google.com, pub-0288379932320714, DIRECT, f08c47fec0942fa0 GRAVIR LES MONTAGNES... EN PEINTURE: KHUMBU NEPAL
Showing posts with label KHUMBU NEPAL. Show all posts
Showing posts with label KHUMBU NEPAL. Show all posts

Friday, June 3, 2022

NUPTSE PAINTED BY JAMES HART DYKE



JAMES HART DYKE  (bn 1966) Nuptse  (7,861 m - 25,791 ft) Nepal  In Nuptse Himalaya ,2011, Acrylic on paper-  Courtesy John Mitchell  Gallery, London

 

JAMES HART DYKE  (bn 1966)
Nuptse  (7,861 m - 25,791 ft)
Nepal

In Nuptse Himalaya ,2011, Acrylic on paper,  Courtesy John Mitchell  Gallery, London


The mountain
Nuptse or Nubtse is a mountain in the Khumbu region of the Mahalangur Himal, in the Nepalese Himalayas. It lies two kilometres WSW of Mount Everest. Nubtse is Tibetan for "west peak", as it is the western segment of the Lhotse-Nubtse massif.
The main peak, Nubtse I, was first climbed on May 16, 1961 by Dennis Davis and Sherpa Tashi and the following day by Chris Bonington, Les Brown, James Swallow and Pemba Sherpa, members of a British expedition led by Joe Walmsley. After a long hiatus, Nubtse again became the objective of high-standard mountaineers in the 1990s and 2000s, with important routes being put up on its west, south, and north faces. While Nubtse is a dramatic peak when viewed from the south or west, and it towers above the base camp for the standard south col route on Everest, it is not a particularly independent peak: its topographic prominence is only 319 m (1,047 ft). Hence it is not ranked on the list of highest mountains.


The painter
James Hart Dyke’s work is centred on landscape painting, from the domesticity of paintings of country houses to paintings generated from physically demanding expeditions over remote mountains. James has also undertaken a series of projects including accompanying HRH The Prince of Wales as the official artist on royal tours, working as ‘artist in residence’ for The British Secret Intelligence Service, working as an artist embedded with the British Forces in war zones, working for the producers of the James Bond films and working as ‘artist in residence’ for Aston Martin. These projects required him to respond in many different ways and have allowed him to experiment with more graphic forms of painting influenced by his studies as an architect at the Royal College of Art. His portraits have been shown at the National Portrait Gallery and at the Royal Society of Portrait Painters exhibitions.

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2022 - Wandering Vertexes
Un blog de Francis Rousseau

Tuesday, June 18, 2019

KHUMBU YU-LHA BY ISABELLE SCHEIBLI



ISABELLE SCHEIBLI (bn.1949), 
Mount Khumbila / Khumbu Yul-Lha (5,761 m- 18, 901ft) 
Nepal 

In Kumbu Nepal, watercolor on paper, 2018
The mountain
Mount Khumbila or Khumbu Yul-Lha (5,761 m- 18, 901ft) roughly translated as "God of Khumbu" is one of the high Himalayan peaks in the Khumbu region of Eastern Nepal within the boundaries of Sagarmatha National Park. Considered too sacred to be climbed by most local Sherpa people, the mountain is considered home to the patron God of the local area. The mountain overlooks the famous southern approaches to its larger neighbours including Ama Dablam and Mount Everest.
Khumbila has never been climbed; one attempt prior to the 1980s ended when climbers were killed in an avalanche, and there have been no subsequent attempts.
Khumbila is said to be a god, and an old one. The prayers for Khumbila are believed to date back to the time when the ancestors of the Sherpas were still in Tibet (more than 500 years ago). Khumbila is said to have been subdued and converted to Buddhism by Guru Rimpoche, the 8th-century saint who spread Buddhism throughout the Himalaya . In fact, Guru Rimpoche is said to have spent some time meditating in a cave above Khunde, perhaps on the mountain Khumbila itself.
Local buildings often have prayer flags on bamboo wands to honour Khumbila.

The artist 
Isabelle Scheibli (bn. 1949) is a french journalist, screenwriter, essayist and watercolorist, passionate about mountains. She is the author of the novel "Gaspard de la Meije" published in 1984. As a journalist she worked for several mountains magazines such as "Vertical" or "Montagne Magazine". She wrote several films scenarii related to the mountain such as "Le passe montagne" (1996), "Jours Blancs" (1990) or "Gaspard de la Meije" (1984) based on her novel, winner of a prize in the Festivals of Trent and of Les Diablerets, and also recompensed by the La Fondation de France. As a watercolorist, she illustrated three albums from the Carrés de France collection for Editions Equinox, about the Haute Savoie (2002), the Savoie (2003), the Drôme Provençale (2008).
Isabelle Scheibli made several voyages to Patagonia and Antarctica, which are her favorite places on earth. She doesn’t always paint in situ, due to the extreme conditions in these lands, especially speaking about watercolors! She often paints watertcolors in her studio from her drawings or photos, she realised herself in the Antarctic.  About those voyages she wrote :
 «Painting the glacial world is a long-term process. To accompany close alpinists and Himalayists in their expeditions, I have often been in the mountains, in the Alps, in Nepal and in Tibet. The peaks have become a privileged motive. In 2014, I had the opportunity to go to Patagonia, to follow the coast of the Beagle Channel on a sailboat and to go to the foot of the glaciers of Tierra del Fuego. It was a very violent aesthetic shock.  Here the conditions did not always allow me  to paint as I wished. When I returned I undertook a work in my atelier from the many drawings, watercolors and photos that I had brought back. The dimension of immensity quickly led me to paint in a large format, which I had never done before. In 2016, I set out on a sailboat to approach the absolute quintessence of the glacier, an entire continent of ice, Antarctica. I had somewhat underestimated the navigation part of this trip but the discovery of this icy pole was a glare. Once again I brought back watercolors stolen between two gusts, many drawings and photos. And I got to work on the way back, immersing myself completely »



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2019 - Wandering Vertexes...
by Francis Rousseau 





Tuesday, May 7, 2019

THAMSERKU AND KANGTEGA BY ISABELLE SCHEIBLI


ISABELLE SCHEIBLI (bn. 1949) 
Thamserku ( 6,608m - 21, 680ft) 
Kangtega (6,782m - 22,251ft) 
Népal 

In Le Thamserku et le Kangtega depuis Thame, watercolour on paper, 2005, Private collection
Courtesy Isabelle Scheibli.

The mountains 
Thamserku ( 6,608m - 21, 680ft) is a mountain in the Himalayas of eastern Nepal. The mountain is connected by a ridge leading eastward to Kangtega. Thamserku is a prominent mountain to the east of Namche Bazaar and lies just north of Kusum Kangguru. The first ascent was made in 1964 from the south by members of Edmund Hillary's Schoolhouse Expedition: Lynn Crawford, Pete Farrell, John McKinnon and Richard Stewart. Below the basin on the southwest face, they reached the south ridge after climbing a difficult couloir. The team described the climb as difficult and the route has not been repeated in its entirety by anyone else. In 2014, Russian climbers Alexander Gukov and Alexey Lonchinskiy made the first ascent on the southwest face
Kangtega (6,782m - 22,251ft) known also as The Snow Saddle, is a major mountain peak of the Himalayas in Nepal.  It was first ascended in 1963. by David Dornan, Tom Frost, Michael Gill, Jim Wilson,[ in an expedition led by Edmund Hillary.

The artist 
Isabelle Scheibli (bn. 1949) is a french journalist, screenwriter, essayist and watercolorist, passionate about mountains. She is the author of the novel "Gaspard de la Meije" published in 1984. As a journalist she worked for several mountains magazines such as "Vertical" or "Montagne Magazine". She wrote several films scenarii related to the mountain such as "Le passe montagne" (1996), "Jours Blancs" (1990) or "Gaspard de la Meije" (1984) based on her novel, winner of a prize in the Festivals of Trent and of Les Diablerets, and also recompensed by the La Fondation de France. As a watercolorist, she illustrated three albums from the Carrés de France collection for Editions Equinox, about the Haute Savoie (2002), the Savoie (2003), the Drôme Provençale (2008).
Isabelle Scheibli made several voyages to Patagonia and Antarctica, which are her favorite places on earth. She doesn’t always paint in situ, due to the extreme conditions in these lands, especially speaking about watercolors! She often paints watertcolors in her studio from her drawings or photos, she realised herself in the Antarctic.  About those voyages she wrote :
 «Painting the glacial world is a long-term process. To accompany close alpinists and Himalayists in their expeditions, I have often been in the mountains, in the Alps, in Nepal and in Tibet. The peaks have become a privileged motive. In 2014, I had the opportunity to go to Patagonia, to follow the coast of the Beagle Channel on a sailboat and to go to the foot of the glaciers of Tierra del Fuego. It was a very violent aesthetic shock.  Here the conditions did not always allow me  to paint as I wished. When I returned I undertook a work in my atelier from the many drawings, watercolors and photos that I had brought back. The dimension of immensity quickly led me to paint in a large format, which I had never done before. In 2016, I set out on a sailboat to approach the absolute quintessence of the glacier, an entire continent of ice, Antarctica. I had somewhat underestimated the navigation part of this trip but the discovery of this icy pole was a glare. Once again I brought back watercolors stolen between two gusts, many drawings and photos. And I got to work on the way back, immersing myself completely »

___________________________________________
2019 - Wandering Vertexes...
by Francis Rousseau 

Wednesday, May 30, 2018

MOUNT KHUMBILA / KHUMBU YUL-LHA BY HEINRICH C. BERANN


HEINRICH C. BERANN  (1915-1999)
Mount Khumbila / Khumbu Yul-Lha (5,761 m- 18, 901ft) 
Nepal 

In Kumbu Himal map, 1950 for National Geographic 

The mountain 
Mount Khumbila or Khumbu Yul-Lha (5,761 m- 18, 901ft)  roughly translated as "God of Khumbu" is one of the high Himalayan peaks in the Khumbu region of Eastern Nepal within the boundaries of Sagarmatha National Park. Considered too sacred to be climbed by most local Sherpa people, the mountain is considered home to the patron God of the local area. The mountain overlooks the famous southern approaches to its larger neighbours including Ama Dablam and Mount Everest.
Khumbila has never been climbed; one attempt prior to the 1980s ended when climbers were killed in an avalanche, and there have been no subsequent attempts.
Khumbila is said to be a god, and an old one. The prayers for Khumbila are believed to date back to the time when the ancestors of the Sherpas were still in Tibet (more than 500 years ago). Khumbila is said to have been subdued and converted to Buddhism by Guru Rimpoche, the 8th-century saint who spread Buddhism throughout the Himalaya . In fact, Guru Rimpoche is said to have spent some time meditating in a cave above Khunde, perhaps on the mountain Khumbila itself.
Local buildings often have prayer flags on bamboo wands to honour Khumbila.

The artist
Heinrich C. Berann, (1915–1999) the father of the modern panorama map, was born into a family of painters and sculptors in Innsbruck, Austria. He taught himself by trial and error. In the years 1930-1933 he attended the arts and design school "Bundeslehranstalt für Malerei" in Innsbruck.
Winning of first prize at a competition for a panorama map created great enthusiasm in him. Using his artistic heritage and new self-discovered techniques he invented a new way of painting landscapes for tourist purposes. The further development of both these panorama maps and his artistic style was influenced by lasting impressions he received during his military service in German Army in Norway and Northern Finland in 1942.
In 1962 he painted Mount Everest for the National Geographic Society, one of his most famous panoramic maps. He worked with Marie Tharp and Bruce C. Heezen to produce maps of the entire ocean floor in 1977.
He later created four panoramas for the United States National Park Service: Yellowstone National Park, North Cascades National Park, Yosemite National Park and finally Mt. McKinley National Park (now Denali). He was very sick when he painted Denali (above) - but he finished it in the age of 81.
In 2000, Tom Patterson of the National Park Service explored ways of digitally creating panoramas like Berann did for the Park Service.

Friday, May 11, 2018

AMA DABLAM BY ISABELLE SCHEIBLI


ISABELLE SCHEIBLI (bn.1949)
Ama Dablam   (6,812 metres - 22,349 ft),
 Nepal 

 In L'Ama Dablam vu de Tengboche, 2005, watercolor 

The mountain 
Ama Dablam   (6,812 metres - 22,349 ft), is  a nearly 7000m mountain in the Himalaya range of eastern Nepal ;  the main peak being 6,812 m - 22,349 ft, the lower western peak being 6,170 m - 20,243 ft. Ama Dablam means "Mother's necklace"; the long ridges on each side like the arms of a mother (Ama) protecting her child, and the hanging glacier thought of as the Dablam, the traditional double-pendant containing pictures of the gods, worn by Sherpa women.
For several days, Ama Dablam dominates the eastern sky for anyone trekking to Mount Everest basecamp. Ama Dablam is the third most popular Himalayan peak for permitted expeditions. The most popular route by far is the Southwest Ridge.  Climbers typically set up three camps along the ridge with camp 3 just below and to the right of the hanging glacier, the Dablam. Any ice that calves off the glacier typically goes left, away from the camp. However, a 2006 avalanche proved that this is not always the case. A climbing permit and a liaison officer are required when attempting Ama Dablam. As with Mt. Everest, the best climbing months are April–May (before the monsoon) and September–October.
Ama Dablam was first climbed on 13 March 1961 by Mike Gill (NZ), Barry Bishop (USA), Mike Ward (UK) and Wally Romanes (NZ) via the Southwest Ridge. They were well-acclimatised to altitude, having wintered over at 5800 metres near the base of the peak as part of the Silver Hut Scientific Expedition of 1960-61, led by Sir Edmund Hillary.

The artist 
Isabelle Scheibli (bn. 1949) is a french journalist, screenwriter, essayist and watercolorist, passionate about mountains. She is the author of the novel "Gaspard de la Meije" published in 1984. As a journalist she worked for several mountains magazines such as "Vertical" or "Montagne Magazine". She wrote several films scenarii related to the mountain such as "Le passe montagne" (1996), "Jours Blancs" (1990) or "Gaspard de la Meije" (1984) based on her novel, winner of a prize in the Festivals of Trent and of Les Diablerets, and also recompensed by the La Fondation de France. As a watercolorist, she illustrated three albums from the Carrés de France collection for Editions Equinox, about the Haute Savoie (2002), the Savoie (2003), the Drôme Provençale (2008).
Isabelle Scheibli made several voyages to Patagonia and Antarctica, which are her favorite places on earth. She doesn’t always paint in situ, due to the extreme conditions in these lands, especially speaking about watercolors! She often paints watertcolors in her studio from her drawings or photos, she realised herself in the Antarctic.  About those voyages she wrote :
 «Painting the glacial world is a long-term process. To accompany close alpinists and Himalayists in their expeditions, I have often been in the mountains, in the Alps, in Nepal and in Tibet. The peaks have become a privileged motive. In 2014, I had the opportunity to go to Patagonia, to follow the coast of the Beagle Channel on a sailboat and to go to the foot of the glaciers of Tierra del Fuego. It was a very violent aesthetic shock.  Here the conditions did not always allow me  to paint as I wished. When I returned I undertook a work in my atelier from the many drawings, watercolors and photos that I had brought back. The dimension of immensity quickly led me to paint in a large format, which I had never done before. In 2016, I set out on a sailboat to approach the absolute quintessence of the glacier, an entire continent of ice, Antarctica. I had somewhat underestimated the navigation part of this trip but the discovery of this icy pole was a glare. Once again I brought back watercolors stolen between two gusts, many drawings and photos. And I got to work on the way back, immersing myself completely »