MOUNT ARARAT PAINTED BY LEVON KOJOYAN

LEVON KOJOYAN (1924-2015)
Mount Ararat (5,137 m- 16,854ft)
Turkey (since 1921)

The mountains
There are two mountains in the world called Mont Ararat, One in Turkey, one in United States of America (Pennsylvania). The one we are talking about is Mount Ararat in Turkey, which has a very long and complex political, religious, sacred and mythical history.
Mount Ararat (5,137 m- 16,854ft) (Turkish: Ağrı Dağı; Armenian: Մասիս, Masis) is a snow-capped and dormant stratovolcano in the eastern extremity of Turkey. It consists of two major volcanic cones: Greater Ararat, the highest peak in Turkey and the Armenian plateau with an elevation of 5,137 m (16,854 ft); and Little Ararat, with an elevation of 3,896 m (12,782 ft). The Ararat massif is about 40 km (25 mi) in diameter and is part of the range of Armenian Highlands.
Mountains of Ararat have been perceived as the traditional resting place of Noah's Ark since the 11th century. It is the principal national symbol of Armenia and has been considered a sacred mountain by Armenians. It is featured prominently in Armenian literature and art and is an icon for Armenian irredentism. Along with Noah's Ark, it is depicted on the coat of arms of Armenia.
Mount Ararat forms a near-quadripoint between Turkey, Armenia, Azerbaijan and Iran. Its summit is located some 16 km (10 mi) west of both the Iranian border and the border of the Nakhchivan exclave of Azerbaijan, and 32 km (20 mi) south of the Armenian border. The Turkish–Armenian–Azerbaijani and Turkish–Iranian–Azerbaijani tripoints are some 8 km apart, separated by a narrow strip of Turkish territory containing the E99 road which enters Nakhchivan at 39.6553°N 44.8034°E.
From the 16th century until 1828 Great Ararat's summit and the northern slopes, along with the eastern slopes of Little Ararat were part of Persia, while the range was part of the Ottoman-Persian border. Following the 1826–28 Russo-Persian War and the Treaty of Turkmenchay, the Persian controlled territory was ceded to the Russian Empire. Little Ararat became the point where the Turkish, Persian, and Russian imperial frontiers converged.
The current international boundaries were formed throughout the 20th century. The mountain came under Turkish control during the 1920 Turkish–Armenian War. It formally became part of Turkey according to the 1921 Treaty of Moscow and Treaty of Kars. By the Tehran Convention of 1932, a border change was made in Turkey's favor, allowing it to occupy the eastern flank of Lesser Ararat.The Iran-Turkey boundary skirts east of Lesser Ararat, the lower peak of the Ararat massif.
The nationalist Armenian Revolutionary Federation (Dashnaktsutyun) party claims eastern Turkey (Western Armenia) as part of what it considers United Armenia. The Armenian government has not made official claims to any Turkish territory,however the Armenian government has avoided "an explicit and formal recognition of the existing Turkish-Armenian border." According to Turkish political scientist Bayram Balci, regular references to the Armenian Genocide and Mount Ararat "clearly indicates" that the border with Turkey in contested in Armenia.


The painter
Merited Artist of Armenia Levon Kojoyan died today at the age of 91. His civil funeral will be held on March 12. He will be laid to rest on March 13. Levon Kojoyan was born in 1924 in Russia. He apprenticed to Hakob Kojoyan.

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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT VESUVIUS PAINTED BY CHARLES MOUTON-DUGASSEAU

 CHARLES MOUTON-DUGASSEAU (1812- 1883)
Mount Vesuvius (1,281m - 4,203ft)
Italy

In La Baie de Naples avec une éruption du Vésuve sous la neige,
6 January 1836,(Bay of Naples with Mount Vesuvius Erupting and Covered in Snow), 6 Janvier 1836,
Gouache on paper 42.7cm x 63.3cm.
Private collection

The artist
Charles Dugasseau, born Charles-Alexandre-Ernest Mouton or Mouton-Dugasseau  was a painter, designer and curator of the Tessé Museum in Le Mans. After making his debut at Le Mans in 1836, Charles Dugasseau spent seven years in Italy in Rome. Student of Ingres who describes him as his friend, and who invites him to come and listen to music until the end of his days. His Sapho exhibited at the Salon in 1845, with Christ surrounded by the founders of the religion, was noticed by Francis Wey, Théophile Gautier and Charles Baudelaire who made this comment: “Serious painting, but pedantic - looks like a very solid Lehmann. His Sapho making the leap of Lefkada is a pretty composition ”.
Nephew of Narcisse Desportes, curator of the Tessé Museum and botanist, Charles Dugasseau replaced him in 1856. He increased the museum's collection by making purchases, in particular twenty-three works by Italian primitives acquired during the sale after the death of a collector from Manceau, Évariste Fouret (1807-1863). He requests deposits from the French State and makes or has made many copies of paintings by Leonardo da Vinci, (Joconda), Bernardino Luini, Francesco Melzi (Flora ou Colombine or La Dame au jasmin), Andrea Solari (The Virgin with the Green Cushion).
The second part of his career was devoted to landscape painting.

The mountain 

Mount Vesuvius (1,281 meters- 4,203 ft at present) is one of those legendary and mythic mountains the Earth paid regularly tribute. Monte Vesuvio in Italian modern langage or Mons Vesuvius in antique Latin langage is a stratovolcano in the Gulf of Naples (Italy) about 9 km (5.6 mi) east of Naples and a short distance from the shore. 

It is one of several volcanoes which form the Campanian volcanic arc. Vesuvius consists of a large cone partially encircled by the steep rim of a summit caldera caused by the collapse of an earlier and originally much higher structure.

Mount Vesuvius is best known for its eruption in AD 79 that led to the burying and destruction of the Roman antique cities of Pompeii, Herculaneum, and several other settlements. That eruption ejected a cloud of stones, ash, and fumes to a height of 33 km (20.5 mi), spewing molten rock and pulverized pumice at the rate of 1.5 million tons per second, ultimately releasing a hundred thousand times the thermal energy released by the Hiroshima bombing. At least 1,000 people died in the eruption. The only surviving eyewitness account of the event consists of two letters by Pliny the Younger to the historian Tacitus.

Vesuvius has erupted many times since and is the only volcano on the European mainland to have erupted within the last hundred years. Nowadays, it is regarded as one of the most dangerous volcanoes in the world because of the population of 3,000,000 people living nearby and its tendency towards explosive eruptions (said Plinian eruptions). It is the most densely populated volcanic region in the world.

Vesuvius was formed as a result of the collision of two tectonic plates, the African and the Eurasian. The former was subducted beneath the latter, deeper into the earth. As the water-saturated sediments of the oceanic African plate were pushed to hotter depths in the earth, the water boiled off and caused the melting point of the upper mantle to drop enough to create partial melting of the rocks. Because magma is less dense than the solid rock around it, it was pushed upward. Finding a weak place at the Earth's surface it broke through, producing the volcano.

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2020 - Wandering Vertexes...
by Francis Rousseau

RIESENGEBIRGE AND SZRENICA (3) PAINTED BY CASPAR DAVID FRIEDRICH

 

CASPAR DAVID FRIEDRICH (1774-1840)
Riesengebirge (1,362 m - 4,469 ft)
Poland - Czech Republic border

In New Moon above the Riesengebirge Mountains, 1810, pen and gray ink with watercolor over graphite on wove paper overall, 26.2 x 36.5 cm, Pushkin State Museum of Fine Arts, Moscow

The mountain
Szrenica (1,362 m - 4,469 ft) is a mountain peak situated in the western part of Karkonosze on Polish and Czech border within the Karkonosze National Park. Its name originates from the Polish word szron (frost). There is a weather station situated close to the summit. The peak is deforested, both the southern and the northern parts are used intensively for skiing. The elevation gain compared to the main range is approximately 60 m. Szrenica Is part of the Giant Mountains range (Riesengebirge in german) frequently painted by the most famous romantic german painter Caspar David Friedrich.

The painter
Caspar David Friedrich was a 19th-century German Romantic landscape painter, considered as the most important German artist of his generation. He is best known for his mid-period allegorical landscapes which typically feature contemplative figures silhouetted against night skies, morning mists, barren trees or Gothic ruins. His primary interest as an artist was the contemplation of nature, and his often symbolic and anti-classical work seeks to convey a subjective, emotional response to the natural world. Friedrich's paintings characteristically set a human presence in diminished perspective amid expansive landscapes, reducing the figures to a scale that, according to the art historian Christopher John Murray, directs "the viewer's gaze towards their metaphysical dimension".
Friedrich was born in Pomerania, where he began to study art. He studied in Copenhagen until 1798, before settling in Dresden. A disillusionment with materialistic society was giving rise everywhere in Europe. This shift in ideals was often expressed through a reevaluation of the natural world, as artists such as Friedrich, J. M. W. Turner (1775–1851) and John Constable (1776–1837) sought to depict nature as a "divine creation, to be set against the artifice of human civilization".
Friedrich was a prolific artist who produced more than 500 attributed works. In line with the Romantic ideals of his time, he intended his paintings to function as pure aesthetic statements, so he was cautious that the titles given to his work were not overly descriptive or evocative. It is likely that some of today's more literal titles, such as The Stages of Life, were not given by the artist himself, but were instead adopted during one of the revivals of interest in Friedrich. Complications arise when dating Friedrich's work, in part because he often did not directly name or date his canvases. He kept a carefully detailed notebook on his output, however, which has been used by scholars to tie paintings to their completion dates.


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2020 - Wandering Vertexes...
by Francis Rousseau

MONTE DEL FORNO PAINTED BY GIOVANNI GIACOMETTI

GIOVANNI GIACOMETTI (1868-1933)

Monte del Forno (3,214m -10,544 ft )

Italy - Switzerland border 

In Lake and mount  del Forno, watercolour,  Private collection  

The mountain
Monte del Forno (3,214m -10,544 ft )  not to be confused with  Monte Forno (Austrian, Slovenian Italian border)  is a mountain in the Bregaglia Range (Alps), located on the border between Italy and Switzerland. On its western side it overlooks the Forno Glacier and Lake.

The painter 
Giovanni Giacometti was a Swiss painter, the father of the famous painter and sculptor Alberto Giacometti, and of Diego Giacometti, the furniture designer as well as the father of the architect Bruno Giacometti ! In 1886, he studied painting at the School of Decorative Arts in Munich, where he met Cuno Amiet the following year. Both decide to pursue their studies in Paris, in October stood at the Académie Julian, where Giacometti remains until 1891.
In 1893, shortly after his return to Switzerland, to Bergell, he became friends with Giovanni Segantini, his eldest ten years, which has great influence on his work by opening it to the beauty of the mountain scenery and the rules of divisionism. After his sudden death in 1899, Giacometti met Ferdinand Hodler, who teaches him to create a rigorous and ornamental composition by appropriate use of shapes and colors.
He sees regularly Cuno Amiet, who after a year spent in Pont-Aven, shared his experience with him. In 1900 he exhibited in the Swiss Pavillon of the Universal Exhibition in Paris. From 1905, Giacometti works again in a great complicity with Amiet and begins to break free from the influence of Segantini. In 1906, held an exhibition of his work at Kunstlerhaus Zurich. In 1907 he went to Paris with Amiet to the Cézanne retrospective at the Salon d'Automne. They copy all the works of Van Gogh. In 1908, he exhibited with the French Fauves at the Richter Gallery in Dresden.
In 1909, the Tannhauser Gallery presents his works in Munich. He meets Alexi von Jawlensky, and in 1911 participates in the Berlin Secession. In 1912, Giacometti has a solo show at the Kunsthaus Zurich presents two works in the Sonderbund of Cologne. In 1918 after Hodler' s death, he began to be involved into the Swiss political world paying an important part as a committed artist, following int that way friend Amiet.

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2020 - Wandering Vertexes...
by Francis Rousseau

THE RIGI PAINTED BY TURNER

J.M.W. TURNER (1775-1851)

The Rigi or Rigi Kulm or Mount Rigi (1, 797m - 5,897ft)

Switzerland

In Lucerne by Moonlight - Sample Study, ca.1842/43, Watercolour on paper, 23.5 x 32.5 cm,

Tate London

The mountain
The Rigi (1, 797m - 5,897ft) is a mountain massif of the Alps, located in Central Switzerland.
The whole massif is almost entirely surrounded by the water of three different water bodies: Lake Lucerne, Lake Zug and Lake Lauerz. The range is in the Schwyzer Alps, and is split between the cantons of Schwyz and Lucerne, although the main summit, named Rigi Kulm, at 1,798 meters above sea level, lies within the canton of Schwyz. Technically, the Rigi is not a part of the Alps, and belongs instead to the Swiss plateau. It is mostly composed of molasse and other conglomerate, as opposed to the Bündner schist and flysch of the Alps.
The Rigi Kulm and other areas, such as the resort of Rigi Kaltbad, are served by Europe's oldest mountain railways, the Rigi Railways. Swiss Railways offer a special round-trip excursion, the “Rigi-Rundfahrt”, covering multiple segments by train, cog-railway, gondola (optional) and lake steamer. The whole area offers many activities such as skiing or sledging in the winter, and hiking in the summer.
The name Rigi is from Old High German "rîga" which means "row, stripe, furrow", after the stratification that is clearly visible on the north-side of the mountain. The name is first recorded in 1350 as Riginun. The name was interpreted as Regina montium "queen of mountains" by Albrecht von Bonstetten (1479), who however gives Rigena as alternative form.
Mt. Rigi has been featured in many works of art, including both paintings and literary publications. Perhaps the most famous paintings of the Rigi were the series by J.M.W. Turner , several of which are in the collection of the Tate Britain in London.
Mark Twain also visited Rigi during his tour of Central Europe in the late 1870s, and wrote about his travels in chapter 28 of his "A Tramp Abroad."

The painter
The english painter Joseph Mallord William Turner was considered a controversial figure in his day, but is now regarded as the artist who elevated landscape painting to an eminence in the history of painting. Although renowned for his oil paintings, Turner is also one of the greatest masters of British watercolour landscape painting. He is commonly known as "the painter of light" and his work is regarded as a Romantic preface to Impressionism.
More about Turner

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2020 - Wandering Vertexes...
by Francis Rousseau

LUSHAN / 庐山 BY JEAN-BAPTISTE NÉE

 

JEAN-BAPTISTE NÉE (b.1986)

Lushan / 庐山 or Mount Lu (1,474m- 4,834ft)

China

 In  Lushan (IX), lavis, 2018, 14x19cm,  Collection privée ©Jean-Baptiste Née 

@jeanbaptiste.nee 

The artist
Jean-Baptiste Née, born in 1986. is a french painter, scenographer and visual artist, graduated from Arts-Décoratifs of Paris in 2012. Jean-Baptiste Née works in the mountains and high mountains, always in situ, in direct confrontation with the movements of the earth and water and wind. He gives a growing place for the action of the elements on the work in progress (rain, snow, frost, etc.). He established his "large workshop" in the Swiss Alps or in the Vercors massif - especially in winter -, as well as during long hikes in the Italian Alps. In the winter of 2018, he worked in the massifs of Wudangshan and Lushan, in China, (see above) and became interested in the Taoist notion of "Sky" (t’ien 天).
Since 2016, Jean-Baptiste Née exhibits regularly in galleries in France and Switzerland. His workshop is in Montreuil, France.

The mountain
Mount Lu or Lushan (庐山)  ( (1,474m- 4,834ft) is situated in the northern part of Jiangxi province in southeastern China, and is one of the most renowned mountains in the country. Mount Lushan is one of the spiritual centres of Chinese civilization. Buddhist and Taoist temples, along with landmarks of Confucianism, where the most eminent masters taught, blend effortlessly into a strikingly beautiful landscape which has inspired countless artists who developed the aesthetic approach to nature found in Chinese culture.
The oval-shaped mountains are about 25 km long and 10 km wide, and neighbors Jiujiang city and the Yangtze River to the north, Nanchang city to the south, and Poyang Lake to the east. Its highest point is Dahanyang Peak (1,474m- 4,834ft) and is one of the hundreds of steep peaks that towers above a sea of clouds that encompass the mountains for almost 200 days out of the year. Mount Lu is known for its grandeur, steepness, and beauty, and is part of Lushan National Park, a UNESCO World Heritage Site since 1996, and a prominent tourist attraction, especially during the summer months when the weather is cooler.
Lushan was a summer resort for Western missionaries in China. Absalom Sydenstricker, the father of Pearl Buck was one of the first five missionaries to acquire property in the Kuling Estate on the mountain.
More about Mount Lu  

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2020- Wandering Vertexes... / Mountain paintings
A blog by Francis Rousseau 

THE DACHSTEIN PAINTED BY FERDINAND GEORG WALDMÜLLER

 

FERDINAND GEORG WALDMÜLLER (1793-1865)

Hoher Dachstein (2, 995m - 9, 826ft)

 Austria 

In The Dachstein, 1835, oil on canvas, Belvedere Museum, Vienna

The mountain
Hoher Dachstein (2, 995m - 9, 826ft) is a strongly karstic Austrian mountain, and the second highest mountain in the Northern Limestone Alps. It is situated at the border of Upper Austria and Styria in central Austria, and is the highest point in each of those states. Parts of the massif also lie in the state of Salzburg, leading to the mountain being referred to as the Drei-Lander-Berg ("three-state mountain"). The Dachstein massif covers an area of around 20x30 km with dozens of peaks above 2,500 m, the highest of which are in the southern and south-western areas. Seen from the north, the Dachstein massif is dominated by the glaciers with the rocky summits rising beyond them. By contrast, to the south, the mountain drops almost vertically to the valley floor.
The summit was first reached in 1832 by Peter Gappmayr, via the Gosau glacier, after an earlier attempt by Erzherzog Karl via the Hallstätter glacier had failed. Within two years of Gappmayr's success a wooden cross had been erected at the summit. The first person to reach the summit in winter was Friedrich Simony, on 14 January 1847. The sheer southern face was first climbed on 22 September 1909 by the brothers Irg and Franz Steiner.
Being the highest point of two different Bundesländer, the summit is a popular goal in both summer and winter. In fine weather as many as 100 climbers may be attempting the ascent, leading to congestion at key sections of the climb.

The painter
Ferdinand Georg Waldmüller was an Austrian writer and one of the most important painters of the Biedermeier period. Whether it was the conquest of the landscape and thus the convincing rendering of closeness or distance, the accurate characterisation of the human face, the detailed and refined description of textures, or the depiction of rural everyday life: his works – brilliant, explanatory, moralising, and socially critical – influenced a whole generation of artists. Being an advocate of natural observation and plein air painting, as well as a critic of academic painting, Waldmüller was far ahead of his time.

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Wandering Vertexes 2020
A blog by Francis Rousseau

MONT GAUSSIER (3) PAINTED BY VINCENT VAN GOGH

VINCENT VAN GOGH  (1853-1890) 

  Mont Gaussier (306 m -1,004 ft)  

France

In  Entrée de la carrière près de Saint-Rémy (et Mont Gaussier), 1889,  

Oil on canvas 52.0 x 64.0 cm. Private collection 

 

About the painting
During his internment in the Saint-Paul-de-Mausole asylum in Saint-Rémy-de-Provence, Van Gogh seized the surroundings to nourish his artistic geography. He tirelessly paints and draws new Provencal motifs: cypress trees, olive groves and hills. With the Alpilles chain and the Mont Gaussier rising behind the asylum buildings, the painter has the opportunity to represent this mountain range as well as the quarry which is nearby. Of the latter, he gave two performances: one painted in mid-July - shortly after he suffered a new seizure - the other (the one above) in October in which  Mount Gaussier, the highest moutain of Les Alpilles appears on right. 

The mountain
The Mont Gaussier (306 m -1,004 ft) is a summit of the Alpilles located south of the city of Saint-Rémy-de-Provence, France. Today, the place of passage of many hikers who cross it by the GR6, Mount Gaussier was very early used as habitat by protohistoric populations, before having at its summit a medieval castle, nowadays disappeared. Mount Gaussier is made of crystalline limestone, white and hard. One finds in the soil the trace of many fossils. This type of summit is characteristic of the Alpilles range of mountains, especially on the north face.
The first traces of habitation on Mount Gaussier are ancient. In 1996, three sites dating from Protohistory were discovered at the summit and on the slopes. This is what emerges from the study of stones, tiles, ceramics and shards of amphora found on the premises. Moreover, the foundation of a wall was identified at the top during the same prospecting.
Most of the human activity of antiquity at Mount Gaussier nevertheless concentrated at the foot of it, since it was there that was built the Salyan city of Glanum (today Saint-Remy de Provence). Research carried out in 1996 and 1997 revealed that the well-preserved remains of a protohistoric rampart with towers have been cleared in several places, particularly on the ridges which dominate to the north-east and south-west the Saint-Clerg and at the foot of Mount Gaussier. The system of rampart which encircled the city in the 1st and 2nd centuries BC. J.-C. leaned on the cliffs of the mount Gaussier which border it on a hundred meters. It is also believed that Mount Gaussier, by its situation, could be used as an acropolis because of its plateau surrounded by cliffs and that its access from Glanum was made possible by a narrow corridor.
If, according to the archaeologist Henri Rolland, some families occupied the Alpilles range, on the slopes of Mount Gaussier, between the first Iron Age and the end of Antiquity, but also in the High Middle Ages, only the foot and the summit of the mountain were occupied in the following centuries, especially in the 5th and 6th centuries. It was here that a part of the inhabitants of Glanum took up residence after the ruin of the ancient city in the alluvial deposits of the mountain.
Mount Gaussier, like Glanum, then in ruins, and Saint-Remy-de-Provence, became property of the church of Avignon at the end of the 9th century in a county of Provence powered by Count Thibert.
It is possible to reach the Mount Gaussier from the ruins of Glanum or from La Caume by the GR6 climbing previously metal ladders.

The painter
Vincent Willem van Gogh was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade he created about 2100 artworks, including around 860 oil paintings, most of them in the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are characterized by bold, symbolic colours, and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. He died by suicide at 37, following years of mental illness and poverty.
Born into an upper-middle-class family, Van Gogh drew as a child and was serious, quiet and thoughtful. As a young man he worked as an art dealer, often travelling, but became depressed after he was transferred to London. He turned to religion, and spent time as a missionary in southern Belgium. Later he drifted in ill health and solitude. He took up painting in 1881 having moved back home with his parents. His younger brother Theo supported him financially, and the two kept up a long correspondence by letter.
More about Vincent Van Gogh

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2020 - Wandering Vertexes...
by Francis Rousseau

MITRE PEAK / RAHOTU PAINTED BY LAURENCE WILLIAM WILSON

LAURENCE WILLIAM  WILSON  (1851-1912)

Mitre Peak/ Rahotu (1,683m - 5,522 ft)

New Zealand 

In Mitre Peak, Milford Sound, oil on canvas,  Christchurch Art Gallery, New Zealand

The mountain
Mitre Peak/ Rahotu (1,683m - 5,522 ft) is an iconic mountain in the South Island of New Zealand, located on the shore of Milford Sound. It is one of the most photographed peaks in the country. The distinctive shape of the peak in southern New Zealand gives the mountain its name, after the mitre headwear of Christian bishops. It was named by Captain John Lort Stokes of the HMS Acheron.
Part of the reason for its iconic status is its location. Close to the shore of Milford Sound, in the Fiordland National Park in the southwestern South Island, it is a stunning sight. The mountain rises near vertically from the water of Milford Sound, which technically is a fjord.
The peak is actually a closely grouped set of five peaks, with Mitre Peak not even the tallest one, however from most easily accessible viewpoints, Mitre Peak appears as a single point.
Milford Sound is part of Te Wahipounamu, a World Heritage Site as declared by UNESCO.
The only road access to Milford Sound is via State Highway 94, in itself one of the most scenic roads in New Zealand

The painter
Laurence William Wilson emigrated to Auckland in 1877 and then travelled extensively to settle in Dunedin in 1884. He painted in both oils and watercolours, became a painting companion of George O'Brien and a teacher. One of his pupils was the Dunedin artist Alfred O'Keefe. In 1895, LW Wilson together with Grace Joel, Alfred O'Keefe, Jane Wimperis and Girolami Nerli formed the Easel Club , a breakaway from the Dunedin Establishment, which offered a programme of special classes and the introduction of a professional lady model for life drawing. In 1904 LW Wilson left Dunedin for Melbourne where he spent 5 months on a commissioned painting of the city before he set out for England, eventually returning to New Zealand via India and Africa. He exhibited with the Canterbury Society of Arts in 1882 and the Otago Art Society between 1994 and 1904. His work was included in the NZ and South Seas Exhibition Dunedin 1889-90 and at the St Louis Exposition in 1904. LW Wilson is represented in the collections of all the major public galleries in New Zealand.

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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT TOHIVEA (2) PAINTED BY JOHN LA FARGE

JOHN LA FARGE (1835-1910) 

Mount Tohivea   (1,207 m-3,960 ft)

French Polynesia (Moorea)

In  The entrance of Tutira River, with Tohivea in the back 1895,
 National Gallery of Art, Washington 

The mountain
Mount Tohivea (or Tohiea)  (1,207 m - 3,960 ft) is a volcanic peak and the highest point on the island of Moorea in French Polynesia. On its slopes are many streams and fertile soils. There are hiking trails along the summit close to Belvedere Point where people can view Mont Routui and the two bays and three peninsulas of Moorea. Mount Tohivea is a dormant volcano that is easily visible from Papeete, the capital of French Polynesia. The surrounding peaks are almost as tall as Mount Tohivea.
Mt. Tohivea has many peaks surrounding it. These include Mount Rotui (899 m), and Mou'a Roa (880 m), both of which can be seen from Belvedere Point. Other peaks include Mou'a Puta (830 m) and Mou'a Tamaru To'ofa (916 m).  

The painter

John La Farge was an American painter, muralist, stained glass window maker, decorator, and writer.

born in New York City to wealthy French parents and was raised bilingually; as a child, he and his brothers produced a handmade magazine in French entitled Le Chinois.  His interest in art began during his studies at Mount St. Mary's University in Maryland and St. John's College (now Fordham University) in New York.  He initially intended to study law, but this changed after his first visit to Paris, France in 1856. Stimulated by the arts in the city, he studied with Thomas Couture and became acquainted with notable literary people. La Farge also studied with the painter William Morris Hunt in Newport, Rhode Island.

More about the painter  

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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT SHANDIZOU PAINTED BY WU GUANZHONG

 

WU GUANZHONG (1919-2010)
Mount Shandizou ( 5,596 m -18,360 ft)

 China

 In Yulong Mountain  under moonlight, Ink on paper, Christie's Hong Kong 

The mountain
Shandizou ( 5,596 m -18,360 ft)  is the highest peak in the  Yùlóng Xuěshān also called  Jade Dragon Snow Mountain, a mountain massif or small mountain range in Yulong Naxi Autonomous County, Lijiang, in Yunnan province, China. The Jade Dragon Snow Mountain massif forms the bulk of the larger Yulong Mountains, that stretch further north. The northwestern flank of the massif forms one side of the Tiger Leaping Gorge (虎跳峡), which has a popular trekking route on the other side. In this gorge, the Jinsha (upper Yangtze) River descends dramatically between Jade Dragon and Haba Snow Mountain. The Yulong Mountains lie to the south of the Yun Range and are part of Southwest China's greater Hengduan Mountains.
In 1938, an expedition lead by the Australian lawyer, feminist, conservationist, and mountaineer, Marie Byles, failed to reach the summit due to bad weather.  Shanzidou has been climbed only once, on May 8, 1987, by an American expedition. The summit team comprised Phil Peralta-Ramos and Eric Perlman. They climbed snow gullies and limestone headwalls, and encountered high avalanche danger and sparse opportunities for protection. 
The Austro-American botanist and explorer Joseph Rock spent many years living in the vicinity of Mt Satseto, and wrote about the region and the Naxi people who occupy it. An interest in Rock later drew the travel writer Bruce Chatwin to the mountain, which he wrote about in an article that appeared in the New York Times and later, retitled, in his essay collection What Am I Doing Here? Chatwin's article inspired many subsequent travellers, including Michael Palin, to visit the region.

The Artist
Wu Guanzhong (吴冠中) was a contemporary Chinese painter widely recognized as a founder of modern Chinese painting.  He is considered to be one of the greatest contemporary Chinese painters. Wu's artworks had both Western and Eastern influences, such as the Western style of Fauvism and the Eastern style of Chinese calligraphy. Wu had painted various aspects of China, including much of its architecture, plants, animals, people, as well as many of its landscapes and waterscapes in a style reminiscent of the impressionist painters of the early 1900s. He was also a writer on contemporary Chinese art.  Wu has written many articles based on his version of form and how it applies to modernism. He considered himself as primarily a painter and not as a theorist. Wu had the approach of going out and looking at nature to find something that piqued his interest. Then he would start with a preliminary sketch of what it was that he saw. Next he spent a great deal of time in the studio trying to figure out the best way to show the power of the form of the object. He would then paint quickly and impulsively with whatever European of Chinese brush felt right. Wu would go on painting for hours until he was too emotionally drained to continue. He had his first professional solo exhibition in 1979, and his career took off in the 1980s. He has been the solo exhibitionist in over 10 and been part of a joint exhibition in over 10 others.
In 1991 Wu was made an Officier de l'Ordre des Arts et des Lettres by the French Ministry of CultureEarly in his career Guanzhong adopted the pen name Tu, which he used to sign his work.

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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT KOSCIUSZKO BY EUGENE VON GUERARD

EUGENE VON GUERARD (1811-1901)
Mount Kosciuszko (2, 228 m - 7,310 ft)
Australia

In North east view from the top of Mt Kosciusko, 1866, colour lithograph, 44.0 × 59.6 cm-
National Gallery of Victoria, Melbourne

The mountain 

On earth, there are two mountains named Mount Kosciuszko. One is located in Antartica continent and the other in Australia (Oceania continent). 

In Australia, Mount Kosciuszko (2,228 m - 7,310 ft) is a mountain located on the Main Range of the Snowy Mountains in Kosciuszko National Park, part of the Australian Alps National Parks and Reserves, in New South Wales  and is located west of Crackenback and close to Jindabyne.

Mount Kosciuszko is the highest mountain in Australia.

Mount Kosciuszko was named by the Polish explorer Paul Edmund Strzelecki in 1840, in honour of the Polish national hero and hero of the American Revolutionary War General Tadeusz Kościuszko, because of its perceived resemblance to the Kościuszko Mound in Kraków. The spelling "Mount Kosciuszko" was officially adopted in 1997 by the Geographical Names Board of New South Wales, Australia. Mount Everest (8,848m), Aconcagua (6,961m), Mt Denali or Mc Kinley (6,194m),  Kilimandjaro (5,895m), Mt Elbrus (5,642m), Mount Vinson (4,892m)  and Mt Blanc (4,808m)

The Painter 

Johann Joseph Eugene von Guerard was an Austrian-born artist, active in Australia from 1852 to 1882. Known for his finely detailed landscapes in the tradition of the Düsseldorf school of painting, he is represented in Australia's major public galleries, and is referred to in the country as Eugene von Guerard.

In 1852 von Guerard arrived in Victoria, Australia, determined to try his luck on the Victorian goldfields. As a gold-digger he was not very successful, but he did produce a large number of intimate studies of goldfields life, quite different from the deliberately awe-inspiring landscapes for which he was later to become famous. Realizing that there were opportunities for an artist in Australia, he abandoned the diggings and was soon undertaking commissions recording the dwellings and properties of wealthy pastoralists.

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2020 - Wandering Vertexes...
by Francis Rousseau

THE MOUNT SAINTE-VICTOIRE PAINTED BY PAUL CÉZANNE

 PAUL CÉZANNE (1839-1906)

Montagne Sainte Victoire (1, 011m - 2, 216 ft)

France (Provence Alpes Côte d'azur) 

 In Plaine près de la Montagne Sainte-Victoire, c. 1882-85   oil on canvas, 58 x 72 cm. Musée Pushkin, Moscou

The mountain
Mont Sainte-Victoire (1,011 m-3,316ft) also called Mont Venturi is a limestone massif in the South of France, in the region Provence-Alpes-Côte d'Azur. Located east of Aix-en-Provence, it has experienced international fame, due to the more than 80 works Paul Cézanne did on it.
It hosts many hikers, climbers and nature lovers, and is a major element of Aix landscape.
The range of the Sainte-Victoire is 18 kilometers long and 5 kilometers from large, following a strict east-west orientation. It is located on the Bouches-du-Rhône and Var, and in the towns of Puyloubier, Saint-Antonin-sur-Bayon, Rousset, Châteauneuf-le-Rouge, Beaurecueil, Le Tholonet Vauvenargues, Saint-Marc-Jaumegarde, Pourrières, Artigues and Rians.
The Sainte-Victoire, as the range of the Sainte Baume, can be considered a special case among the Alpine ranges for the various stages of the formation of its relief associated geological history as well as that of the old Pyrenean-Provençal chain than that of the Western Alps (which have succeeded it).
Indeed, from the former Sainte-Victoire mountain, contemporary of the dinosaurs of the Cretaceous, it remains today only the fold Bimont, said Chaînon des Costes Chaudes, the last vestige resulting from tectonic movements and characteristics of the stacks of Pyreneo-Provençal phase during the Eocene. Later during the Oligocene, breaking of the anticlinal fold of Sainte-Victoire, which resulted from the uplift of the first great Alpine reliefs, is causing a surge that help explain the current form of the mountain, which appeared 15 million years BCE.
According to a recent study, the Sainte-Victoire is still growing ! The company ME2i has indeed conducted a satellite survey between 1993 and 2003 providing evidence that during this period the western end of the Sainte-Victoire was uplift of 7 mm per year.
The massif is a ensemble of 6525 ha classified since 1983.

The painter
The mount Sainte-Victoire appears to have been the subject of a true love story with the painter Paul Cezanne. He painted this subject more than 80 times, in oil paintings, watercolors and drawings!
Aix-en Provence (France) painter Paul Cezanne still remains closely linked to his hometown. His studio in Les Lauves remains a place to visit, as if the painter was coming back from one second to the other. But the eternal bond is undoubtedly the series of paintings he did of the Montagne Sainte-Victoire. A hobby, a passion, a thread in the painter's work that took place in the latter part of his life, between 1882 and 1906 when he died in Aix. History says that the painter had contracted a nasty pneumonia during a working session on the mountain. This is what can be called 'die on stage'.
Cézanne had a considerable influence on the art of the late nineteenth and the early twentieth century. Acknowledged master of his time, he attended during stays in Paris between 1862 and 1882, the Impressionist band: Camille Pissarro, Auguste Renoir (who also ended his life in the Provencal brightness), Claude Monet, Alfred Sisley and others. He participated in the Impressionist adventure while keeping his personality: it is the time of the shock of the en plein air, easels in the grass, looking for natural light and emotion.
The influence of the Aix painter is recognized in the history of art since it would be the cause of the Cubist movement embodied in 1906 by Pablo Picasso and Georges Braque. The first historically so called Cubist painting ' Les Demoiselles d'Avignon' would, a true artistic shock shown by Picasso in 1907 (one year after the death of Cézanne) is today one of the masterpieces of the MoMA in New York.
It is the search of volumes around which leads to the appearance of geometry in landscapes or still lifes of Cézanne.In 20 years, Cézanne pushes his style to express the emotion of the landscape, suggesting the wind, involving movement just like if we can breathe the air of the scene. In his first paintings pf the Sainte Victoire,(in the 1880’s) he expresses the giant aspect of the mountain that dominates the area with his characteristic e way of painting at the time, with a juxtaposition of linear brushstrokes and a range of soft, natural colors. In the last paintings of the Sainte Victoire, view from Les Lauves, between 1904 and 1906, he shows shots less accurate brushes allowing the shape of the mountain emerge from the canvas like an apparition. That is the whole intention of the artist, show nature as it is without fail to convey emotion.

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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT SCOTT BY HERBERT PONTING IN 1911

HERBERT PONTING (1870-1935)

Mount Scott (880 m-2,887 ft)

Antarctica (Grahamland)

In  Berg with Dog Sledge, September 17, 1911,  Scott Polar Research Institute, University of Cambridge

The mountain
Mount Scott (880 m - 2,887 ft) is a mountain in Grahamland in Antarctica. The mountain is a horseshoe-shaped massif on the Kiev Peninsula on the west coast of Grahamland, which on the southwest side is in open communication with Girard Bay and the northwestern side with Lemaire Channel. The mountain was discovered by the Belgian Antarctic expedition from 1897-1899. The mountain was mapped by Jean-Baptiste Charcot, leader of the French Antarctic Expedition in 1908-1910, and named after Captain Robert Falcon Scott.

The photographer 
Herbert George Ponting  is  known as the expedition photographer and cinematographer for Robert Falcon Scott's Terra Nova Expedition to the Ross Sea and South Pole (1910–1913). In this role, he captured some of the most enduring images of the Heroic Age of Antarctic Exploration.
During the 1911 winter, Ponting took many flash photographs of Scott and the other members of the expedition in their Cape Evans hut. With the start of the 1911–12 sledging season, Ponting's field work began to come to an end. As a middle-aged man, he was not expected to help pull supplies southward over the Ross Ice Shelf for the push to the South Pole. Ponting photographed other members of the shore party setting off for what was expected to be a successful trek. After 14 months at Cape Evans, Ponting, along with eight other men, boarded the Terra Nova in February 1912 to return to civilization, arrange his inventory of more than 1,700 photographic plates, and shape a narrative of the expedition. Ponting's illustrated narrative would be waiting for Captain Scott to use for lectures and fundraising in 1913.

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2020 - Wandering Vertexes...
Un blog de Francis Rousseau

THE WETTERHORN PAINTED BY KARL ANNELER

 

KARL ANNELER (1886 - 1957) 

 The Wetterhorn (3,692m-12,113ft)

 Switzerland

In The Wetterhorn, Grindelwald, Bernese Oberland, Switzerland, oil on canvas, c.1920, 

Courtesy John Mitchell Gallery London

The mountain
The Wetterhorn (3,692m-12,113ft) in the Bernese Alps, towers above the village of Grindelwald. Formerly known as Hasle Jungfrau, it is one of three summits of a mountain named Wetterhorn sensu lato, or the "Wetterhцrner", the highest summit of which is the Mittelhorn (3,704 m) and the most distant the Rosenhorn (3,689 m). The Mittelhorn and Rosenhorn are mostly hidden from view from Grindelwald. The Grosse Scheidegg Pass crosses the col to the north, between the Wetterhorn and the Schwarzhorn.
The Wetterhorn summit was first reached on August 31, 1844, by the Grindelwald guides Hans Jaun and Melchior Bannholzer, three days after they had co-guided a large party organized by the geologist Edouard Desor to the first ascent of the Rosenhorn. The Mittelhorn was first summitted on 9 July 1845 by the same guides, this time accompanied by a third guide, Kaspar Abplanalp, and by Stanhope Templeman Speer. The son of a Scottish physician, Speer lived in Interlaken, Switzerland.
Wetterhorn is neither a difficult, nor an easy mountain. Each access has its specialty. Since the Wetterhorn can be seen from most mountains within 100 miles, the view is unique. Although everything up there is snow and ice, looking perpendicularly down to the green pastures of Grindelwald provides an unforgettable contrast.

The painter
Although Anneler trained as a decorative painter for theatre companies in both his native Bern and then in Münich, by 1910 he had established himself as an independent landscape and portrait painter. He lived in the Lötschental Valley for nearly twenty years where he specialized in landscapes of the Bernese Oberland and recording traditional genre scenes from village life, specifically, weddings and processions. Despite the increase in the number of homes built today, thanks to strict building regulations in Grindelwald such views as shown here of chalets with the Wetterhorn as a backdrop are still common. Anneler’s work is represented in the Swiss Alpine Museum in Bern.
 

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2020 - Wandering Vertexes...
Un blog de Francis Rousseau

MOUNT ZEIL PAINTED BY ALBERT NAMATJIRA

 

ALBERT NAMATJIRA (1902-1959)
Mount Zeil (1,531 m - 5,023 ft)
Australia

In Mount Hermannsburg Finke River,  watercolor c 1946- National Gallery of Australia

The mountain
Mount Zeil (1,531 m or 5,023 ft) is a mountain in the Northern Territory of Australia located in the locality of Mount Zeil in the western MacDonnell Ranges . It is the highest peak in the Northern Territory, and the highest peak on the Australian mainland west of the Great Dividing Range. Hermannsburg lies on the Finke River within the rolling hills of the MacDonnell Ranges in the southern Central Australia region of the Northern Territory.

The painter
Albert Namatjira born Elea Namatjira, was a Western Arrernte-speaking Aboriginal artist from the MacDonnell Ranges in Central Australia. As a pioneer of contemporary Indigenous Australian art, he was the most famous Indigenous Australian of his generation.
Born and raised at the Hermannsburg Lutheran Mission outside Alice Springs, Namatjira showed interest in art from an early age, but it was not until 1934 (aged 32), under the tutelage of Rex Battarbee, that he began to paint seriously. Namatjira's richly detailed, Western art-influenced watercolours of the outback departed significantly from the abstract designs and symbols of traditional Aboriginal art, and inspired the Hermannsburg School of painting. He became a household name in Australia—indeed, reproductions of his works hung in many homes throughout the nation—and he was publicly regarded as a model Aborigine who had succeeded in mainstream society.
Although not the first Aboriginal artist to work in a European style, Albert Namatjira is certainly the most famous. Ghost gums with luminous white trunks, palm-filled gorges and red mountain ranges turning purple at dusk are the hallmarks of the Hermannsburg school. Hermannsburg Mission was established by Lutheran missionaries in 1877 on the banks of the Finke River, west of Mparntwe (Alice Springs). Namatjira learnt watercolour technique from the artist, Rex Battarbee.
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2020 - Wandering Vertexes...
by Francis Rousseau

EL TUPUNGATO PAINTED BY RAMOS CATALAN

  

RAMOS CATALAN ( 1888-1961)

El Tupungato (6,635 m - 21,768 ft ) 

Chili Argentina border

 In Tupungato at sunset, oil on canvas, 1930, Valparaiso Fine Art Museum, Chile

The volcano
Tupungato (6,635m -  one of the highest mountains in the Americas, is a massive Andean lava dome dating to Pleistocene times.  It lies on the border between the Chilean Metropolitan Region (near a major international highway about 80 km (50 mi) east of Santiago) and the Argentine province of Mendoza, about 100 km (62 mi) south of Aconcagua, the highest peak of both the Southern and Western hemispheres. Immediately to its southwest is the active Tupungatito volcano (literally, little Tupungato), which last erupted in 1987.
Tupungato Department, an important Argentine wine-producing region in Mendoza province, is named for the volcano.

The painter
Benito Ramos Catalán (1888-1961) was a chilean painter who used to sign "Ramos Catalan". Known for his marines and landscapes of the Andes and Chile, and most particularly for his mountains paintings. Most of them have the same title: "Mountains of Chile" or "Mountains landscapes of Andes", making quite difficult to know which mountain was exactly depicted, in a country which has quite a lot of summits ! To add to the difficulty, he used to paint the most famous mountains of his country under very unusual angles or with proportions that do not correspond exactly to their real size... making even more difficult to recognize and identify them for experts ! That is why today, 55 years after his death, some of these mountains paintings are not clearly identified and presented, in the public sales, as 'possibly' a particular summit of Chile or Andes...
His works are in many Chilean institutions like Viña del Mar Fine Art Museum, O'Higginiano Fine Art Museum in Talca, Valparaiso Fine Art Museum, and Navy Schools in Valparaiso and Talcahuano, Ranos.

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2020 - Wandering Vertexes...
by Francis Rousseau

THE BREITHORN PAINTED BY JOHN J. REDMOND

JOHN J. REDMOND (1856-1929)
The Breithorn (4,165 m -13,664 ft) 

Switzerland - Italy border

In  Sunset on the Breithorn from Mürren, Bernese Oberland, Switzerland, oil on canvas, 

Courtesy John Mitchell Gallery, London 

The mountain
The Breithorn (4,165 m -13,664 ft) which means "broad horn" in german - is a mountain range of the Pennine Alps as well as its highest peak (also called Breithorn Western Summit). The Breithorn is located on the border between Switzerland and Italy. It lies on the main chain of the Alps, approximately halfway between the Matterhorn and Monte Rosa and east of the Theodul Pass. Most of the massif is glaciated and includes several subsidiary peaks, all located east of the main summit: the Western summit (4, 165m), the Middle summit (4,159m), the Eastern Breithorn-twin also called The Gendarm (4,106m), the Roccia Nera (Schwarzfluh) (4,075m). The main summit is sometimes distinguished by the name Western Breithorn (German: Breithorn (Westgipfel), Italian: Breithorn Occidentale). The nearest settlements are Zermatt (Valais) and St-Jacques (Aosta Valley).
The Breithorn was first climbed in 1813 by Henry Maynard (climber), Joseph-Marie Couttet, Jean Gras, Jean-Baptiste Erin and Jean-Jacques Erin.

The painter
John J. Redmond, was an american painter, active in late XIX and early XXth c. He belongs to the american impresssionism. His works were regularly exhibited in USA especially in Boston between 1888and 1909.
Born in Salem (Mass) he died in Switzerland.

GUNUNG TAMBORA PAINTED BY BASOEKI ABDULLAH

BASOEKI ABDULLAH (1915 -1993)

Gunung Tambora (4,300 m-14,100 ft)

Indonesia

The volcano
Mount Tambora, or Tomboro (4,300 m-14,100 ft) is an active stratovolcano in the northern part of Sumbawa, one of the Lesser Sunda Islands of Indonesia. It was formed due to the active subduction zones beneath it, and before its 1815 eruption, it was more than high, making it one of the tallest peaks in the Indonesian archipelago.
Tambora's 1815 eruption was the largest in recorded human history and the largest of the Holocene (10,000 years ago to present). The magma chamber under Tambora had been drained by pre-1815 eruptions and underwent several centuries of dormancy as it refilled. Volcanic activity reached a peak that year, culminating in the eruption. The explosion was heard on Sumatra island, more than 2,000 kilometres (1,200 miles) away. Heavy volcanic ash rains were observed as far away as Borneo, Sulawesi, Java and Maluku islands, and the maximum elevation of Tambora was reduced from about 4,300 metres (14,100 ft) to 2,850 metres (9,350 feet). Although estimates vary, the death toll was at least 71,000 people. The eruption caused global climate anomalies in the following years, while 1816 became known as the "year without a summer" due to the impact on North American and European weather. In the Northern Hemisphere, crops failed and livestock died, resulting in the worst famine of the century.
During a 2004 excavation, archaeologists discovered the remains of a house destroyed and buried by the 1815 eruption. The site has remained intact beneath three metres of pyroclastic deposits and provides insight into the culture that vanished. Today, Mount Tambora is closely monitored for volcanic activity; a powerful eruption would affect millions of Indonesians. The mountain is administered by the Bima Regency in the northeast and by the Dompu Regency in the west and south.


The painter
Basoeki (or Basuki) Abdullah is one of the modern master painters of Indonesia, known as a realist and naturalist painter. He has been appointed as the official painter of Merdeka Palace in Jakarta and works adorn palaces and presidential countries Indonesia, in addition to have been collectibles from around the world. His father, Abdullah Suriosubroto, was a famous painter and dancer, while his grandfather, Doctor Wahidin Sudirohusodo, was a prominent Indonesian National Awakening Movement in the early 1900's. Since the age of 4 years, he began to paint famous personalities such as Mahatma Gandhi, Rabindranath Tagore and even "Jesus Christ and Krishnamurti".
His acquired a formal education in the Basoeki Abdullah Catholic and Catholic Mulo in Solo.
In 1933, he obtained a scholarship to study at the Academic Arts in The Hague, Netherlands, and completed his studies within 3 years with awarded Certificate of Royal International of Art (RIA). On 6 September 1948, during the revolutionary period, Basoeki Abdullah is housed in Amsterdam (Netherlands) during the coronation of Queen Juliana which held a contest to paint, he defeated 87 European painters and managed to come out as winners.
Since then, the world began to recognize Basoeki Abdullah, during his frequent visits around Europe (Italy and France) and was well known by many resident artists with a worldwide reputation.

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2020 - Wandering Vertexes...
by Francis Rousseau

GSTELLIHORN PAINTED BY FRANÇOIS DIDAY

FRANÇOIS DIDAY  (1802-1877 ) 

Gstellihorn (2,855m - 9127ft)

Switzerland

In Cascades à  Rosenlaui avec le massif du Engelhörner à l'arriere, Oberland bernois, oil on canvas   Courstesy John Mitchell Gallery, London

The mountain
The Gstellihorn (2855m - 9127ft) is the highest peak of The Engelhörner (literally: "angel horns")  a mountain range about four kilometers long stretching to the northeastern end of the Bernese Alps and comprising several peaks. The Reichenbach valley lies to the north-west and the Urbach valley to the south-east.Others peaks of that range are  the Grosse Engelhorn (2,782 m), the Urbachsengelhorn (2,767 m) and the Hohjegiburg (2,639 m).
The Engelhörner are part of the Swiss aquifers of the Aar massif and are mostly made of light limestone lime. Only the summit of Gstellihorn is made of granite and is therefore part of the Aare massif in the geological sense. Since 1951, the Engelhörner have been accessible via the Engelhorn hut of the Academic Alpine Club Bern (AACB.


The painter 
François Diday was a Swiss painter. Originally from Graubünden, François Diday studied art at the Society of Arts. Landscapers such as Charles-Joseph Auriol, Joseph Hornung and Wolgang-Adam Toepffer also gave him lessons and trained him in their art. In 1821, François Diday made a short stay in Paris  where he   he worked in 1823 at Antoine Gros's studio. In 1824  he received a small scholarship for a stay in Italy. His works are noticed by the French painter Alexandre-Auguste Robineau   Around 1830, François Diday opens his own studio and trains young painters. He takes the head of the School of Alpine painting in Geneva, criticized by the french painters as representing only mountain landscapes. The paintings by François Diday are characterized by a harmonious light that illuminates the landscape.
François Diday received awards, notably in Paris (gold medal in 1841 and Legion of honor in 1842 for his painting Le Lac de Brienz or Les Baigneuses) and in Vienna in 1873 (bronze medal at the Universal Exhibition). He then exhibited in Berlin and Switzerland.
In politics, he joined the city council of Geneva in 1854. Upon his death, he bequeathed part of his property to the city of Geneva through the Diday Foundation and the Society of Arts.
He is buried in the Cimetière des Rois in Geneva.

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2020 - Wandering Vertexes...
by Francis Rousseau

BLAKCHEAD / MONHEGAN PAINTED BY NICHOLAS ROERICH

 

NICHOLAS ROERICH (1874-1947)

Blackhead (50 m-150 ft) 

United States of America (Maine)

In Monhegan, Maine From Ocean series,  1922, Roerich Museum NYC

The rock
Blackhead (50m-150 ft) are northside cliffs situated on Monhegan, Manana Island, that have drawn the interest of many artists. The beginnings of the art colony on Monhegan date to the mid-19th century; by 1890, it was firmly established. Two of the early artists in residence from the 1890s, William Henry Singer (1868–1943) and Martin Borgord (1869–1935), left Monhegan to study at the Académie Julian in Paris in 1901. Among many early members who found inspiration on the island were summer visitors from the New York School of Art and the Pennsylvania Academy of the Fine Arts, such as Robert Henri, Frederick Waugh, George Bellows, Edward Hopper and Rockwell Kent. The Monhegan Museum celebrated more the continuing draw of the island for artists in a 2014 exhibit entitled, “The Famous and the Forgotten: Revisiting Monhegan’s Celebrated 1914 Art Exhibition."
Monhegan is a plantation in Lincoln County, Maine, United States, about 12 nautical miles (22 km) off the mainland. The population was 75 at the 2000 census. The plantation comprises its namesake island and the uninhabited neighboring island of Manana. The island is accessible by scheduled boat service from Boothbay Harbor, New Harbor and Port Clyde. It was designated a National Natural Landmark for its coastal and island flora in 1966.

The painter
Nicholas Roerich known also as Nikolai Konstantinovich Rerikh (Никола́й Константи́нович Ре́рих) is quite an important figure of mountain paintings in the early 20th century. He was a Russian painter, writer, archaeologist, theosophist, perceived by some in Russia as an enlightener, philosopher, and public figure. In his youth was he was quite influenced by a movement in Russian society around the occult and was interested in hypnosis and other spiritual practices. His paintings are said to have hypnotic expression.

More about the painter =>

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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT KUMGANG OR GEUMGANG BY JEONG SEON

  

 

JEONG SEON (1676-1759)

Mount Geumgang / Biro peak (1,638-m-5,374 ft)

North Korea

In Album of Mount Geumgang (Pungak-docheop), 

Six leaves from a fourteen-leaf album; ink and light color on silk, 1711 

National Museum of Korea

About thos two views  (ftom The MET Notes) 
Jeong Seon painted this album following his first trip to the Diamond Mountains. He likely traveled northeast from the capital, Hanyang (today’s Seoul), and traversed the mountain range from Inner to Outer Geumgang toward the sea. Displayed here are six scenes from a total of thirteen (the last leaf in the album is a colophon). The varied compositions reveal Jeong’s early experimentations, which he would repeat, adapt, or refine over the course of his career. 
1. General View of Inner Geumgang
This overview format as well as the juxtaposition of dark, foliage-covered rolling peaks and the white spiky pillars reveal Jeong’s ingenuity. Prominent sites enfolded into this view include Jangan Temple and the adjacent stone bridge in the foreground center and the tallest summit, Biro Peak, in the far distance. Labeling important sites is a convention Jeong applied to many of his paintings of the Diamond Mountains, which other artists followed.
2. Mount Geumgang Viewed from Danbal Ridge
Travelers to the Diamond Mountains usually approached from the Danbal Ridge, from where they would catch their first glimpse of the glittering rocky peaks—depicted here as if floating in the sky, creating a sense of drama and wondrous discovery. Jeong employed multiple perspectives to create this view.

The mountain
Mount Kumgang  (1,638 m - 5,374 ft) or  Geumpang Mountains or The Diamond mountain, are a mountain/mountain range, in Kangwon-do, North Korea. It is about 50 kilometres (31 mi) from the South Korean city of Sokcho in Gangwon-do. It is one of the best-known mountains in North Korea. It is located on the east coast of the country, in Mount Kumgang Tourist Region, formerly part of Kangwŏn Province). Mount Kumgang is part of the Taebaek mountain range which runs along the east of the Korean Peninsula.
Koreans have perceived Kŭmgangsan as their muse since well before the Middle Ages. Practically every poet and artist who lived during the Joseon dynasty (1392-1910) made a pilgrimage to Kŭmgangsan. The division of the Korean peninsula in 1950 resulted in the South Korean people finding themselves unable to visit this beloved mountain for the better part of 50 years. The 155-mile-long (249 km) barbed-wire fence erected as part of the DMZ (Demilitarized zone) separating the two Koreas proved to be an obstacle stronger than any other barrier.[
In 1894 the British writer Isabella Bird Bishop referred to it in her travelogue as "Diamond Mountain".

The painter
Jeong Seon (정선)  was a Korean landscape painter, also known by his pen name Kyomjae ("humble study"). His works include ink and oriental water paintings, such as Inwangjesaekdo (1751), Geumgang jeondo, and Ingokjeongsa (1742), as well as numerous "true-view" landscape paintings on the subject of Korea and the history of its culture.  He is counted among the most famous Korean painters.  The landscape paintings that he produced reflect most of the geographical features of Korea.  The poverty he experienced in his youth made him pursue his career as a painter.  He was proficient at Zhou-I and astronomy. He worked at the Bureau of Painting creating landscapes for patrons and clients.
He was discovered by an aristocratic neighbour who recommended him to the court. He soon gained an official position. Jeong is said to have painted daily, with a prolific output until old age. 
Jeong was the most eminent painter in the late Joseon Dynasty (1700–1850) and explored the scenic beauty of the capital city of Hanyang (Seoul), the Han River, the East Sea, and the Diamond Mountain (above). He is the first painter of true-view Korean landscapes. Differing from earlier techniques and traditional Chinese styles, he created a new style of painting depicting the virtues of Korea. It is reported that he frequently left his studio and painted the world around him, as he could see it. His paintings are classified as Southern School, but he developed his own style by realistically portraying natural scenes such as mountains and streams with bold strokes of his brush.
A major characteristic of his work is intermixed dark and light areas, created by layers of ink wash and lines. His mountains are punctuated by forests, which in turn are lightened by mists and waterfalls. Vegetation is made from dots, a technique that bears the influence of Chinese painter Mi Fei (1052–1107). Jeong's style would influence generations of Korean artists, and become one of the iconic images of Korean nationalism.