google.com, pub-0288379932320714, DIRECT, f08c47fec0942fa0 GRAVIR LES MONTAGNES... EN PEINTURE: GRAMPIANS MOUNTAIN RANGE
Showing posts with label GRAMPIANS MOUNTAIN RANGE. Show all posts
Showing posts with label GRAMPIANS MOUNTAIN RANGE. Show all posts

Wednesday, June 10, 2020

BEN NEVIS PAINTED BY JAMES ALFRED AÏIKEN

 

JAMES ALFRED AITKEN (1846-1897)
Ben Nevis (1,344 m - 4, 118 ft)
United KIngdom  (Scotland)

In  Ben Nevis- The First Snow, Glasgow Museums Resource Centre


The mountain 
Ben Nevis  (1,344 m - 4, 118 ft)  in Scottish Gaelic: Beinn Nibheis is the highest mountain in the British Isles, located in Scotland, at the western end of the Grampian Mountains in the Lochaber area of the Scottish Highlands, close to the town of Fort William.
The mountain is a popular destination, attracting an estimated 100,000 ascents a year, around three-quarters of which use the Pony Track from Glen Nevis. The 700 metre - 2,300 ft cliffs of the north face are among the highest in Scotland, providing classic scrambles and rock climbs of all difficulties for climbers and mountaineers. They are also the principal locations in Scotland for ice climbing.
The summit, which is the collapsed dome of an ancient volcano, features the ruins of an observatory which was continuously staffed between 1883 and 1904. The meteorological data collected during this period are still important for understanding Scottish mountain weather. C. T. R. Wilson was inspired to invent the cloud chamber after a period spent working at the observatory.
More about Ben Nevis 

The painter
James Alfred Aitken was a Scottish landscape painter.
Aitken studied art with Horatio McCulloch, before moving to Dublin. There he attended the Royal Dublin Society's school, and had Henry MacManus as teacher.]
In 1872 Aitken moved to Glasgow. He exhibited at the Royal Academy, Glasgow Institute and Royal Hibernian Academy.


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2020 - Wandering Vertexes...
by Francis Rousseau






Sunday, November 4, 2018

MOUNT ABRUPT BY EUGENE VON GUERARD


EUGENE VON GUERARD  (1811-1901)
Mount Abrupt (805 m - 2,641ft)
Australia  (Victoria) 

 In Mount Abrupt, The Crampians, Victoria, Private collection 

The mountain 
Mount Abrupt (805 m - 2,641ft) is located in Grampians National Park Victoria. This Mount Abrupt hike, suitable for fit and energetic walkers, can involve water crossings, slippery track surfaces, rock hopping and rock scrambling. The steep track winds its way through heathy woodland to a ridge. Follow the ridge over rock slabs and stunted montane vegetation to the summit, for one of the most spectacular views.
A large landside caused by the storm event in January 2011 badly damaged this walking track. Parks Victoria has worked hard to rebuild this track but further rain could cause movement of soil and rock over the track.

The painter 
Johann Joseph Eugene von Guerard was an Austrian-born artist, active in Australia from 1852 to 1882. Known for his finely detailed landscapes in the tradition of the Düsseldorf school of painting, he is represented in Australia's major public galleries, and is referred to in the country as Eugene von Guerard. In 1852 von Guerard arrived in Victoria, Australia, determined to try his luck on the Victorian goldfields. As a gold-digger he was not very successful, but he did produce a large number of intimate studies of goldfields life, quite different from the deliberately awe-inspiring landscapes for which he was later to become famous. Realizing that there were opportunities for an artist in Australia, he abandoned the diggings and was soon undertaking commissions recording the dwellings and properties of wealthy pastoralists.
By the early 1860s, von Guerard was recognized as the foremost landscape artist in the colonies, touring Southeast Australia and New Zealand in pursuit of the sublime and the picturesque.  He is most known for the wilderness paintings produced during this time, which are remarkable for their shadowy lighting and fastidious detail.  Indeed, his View of Tower Hill in south-western Victoria was used as a botanical template over a century later when the land, which had been laid waste and polluted by agriculture, was systematically reclaimed, forested with native flora and made a state park. The scientific accuracy of such work has led to a reassessment of von Guerard's approach to wilderness painting, and some historians believe it likely that the landscapist was strongly influenced by the environmental theories of the leading scientist Alexander von Humboldt. Others attribute his 'truthful representation' of nature to the criterion for figure and landscape painting set by the Düsseldorf Academy.
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2018 - Wandering Vertexes...


by Francis Rousseau 

Wednesday, March 14, 2018

BEN NEVIS BY CECIL ARTHUR HUNT


CECIL ARTHUR HUNT (1873-1965)
Ben Nevis (1,344 m - 4, 118 ft)
Great Britain - Scotland
The mountain 
Ben Nevis  (1,344 m - 4, 118 ft)  in Scottish Gaelic: Beinn Nibheis is the highest mountain in the British Isles, located in Scotland, at the western end of the Grampian Mountains in the Lochaber area of the Scottish Highlands, close to the town of Fort William.
The mountain is a popular destination, attracting an estimated 100,000 ascents a year, around three-quarters of which use the Pony Track from Glen Nevis. The 700m  (2,300 ft) cliffs of the north face are among the highest in Scotland, providing classic scrambles and rock climbs of all difficulties for climbers and mountaineers. They are also the principal locations in Scotland for ice climbing.
The summit, which is the collapsed dome of an ancient volcano, features the ruins of an observatory which was continuously staffed between 1883 and 1904. The meteorological data collected during this period are still important for understanding Scottish mountain weather. C. T. R. Wilson was inspired to invent the cloud chamber after a period spent working at the observatory.
The first recorded ascent of Ben Nevis was made on 17 August 1771 by James Robertson, an Edinburgh botanist, who was in the region to collect botanical specimens. Another early ascent was in 1774 by John Williams, who provided the first account of the mountain's geological structure. John Keats climbed the mountain in 1818, comparing the ascent to "mounting ten St. Pauls without the convenience of a staircase".  The following year William MacGillivray, who was later to become a distinguished naturalist, reached the summit only to find "fragments of earthen and glass ware, chicken bones, corks, and bits of paper"
It was not until 1847 that Ben Nevis was confirmed by the Ordnance Survey as the highest mountain in Britain and Ireland, ahead of its rival Ben Macdhui.
In 2000, the Ben Nevis Estate, comprising all of the south side of the mountain including the summit, was bought by the Scottish conservation charity the John Muir Trust.

The painter 
Cecil Arthur Hunt was educated at Winchester and Trinity College, Cambridge, studying Classics and Law, and being called to the Bar in 1899. He treated painting and writing as serious pastimes until 1925, when he was elected to the full membership of the Royal Society of Painters in Water-Colours. He then relinquished his legal career to become a professional painter.
Hunt had first exhibited in 1900, at the Alpine Club Galleries, and had held his first major show a year later, alongside E Home Bruce at the Ryder Gallery. From the first, he established himself as an atmospheric painter of mountains, especially of the Alps and Dolomites. However, he was soon accepted as a master of a great variety of topographies, for he exhibited the products of his wide travels frequently and extensively. Favourite destinations included the West Country, the West Coast of Scotland, the Rhone Valley, Northern Italy, Rome and Taormina. From 1911, until his death, Hunt lived at Mallord House in Chelsea, especially designed for him by Sir Ralph Knott to include a large studio on the ground floor. During the summer months he and his family retreated to the farm estate of Foxworthy, on the edge of Dartmoor.
Hunt showed work regularly at the Royal Academy (from 1912), the Royal Society of British Artists (from 1914) and the Royal Society of Painters in Water-Colours (from 1918). He was elected a member of the RBA in 1914, an associate of the RWS in 1919, and a full member six years later. He acted as the Vice-President of the RWS for a three-year period from 1930. His many substantial solo shows included six at the Fine Art Society (1919-34) and one at Colnaghi’s (1945). Following his death, in 1965,  he was the subject of a large memorial show at the Royal Society of Painters in Water-Colours.
Chris Beetles has done much to revive interest in the work of Cecil Arthur Hunt. He mounted a large scale retrospective exhibition in 1996 at his London gallery, on the exact site of the artist’s first substantial show in 1901. The retrospective was accompanied by a definitive catalogue.

Wednesday, April 19, 2017

MOUNT WILLIAM (DUWIL) BY EUGENE VON GUERARD





EUGENE VON GUERARD (1811-1901)
 Mount William or Mount Duwil (1,167 m - 3,829 ft)
Australia (Victoria)

1. In Mount William and part of the Grampian in West Victoria, 1865, National Gallery of Victoria
2. In  Mount William from Mount Dryden, 1857 , oil on canvas, Art Gallery of Western Australia

The mountain 
Mount William also called Mount Duwil ( (1,167 m - 3,829 ft) is a mountain of the Grampians Mountain Range, located within the Grampians National Park (which is he highest point), in the Australian state of Victoria. The mountain is situated approximately 250 kilometres (160 mi) west-north-west of Melbourne on the eastern edge of the national park, approximately 22 kilometres (14 mi) drive from Halls Gap.
Sir Thomas Mitchell reached the summit with a group of explorers in 1836. The first settler in the area was Horatio Wills, who established a sheep run at Mount William in 1840, and named nearby Mount Ararat, after which the town is named. His son, cricketer and Australian rules football pioneer Tom Wills, grew up as a lone white child among the Djab wurrung Aboriginal tribes of Mount William.
A sealed service road continues to the summit, but is not accessible by vehicle to the general public.
It will take a person approximately 45 mins to walk. No permit is required to climb the mountain.
 Source: 
 - Grampians National Park

The painter 
Johann Joseph Eugene von Guerard was an Austrian-born artist, active in Australia from 1852 to 1882. Known for his finely detailed landscapes in the tradition of the Düsseldorf school of painting, he is represented in Australia's major public galleries, and is referred to in the country as Eugene von Guerard. In 1852 von Guerard arrived in Victoria, Australia, determined to try his luck on the Victorian goldfields. As a gold-digger he was not very successful, but he did produce a large number of intimate studies of goldfields life, quite different from the deliberately awe-inspiring landscapes for which he was later to become famous. Realizing that there were opportunities for an artist in Australia, he abandoned the diggings and was soon undertaking commissions recording the dwellings and properties of wealthy pastoralists...
- More about Eugene Von Gerard life and works

Tuesday, February 7, 2017

BEN NEVIS PAINTED BY SIDNEY RICHARD PERCY


 SIDNEY RICHARD PERCY (1821-1886) 
Ben Nevis (1,344 m - 4, 118 ft)
Great Britain - Scotland

In Carn Dearg and Ben Nevis from Achintee 

The mountain 
Ben Nevis  (1,344 m - 4, 118 ft)  in Scottish Gaelic: Beinn Nibheis is the highest mountain in the British Isles, located in Scotland, at the western end of the Grampian Mountains in the Lochaber area of the Scottish Highlands, close to the town of Fort William.
The mountain is a popular destination, attracting an estimated 100,000 ascents a year, around three-quarters of which use the Pony Track from Glen Nevis. The 700 metre - 2,300 ft cliffs of the north face are among the highest in Scotland, providing classic scrambles and rock climbs of all difficulties for climbers and mountaineers. They are also the principal locations in Scotland for ice climbing.
The summit, which is the collapsed dome of an ancient volcano, features the ruins of an observatory which was continuously staffed between 1883 and 1904. The meteorological data collected during this period are still important for understanding Scottish mountain weather. C. T. R. Wilson was inspired to invent the cloud chamber after a period spent working at the observatory.
The first recorded ascent of Ben Nevis was made on 17 August 1771 by James Robertson, an Edinburgh botanist, who was in the region to collect botanical specimens. Another early ascent was in 1774 by John Williams, who provided the first account of the mountain's geological structure. John Keats climbed the mountain in 1818, comparing the ascent to "mounting ten St. Pauls without the convenience of a staircase".  The following year William MacGillivray, who was later to become a distinguished naturalist, reached the summit only to find "fragments of earthen and glass ware, chicken bones, corks, and bits of paper". It was not until 1847 that Ben Nevis was confirmed by the Ordnance Survey as the highest mountain in Britain and Ireland, ahead of its rival Ben Macdhui.
The summit observatory was built in the summer of 1883, and would remain in operation for 21 years. The first path to the summit was built at the same time as the observatory and was designed to allow ponies to carry up supplies, with a maximum gradient of one in five.  The opening of the path and the observatory made the ascent of the Ben increasingly popular, all the more so after the arrival of the West Highland Railway in Fort William in 1894.  Around this time the first of several proposals was made for a rack railway to the summit, none of which came to fruition.
In 2000, the Ben Nevis Estate, comprising all of the south side of the mountain including the summit, was bought by the Scottish conservation charity the John Muir Trust.

The painter 
Sidney Richard Percy had his greatest success painting landscapes of grazing cattle, typically set against backgrounds of distant mountains and cloudy skies. The prevailing hues of his landscapes are earth tones and soft greens, accentuated by a variety of pastel hues. The detail in his work is part of its appeal, and "it was remarked that his rocks and stones were sufficiently accurate to have served as illustrations to the writings of Sir Roderick Murchison, the popular 19th-century geologist." Llyn-y-Ddinas, North Wales, one of his more popular works on the internet, displays these qualities. He also painted landscapes of farm fields, wheel-rutted country roads, and the occasional boat scene on a lake. Although he generally painted in oils, a number of small watercolors on cardboard exist, typically unsigned, that are his work. The family, and his son the painter Herbert Sidney Percy in particular, referred to these as "potboilers", meaning that they were quickly, and often crudely executed, yet easily and cheaply sold "to put food on the table" when working on larger, more time-consuming oils for exhibition, or commissions. Many of these watercolor "potboilers" were done in the field, and then brought back to the studio to refer to when executing a more formal oil on canvas.
Sidney Richard Percy was extremely popular during the early part of his career, which for a short time brought him a fair amount of income. Among his patrons during this time was Prince Albert the Royal consort who in 1854 gave Percy's landscape of A view of Llyn Dulyn, North Wales, which had just been exhibited at the Royal Academy, as a gift to his wife Queen Victoria. This painting still hangs today in the Royal Collection. Unfortunately Sidney Richard Percy outlived his popularity, and the art world was more excited about impressionism and other styles than landscapes when he died. Today though, his work is much sought after, and his better paintings bring much higher prices in auction than any of those of his brethren in the Williams family.
When the Athenaeum in 1886 (i. 592) ran an obituary for Sidney Richard Percy they called him, "the well-known and popular painter, founder of the so-called School of Barnes . . ." Although depending on the context of what is meant by the so-called Barnes School, this is a bit of an injustice to his father Edward Williams, whom it might be argued is the founder of the Barnes School of painters, but it illustrates the popularity that Sidney Richard Percy held with the art-buying public of his day.

Friday, November 25, 2016

MOUNT WILLIAM PAINTED BY EUGENE VON GUERARD


EUGENE VON GUERARD (1811-1901)
Mount William or Mount Duwil (1, 167 m - 3, 829 ft)
Australia

 In Mount William seen from Mount Dryden,1857, oil on canvas, National Gallery of Australia


The mountain 
Mount William also called  Mount Duwil  (1, 167 m - 3, 829 ft) is the highest point within the Grampians Mountain Range, (Grampians National Park) in the Australian state of Victoria. The mountain is situated approximately 250 kilometres (160 mi) west-north-west of Melbourne on the eastern edge of the national park, approximately 22 kilometres (14 mi) drive from Halls Gap.
In 1836, sir Thomas Mitchell  was the first man to reached the summit with a group of explorers i. The first settler in the area was Horatio Wills, who established a sheep run at Mount William in 1840, and named nearby Mount Ararat, after which the town is named. His son, cricketer and Australian rules football pioneer Tom Wills, grew up as a lone white child among the Djab wurrung Aboriginal tribes of Mount William. Three transmission towers are located at the summit of Mount William including an amateur radio repeater. A sealed service road continues to the summit, but is not accessible by vehicle to the general public.
Visitors to the mountain can drive to a carpark located approximately 920 metres (3,020 ft) up the mountain, before proceeding on foot for 1.8 kilometres (1.1 mi) to the summit. It will take a person of moderate fitness approximately 45 mins to walk. No permit is required to climb the mountain.
Source: 
- Grampians National Park 

The painter 
Johann Joseph Eugene von Guerard was an Austrian-born artist, active in Australia from 1852 to 1882. Known for his finely detailed landscapes in the tradition of the Düsseldorf school of painting, he is represented in Australia's major public galleries, and is referred to in the country as Eugene von Guerard. In 1852 von Guerard arrived in Victoria, Australia, determined to try his luck on the Victorian goldfields. As a gold-digger he was not very successful, but he did produce a large number of intimate studies of goldfields life, quite different from the deliberately awe-inspiring landscapes for which he was later to become famous. Realizing that there were opportunities for an artist in Australia, he abandoned the diggings and was soon undertaking commissions recording the dwellings and properties of wealthy pastoralists.
By the early 1860s, von Guerard was recognized as the foremost landscape artist in the colonies, touring Southeast Australia and New Zealand in pursuit of the sublime and the picturesque.  He is most known for the wilderness paintings produced during this time, which are remarkable for their shadowy lighting and fastidious detail.  Indeed, his View of Tower Hill in south-western Victoria was used as a botanical template over a century later when the land, which had been laid waste and polluted by agriculture, was systematically reclaimed, forested with native flora and made a state park. The scientific accuracy of such work has led to a reassessment of von Guerard's approach to wilderness painting, and some historians believe it likely that the landscapist was strongly influenced by the environmental theories of the leading scientist Alexander von Humboldt. Others attribute his 'truthful representation' of nature to the criterion for figure and landscape painting set by the Düsseldorf Academy.
In 1866 his Valley of the Mitta Mitta was presented to the National Gallery of Victoria in Melbourne; in 1870 the trustees purchased his Mount Kosciusko shown in this article was titled "Northeast view from the northern top of Mount Kosciusko", which is actually  "from Mount Townsend".
In 2006, the City of Greater Geelong purchased his 1856 painting View of Geelong for A$3.8M. His painting, Yalla-y-Poora, is in the Joseph Brown Collection on display at the National Gallery of Victoria.  The State Library of New South Wales in Sydney holds an extensive collection of working sketchbooks by Eugene von Guerard, as well as larger drawings and paintings and a diary. The sketchbooks cover regions as diverse as Italy and Germany, Tasmania, New South Wales, and of course, Victoria.
In 1870 von Guerard was appointed the first Master of the School of Painting at the National Gallery of Victoria, where he was to influence the training of artists for the next 11 years. His reputation, high at the beginning of this period, had faded somewhat towards the end because of his rigid adherence to picturesque subject matter and detailed treatment in the face of the rise of the more intimate Heidelberg School style. Amongst his pupils were Frederick McCubbin and Tom Roberts. Von Guerard retired from his position at the National Gallery School the end of 1881 and departed for Europe in January 1882. In 1891 his wife died. Two years later, he lost his investments in the Australian bank crash and he lived in poverty until his death in Chelsea, London, on 17 April 1901.
Several paintings of mountains of Australia and New Zealand by Eugène von Guerard are published in this blog....
Sources: 
- Dictionnary of Australian Artists, Oxford University Press, 1992