WU GUANZHONG (1919-2010)
Mount Shandizou ( 5,596 m -18,360 ft)
Mount Shandizou ( 5,596 m -18,360 ft)
China
In Yulong Mountain under moonlight, Ink on paper, Christie's Hong Kong
The mountain
Shandizou ( 5,596 m -18,360 ft) is the highest peak in the Yùlóng Xuěshān also called Jade Dragon Snow Mountain, a mountain massif or small mountain range in Yulong Naxi Autonomous County, Lijiang, in Yunnan province, China. The Jade Dragon Snow Mountain massif forms the bulk of the larger Yulong Mountains, that stretch further north. The northwestern flank of the massif forms one side of the Tiger Leaping Gorge (虎跳峡), which has a popular trekking route on the other side. In this gorge, the Jinsha (upper Yangtze) River descends dramatically between Jade Dragon and Haba Snow Mountain. The Yulong Mountains lie to the south of the Yun Range and are part of Southwest China's greater Hengduan Mountains.
In 1938, an expedition lead by the Australian lawyer, feminist, conservationist, and mountaineer, Marie Byles, failed to reach the summit due to bad weather. Shanzidou has been climbed only once, on May 8, 1987, by an American expedition. The summit team comprised Phil Peralta-Ramos and Eric Perlman. They climbed snow gullies and limestone headwalls, and encountered high avalanche danger and sparse opportunities for protection.
The Austro-American botanist and explorer Joseph Rock spent many years living in the vicinity of Mt Satseto, and wrote about the region and the Naxi people who occupy it. An interest in Rock later drew the travel writer Bruce Chatwin to the mountain, which he wrote about in an article that appeared in the New York Times and later, retitled, in his essay collection What Am I Doing Here? Chatwin's article inspired many subsequent travellers, including Michael Palin, to visit the region.
The Artist
Wu Guanzhong (吴冠中) was a contemporary Chinese painter widely recognized as a founder of modern Chinese painting. He is considered to be one of the greatest contemporary Chinese painters. Wu's artworks had both Western and Eastern influences, such as the Western style of Fauvism and the Eastern style of Chinese calligraphy. Wu had painted various aspects of China, including much of its architecture, plants, animals, people, as well as many of its landscapes and waterscapes in a style reminiscent of the impressionist painters of the early 1900s. He was also a writer on contemporary Chinese art. Wu has written many articles based on his version of form and how it applies to modernism. He considered himself as primarily a painter and not as a theorist. Wu had the approach of going out and looking at nature to find something that piqued his interest. Then he would start with a preliminary sketch of what it was that he saw. Next he spent a great deal of time in the studio trying to figure out the best way to show the power of the form of the object. He would then paint quickly and impulsively with whatever European of Chinese brush felt right. Wu would go on painting for hours until he was too emotionally drained to continue. He had his first professional solo exhibition in 1979, and his career took off in the 1980s. He has been the solo exhibitionist in over 10 and been part of a joint exhibition in over 10 others.
In 1991 Wu was made an Officier de l'Ordre des Arts et des Lettres by the French Ministry of CultureEarly in his career Guanzhong adopted the pen name Tu, which he used to sign his work.
_______________________________
2020 - Wandering Vertexes...
by Francis Rousseau
