TINZENHORN PEINT PAR A. G. CARRICK / H.M. KING CHARLES III

 

A. G. CARRICK / H.M. KING CHARLES III (bn. 1948)
La Corne deTinizon ou Tinzenhorn (3,173 m -10,410 ft)
Suisse 

La montagne
Le Corn de Tinizong également connu sous le nom de Tinzenhorn (3,173 m -10,410 ft)est une montagne des Alpes de l'Albula, située entre Savognin et Bergün, dans le canton suisse des Grisons. Sa grande face sud surplombe le col Digls Orgel.

Le peintre
Arthur George Carrick, ne pas confondre avec George Arthur M. Carrick (1889–1959) ni avec le peintre russe William Arthur Carrick / Вильям Андреевич Каррик (1827- 1878), est en réalité le pseudonyme utilisé en tant que peintre, par l'actuel roi Charles III d'Angleterre, à l 'époque où il était prince de Galles.
Quand S.M. le roi Charles III a commencé à montrer ses peintures, il était, de son propre aveu, trop " nerveux" pour afficher son nom. L'idée de ce pseudonyme utilisé pour signer son œuvre peint, lui vint simplement en prenant deux de ses prénoms les moins connus (Arthur et George) parmi ses quatre prénoms (Charles Phillip Arthur George) et l'un de ses titres les moins connu aussi celui de Earl of Carrick. Pour ceux qui ne le sauraient pas encore, l'actuel roi Charles III est un aquarelliste expérimenté. Il peint très régulièrement depuis de nombreuses décennies soit pendant les vacances soit lorsque son emploi du temps officiel le lui permet. L'intérêt du roi Charles pour l'aquarelle commença dans les années 1970-1980 et lui fut inspiré par Robert Waddell, qui fut son professeur d'art à Gordonstoun en Écosse. Au fil du temps, le roi Charles a pu parfaire sa technique en rencontrant des artistes de premier plan tels qu'Edward Seago, avec qui il a longuement discuté de la technique de l'aquarelle,ou encore en recevant des enseignements complémentaires de John Ward, Bryan Organ ou Derek Hill.
Dessiner et peindre est une tradition fort ancienne dans la famille royale britannique et lorsque le travail du roi Charles fut rendu public pour la première fois lors d'une exposition en 1977 au château de Windsor, d'autres artistes royaux y furent associés comme son aïeule la reine Victoria, son père le duc d'Édimbourg ou son oncle le duc d'York.
Le roi Charles peint généralement en plein air et d'une seule traite. Ses mieux de prédilection sont le domaine de la reine à Balmoral en Écosse et Sandringham House à Norfolk, en Angleterre. Parfois, le roi Charles III peint pendant ses vacances au ski (Alpes Suisse) ou lors de tournées à l'étranger lorsque cela est possible.
Les droits d'auteur des aquarelles du roi Charles appartiennent à A. G. Carrick Ltd, une branche commerciale de la King's Charities Foundation. Au fil des ans, le roi Charles III a accepté de faire des expositions de ses aquarelles et des lithographies réalisées à partir de celles-ci, étant entendu que tout revenu qu'elles génèrent va à la Fondation caritative du Prince de Galles.
L'argent de la vente des lithographies va également à la Fondation mais les peintures elles-mêmes ne sont jamais à vendre.
Dans les années 1980, le roi Charles III, alors encore prince de Galles, a commencé à inviter de jeunes artistes britanniques à l'accompagner lors de tournées officielles à l'étranger et à enregistrer leurs impressions, une tradition qui se poursuit encore aujourd'hui...

____________________________

The painter
Arthur George Carrick is actually H.M. the King Charles III, former Prince of Wales.
When he began showing his paintings, he was too nervous to display his name so displayed under a pseudonym. Arthur George are two of his names (Charles Phillip Arthur George) and one of his titles is Earl of Carrick. King Charles III is an experienced watercolourist. He has been painting for most of his adult life, during holidays or when his official diary allows. King Charles' interest began during the 1970s and 1980s when he was inspired by Robert Waddell, who had been his art master at Gordonstoun in Scotland. In time, King Charles met leading artists such as Edward Seago, with whom he discussed watercolour technique, and received further tuition from John Ward, Bryan Organ and Derek Hill.
The Royal Family has a tradition of drawing and painting, and King Charles’ work first came to public notice at a 1977 exhibition at Windsor Castle at which other Royal artists included Queen Victoria, The Duke of Edinburgh and The Duke of York.
King Charles paints in the open air, often finishing a picture in one go and his favourite locations include The Queen's estate at Balmoral in Scotland and Sandringham House in Norfolk, England. Sometimes King Charles III paints during his skiing holidays, and during overseas tours when possible.
The copyright of King Charles' watercolours belongs to A. G. Carrick Ltd, a trading arm of The King's Charities Foundation. Over the years King Charles III has agreed to exhibitions of his watercolours and of lithographs made from them, on the understanding that any income they generate goes to The Prince of Wales's Charitable Foundation.
Money from the sale of the lithographs also goes to the Foundation but the paintings themselves are never for sale.
In the 1980s King Charles III, then Prince of Wales, began inviting young British artists to accompany him on official tours overseas and record their impressions, a tradition that has continued to this day.


_________________________________________

2023 - Wandering Vertexes ....
Errant au-dessus des Sommets Silencieux...
Un blog de Francis Rousseau

MADRISAHORN PEINT PAR A. G. CARRICK / H.M. KING CHARLES III

A. G. CARRICK  / H.M. KING CHARLES III   (bn. 1948)
Madrisahorn (2, 825 m - 9,268ft)
Suisse  (Grisons) 

 In Klosters, Watercolor 1995, Private collection 
 

La montagne
Le Madrisa, ou Madrisahorn (2, 825 m - 9,268ft)  est un sommet situé dans le Rätikon, massif des Alpes dans la partie centrale des Alpes orientales. Le sommet se trouve en Suisse sur le territoire de la commune de Klosters-Serneus, appartenant au canton des Grisons. À 500 mètres au nord-est, la frontière suisse marque la limite de l'Autriche avec le Vorarlberg. Le sommet domine au sud Klosters, Serneus et Küblis. Avec trois pics, il forme une sorte de pyramide dont les pointes s'élancent vers l'ouest, le nord-est et le sud-est. Cette montagne est un lieu de sport d'hiver très fréquenté avec de nombreux remonte-pentes et pistes de ski dont une longue piste qui descend vers Klosters.   Le Madrisahorn est le point le plus haut du chaînon sud-est du Rätikon. Du côté autrichien à cinq kilomètres à vol d'oiseau se trouve la station de ski de Gargellen. Klosters-Dorf est au sud et Küblis au sud-ouest à 7 kilomètres. À l'ouest se dresse à 2 703 mètres le Rätschenfluh, et au nord-est la Marchspitze à 2 732 mètres d'altitude. Sur les versants est, sud-ouest et nord du sommet se forment trois cirques et leurs vallées ; au sud-est se trouve la Schafcalanda, au sud la Chüecalanda et au nord le Rätschenjochs (2 602 m) vers le Gafier Platten.

Le peintre
Arthur George Carrick, ne pas confondre avec George Arthur M. Carrick (1889–1959) ni avec le peintre russe William Arthur Carrick / Вильям Андреевич Каррик (1827- 1878), est en réalité le pseudonyme utilisé en tant que peintre,  par l'actuel roi Charles III d'Angleterre, à l 'époque où il était prince de Galles.
Quand S.M. le roi Charles III  a commencé à montrer ses peintures, il était, de son propre aveu,  trop " nerveux"  pour afficher son nom.  L'idée de ce pseudonyme utilisé pour signer son œuvre peint, lui vint simplement en prenant deux de ses prénoms les moins connus (Arthur et George) parmi ses quatre prénoms (Charles Phillip Arthur George) et l'un de ses titres les moins connu aussi celui de Earl of Carrick. Pour ceux qui ne le sauraient pas encore,  l'actuel roi Charles III est un aquarelliste expérimenté. Il  peint très régulièrement  depuis de nombreuses décennies soit pendant les vacances soit lorsque son emploi du temps officiel le lui permet. L'intérêt du roi Charles pour l'aquarelle commença dans les années 1970-1980 et lui fut inspiré par Robert Waddell, qui fut son professeur d'art à Gordonstoun en Écosse. Au fil du temps, le roi Charles a  pu parfaire sa technique en rencontrant des artistes de premier plan tels qu'Edward Seago, avec qui il a longuement discuté de la technique de l'aquarelle,ou encore en recevant  des enseignements complémentaires  de John Ward, Bryan Organ ou Derek Hill.
Dessiner et peindre est une tradition fort ancienne dans la famille royale britannique et lorsque le travail du roi Charles fut rendu public pour la première fois lors d'une exposition en 1977 au château de Windsor, d'autres artistes royaux y furent associés comme son aïeule la reine Victoria,  son père le duc d'Édimbourg ou son oncle le duc d'York.
Le roi Charles peint généralement en plein air  et d'une seule traite.  Ses mieux de prédilection sont  le domaine de la reine à Balmoral en Écosse et Sandringham House à Norfolk, en Angleterre. Parfois, le roi Charles III peint pendant ses vacances au ski (Alpes Suisse) ou lors de tournées à l'étranger lorsque cela est possible.
Les droits d'auteur des aquarelles du roi Charles appartiennent à A. G. Carrick Ltd, une sbranche commerciale de la King's Charities Foundation. Au fil des ans, le roi Charles III a accepté de faire  des expositions de ses aquarelles et des lithographies réalisées à partir de celles-ci, étant entendu que tout revenu qu'elles génèrent va à la Fondation caritative du Prince de Galles.
L'argent de la vente des lithographies va également à la Fondation mais les peintures elles-mêmes ne sont jamais à vendre.
Dans les années 1980, le roi Charles III, alors encore prince de Galles, a commencé à inviter de jeunes artistes britanniques à l'accompagner lors de tournées officielles à l'étranger et à enregistrer leurs impressions, une tradition qui se poursuit encore aujourd'hui... 

____________________________

The painter
Arthur George Carrick is actually H.M. the King Charles III, former Prince of Wales.
When he began showing his paintings, he was too nervous to display his name so displayed under a pseudonym. Arthur George are two of his names (Charles Phillip Arthur George) and one of his titles is Earl of Carrick. King Charles III is an experienced watercolourist.  He has been painting for most of his adult life, during holidays or when his official diary allows. King Charles' interest began during the 1970s and 1980s when he was inspired by Robert Waddell, who had been his art master at Gordonstoun in Scotland. In time, King Charles met leading artists such as Edward Seago, with whom he discussed watercolour technique, and received further tuition from John Ward, Bryan Organ and Derek Hill.
The Royal Family has a tradition of drawing and painting, and King Charles’ work first came to public notice at a 1977 exhibition at Windsor Castle at which other Royal artists included Queen Victoria, The Duke of Edinburgh and The Duke of York.
King Charles paints in the open air, often finishing a picture in one go and his favourite locations include The Queen's estate at Balmoral in Scotland and Sandringham House in Norfolk, England. Sometimes King Charles  III paints during his skiing holidays, and during overseas tours when possible.
The copyright of King Charles' watercolours belongs to A. G. Carrick Ltd, a trading arm of The King's Charities Foundation. Over the years King Charles III has agreed to exhibitions of his watercolours and of lithographs made from them, on the understanding that any income they generate goes to The Prince of Wales's Charitable Foundation.
Money from the sale of the lithographs also goes to the Foundation but the paintings themselves are never for sale.
In the 1980s King Charles III, then Prince of Wales,  began inviting young British artists to accompany him on official tours overseas and record their impressions, a tradition that has continued to this day.

_________________________________________

2023 - Wandering Vertexes ....
Errant au-dessus des Sommets Silencieux...
Un blog de Francis Rousseau
 

ANNAPURNA II PAINTED BY A. G. CARRICK / H.M KING CHARLES III

A. G. CARRICK / H.M KING CHARLES III former PRINCE OF WALES (bn.1948) 

Annapurna II  (7,937 m -26,040 ft)  

Nepal

 In Annapurna II, watercolor, 1992

The mountain 

Annapurna II (7,937 m -26,040 ft) is part of the Annapurna mountain range, and is the eastern anchor of the range. The Annapurna massif contains six prominent peaks over 7,200 m (23,620 ft) elevation: Annapurna I (Main), 8,091 m (26,545 ft),  Annapurna II, 7,937 m (26,040 ft), Annapurna III, 7,555 m, (24,786 ft), Annapurna IV 7,525 m(24,688 ft), Gangapurna 7,455 m (24,457 ft) and Annapurna South,7,219 m (23,684 ft).
Annapurna II was first climbed quite lately, in 1960 by a British/Indian/Nepalese team led by J. O. M. Roberts via the West Ridge, approached from the north. The summit party comprised Richard Grant, Chris Bonington, and Sherpa Ang Nyima. In terms of elevation, isolation Annapurna II does not rank far behind Annapurna I Main, which serves as the western anchor. It is a fully independent peak, despite the close association with Annapurna I Main which its name implies.
Yugoslavs from Slovenia repeated this ascent in 1969, also climbing Annapurna IV. Kazmir Draslar and Majija Malezic reached the summit. In 1973 Japanese shortcut the route by climbing directly up the north face between IV and V before continuing along the west ridge. Katsuyuki Kondo reached the top in a remarkable solo performance.
In 1983, Tim Macartney-Snape planned and participated in an expedition to Annapurna II (7,937 m or 26,040 ft) successfully reaching the summit via the first ascent of the south spur. The descent was delayed by a blizzard and the expedition ran out of food during the last five days. They were reported missing and when the expedition eventually returned they received significant publicity.
On Feb 2, 2007, Philipp Kunz, Lhakpa Wangel, Temba Nuru and Lhakpa Thinduk made the first winter ascent. The team followed the route of the first ascent from the north.

 

The painter
Arthur George Carrick is actually H.M. the King Charles III, former Prince of Wales.
When he began showing his paintings, he was too nervous to display his name so displayed under a pseudonym. Arthur George are two of his names (Charles Phillip Arthur George) and one of his titles is Earl of Carrick. King Charles III is an experienced watercolourist.  He has been painting for most of his adult life, during holidays or when his official diary allows. King Charles' interest began during the 1970s and 1980s when he was inspired by Robert Waddell, who had been his art master at Gordonstoun in Scotland. In time, King Charles met leading artists such as Edward Seago, with whom he discussed watercolour technique, and received further tuition from John Ward, Bryan Organ and Derek Hill.
The Royal Family has a tradition of drawing and painting, and King Charles’ work first came to public notice at a 1977 exhibition at Windsor Castle at which other Royal artists included Queen Victoria, The Duke of Edinburgh and The Duke of York.
King Charles paints in the open air, often finishing a picture in one go and his favourite locations include The Queen's estate at Balmoral in Scotland and Sandringham House in Norfolk, England. Sometimes King Charles  III paints during his skiing holidays, and during overseas tours when possible.
The copyright of King Charles' watercolours belongs to A. G. Carrick Ltd, a trading arm of The King's Charities Foundation. Over the years King Charles III has agreed to exhibitions of his watercolours and of lithographs made from them, on the understanding that any income they generate goes to The Prince of Wales's Charitable Foundation.
Money from the sale of the lithographs also goes to the Foundation but the paintings themselves are never for sale.
In the 1980s King Charles III, then Prince of Wales,  began inviting young British artists to accompany him on official tours overseas and record their impressions, a tradition that has continued to this day.
Reference :
- The prince of Wales paintings 

_______________________________
2016 - Wandering Vertexes...
by Francis Rousseau 

MORVEN SKETCHED BY A. G. CARRICK / H. M. THE KING CHARLES III

A. G. CARRICK / H.M KING CHARLES III former PRINCE OF WALES (bn.1948)
Morven / A' Mhòr Bheinn ((871 m -2858 ft)
United Kingdom (Scotland)

In View of Morven From Bovaglie, Balmoral, watercolour, 1994. Courtesy The  Royal Trust Collection

The mountain
Morven (871 m -2858 ft) in scottish galeic A' Mhòr Bheinn, is a Corbett (mountains between 2,500–3,000 feet (762.0–914.4 m) in height with a prominence over 500 feet (152.4 m); solely imperial measurement thresholds) in Aberdeenshire, Scotland. It has not to be confused with Morven in in Caithness.
The poet, Lord Byron, who spent some of his childhood in the area, mentions the mountain in his poem, When I Roved a Young Highlander mentioned in it Mary Duff, his first love.
The hill gives its name to one of the houses at Aboyne Academy.

The painter
Arthur George Carrick is actually H.M. the King Charles III, former Prince of Wales.
When he began showing his paintings, he was too nervous to display his name so displayed under a pseudonym. Arthur George are two of his names (Charles Phillip Arthur George) and one of his titles is Earl of Carrick. King Charles III is an experienced watercolourist.  He has been painting for most of his adult life, during holidays or when his official diary allows. King Charles' interest began during the 1970s and 1980s when he was inspired by Robert Waddell, who had been his art master at Gordonstoun in Scotland. In time, King Charles met leading artists such as Edward Seago, with whom he discussed watercolour technique, and received further tuition from John Ward, Bryan Organ and Derek Hill.
The Royal Family has a tradition of drawing and painting, and King Charles’ work first came to public notice at a 1977 exhibition at Windsor Castle at which other Royal artists included Queen Victoria, The Duke of Edinburgh and The Duke of York.
King Charles paints in the open air, often finishing a picture in one go and his favourite locations include The Queen's estate at Balmoral in Scotland and Sandringham House in Norfolk, England. Sometimes King Charles  III paints during his skiing holidays, and during overseas tours when possible.
The copyright of King Charles' watercolours belongs to A. G. Carrick Ltd, a trading arm of The King's Charities Foundation. Over the years King Charles III has agreed to exhibitions of his watercolours and of lithographs made from them, on the understanding that any income they generate goes to The Prince of Wales's Charitable Foundation.
Money from the sale of the lithographs also goes to the Foundation but the paintings themselves are never for sale.
In the 1980s King Charles III, then Prince of Wales,  began inviting young British artists to accompany him on official tours overseas and record their impressions, a tradition that has continued to this day.
Reference :
- The prince of Wales paintings  

_______________________________

2022 - Wandering Vertexes...
by Francis Rousseau 

THE NGORONGORO CRATER PAINTED BY A. G. CARRICK / H.M KING CHARLES III

A. G. CARRICK / H.M KING CHARLES III former PRINCE OF WALES (bn.1948)
The Ngorongoro Crater ( -600m / - 1968ft)
Tanzania

 In  Ngorongoru from Hugo Hill, Serengeti plains, Tanzania, 1997, watercolor on paper, 

 
The volcano
The Ngorongoro Crater is a large circular caldera over twenty kilometers in diameter located in the heart of the Ngorongoro massif in northern Tanzania, in the eastern branch of the Great Rift Valley. This crater, now extinct, was formed following the collapse of a volcano on itself when its magma chamber emptied during a volcanic eruption. Ngorongoro is the largest intact and unsubmerged caldera in the world1 with 326 km2 in area. It is located in the Ngorongoro conservation area, a World Heritage protected area. Hotels are located on the edges of the crater and organize day and night excursions there to observe wildlife.Four hundred species of birds inhabit the crater.The forest lining the inner wall of the caldera descends sparingly to the meadows where herbivores graze. Trees store moisture during the rainy season and release it in the dry season.

The painter
Arthur George Carrick is actually H.M. the King Charles III, former Prince of Wales.
When he began showing his paintings, he was too nervous to display his name so displayed under a pseudonym. Arthur George are two of his names (Charles Phillip Arthur George) and one of his titles is Earl of Carrick. King Charles III is an experienced watercolourist.  He has been painting for most of his adult life, during holidays or when his official diary allows. King Charles' interest began during the 1970s and 1980s when he was inspired by Robert Waddell, who had been his art master at Gordonstoun in Scotland. In time, King Charles met leading artists such as Edward Seago, with whom he discussed watercolour technique, and received further tuition from John Ward, Bryan Organ and Derek Hill.
The Royal Family has a tradition of drawing and painting, and King Charles’ work first came to public notice at a 1977 exhibition at Windsor Castle at which other Royal artists included Queen Victoria, The Duke of Edinburgh and The Duke of York.
King Charles paints in the open air, often finishing a picture in one go and his favourite locations include The Queen's estate at Balmoral in Scotland and Sandringham House in Norfolk, England. Sometimes King Charles  III paints during his skiing holidays, and during overseas tours when possible.
The copyright of King Charles' watercolours belongs to A. G. Carrick Ltd, a trading arm of The King's Charities Foundation. Over the years King Charles III has agreed to exhibitions of his watercolours and of lithographs made from them, on the understanding that any income they generate goes to The Prince of Wales's Charitable Foundation.
Money from the sale of the lithographs also goes to the Foundation but the paintings themselves are never for sale.
In the 1980s King Charles III, then Prince of Wales,  began inviting young British artists to accompany him on official tours overseas and record their impressions, a tradition that has continued to this day.
Reference :
- The prince of Wales paintings 

_________________________________________

2021 - Wandering Vertexes...
by Francis Rousseau

BEN AVON PAINTED BY A. G. CARRICK / H.M KING CHARLES III

A. G. CARRICK / H.M KING CHARLES III former PRINCE OF WALES (bn.1948)

Ben Avon (1,171m - 3,842ft) near Braemar

  United Kingdom (Scotland)

The mountain  
Ben Avon (1,171m - 3,842ft), named in Scottish Gaelic -  Beinn Athfhinn -  which means Hill of the bright one is a mountain in the Cairngorm mountains range of Scotland Eastern Highlands.  The highest point of the massif, known as Leabaidh an Dаimh Bhuidhe (bed of the yellow stag) is classified as both a Munro and a Marilyn. Ben Avon is a very large and complex mountain sprawling over more than 30 km2. The summit plateau is dominated by granite tors, one of which forms the summit. From the broad summit plateau ridges lead in almost every direction, allowing access from Glen Avon to the north, from Beinn a' Bhщird to the west and from Gleann an t-Slugain in the south. To the west of the summit lies the massive corrie, Slochd Mтr, with its rocky cliffs, and the approaches from the south and west take you close to the corrie rim.
The most common ascent route is via the path in the deep glen that separates Ben Avon and Beinn a' Bhщird, or from Beinn a' Bhщird itself. The summit tor itself must be climbed in order to "bag" the mountain, though it is an easy scramble.

The painter
Arthur George Carrick is actually H.M. the King Charles III, former Prince of Wales.
When he began showing his paintings, he was too nervous to display his name so displayed under a pseudonym. Arthur George are two of his names (Charles Phillip Arthur George) and one of his titles is Earl of Carrick. King Charles III is an experienced watercolourist.  He has been painting for most of his adult life, during holidays or when his official diary allows. King Charles' interest began during the 1970s and 1980s when he was inspired by Robert Waddell, who had been his art master at Gordonstoun in Scotland. In time, King Charles met leading artists such as Edward Seago, with whom he discussed watercolour technique, and received further tuition from John Ward, Bryan Organ and Derek Hill.
The Royal Family has a tradition of drawing and painting, and King Charles’ work first came to public notice at a 1977 exhibition at Windsor Castle at which other Royal artists included Queen Victoria, The Duke of Edinburgh and The Duke of York.
King Charles paints in the open air, often finishing a picture in one go and his favourite locations include The Queen's estate at Balmoral in Scotland and Sandringham House in Norfolk, England. Sometimes King Charles  III paints during his skiing holidays, and during overseas tours when possible.
The copyright of King Charles' watercolours belongs to A. G. Carrick Ltd, a trading arm of The King's Charities Foundation. Over the years King Charles III has agreed to exhibitions of his watercolours and of lithographs made from them, on the understanding that any income they generate goes to The Prince of Wales's Charitable Foundation.
Money from the sale of the lithographs also goes to the Foundation but the paintings themselves are never for sale.
In the 1980s King Charles III, then Prince of Wales,  began inviting young British artists to accompany him on official tours overseas and record their impressions, a tradition that has continued to this day.
Reference :
- The prince of Wales paintings  

 
_______________________________
2016 - Wandering Vertexes...
by Francis Rousseau 

LES DENTELLES DE MONTMIRAIL(2) SKETCHED BY A. G. CARRICK / H.M KING CHARLES III

A. G. CARRICK / H.M KING CHARLES III former PRINCE OF WALES (bn.1948)
Les Dentelles de Montmirail  (722 m - 23,68ft)
France (Vaucluse)

In View of Les Dentelles de Montmirail,  watercolor, 1993, Private collection

The mountains
The Dentelles de Montmirail (722 m - 23,68ft) are a small chain of mountains in Provence in France, in the département of Vaucluse, located just to the south of the village of Vaison-la-Romaine. They are foothills of the highest peak in Provence, Mont Ventoux, which is situated just to the east. The dramatically jagged shape of their peaks was formed by horizontal strata of Jurassic limestone being folded and forced into a nearly upright position and subsequently eroded into sharp-edged ridges and spikes. The highest peak of the Dentelles is St-Amand, at 734 m (2,400 ft). The range, which is about 8 km wide, offers over 600 trails for walking, rock climbing, and mountain biking.]The foot of the Dentelles is surrounded by vineyards of the Rhône Valley. Their name Dentelles, the French word for "lace," refers to their shape obtained by erosion, while Montmirail is derived from the Latin mons mirabilis meaning 'admirable mountain'.
Located on the territory of the communes of Beaumes-de-Venise, Crestet, Gigondas, La Roque-Alric, Lafare, Le Barroux, Malaucène, Suzette, and Vacqueyras; the Dentelles de Montmirail were an important natural frontier during Antiquity between the tribes of the Memini in the south, and the Voconces in the north.

The painter
Arthur George Carrick is actually H.M. the King Charles III, former Prince of Wales.
When he began showing his paintings, he was too nervous to display his name so displayed under a pseudonym. Arthur George are two of his names (Charles Phillip Arthur George) and one of his titles is Earl of Carrick. King Charles III is an experienced watercolourist.  He has been painting for most of his adult life, during holidays or when his official diary allows. King Charles' interest began during the 1970s and 1980s when he was inspired by Robert Waddell, who had been his art master at Gordonstoun in Scotland. In time, King Charles met leading artists such as Edward Seago, with whom he discussed watercolour technique, and received further tuition from John Ward, Bryan Organ and Derek Hill.
The Royal Family has a tradition of drawing and painting, and King Charles’ work first came to public notice at a 1977 exhibition at Windsor Castle at which other Royal artists included Queen Victoria, The Duke of Edinburgh and The Duke of York.
King Charles paints in the open air, often finishing a picture in one go and his favourite locations include The Queen's estate at Balmoral in Scotland and Sandringham House in Norfolk, England. Sometimes King Charles  III paints during his skiing holidays, and during overseas tours when possible.
The copyright of King Charles' watercolours belongs to A. G. Carrick Ltd, a trading arm of The King's Charities Foundation. Over the years King Charles III has agreed to exhibitions of his watercolours and of lithographs made from them, on the understanding that any income they generate goes to The Prince of Wales's Charitable Foundation.
Money from the sale of the lithographs also goes to the Foundation but the paintings themselves are never for sale.
In the 1980s King Charles III, then Prince of Wales,  began inviting young British artists to accompany him on official tours overseas and record their impressions, a tradition that has continued to this day.
Reference :
- The prince of Wales paintings 
___________________________________________

2022 - Wandering Vertexes...
by Francis Rousseau

JABAL SWADA PAINTED BY A. G. CARRICK / H.M KING CHARLES III

A. G. CARRICK / H.M KING CHARLES III former PRINCE OF WALES (bn.1948)

Jabal Sawda (c. 3,133 m - c. 10,279 ft)

Saudi Arabia 

In Overlooking Wadi Arkham, Kingdom of Saudi Arabia, (Asir Moutains), 2000, 

Lithograph 53 × 59 cm- Belgravia Gallery.

The mountain 
Jabal Sawda  (c. 3,133 m - c. 10,279 ft) in Arabic: جَبَل ٱلسّوْدَة‎ , is a peak located in Saudi Arabia, the highest summit of the Asir mountains region and possibly the highest point in Saudi Arabia even if SRTM data indicates an elevation of 2,985 m (9,793 ft) for Jabal Sawda  with higher elevations elsewhere in the country. The village of Al Souda is located nearby. The town is a tourist center and has a cable car  to the top of the mountain.
The Asir Mountains in Arabic: جِـبَـال ٱلْـعَـسِـيْـر‎, is a mountainous region in southwestern Saudi Arabia running parallel to the Red Sea. It comprises areas in the 'Asir Region of Saudi Arabia, however it also generally includes areas near the Yemeni border. The mountains cover approximately 100,000 square kilometres (40,000 sq mi) and consists of mountains, plains, and valleys of the Arabian highlands. Sensu lato, they are part of the Sarawat Mountains, defining the latter as the mountain range which runs parallel to the Tihamah throughout the western portion of the Arabian Peninsula, particularly the western parts of Saudi Arabia and Yemen.

The painter
Arthur George Carrick is actually H.M. the King Charles III, former Prince of Wales.
When he began showing his paintings, he was too nervous to display his name so displayed under a pseudonym. Arthur George are two of his names (Charles Phillip Arthur George) and one of his titles is Earl of Carrick. King Charles III is an experienced watercolourist.  He has been painting for most of his adult life, during holidays or when his official diary allows. King Charles' interest began during the 1970s and 1980s when he was inspired by Robert Waddell, who had been his art master at Gordonstoun in Scotland. In time, King Charles met leading artists such as Edward Seago, with whom he discussed watercolour technique, and received further tuition from John Ward, Bryan Organ and Derek Hill.
The Royal Family has a tradition of drawing and painting, and King Charles’ work first came to public notice at a 1977 exhibition at Windsor Castle at which other Royal artists included Queen Victoria, The Duke of Edinburgh and The Duke of York.
King Charles paints in the open air, often finishing a picture in one go and his favourite locations include The Queen's estate at Balmoral in Scotland and Sandringham House in Norfolk, England. Sometimes King Charles  III paints during his skiing holidays, and during overseas tours when possible.
The copyright of King Charles' watercolours belongs to A. G. Carrick Ltd, a trading arm of The King's Charities Foundation. Over the years King Charles III has agreed to exhibitions of his watercolours and of lithographs made from them, on the understanding that any income they generate goes to The Prince of Wales's Charitable Foundation.
Money from the sale of the lithographs also goes to the Foundation but the paintings themselves are never for sale.
In the 1980s King Charles III, then Prince of Wales,  began inviting young British artists to accompany him on official tours overseas and record their impressions, a tradition that has continued to this day.
Reference :
- The prince of Wales paintings  

_______________________________
2019 - Wandering Vertexes...
by Francis Rousseau 

THE DENTELLES DE MONTMIRAIL PAINTED BY A. G. CARRICK / H.M KING CHARLES III

 

 

A. G. CARRICK / H.M KING CHARLES III former PRINCE OF WALES (bn.1948)
Les Dentelles de Montmirail (734m - 2,400 ft)
France (Vaucluse)

In Les Dentelles de Montmirail from Le Barroux, watercolor, Priaate coillection

The mountains
The Dentelles de Montmirail (734 m - are a small chain of mountains in Provence in France, in the département of Vaucluse, located just to the south of the village of Vaison-la-Romaine. They are foothills of the highest peak in Provence, Mont Ventoux, which is situated just to the east. The dramatically jagged shape of their peaks was formed by horizontal strata of Jurassic limestone being folded and forced into a nearly upright position and subsequently eroded into sharp-edged ridges and spikes. The highest peak of the Dentelles is St-Amand, at 734 m (2,400 ft). The range, which is about 8 km wide, offers over 600 trails for walking, rock climbing, and mountain biking.]The foot of the Dentelles is surrounded by vineyards of the Rhône Valley. Their name Dentelles, the French word for "lace," refers to their shape obtained by erosion, while Montmirail is derived from the Latin mons mirabilis meaning 'admirable mountain'.
Located on the territory of the communes of Beaumes-de-Venise, Crestet, Gigondas, La Roque-Alric, Lafare, Le Barroux, Malaucène, Suzette, and Vacqueyras; the Dentelles de Montmirail were an important natural frontier during Antiquity between the tribes of the Memini in the south, and the Voconces in the north. 

The painter
Arthur George Carrick is actually H.M. the King Charles III, former Prince of Wales.
When he began showing his paintings, he was too nervous to display his name so displayed under a pseudonym. Arthur George are two of his names (Charles Phillip Arthur George) and one of his titles is Earl of Carrick. King Charles III is an experienced watercolourist.  He has been painting for most of his adult life, during holidays or when his official diary allows. King Charles' interest began during the 1970s and 1980s when he was inspired by Robert Waddell, who had been his art master at Gordonstoun in Scotland. In time, King Charles met leading artists such as Edward Seago, with whom he discussed watercolour technique, and received further tuition from John Ward, Bryan Organ and Derek Hill.
The Royal Family has a tradition of drawing and painting, and King Charles’ work first came to public notice at a 1977 exhibition at Windsor Castle at which other Royal artists included Queen Victoria, The Duke of Edinburgh and The Duke of York.
King Charles paints in the open air, often finishing a picture in one go and his favourite locations include The Queen's estate at Balmoral in Scotland and Sandringham House in Norfolk, England. Sometimes King Charles  III paints during his skiing holidays, and during overseas tours when possible.
The copyright of King Charles' watercolours belongs to A. G. Carrick Ltd, a trading arm of The King's Charities Foundation. Over the years King Charles III has agreed to exhibitions of his watercolours and of lithographs made from them, on the understanding that any income they generate goes to The Prince of Wales's Charitable Foundation.
Money from the sale of the lithographs also goes to the Foundation but the paintings themselves are never for sale.
In the 1980s King Charles III, then Prince of Wales,  began inviting young British artists to accompany him on official tours overseas and record their impressions, a tradition that has continued to this day.
Reference :
- The prince of Wales paintings 

______________________________

2021 - Wandering Vertexes...
by Francis Rousseau

BEINN A' BHUIRD PAINTED BY A. G. CARRICK / H.M KING CHARLES III

A. G. CARRICK / H.M KING CHARLES III former PRINCE OF WALES (bn.1948)

Beinn a' Bhùird (1,197m - 3,927ft) 

United Kingdom (Scotland) 

 In  Beinn a' Bhùird, watercolour on paper, 2005 

The mountain 

Beinn a' Bhщird  (1,197m - 3,927ft), meaning mountain of the table in Galic, is a Munro in the Cairngorm mountain range of Scotland. In Watson (1975) the author suggests the mountain should be named Beinn Bтrd - table hill, saying that local Scottish Gaelic speakers pronounced the mountain Paing Bтrd, with some of the older local folk still using Painna Bтrd. The closest village to Beinn a' Bhщird is Braemar, Aberdeenshire and the most common approach by car is through this village. To reach Beinn a' Bhщird by car, the most common approach is by the Linn of Dee road along the south side of the River Dee to the Linn of Dee, looping back along the north-bank to the car park at Allanaquoich where camping is permitted. The distance between Braemar and Allanaquoich by this route is about 10 miles.

In the early 1960s there was an attempt to develop a large ski area on Beinn a' Bhùird. The development was financed by the Panchaud brothers (Gerald and Jhon) of Switzerland who had purchased the estate when skiing in Scotland was booming.  The area was to be called Mar Lodge and opened in 1963 after a series of record snowfalls. At the time of opening there were two T-bars on site, one 620 ft long and one 2050 ft long. These offered a total uphill capacity of 1,400 people per hour. Unfortunately, the seasons of 1963-64 and 1964-65 offered very little snow to the area, meaning that the ski lifts were rarely used, with the resort becoming abandoned in 1965.  When the resort closed both T-bars were moved to Glenshee to become the Cairnwell T-Bar and Trainer Tow.

In 2006 a glider pilot from Deeside Gliding Club crashed on the hillside, spending 24 hours trapped in his plane before he was located by the RAF.

The painter
Arthur George Carrick is actually H.M. the King Charles III, former Prince of Wales.
When he began showing his paintings, he was too nervous to display his name so displayed under a pseudonym. Arthur George are two of his names (Charles Phillip Arthur George) and one of his titles is Earl of Carrick. King Charles III is an experienced watercolourist.  He has been painting for most of his adult life, during holidays or when his official diary allows. King Charles' interest began during the 1970s and 1980s when he was inspired by Robert Waddell, who had been his art master at Gordonstoun in Scotland. In time, King Charles met leading artists such as Edward Seago, with whom he discussed watercolour technique, and received further tuition from John Ward, Bryan Organ and Derek Hill.
The Royal Family has a tradition of drawing and painting, and King Charles’ work first came to public notice at a 1977 exhibition at Windsor Castle at which other Royal artists included Queen Victoria, The Duke of Edinburgh and The Duke of York.
King Charles paints in the open air, often finishing a picture in one go and his favourite locations include The Queen's estate at Balmoral in Scotland and Sandringham House in Norfolk, England. Sometimes King Charles  III paints during his skiing holidays, and during overseas tours when possible.
The copyright of King Charles' watercolours belongs to A. G. Carrick Ltd, a trading arm of The King's Charities Foundation. Over the years King Charles III has agreed to exhibitions of his watercolours and of lithographs made from them, on the understanding that any income they generate goes to The Prince of Wales's Charitable Foundation.
Money from the sale of the lithographs also goes to the Foundation but the paintings themselves are never for sale.
In the 1980s King Charles III, then Prince of Wales,  began inviting young British artists to accompany him on official tours overseas and record their impressions, a tradition that has continued to this day.
Reference :
- The prince of Wales paintings 

_______________________________
2017 - Wandering Vertexes...
by Francis Rousseau 

MONT VENTOUX PAINTED BY A. G. CARRICK / H.M KING CHARLES III

 

A. G. CARRICK / H.M KING CHARLES III former PRINCE OF WALES (bn.1948)
Mont Ventoux (1,911 m - 6, 270 ft)
France (Provence)

In Mont Ventoux seen from Le Barroux, watercolor, 1999

The painter
Arthur George Carrick is actually H.M. the King Charles III, former Prince of Wales.
When he began showing his paintings, he was too nervous to display his name so displayed under a pseudonym. Arthur George are two of his names (Charles Phillip Arthur George) and one of his titles is Earl of Carrick. King Charles III is an experienced watercolourist.  He has been painting for most of his adult life, during holidays or when his official diary allows. King Charles' interest began during the 1970s and 1980s when he was inspired by Robert Waddell, who had been his art master at Gordonstoun in Scotland. In time, King Charles met leading artists such as Edward Seago, with whom he discussed watercolour technique, and received further tuition from John Ward, Bryan Organ and Derek Hill.
The Royal Family has a tradition of drawing and painting, and King Charles’ work first came to public notice at a 1977 exhibition at Windsor Castle at which other Royal artists included Queen Victoria, The Duke of Edinburgh and The Duke of York.
King Charles paints in the open air, often finishing a picture in one go and his favourite locations include The Queen's estate at Balmoral in Scotland and Sandringham House in Norfolk, England. Sometimes King Charles  III paints during his skiing holidays, and during overseas tours when possible.
The copyright of King Charles' watercolours belongs to A. G. Carrick Ltd, a trading arm of The King's Charities Foundation. Over the years King Charles III has agreed to exhibitions of his watercolours and of lithographs made from them, on the understanding that any income they generate goes to The Prince of Wales's Charitable Foundation.
Money from the sale of the lithographs also goes to the Foundation but the paintings themselves are never for sale.
In the 1980s King Charles III, then Prince of Wales,  began inviting young British artists to accompany him on official tours overseas and record their impressions, a tradition that has continued to this day.
Reference :
- The prince of Wales paintings 

The mountain
Mont Ventoux (Ventor in Latin) is located in the French department of Vaucluse (Provence-Alpes-Côte d'Azur). Culminating at 1,911 meters - 6, 270 ft, it is about 25 kilometers long on an east-west for 15 kilometers wide on a north-south axis. Nicknamed the Giant of Provence, it is the culmination of the Monts du Vaucluse, the ultimate link of the Southern Alps and the highest peak of Vaucluse. Its geographical isolation makes it visible over great distances.
Mont Ventoux is as well the linguistic border between the north and south-Occitan.
Its mainly calcareous nature is responsible, in its top part, its deep white color in every season and intense karstification due to erosion by water, with the presence of numerous scree on the south face. Precipitation is particularly abundant in spring and fall. Rainwater seeps into galleries and reflects the level of the variable flow resurgences such as Fontaine de Vaucluse or Source du Groseau.
Mont Ventoux is subject to a Mediterranean dominant weather, sometimes causing scorching temperatures during summer, the altitude offering a wide variety of climates, to the top (continental influence of mountain type), through a temperate climate (mid-slopes). In addition, the north wind can be very violent and the Mistral blows almost half part of the year.
This particular geomorphology and climate make it a rich and fragile environmental site consisting of many levels of vegetation. It is s a biosphere reserve by UNESCO and Natura 2000 site.
If human settlements are found in the foothills in prehistoric times, the first ascent to the summit would work on 26 April 1336, the poet Petrarch from Malaucène on the northern slope. It opens the way later in numerous scientific studies.
Thereafter, for nearly six centuries, Mont Ventoux has been intensely deforested to provide the shipbuilding in Toulon, charcoal manufacturers and sheep farmers. During World War II, the mountain is home to the Ventoux maquis, the french Resistance against Nazis.
Since 1966, the summit is topped with an observation tower over forty meters high topped by a TV and satellite antenna.
While sheep farming has almost disappeared, beekeeping, gardening (especially cherries), viticulture, harvesting of mushrooms including truffles and, to a lesser extent, lavender, are still practiced.
Mont Ventoux is an important symbolic figure of Provence that fed oral or literary works and artistic performances or pictorial map.

_______________________________
2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT KING WILLIAM I BY WILLIAM CHARLES PIGUENIT

WILLIAM CHARLES PIGUENIT  (1836-1914)

Mount King William  I (1, 324 m- 4,384 ft)

Australia (Tasmania) 

In Mount King William from Lake George, print after an  oil on academy broad, 1887, 

National Library of Australia

The mountain 
Mount King William I (1, 324 m- 4,384 ft)) is a mountain adjacent to the Lyell Highway in Central Highlands, Tasmania.  It is located 10 km southwest of Derwent Bridge. It has two namesakes in the King William Range - Mount King William II (1,363m) and Mount King William III.
It is often a reference point for the 'end' of the inhabited part of the western section of Lyell Highway as there are no permanent structures until Linda; it is inside the eastern boundary of the Franklin-Gordon Wild Rivers National Park. There is also Lake King William, south of Derwent Bridge. It is dammed at Butlers Gorge, its south end. Mount King William was named during Sir John Franklin's journey to the west in 1842.

The painter 

William Charles Piguenit also known as W.C. Piguenit or Bill Piguenit was an Australian landscape painter, amateur photographer, draughtsman and explorer, born in Hobart Town, Van Diemen’s Land. The family can be traced back to Pons, in the province of Saintonge, France, from which, as Huguenots, they escaped after the revocation of the Edict of Nantes in 1685 to settle in Bristol, Somerset. William Charles attended Cambridge House Academy in Hobart; a school report of 18 December 1849 praises his 'mapping, particularly that of Van Diemen’s Land’. In September 1850, as an assistant draughtsman, he joined the Tasmanian Lands and Survey Department where much of his time was spent preparing maps of Tasmania. 

When Piguenit exhibited at Melbourne in 1870, showing a watercolour sketch of Mount Wellington from the Huon Road, the Daily Telegraph of 20 July called him 'a young artist who gives promise of better things’. His love for the Tasmanian landscape and his improved artistic ability led to his being invited to accompany James R. Scott’s expedition to Arthur Plains and Port Davey in March 1871 as official artist. The results of the trip formed the basis for later illustrations in the Picturesque Atlas of Australasia and in R.M. Johnston’s Systematic Account of the Geology of Tasmania. 
Having won another silver medal from the academy in 1875 for Mount Olympus, Lake St Clair, Tasmania, Piguenit sent five of his Grose Valley oil landscapes to the academy’s 1876 exhibition and was awarded a certificate of merit for one, though the Sydney Mail critic was tepid in his praise: 'It would be enough to say that they are all very nicely painted and that all have about the same colour and tone’.
Regarded as the leading Australian-born landscape painter in the latter part of the nineteenth century, Piguenit was a founding committee member of the Art Society of New South Wales (elected Vice President in 1886) and regularly showed work in its exhibitions. He was represented in many major exhibitions, such as the 1880 Melbourne International, and he received many awards, including silver medals in 1874 and 1875 from the NSW Academy of Art, two second prizes at the 1888 Melbourne Centennial International Exhibition and gold medals from the 1883 Calcutta International and the 1888 Queensland Art Society and Tasmanian Juvenile Industries exhibitions. He was hung in the Paris Salon in 1893 and at the Chicago World’s Fair in 1894 (Scene on the Upper Nepean River, now AGNSW). A Tasmanian view near Prince of Wales Bay was presented by the Government House Literary Society to their founder and patron, Lady Hamilton, on her departure in 1892.

BHAGIRATHI I, II & III BY SAMUEL BOURNE

SAMUEL BOURNE  (1834–1912)

Bhagirathi II  (6,512 m - 21,365 ft)

Bhagirathi III  6,454 m  -21,175 ft)

Bhagirathi  I (6,856 m-  22,493 ft)  

India 

 In Gangotri Glacier and the Bhagirathi Peaks, gelatine on glass, 1866, The British Libray

About the photo 

'Samuel Bourne, the bank clerk and amateur photographer, arrived in India in 1863 during the early years of commercial photography. Photographs taken during three expeditions to Kashmir and the Himalayas between 1863 and 1866 demonstrate his ability to combine technical skill and artistic vision. These views display a compositional elegance which appealed to Victorian notions of the ‘picturesque’; strategically framed landscapes of rugged mountain scenery, forests, rivers, lakes and rural dwellings. 

Copies of this spectacular and very early photograph of the Himalayas by pioneer photographer Samuel Bourne are held in the collections of the Fogg Museum, Harvard University (2.2002.112), Duke University Library (as part of RL.00130), and the British Library (94/4 25).

The photographer 

Samuel Bourne  was a British photographer known for his prolific seven years' work in India, from 1863 to 1870. Together with Charles Shepherd, he set up Bourne & Shepherd first in Shimla in 1863 and later in Kolkata (Calcutta). The company closed only two years ago, in June 2016 ! 

Bourne spent six extremely productive years in India, and by the time he returned to England in January 1871, he had made approximately 2,200 fine images of the landscape and architecture of India and the Himalayas. Working primarily with a 10x12 inch plate camera, and using the complicated and laborious Wet Plate Collodion process, the impressive body of work he produced was always of superb technical quality and often of artistic brilliance.  His ability to create superb photographs whilst travelling in the remotest areas of the Himalayas and working under the most exacting physical conditions, places him firmly amongst the very finest of nineteenth century travel photographers.

On 29 July 1863, he left Simla on the first of his three major Himalayan photographic expeditions. With a retinue of some 30 porters to carry his equipment, he travelled across the Simla Hills to Chini, in the Valley of the Sutlej River, 160 miles north-east of Simla, and spent some time photographing in the Chini-Sutlej River area, before heading up to the borders of Spiti, and returning to Simla on 12 October 1863, with 147 fine negatives.

In 1867, Bourne journeyed on up to the  Gangotri Glacier (see  photo above). There he went on to photograph one of the prime sources of the Ganges, as it issued from the mouth of the glacial ice cave at Gaumukh. His return journey took in Agra, Mussoorie, Roorkee, Meerut and Naini Tal, and he arrived back in Simla, again in time for Christmas! He wrote extensively about his travels in the Himalayas (one of the very few photographers in India to do so), in a long series of letters, which appeared in The British Journal of Photography, between 1863 and 1870.

The mountains 

Bhagirathi I ( 6,856 - 22,493 ft),  Bhagirathi II (6,512 - 21,365 ft),  Bhagirathi III (6,454 m-21,175 ft), are peaks with moderate routes on the back sides, but huge steep-to-overhanging cliffs on the side facing the glacier. Bhagirathi III, in particular, has seen some of the most extreme rock climbing in the Himalaya. They  are part of The Gangotri Group of mountains, a subdivision of the Garhwal Himalaya in the northern Indian state of Uttarakhand. It rings the Gangotri Glacier, and contains peaks that are notable either for their religious significance to Hindus, for their difficult climbing routes, or both. Climbs on three of the peaks (Thalay Sagar, Shivling, and Meru) have resulted in the awarding of the prestigious (but controversial) climbing award, the Piolet d'Or.

Notable mountains include:

- Chaukhamba (I-IV). A four-summitted massif; Chaukhamba I (7,138 m -23,419 ft), is the highest peak in the group.

- Kedarnath (6,940 m -22,769 ft), the highest peak on the southwest side of the glacier

- Thalay Sagar ( 6,904 m -22,651 ft), a steep rock spire, and perhaps the most difficult summit to attain in the entire group.

- Shivling (6,543 m -21,467 ft), another steep rock peak, with two summits, and the most striking as viewed from Gaumukh, the pilgrimage site at the mouth of the glacier. A symbol of the god Shiva, it is the most revered peak in the group.
- Meru (6,660 m -21,850 ft), lies between Thalay Sagar and Shivling, and has some highly challenging routes, only recently ascended despite multiple attempts by the world's best climbers.

_______________________________

2018 - Wandering Vertexes...

by Francis Rousseau 

.

LE FITZ ROY /CERRO CHALTEN PEINT PAR JAMES HART DYKE

 

 

 

JAMES HART DYKE (bn.1966),
Le Fitz Roy / Cerro Chalten (3,405 m- 11, 171 ft)
Chilie - Argentine

In FitzRoy study last light, 2018, Courtesy John Mitchell Gallery, London

Le peintre
Le travail de James Hart Dyke est centré sur la peinture de paysages, allant du caractère aimable de la campagne anglaise jusqu’aux peintures issues d'expéditions physiquement exigeantes dans des montagnes isolées et lointaines. James Hart Dyke a été également conduit à mener à bien une série de projets aussi différent que celui d'accompagner SAR le prince de Galles (l'actuel roi Charles III) en tant qu'artiste officiel lors de tournées royales, de travailler comme « artiste en résidence » pour les services secrets britanniques, ou encore comme peintre de guerre intégré aux forces britanniques dans les zones de combat, mais aussi pour les producteurs des films de James Bond et enfin comme « artiste en résidence » pour Aston Martin. Ces projets  lui ont permis d'expérimenter des formes de peinture plus graphiques influencées par ses études d'architecte au Royal College of Art. Ses portraits sont exposés à la National Portrait Gallery et à la Royal Society of Portrait Painters.

La montagne
Le  Fitz Roy (3,405 m- 11, 171 ft), également connu sous le nom de cerro Chaltén, est une montagne située près du village d'El Chaltén, en Patagonie, à la frontière entre l'Argentine et le Chili. Le Fitz Roy se trouve dans la province de Santa Cruz (Argentine) et dans la région de Magallanes et de l'Antarctique chilien (Chili). Il a donné son nom au massif du Fitz Roy et s'élève à seulement cinq kilomètres au nord-est du cerro Torre. Son altitude est de 3 405 mètres. Il a été gravi pour la première fois par les alpinistes français Lionel Terray et Guido Magnone en 1952.
Le Fitz Roy est situé à la fois dans le parc national Los Glaciares (Argentine) et dans le parc national Bernardo O'Higgins (Chili).

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2024 - Gravir les montagnes en peinture
Un blog de Francis Rousseau   

LES DENTELLES DE MONTMIRAIL PAR JAMES DICKSON INNES

 

 

JAMES DICKSON INNES (1887-1914)

Les Dentelles de Montmirail 

France, (Vaucluse)

 

In  Les Dentelles de Montmirail Mountains, South of France, Watercolor, 1910 

 

Les montagnes

Les  Dentelles de Montmirail (722 m - 23,68ft) situées dans le département français de Vaucluse, sont une chaîne de montagne qui marque la limite occidentale des monts de Vaucluse. Elles sont situées au nord de Carpentras, au sud de Vaison-la-Romaine et à l'ouest du mont Ventoux. Leur point culminant est la crête de Saint-Amand à 722 mètres d'altitude. Le massif, qui fait environ huit kilomètres de long, est réputé mondialement pour ses parois d'escalade. Situé au cœur de l'appellation Côtes-du-Rhône, il s'est bâti une réputation pour la qualité de ses vins, ce qui a permis le développement de l'œnotourisme. Il est aussi réputé pour la production de son huile d'olive, protégée par une AOC, et pour la qualité de ses truffes. Son histoire s'étale sur plusieurs millénaires. Le site servit d'abord, par ses oppida, à contrôler les routes unissant le nord et le sud entre vallée du Rhône et Ventoux. Outre Vaison-la-Romaine, des découvertes archéologiques majeures y ont été faites (rare épée celte, inscription celto-grecque, statuaires gallo-romaines), Il abrita aussi deux lieux de culte paléochrétiens datés du 7e siècle, une abbaye de moniales aux sources du Trignon et la chapelle Saint-Hilaire. De plus, la présence pontificale à Avignon, au 14e siècle, permit de développer les muscadières qui fournissaient les celliers des papes en vin muscat. Son patrimoine est particulièrement riche.Elles ont été tres souvent peintes par le roi Charles III d'Angleterre qui y séjourna beaucoup lorsqu'il etait encore Prince de Galles.

Le peintre
James Dickson Innes était un peintre britannique, principalement de paysages de montagne, mais occasionnellement de personnages. Il a travaillé à la fois à l'huile et à l'aquarelle. L'historien de l'art David Fraser Jenkins a écrit à propos de son style : « Comme celui des fauves en France et des expressionnistes en Allemagne, le style de son œuvre est primitif : il est enfantin dans sa technique et est associé au paysage des lieux reculés. »  On a dit que son style inhabituel a ouvert la voie à des artistes britanniques tels que David Hockney. Il a étudié à la Carmarthen School of Art (1904-1905), d'où il a obtenu une bourse pour la Slade School of Art de Londres (1905-1908). Parmi ses professeurs à la Slade figurait P. Wilson Steer.
À partir de 1907, il expose avec le New English Art Club; et en 1911, il devient membre du Camden Town Group. Le Camden Town Group comprenait Walter Sickert qui a eu une influence importante sur l'art d'Innes, et Augustus John avec qui Innes se lia d'amitié.
La politicienne et philanthrope galloise Winifred Coombe Tennant (1874-1956) fut une mécène importante de son travail. En 1913, Innes exposa à l'influent Armory Show de New York, Chicago et Boston. En 1911 et 1912, il passa quelque temps à peindre avec Augustus John autour d'Arenig Fawr dans la vallée d'Arenig au nord du Pays de Galles ; mais une grande partie de son travail fut réalisée à l'étranger, principalement en France (1908-1913), notamment dans les Pyrénées, mais aussi en Espagne (1913) et au Maroc (1913) - des voyages à l'étranger lui ayant été prescrits après qu'on lui eut diagnostiqué une tuberculose. Finalement, le 22 août 1914, à l'âge de vingt-sept ans, il meurt de la maladie dans une maison de retraite à Swanley, dans le Kent.
En 2014, une exposition des œuvres d'Innes a été organisée au Musée national du Pays de Galles, à Cardiff.

 

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2024 - Gravir les montagnes en peinture
Un blog de Francis Rousseau    

AMA DABLAM PEINT PAR JAMES HART DYKE

JAMES HART DYKE (bn.1966),
Ama Dablam (6,812 m)
Népal

In Ama Dablam, Himalaya, watercolour and pencil on paper, John Mitchell Gallery courtesy

La montagne
L'Ama Dablam (6,812 m) est un sommet népalais de l'Himalaya dans la région du Khumbu. Il fait face au Taweshe. Il est situé dans le parc national de Sagarmatha, dans le massif du Khumbu Himal, au pied de deux 8 000 : l'Everest et le Lhotse.
Son camp de base - situé quasiment en fond de vallée de l'Imja Khola - est accessible en deux jours de marche depuis la capitale du pays sherpa, Namche Bazar. L'esthétique, la difficulté raisonnable et l'altitude de ce presque 7 000 en font un objectif prisé des expéditions commerciales.
Ama Dablam signifie « reliquaire de la mère » en référence au pendentif en forme d'étoile que portent les Sherpanis (femmes de l'ethnie sherpa).

Le peintre
Le travail de James Hart Dyke est centré sur la peinture de paysages, allant du caractère aimable de la campagne anglaise jusqu’aux peintures issues d'expéditions physiquement exigeantes dans des montagnes isolées et lointaines. James Hart Dyke a été également conduit à mener à bien une série de projets aussi différent que celui d'accompagner SAR le prince de Galles (l'actuel roi Charles III) en tant qu'artiste officiel lors de tournées royales, de travailler comme « artiste en résidence » pour les services secrets britanniques, ou encore comme peintre de guerre intégré aux forces britanniques dans les zones de combat, mais aussi pour les producteurs des films de James Bond et enfin comme « artiste en résidence » pour Aston Martin. Ces projets  lui ont permis d'expérimenter des formes de peinture plus graphiques influencées par ses études d'architecte au Royal College of Art. Ses portraits sont exposés à la National Portrait Gallery et à la Royal Society of Portrait Painters.

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2023 - Gravir les montagnes en peinture
Un blog de Francis Rousseau   

COL DU SAINT-GOTHARD BY JEAN-FRANÇOIS ALBANIS BEAUMONT

JEAN-FRANÇOIS ALBANIS  BEAUMONT (1753-1812) 

Col du Saint Gothard (2, 108m - 6,916 ft) 

Switzerland

 In Ascension du Gothard from Journey in the Alps Lepontine  from France to Italy, 1800, aquatint

The  mountain pass
The Col du Saint-Gothard (2, 108m - 6,916 ft), in  Italian Passo del Gottardo, in German  Gotthardpass, is a mountain pass of the Swiss Alps which connects Andermatt in the Canton of Uri to Airolo in the canton of Ticino. This pass, whose name refers to Gothard de Hildesheim, provided most of the direct flows of people and goods between northern Switzerland and Ticino and Italy, and more generally between the center of the plain of Pô  and North Europe.
The vast glacial basin that leads to the pass itself is a place of passage that has been used for centuries, which has contributed to the prosperity of the cities of Milan and Zurich, linking them directly. It would have been opened around 1220, thanks in particular to the construction of the Pont du Diable (The Bridge of Evil) which brings the advantage over other passes of the Central Alps to be relatively low and to have valleys easy to access.
It was linked with the constitution of a first confederation of Swiss cantons (Confederation of III Cantons) at the end of the 13th century around Lake Lucerne and towards Ticino. At that time, the canton of Uri  enjoyed a new importance and potential income from the toll. His dependence of the Count of Zurich Rudolf II, from the house of Habsburg, was bought in 1231 in the name of Frederick II.
The first mention of an hospice existing in this mountain pass, dates back to 1237.  Four centuries later, in 1602, Frederic Borromée established a priest there and built a house for travelers in 1623-1629. From 1685 to 1841, the establishment is managed by the Capuchin brothers. After the fall of an avalanche in 1774 (as it can be seen in the painting above) the building is rebuilt in stone, accompanied by an octagonal stable. The old "Souste" (now the National Museum of St. Gothard) was erected in 1834-1837 according to plans of Domenico Fontana. This rectangular building, with portico and characteristic arcades on the main façade, was restored in 1983-1986. The building initially served as a hotel for wealthy travelers, but also as a warehouse and customs post. It later became a dependency of the Albergo Monte Prosa, established on plans by A. Regli and inaugurated in 1886.
A dam was constructed in the cervical bowl of the pass. During the second half of the 20th century, the lake near the pass was immersed in obsolete munitions by the Swiss army.
To reach Airolo, there are two routes that leave from the summit:
- Tremola vecchia (meaning "old trembling" in Italian), the old road, still almost entirely paved;
- A more modern road, the Nuova tremola.
To reach Andermatt, the winding road offers a view of beautiful scenery.

The route of the pass is regularly borrowed by the cyclist Tour de Suisse. Since its creation in 1933, this competition has passed 37 times on the Gotthard.

The painter
Sir  Jean-François Albanis Beaumont, draughtsman, aquatint engraver, and landscape painter, was born in Chambery in 1753, but naturalized in England.  He studied classics in Chambéry and when he was 17 years old went to Paris. He studied 4 years at the Royal College of Engineering of Mézières and received several commissions in the Bourbonnais.
Returning in 1775 to Chambéry, he designed the decorations for the celebrations of the marriage of Clotilde de France and Prince Charles-Emmanuel. Engineer Filippo Nicolis di Robilant encouraged him to work for king Victor Amadeus III, who placed him with the chief engineer of the county of Nice, where he took part in the important works underway in Port Lympia. He was inscribed on April 30, 1780, in the class of civil architects of the University of Turin.
He accompanied the Duke of Gloucester, William Frederick of Hanover in his Grand Tour (Germany, Italy, France and Switzerland), who subsequently entrusted him with the education of his children. He then settled in Britain and married an Englishwoman of Protestant religion.
In 1787 he began to publish his first works illustrated with his own drawings "Picturesque travel to the Pennine Alps", "Historical and picturesque journey of the County of Nice", "Journey through the Rhaetian Alps in 1786", "Selected views of antiquities And ports in the south of France "and" Travel through the Maritime Alps".
In 1796, his mission was completed and he could return to Savoie and settle near Genevawhere in 1798 he bought a small agricultural estate on the commune of Thônex with which he planned to enter the  trade of wool. He does not find the success expected and must soon resell everything and resume his work as geographer and traveler.
In 1800, he published "Journey in the Alps Lepontine from France to Italy" and then "Description of the Greek and Cote Alps" (1802 and 1806).
In 1810, he died at the monastery of Sixt of which he became the owner. He had resumed the exploitation of the iron mines, but he faced too many difficulties. He is buried on the spot.
The views of the towns and landscapes he drew are very sought after and give an idea of ​​the appearance of these places at the time.

GRAND COMBIN BY JEAN-FRANÇOIS ALBANIS BEAUMONT

JEAN-FRANÇOIS ALBANIS  BEAUMONT (1753-1812)  

The Grand Combin (4,314 m- 14, 154ft) 

 Switzerland

In Le glacier du Combin de Valsorey - Voyage pittoresque aux Alpes pennines, 1787, aquatint

The mountain 
The Grand Combin is a mountain massif in the western Pennine Alps in Switzerland. With its 4,314 metres (14,154 ft) highest summit, the Combin de Grafeneire, it is one of the highest peaks in the Alps and the second most prominent of its range. The Grand Combin is also a large glaciated massif consisting of several summits, among which three are above 4000 metres:
- Combin de Grafeneire (4,314 m -14,154 ft),
- Combin de Valsorey  (4,183 m -13,724 ft),
- Combin de la Tsessette  (4,134 m -13,563 ft).
The massif of the Grand Combin lies south of Verbier between the Val d'Entremont (west) and Val de Bagnes (west). The north-western facing side of Grand Combin is entirely covered by eternal snows and glaciers which are prone to serac falls. The southern and eastern walls are more steep and thus exempt of snow.
The topography of the Grand Combin is intricate. Between the Val d'Entremont and the Val de Bagnes are two high ridges, nearly parallel to each other and to those valleys, which both diverge from a short transverse ridge of great height. The southern end of the space enclosed between these three ridges is an elevated plateau of great extent, where the snows accumulate and feed the Corbassière Glacier which descends thence for about ten kilometers to the north. The glacier is surrounded by the peaks of Petit Combin, Combin de Corbassière and Combin de Boveire on the west, Grand Tavé and Tournelon Blanc on the east. Smaller glaciers lie on the external flanks such as Boveire and Mont Durand Glacier.
The Grand Combin, which yields in height to only a few European mountains, was long one of the least known of Alpine summits. The first to commence the exploration of the great massif which separates the Val de Bagnes from the Val d'Entremont was Gottlieb Samuel Studer, of Berne, who on August 14, 1851 reached for the first time the summit of the Combin de Corbassière with the guide Joseph-Benjamin Fellay, and has published an account of that and a subsequent excursion in Bergund Gletscher-Fahrten. He was followed in that ascent five years later by W. and C. E. Mathews, and in 1857, William Mathews anticipated Studer in the ascent of the second peak of the Grand Combin.
The first four expeditions on Grand Combin reached only the minor summit east of Grand Combin (Aiguille du Croissant). The first one was made by mountain guides from the valley (Maurice Fellay and Jouvence Bruchez) on July 20, 1857. The first complete ascent of Grand Combin was finally made on July 30, 1859 by Charles Sainte-Claire Deville with Daniel, Emmanuel and Gaspard Balleys, and Basile Dorsaz.
The Grand Combin de Valsorey on the west was reached for the first time on 16 September 1872 by J. H. Isler and J. Gillioz. They climbed the south south face above the Plateau du Couloir. The itinerary on the south-east ridge was opened on 10 September 1891 by O. Glynne Jones, A.Bovier and P. Gaspoz.
The "Penitents", those reliefs of ice that one see rising on the surface of the glacier of the Grand Combin, in this 1787 painting, have all disappeared at the beginning of 21th century, because of global warming...

The painter
Sir  Jean-François Albanis Beaumont, draughtsman, aquatint engraver, and landscape painter, was born in Chambery in 1753, but naturalized in England.  He studied classics in Chambéry and when he was 17 years old went to Paris. He studied 4 years at the Royal College of Engineering of Mézières and received several commissions in the Bourbonnais.
Returning in 1775 to Chambéry, he designed the decorations for the celebrations of the marriage of Clotilde de France and Prince Charles-Emmanuel. Engineer Filippo Nicolis di Robilant encouraged him to work for king Victor Amadeus III, who placed him with the chief engineer of the county of Nice, where he took part in the important works underway in Port Lympia. He was inscribed on April 30, 1780, in the class of civil architects of the University of Turin.
He accompanied the Duke of Gloucester, William Frederick of Hanover in his Grand Tour (Germany, Italy, France and Switzerland), who subsequently entrusted him with the education of his children. He then settled in Britain and married an Englishwoman of Protestant religion.
In 1787 he began to publish his first works illustrated with his own drawings "Picturesque travel to the Pennine Alps", "Historical and picturesque journey of the County of Nice", "Journey through the Rhaetian Alps in 1786", "Selected views of antiquities And ports in the south of France "and" Travel through the Maritime Alps".
In 1796, his mission was completed and he could return to Savoie and settle near Genevawhere in 1798 he bought a small agricultural estate on the commune of Thônex with which he planned to enter the  trade of wool. He does not find the success expected and must soon resell everything and resume his work as geographer and traveler.
In 1800, he published "Journey in the Alps Lepontine from France to Italy" and then "Description of the Greek and Cote Alps" (1802 and 1806).
In 1810, he died at the monastery of Sixt of which he became the owner. He had resumed the exploitation of the iron mines, but he faced too many difficulties. He is buried on the spot.
The views of the towns and landscapes he drew are very sought after and give an idea of ​​the appearance of these places at the time.