google.com, pub-0288379932320714, DIRECT, f08c47fec0942fa0 GRAVIR LES MONTAGNES... EN PEINTURE: Ama Dablam
Showing posts with label Ama Dablam. Show all posts
Showing posts with label Ama Dablam. Show all posts

Thursday, December 28, 2023

AMA DABLAM   PEINT PAR JAMES HART DYKE


JAMES HART DYKE (bn.1966), Ama Dablam (6,812 m) Népal  In Ama Dablam, Himalaya, watercolour and pencil on paper, John Mitchell Gallery courtesy

JAMES HART DYKE (bn.1966),
Ama Dablam (6,812 m)
Népal

In Ama Dablam, Himalaya, watercolour and pencil on paper, John Mitchell Gallery courtesy

La montagne
L'Ama Dablam (6,812 m) est un sommet népalais de l'Himalaya dans la région du Khumbu. Il fait face au Taweshe. Il est situé dans le parc national de Sagarmatha, dans le massif du Khumbu Himal, au pied de deux 8 000 : l'Everest et le Lhotse.
Son camp de base - situé quasiment en fond de vallée de l'Imja Khola - est accessible en deux jours de marche depuis la capitale du pays sherpa, Namche Bazar. L'esthétique, la difficulté raisonnable et l'altitude de ce presque 7 000 en font un objectif prisé des expéditions commerciales.
Ama Dablam signifie « reliquaire de la mère » en référence au pendentif en forme d'étoile que portent les Sherpanis (femmes de l'ethnie sherpa).

Le peintre
Le travail de James Hart Dyke est centré sur la peinture de paysages, allant du caractère aimable de la campagne anglaise jusqu’aux peintures issues d'expéditions physiquement exigeantes dans des montagnes isolées et lointaines. James Hart Dyke a été également conduit à mener à bien une série de projets aussi différent que celui d'accompagner SAR le prince de Galles (l'actuel roi Charles III) en tant qu'artiste officiel lors de tournées royales, de travailler comme « artiste en résidence » pour les services secrets britanniques, ou encore comme peintre de guerre intégré aux forces britanniques dans les zones de combat, mais aussi pour les producteurs des films de James Bond et enfin comme « artiste en résidence » pour Aston Martin. Ces projets  lui ont permis d'expérimenter des formes de peinture plus graphiques influencées par ses études d'architecte au Royal College of Art. Ses portraits sont exposés à la National Portrait Gallery et à la Royal Society of Portrait Painters.

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2023 - Gravir les montagnes en peinture
Un blog de Francis Rousseau   




Friday, May 11, 2018

AMA DABLAM BY ISABELLE SCHEIBLI


ISABELLE SCHEIBLI (bn.1949)
Ama Dablam   (6,812 metres - 22,349 ft),
 Nepal 

 In L'Ama Dablam vu de Tengboche, 2005, watercolor 

The mountain 
Ama Dablam   (6,812 metres - 22,349 ft), is  a nearly 7000m mountain in the Himalaya range of eastern Nepal ;  the main peak being 6,812 m - 22,349 ft, the lower western peak being 6,170 m - 20,243 ft. Ama Dablam means "Mother's necklace"; the long ridges on each side like the arms of a mother (Ama) protecting her child, and the hanging glacier thought of as the Dablam, the traditional double-pendant containing pictures of the gods, worn by Sherpa women.
For several days, Ama Dablam dominates the eastern sky for anyone trekking to Mount Everest basecamp. Ama Dablam is the third most popular Himalayan peak for permitted expeditions. The most popular route by far is the Southwest Ridge.  Climbers typically set up three camps along the ridge with camp 3 just below and to the right of the hanging glacier, the Dablam. Any ice that calves off the glacier typically goes left, away from the camp. However, a 2006 avalanche proved that this is not always the case. A climbing permit and a liaison officer are required when attempting Ama Dablam. As with Mt. Everest, the best climbing months are April–May (before the monsoon) and September–October.
Ama Dablam was first climbed on 13 March 1961 by Mike Gill (NZ), Barry Bishop (USA), Mike Ward (UK) and Wally Romanes (NZ) via the Southwest Ridge. They were well-acclimatised to altitude, having wintered over at 5800 metres near the base of the peak as part of the Silver Hut Scientific Expedition of 1960-61, led by Sir Edmund Hillary.

The artist 
Isabelle Scheibli (bn. 1949) is a french journalist, screenwriter, essayist and watercolorist, passionate about mountains. She is the author of the novel "Gaspard de la Meije" published in 1984. As a journalist she worked for several mountains magazines such as "Vertical" or "Montagne Magazine". She wrote several films scenarii related to the mountain such as "Le passe montagne" (1996), "Jours Blancs" (1990) or "Gaspard de la Meije" (1984) based on her novel, winner of a prize in the Festivals of Trent and of Les Diablerets, and also recompensed by the La Fondation de France. As a watercolorist, she illustrated three albums from the Carrés de France collection for Editions Equinox, about the Haute Savoie (2002), the Savoie (2003), the Drôme Provençale (2008).
Isabelle Scheibli made several voyages to Patagonia and Antarctica, which are her favorite places on earth. She doesn’t always paint in situ, due to the extreme conditions in these lands, especially speaking about watercolors! She often paints watertcolors in her studio from her drawings or photos, she realised herself in the Antarctic.  About those voyages she wrote :
 «Painting the glacial world is a long-term process. To accompany close alpinists and Himalayists in their expeditions, I have often been in the mountains, in the Alps, in Nepal and in Tibet. The peaks have become a privileged motive. In 2014, I had the opportunity to go to Patagonia, to follow the coast of the Beagle Channel on a sailboat and to go to the foot of the glaciers of Tierra del Fuego. It was a very violent aesthetic shock.  Here the conditions did not always allow me  to paint as I wished. When I returned I undertook a work in my atelier from the many drawings, watercolors and photos that I had brought back. The dimension of immensity quickly led me to paint in a large format, which I had never done before. In 2016, I set out on a sailboat to approach the absolute quintessence of the glacier, an entire continent of ice, Antarctica. I had somewhat underestimated the navigation part of this trip but the discovery of this icy pole was a glare. Once again I brought back watercolors stolen between two gusts, many drawings and photos. And I got to work on the way back, immersing myself completely »