nervous to display his name so displayed under a pseudonym. Arthur George are two of his names (Charles Phillip Arthur George) and one of his titles is Earl of Carrick. King Charles III is an experienced watercolourist.  He has been painting for most of his adult life, during holidays or when his official diary allows. King Charles' interest began during the 1970s and 1980s when he was inspired by Robert Waddell, who had been his art master at Gordonstoun in Scotland. In time, King Charles met leading artists such as Edward Seago, with whom he discussed watercolour technique, and received further tuition from John Ward, Bryan Organ and Derek Hill.
The Royal Family has a tradition of drawing and painting, and King Charles’ work first came to public notice at a 1977 exhibition at Windsor Castle at which other Royal artists included Queen Victoria, The Duke of Edinburgh and The Duke of York.
King Charles paints in the open air, often finishing a picture in one go and his favourite locations include The Queen's estate at Balmoral in Scotland and Sandringham House in Norfolk, England. Sometimes King Charles  III paints during his skiing holidays, and during overseas tours when possible.
The copyright of King Charles' watercolours belongs to A. G. Carrick Ltd, a trading arm of The King's Charities Foundation. Over the years King Charles III has agreed to exhibitions of his watercolours and of lithographs made from them, on the understanding that any income they generate goes to The Prince of Wales's Charitable Foundation.
Money from the sale of the lithographs also goes to the Foundation but the paintings themselves are never for sale.
In the 1980s King Charles III, then Prince of Wales,  began inviting young British artists to accompany him on official tours overseas and record their impressions, a tradition that has continued to this day.
Reference :
- The prince of Wales paintings 

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2017 - Wandering Vertexes...
by Francis Rousseau 

BEN LEDI BY DAVID YOUNG CAMERON

DAVID YOUNG CAMERON (1865-1945) 

Ben Ledi  (879 m - 2,884 ft)

United Kingdom (Scotland)

1. In Ben Ledi - Late Autumn, oil on canvas, 1908, National Galleries Scotland

2. In Ben Ledi, pencil, National Galleries Scotland

The mountain 

Ben Ledi  (879 m - 2,884 ft), in Scottish Gaelic Beinn Leitir is a mountain in Perthshire, Scotland, classified as a Corbett. It lies about 6.4 kilometres (4 miles) north-west of Callander, near the village of Kilmahog. It is situated in the Trossachs, an area often regarded as having some of the most romantic scenery in the Highlands.

Ben Ledi is particularly well known through Walter Scott's poem Lady of the Lake. Supposedly in ancient times, Beltane rites were observed on the summit.  There are what is thought to be possible references to these Beltane rights in some of the Gaelic names on the mountain: Creag Ghorn; 'Rock of Embers' and Creag Loisgte; 'Burned Rock'. In 1791 the Rev Doctor James Robertson being minister of the parish at the time, was required to write a description of the parish for the First Statistical Account of Scotland. In his report he mistakenly took the name Ben Ledi to mean 'hill of god' which suited the purposes of the kirk of the day. The name is in fact a corruption of Beinn Leitir which translates to 'the Hill of the Slope', which is a very suitable description of the long south shoulder used to access the summit. A cairn was built on the top in 1887 to commemorate Queen Victoria's jubilee.

A small lochan, Lochan nan Corp, lies at 655 m above sea level about 1.5 km to the north of the summit. The name means "the little loch of the dead", and was thought to be named for an accident to a funeral party at which 200 lives were lost.  In truth the lochan is on the old coffin road from Glen Finlas to St Bride's chapel close to Loch Lubnaig. The pass is therefore named the Bealach nan Corp - Pass of the Dead - and the lochan is named after the pass. The lochan is not deep enough to reach past your waist nor of sufficient area to accommodate any large funeral party.

The painter 

Sir David Young Cameron RA  was a Scottish painter and etcher. He was educated at The Glasgow Academy. From around 1881 he studied at the Glasgow School of Art and in 1885 enrolled at the Edinburgh Schools of Art. Cameron became a skilled etcher making a name for himself in this medium and gaining international recognition by the 1890s. He was elected associate of the Royal Society of Painter-Etchers (RE) in 1889. In 1895 he was elected Fellow of the RE. He exhibited regularly from 1889 to 1902, before resigning his membership in 1903.

His subjects included architectural studies, of which he produced a number of popular 'sets' and landscapes. He received various medals and awards for his etchings. It was during this time that he published a number of sets of etchings (such as "The Clyde Set", "The North Holland Set" and "The North Italian Set"). In general his prints feature areas of great darkness, offset by highlights. 

He became highly sought after by collectors, until the Great Crash of 1929 brought a collapse in prices for prints in general. He exploited his popularity by producing an unprecedented number of states of his prints, and is believed to hold the record at twenty-eight states in one case.

As well as becoming well known as an etcher the artist also produced a great many oil paintings and watercolour sketches of landscapes and architectural subjects. Cameron's earliest known oil painting dates to 1883. His work was influenced by the Glasgow Boys and the Hague School. 

After 1907 Cameron's work showed a greater focus on Scottish landscape subjects and from 1908 to 1917 he moved from etching to painting. Around this time he largely stopped including figures in his compositions, apart from in his architectural studies. By this time his works were receiving wide critical acclaim and he was well known both in the UK and abroad. Around 1908 his work began to lighten in colour, prior to this Cameron's work had been criticised for being too dark with a heavy use of brown tones. Visits to France and Italy in the 1920s seemed to have a further influence on his works and brought about a much brighter palette. His painting can be characterised by an interest in tone and design over colour and detail. At the same time there was a shift in influence away from the Glasgow Boys and their decorative style and he became known for his atmospheric highland landscapes.

In 1917-18 Cameron was commissioned by the Canadian Government to paint the war in France. Cameron was knighted in 1924 and was a Trustee of the Tate Gallery from 1921 to 1927 and the Scottish National Gallery, and was the King's Painter and Limner in Scotland 1933

BEN NEVIS PAINTED BY SIDNEY RICHARD PERCY

 SIDNEY RICHARD PERCY (1821-1886) 

Ben Nevis (1,344 m - 4, 118 ft)

Great Britain - Scotland

In Carn Dearg and Ben Nevis from Achintee 

The mountain 

Ben Nevis  (1,344 m - 4, 118 ft)  in Scottish Gaelic: Beinn Nibheis is the highest mountain in the British Isles, located in Scotland, at the western end of the Grampian Mountains in the Lochaber area of the Scottish Highlands, close to the town of Fort William.
The mountain is a popular destination, attracting an estimated 100,000 ascents a year, around three-quarters of which use the Pony Track from Glen Nevis. The 700 metre - 2,300 ft cliffs of the north face are among the highest in Scotland, providing classic scrambles and rock climbs of all difficulties for climbers and mountaineers. They are also the principal locations in Scotland for ice climbing.
The summit, which is the collapsed dome of an ancient volcano, features the ruins of an observatory which was continuously staffed between 1883 and 1904. The meteorological data collected during this period are still important for understanding Scottish mountain weather. C. T. R. Wilson was inspired to invent the cloud chamber after a period spent working at the observatory.
The first recorded ascent of Ben Nevis was made on 17 August 1771 by James Robertson, an Edinburgh botanist, who was in the region to collect botanical specimens. Another early ascent was in 1774 by John Williams, who provided the first account of the mountain's geological structure. John Keats climbed the mountain in 1818, comparing the ascent to "mounting ten St. Pauls without the convenience of a staircase".  The following year William MacGillivray, who was later to become a distinguished naturalist, reached the summit only to find "fragments of earthen and glass ware, chicken bones, corks, and bits of paper". It was not until 1847 that Ben Nevis was confirmed by the Ordnance Survey as the highest mountain in Britain and Ireland, ahead of its rival Ben Macdhui.
The summit observatory was built in the summer of 1883, and would remain in operation for 21 years. The first path to the summit was built at the same time as the observatory and was designed to allow ponies to carry up supplies, with a maximum gradient of one in five.  The opening of the path and the observatory made the ascent of the Ben increasingly popular, all the more so after the arrival of the West Highland Railway in Fort William in 1894.  Around this time the first of several proposals was made for a rack railway to the summit, none of which came to fruition.
In 2000, the Ben Nevis Estate, comprising all of the south side of the mountain including the summit, was bought by the Scottish conservation charity the John Muir Trust.

The painter 
Sidney Richard Percy had his greatest success painting landscapes of grazing cattle, typically set against backgrounds of distant mountains and cloudy skies. The prevailing hues of his landscapes are earth tones and soft greens, accentuated by a variety of pastel hues. The detail in his work is part of its appeal, and "it was remarked that his rocks and stones were sufficiently accurate to have served as illustrations to the writings of Sir Roderick Murchison, the popular 19th-century geologist." Llyn-y-Ddinas, North Wales, one of his more popular works on the internet, displays these qualities. He also painted landscapes of farm fields, wheel-rutted country roads, and the occasional boat scene on a lake. Although he generally painted in oils, a number of small watercolors on cardboard exist, typically unsigned, that are his work. The family, and his son the painter Herbert Sidney Percy in particular, referred to these as "potboilers", meaning that they were quickly, and often crudely executed, yet easily and cheaply sold "to put food on the table" when working on larger, more time-consuming oils for exhibition, or commissions. Many of these watercolor "potboilers" were done in the field, and then brought back to the studio to refer to when executing a more formal oil on canvas.
Sidney Richard Percy was extremely popular during the early part of his career, which for a short time brought him a fair amount of income. Among his patrons during this time was Prince Albert the Royal consort who in 1854 gave Percy's landscape of A view of Llyn Dulyn, North Wales, which had just been exhibited at the Royal Academy, as a gift to his wife Queen Victoria. This painting still hangs today in the Royal Collection. Unfortunately Sidney Richard Percy outlived his popularity, and the art world was more excited about impressionism and other styles than landscapes when he died. Today though, his work is much sought after, and his better paintings bring much higher prices in auction than any of those of his brethren in the Williams family.
When the Athenaeum in 1886 (i. 592) ran an obituary for Sidney Richard Percy they called him, "the well-known and popular painter, founder of the so-called School of Barnes . . ." Although depending on the context of what is meant by the so-called Barnes School, this is a bit of an injustice to his father Edward Williams, whom it might be argued is the founder of the Barnes School of painters, but it illustrates the popularity that Sidney Richard Percy held with the art-buying public of his day.

BEN AVON PAINTED BY A. G. CARRICK / H.M KING CHARLES III

A. G. CARRICK / H.M KING CHARLES III former PRINCE OF WALES (bn.1948)

Ben Avon (1,171m - 3,842ft) near Braemar

  United Kingdom (Scotland)

The mountain  
Ben Avon (1,171m - 3,842ft), named in Scottish Gaelic -  Beinn Athfhinn -  which means Hill of the bright one is a mountain in the Cairngorm mountains range of Scotland Eastern Highlands.  The highest point of the massif, known as Leabaidh an Dаimh Bhuidhe (bed of the yellow stag) is classified as both a Munro and a Marilyn. Ben Avon is a very large and complex mountain sprawling over more than 30 km2. The summit plateau is dominated by granite tors, one of which forms the summit. From the broad summit plateau ridges lead in almost every direction, allowing access from Glen Avon to the north, from Beinn a' Bhщird to the west and from Gleann an t-Slugain in the south. To the west of the summit lies the massive corrie, Slochd Mтr, with its rocky cliffs, and the approaches from the south and west take you close to the corrie rim.
The most common ascent route is via the path in the deep glen that separates Ben Avon and Beinn a' Bhщird, or from Beinn a' Bhщird itself. The summit tor itself must be climbed in order to "bag" the mountain, though it is an easy scramble.

The painter
Arthur George Carrick is actually H.M. the King Charles III, former Prince of Wales.
When he began showing his paintings, he was too nervous to display his name so displayed under a pseudonym. Arthur George are two of his names (Charles Phillip Arthur George) and one of his titles is Earl of Carrick. King Charles III is an experienced watercolourist.  He has been painting for most of his adult life, during holidays or when his official diary allows. King Charles' interest began during the 1970s and 1980s when he was inspired by Robert Waddell, who had been his art master at Gordonstoun in Scotland. In time, King Charles met leading artists such as Edward Seago, with whom he discussed watercolour technique, and received further tuition from John Ward, Bryan Organ and Derek Hill.
The Royal Family has a tradition of drawing and painting, and King Charles’ work first came to public notice at a 1977 exhibition at Windsor Castle at which other Royal artists included Queen Victoria, The Duke of Edinburgh and The Duke of York.
King Charles paints in the open air, often finishing a picture in one go and his favourite locations include The Queen's estate at Balmoral in Scotland and Sandringham House in Norfolk, England. Sometimes King Charles  III paints during his skiing holidays, and during overseas tours when possible.
The copyright of King Charles' watercolours belongs to A. G. Carrick Ltd, a trading arm of The King's Charities Foundation. Over the years King Charles III has agreed to exhibitions of his watercolours and of lithographs made from them, on the understanding that any income they generate goes to The Prince of Wales's Charitable Foundation.
Money from the sale of the lithographs also goes to the Foundation but the paintings themselves are never for sale.
In the 1980s King Charles III, then Prince of Wales,  began inviting young British artists to accompany him on official tours overseas and record their impressions, a tradition that has continued to this day.
Reference :
- The prince of Wales paintings  

 
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2016 - Wandering Vertexes...
by Francis Rousseau