MOUNT SINAÏ / JABAL MUSA PAINTED BY EDWARD LEAR

EDWARD LEAR (1812-1888)
Mount Sinaï / Jabal Musa (2,285 m - 7,496ft)
Egypt

In View of Mount Sinai, Watercolor,with some white tempera, over pencil, on cream-colored wove paper.
(178 x 376 mm) Purchased as the gift of Mrs. Vincent Astor,  The Morgan Library & Museum

The mountain
Mount Sinaï (2,285 m - 7,496ft) or Jabal Mūsā or Gabal Mūsā (in arab : "Moses' Mountain" or "Mount Moses"), also known as Mount Horeb or Jebel Musa (a similarly named mountain in Morocco), is a mountain in the Sinai Peninsula of Egypt that is a possible location of the biblical Mount Sinaï.
The latter is mentioned many times in the Book of Exodus (and other books of the Bible) and in the Quran. According to Jewish, Christian, and Islamic tradition, the biblical Mount Sinai was the place where Moses received the Ten Commandments (depicted in the Jean-Léon Gérôme painting above).
Mount Sinai is a moderately high mountain near the city of Saint Katherine in the Sinai region. It is next to Mount Katherine (2,629m - 8,625 ft), the highest peak in Egypt.
Mount Sinai's rocks were formed in the late stage of the Arabian-Nubian Shield's (ANS) evolution. Mount Sinai displays a ring complex that consists of alkaline granites intruded into diverse rock types, including volcanics. The granites range in composition from syenogranite to alkali feldspar granite. The volcanic rocks are alkaline to peralkaline and they are represented by subaerial flows and eruptions and subvolcanic porphyry. Generally, the nature of the exposed rocks in Mount Sinai indicates that they originated from differing depths.
There are two principal routes to the summit. The longer and shallower route, Siket El Bashait, takes about 2.5 hours on foot, though camels can be used. The steeper, more direct route (Siket Sayidna Musa) is up the 3,750 "steps of penitence" in the ravine behind the monastery.
The summit of the mountain has a mosque that is still used by Muslims. It also has a Greek Orthodox chapel, constructed in 1934 on the ruins of a 16th-century church, that is not open to the public. The chapel encloses the rock which is considered to be the source for the biblical Tablets of Stone. At the summit also is "Moses' cave", where Moses was said to have waited to receive the Ten Commandments

The painter
Edward Lear was an English artist, illustrator, musician, author and poet, and is known now mostly for his literary nonsense in poetry and prose and especially his limericks, a form he popularised. His principal areas of work as an artist were threefold: as a draughtsman employed to illustrate birds and animals; making coloured drawings during his journeys, which he reworked later, sometimes as plates for his travel books; as a (minor) illustrator of Alfred Tennyson's poems. As an author, he is known principally for his popular nonsense collections of poems, songs, short stories, botanical drawings, recipes, and alphabets. He also composed and published twelve musical settings of Tennyson's poetry.
Lear was already drawing "for bread and cheese" by the time he was aged 16.
In 1842, Lear began a journey into the Italian peninsula, travelling through the Lazio, Rome, Abruzzo, Molise, Apulia, Calabria, and Sicily. In personal notes, together with drawings, Lear gathered his impressions on the Italian way of life, folk traditions, and the beauty of the ancient monuments. Of particular interest in Lear was the Abruzzo, which he visited in 1843, through the Marsica (Celano, Avezzano, Alba Fucens, Trasacco) and the plateau of Cinque Miglia (Castel di Sangro and Alfedena), by an old sheep track of the shepherds.
Among his travels, he visited Greece and Egypt during 1848-49, and toured India and Ceylon during 1873–75. While travelling he produced large quantities of coloured wash drawings in a distinctive style, which he converted later in his studio into oil and watercolour paintings, as well as prints for his books. His landscape style often shows views with strong sunlight, with intense contrasts of colour. Between 1878 and 1883 Lear spent his summers on Monte Generoso, a mountain on the border between the Swiss canton of Ticino and the Italian region of Lombardy. His watercolor Mount Olympus dated 1849 in in the MET in New York City. His oil painting The Plains of Lombardy from Monte Generoso is in the Ashmolean Museum Oxford (UK).

_______________________________

2022 - Wandering Vertexes...
by Francis Rousseau 

MYTIKAS (MOUNT OLYMPUS) PAINTED BY EDWARD LEAR

EDWARD LEAR (1812-1888) 

Mytikas -Mount Olympus (2, 918 m- 9,573 ft)

Greece

Painted in 1849 - The MET, New York 

The mountain

Mount Olympus or Olympos, or Oros Olympos is the highest mountain in Greece and the second highest mountain in the Balkans.  Mount Olympus has 52 peaks, deep gorges, and exceptional biodiversity.  The highest peak Mytikas, meaning "nose", rises to 2,918 m -9,573 ft. It is one of the highest peaks in Europe in terms of topographic prominence.  It is located in the Olympus Range on the border between Thessaly and Macedonia, between the regional units of Pieria and Larissa, about 80 km (50 mi) southwest from Thessaloniki. 

There are multiple theories for the origin of the name Olympus. It has been suggested that it means "sky", "bright", "high" or "rock". One theory holds that Olympus is a prehellenic toponym that simply means "mountain". In Ottoman times, the Turkish name for the mountain was "Semavat Evi", meaning "sky house".

Olympus was notable in Greek mythology as the home of the  the Twelve Olympian gods, on the Mytikas peak.   It is the setting of many Greek mythical stories. The Twelve Olympian gods lived in the gorges, where there were also their palaces. Pantheon (today Mytikas) was their meeting place and theater of their stormy discussions. The Throne of Zeus (today Stefani) hosted solely him, the leader of the gods. From there he unleashed his thunderbolts, expressing his godly wrath. The Twelve Olympians were Zeus, Hera, Demeter, Poseidon, Athena, Apollo, Artemis, Aphrodite, Ares, Hermes, Hephaestus, and the twelfth was either Hestia or Dionysus.  In Pieria, on Olympus' northern foot, the mythological tradition had placed the nine Muses, patrons of the Fine Arts, daughters of Zeus and the Titanide Mnemosyne: Calliope (Epic Poetry), Clio (History), Erato (Love Poetry), Euterpe (Music), Melpomene, (Tragedy), Polyhymnia (Hymns), Terpsichore (Dance), Thalia (Comedy) and Urania (Astronomy).

Mount Olympus is also noted for its very rich flora with several species. It has been a National Park, the first in Greece, since 1938. It is also a World's Biosphere Reserve.

Every year thousands of people visit Olympus to admire its fauna and flora, to tour its slopes, and reach its peaks. Organized mountain refuges and various mountaineering and climbing routes are available to visitors who want to explore it. The usual starting point is the town of Litochoro, on the eastern foothills of the mountain, 100 km from Thessaloniki, where, in the beginning of every summer, the Olympus Marathon terminates.

Climbing 

Ancient Greeks likely never tried to climb Olympus' peaks Pantheon and the Throne of Zeus which they considered to be the Gods ' home. But surely they reached the nearest peak, nowadays called Aghios Antonios, from where they had a view of the two peaks and where they left offerings, as recent archaeological findings indicate. 

In the modern era, a series of explorers tried to study the mountain and to reach, unsuccessfully, its summit. Examples include the French archaeologist Leon Heuzey (1855), the German explorer Heinrich Barth (1862), and the German engineer Edward Richter. Richter tried to reach the summit in 1911 but was abducted by klephts, who also killed the Ottoman gendarmes that accompanied him.

On 2 August 1913,  just one year after the liberation of Greece from Ottoman rule,  the until then untrodden summit of Olympus was finally reached. The Swiss Frédéric Boissonnas and Daniel Baud-Bovy, aided by a hunter of wild goats from Litochoro, Christos Kakalos, were the first to reach Greece's highest peak.  Kakalos, who had much experience climbing Olympus, was the first of the three to climb Mytikas.  Afterwards and till his death (1976) he was the official guide of Olympus.

In 1921, he and Marcel Kurz reached the second highest summit of Olympus, Stefani.  Based on these explorations, Kurz in 1923 edited Le Mont Olympe, a book that includes the first detailed map of the summits.

 In 1928, the painter Vasilis Ithakisios climbed Olympus together with Kakalos, reaching a cave that he named Shelter of the Muses, and he spent many summers painting views of the mountain. Olympus was later photographed and mapped in detail by others, and a series of successful climbings and winter ascents of the steepest summits in difficult weather conditions took place.

Climbing Mount Olympus is a non-technical hike, except for the final section from the Skala summit to the Mytikas peak, which is a YDS class 3 rock scramble. It is estimated that 10,000 people climb Mount Olympus each year, most of them reaching only the Skolio summit. Most climbs of Mount Olympus start from the town of Litochoro, which took the name City of Gods because of its location at the foot of the mountain. From there a road goes to Prionia, where the hike begins at the bottom of the mountain.

Reference 

 - Mount Olympus in Encyclopedia Britannica 

The painter 

Edward Lear was an English artist, illustrator, musician, author and poet, and is known now mostly for his literary nonsense in poetry and prose and especially his limericks, a form he popularised. His principal areas of work as an artist were threefold: as a draughtsman employed to illustrate birds and animals; making coloured drawings during his journeys, which he reworked later, sometimes as plates for his travel books; as a (minor) illustrator of Alfred Tennyson's poems. As an author, he is known principally for his popular nonsense collections of poems, songs, short stories, botanical drawings, recipes, and alphabets. He also composed and published twelve musical settings of Tennyson's poetry.

Lear was already drawing "for bread and cheese" by the time he was aged 16.

In 1842,  Lear began a journey into the Italian peninsula, travelling through

the Lazio, Rome, Abruzzo, Molise, Apulia, Calabria, and Sicily.  In personal notes, together with drawings, Lear gathered his impressions on the Italian way of life, folk traditions, and the beauty of the ancient monuments. Of particular interest in Lear was the Abruzzo, which he visited in 1843, through the Marsica (Celano, Avezzano, Alba Fucens, Trasacco) and the plateau of Cinque Miglia (Castel di Sangro and Alfedena), by an old sheep track of the shepherds.

Among his travels, he visited Greece and Egypt during 1848–49, and toured India and Ceylon during 1873–75. While travelling he produced large quantities of coloured wash drawings in a distinctive style, which he converted later in his studio into oil and watercolour paintings, as well as prints for his books. His landscape style often shows views with strong sunlight, with intense contrasts of colour.  Between 1878 and 1883 Lear spent his summers on Monte Generoso, a mountain on the border between the Swiss canton of Ticino and the Italian region of Lombardy.  His watercolor Mount Olympus dated 1849 in in the MET in New York City.  His oil painting The Plains of Lombardy from Monte Generoso is in the Ashmolean Museum Oxford (UK).
Reference 

- Edward Lear  /Wikipedia Page 

MOUNT SINAÏ / JABAL MUSA BY EDWARD LEAR

 

 EDWARD LEAR (1812-1888)

Mount Sinaï / Jabal Musa (2,285 m - 7,496ft)
Egypt

In Arabs Approaching Mount Sinai, pencil and watercolor, 1849, (17.8 x 36.8 cm.)

Private collection (Christie's London)

The mountain
Mount Sinaï (2,285 m - 7,496ft) or Jabal Mūsā or Gabal Mūsā (in arab : "Moses' Mountain" or "Mount Moses"), also known as Mount Horeb or Jebel Musa (a similarly named mountain in Morocco), is a mountain in the Sinai Peninsula of Egypt that is a possible location of the biblical Mount Sinai. The latter is mentioned many times in the Book of Exodus (and other books of the Bible) and the Quran. According to Jewish, Christian, and Islamic tradition, the biblical Mount Sinai was the place where Moses received the Ten Commandments.
Mount Sinai is a moderately high mountain near the city of Saint Katherine in the Sinai region. It is next to Mount Katherine (2,629 m - 8,625 ft), the highest peak in Egypt.
Mount Sinai's rocks were formed in the late stage of the Arabian-Nubian Shield's (ANS) evolution. Mount Sinai displays a ring complex that consists of alkaline granites intruded into diverse rock types, including volcanics. The granites range in composition from syenogranite to alkali feldspar granite. The volcanic rocks are alkaline to peralkaline and they are represented by subaerial flows and eruptions and subvolcanic porphyry. Generally, the nature of the exposed rocks in Mount Sinai indicates that they originated from differing depths.
There are two principal routes to the summit. The longer and shallower route, Siket El Bashait, takes about 2.5 hours on foot, though camels can be used. The steeper, more direct route (Siket Sayidna Musa) is up the 3,750 "steps of penitence" in the ravine behind the monastery.
The summit of the mountain has a mosque that is still used by Muslims. It also has a Greek Orthodox chapel, constructed in 1934 on the ruins of a 16th-century church, that is not open to the public. The chapel encloses the rock which is considered to be the source for the biblical Tablets of Stone. At the summit also is "Moses' cave", where Moses was said to have waited to receive the Ten Commandments.

The painter
Edward Lear was an English artist, illustrator, musician, author and poet, and is known now mostly for his literary nonsense in poetry and prose and especially his limericks, a form he popularised. His principal areas of work as an artist were threefold: as a draughtsman employed to illustrate birds and animals; making coloured drawings during his journeys, which he reworked later, sometimes as plates for his travel books; as a (minor) illustrator of Alfred Tennyson's poems. As an author, he is known principally for his popular nonsense collections of poems, songs, short stories, botanical drawings, recipes, and alphabets. He also composed and published twelve musical settings of Tennyson's poetry.
Lear was already drawing "for bread and cheese" by the time he was aged 16.
In 1842, Lear began a journey into the Italian peninsula, travelling through the Lazio, Rome, Abruzzo, Molise, Apulia, Calabria, and Sicily. In personal notes, together with drawings, Lear gathered his impressions on the Italian way of life, folk traditions, and the beauty of the ancient monuments. Of particular interest in Lear was the Abruzzo, which he visited in 1843, through the Marsica (Celano, Avezzano, Alba Fucens, Trasacco) and the plateau of Cinque Miglia (Castel di Sangro and Alfedena), by an old sheep track of the shepherds.
Among his travels, he visited Greece and Egypt during 1848-49, and toured India and Ceylon during 1873–75. While travelling he produced large quantities of coloured wash drawings in a distinctive style, which he converted later in his studio into oil and watercolour paintings, as well as prints for his books. His landscape style often shows views with strong sunlight, with intense contrasts of colour. Between 1878 and 1883 Lear spent his summers on Monte Generoso, a mountain on the border between the Swiss canton of Ticino and the Italian region of Lombardy. His watercolor Mount Olympus dated 1849 in in the MET in New York City. His oil painting The Plains of Lombardy from Monte Generoso is in the Ashmolean Museum Oxford (UK).

_______________________________

2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT ATHOS (4 VIEWS) BY EDWARD LEAR

 EDWARD LEAR (1812-1888) 

Mount Athos (2,033  m - 6,670 ft )

Greece

1. In view of Mount Athos in a distance, 1848, oil

2.  In The Monastery of Stavroniketes, Mount Athos, 1861, oil

3.  In A distant view of Mount Athos, 1856, watercolor,
4.  In  The Monastery of Xenophontos, Mount Athos, 1856, watercolor 

The mountain 

Mount Athos (2,033  m - 6,670 ft ) is a mountain and a peninsula in northeastern Greece and an important centre of Eastern Orthodox monasticism. It is governed as an autonomous polity within the Greek Republic under the official name Autonomous Monastic State of the Holy Mountain (Greek: Αὐτόνομη Μοναστικὴ Πολιτεία Ἁγίου Ὄρους). Mount Athos is home to 20 monasteries under the direct jurisdiction of the Ecumenical Patriarch of Constantinople.)
Mount Athos is commonly referred to in Greek as the "Holy Mountain" ( Ἅγιον Ὄρος) and the entity as the "Athonite State" (Αθωνική Πολιτεία). Other languages of orthodox tradition also use names translating to "Holy Mountain" (e.g. Bulgarian and Serbian, Russian, Georgian). In the classical era, while the mountain was called Athos, the peninsula was known as Akté (Ἀκτή).
Mount Athos has been inhabited since ancient times and is known for its nearly 1,800-year continuous Christian presence and its long historical monastic traditions, which date back to at least 800 A.D. and the Byzantine era. Today, over 2,000 monks from Greece and many other countries, including Eastern Orthodox countries such as Romania, Moldova, Georgia, Bulgaria, Serbia and Russia, live an ascetic life in Athos, isolated from the rest of the world. The Athonite monasteries feature a rich collection of well-preserved artifacts, rare books, ancient documents, and artworks of immense historical value, and Mount Athos has been listed as a World Heritage Site since 1988.
Although Mount Athos is technically part of the European Union like the rest of Greece, the status of the Monastic State of the Holy Mountain, and the jurisdiction of the Athonite institutions, were expressly described and ratified upon admission of Greece to the European Community. The free movement of people and goods in its territory is prohibited, unless formal permission is granted by the Monastic State's authorities, and only males are allowed to enter.

The painter 
Edward Lear was an English artist, illustrator, musician, author and poet, and is known now mostly for his literary nonsense in poetry and prose and especially his limericks, a form he popularised. His principal areas of work as an artist were threefold: as a draughtsman employed to illustrate birds and animals; making coloured drawings during his journeys, which he reworked later, sometimes as plates for his travel books; as a illustrator of Alfred Tennyson's poems. As an author, he is known principally for his popular nonsense collections of poems, songs, short stories, botanical drawings, recipes, and alphabets. He also composed and published twelve musical settings of Tennyson's poetry.
Lear was already drawing "for bread and cheese" by the time he was aged 16. (...)

Complete biography and others mountain paintings by Edward Lear already published in this blog 

KANGCHENJUNGA PAINTED BY EDWARD LEAR

EDWARD LEAR (1812-1888)

Kangchenjunga (8, 538m -28,169 ft) 

India, Nepal border

The mountain 

Kangchenjunga  (8,586 m (28,169 ft)  is the third highest mountain in the world. It  lies partly in Nepal and partly in Sikkim, India. Kangchenjunga is the second highest mountain of the Himalayas after Mount Everest. Three of the five peaks – Main, Central and South – are on the border between North Sikkim and Nepal. Two peaks are in the Taplejung District, Nepal.

Kangchenjunga Main is the highest mountain in India, and the easternmost of the mountains higher than 8,000 m (26,000 ft).  Until 1852, Kangchenjunga was assumed to be the highest mountain in the world, but calculations based on various readings and measurements made by the Great Trigonometrical Survey of India in 1849 came to the conclusion that Mount Everest, known as Peak XV at the time, was the highest.  It is listed int the  Eight Thousanders and as Seven Third Summits   

Kangchenjunga is the official spelling adopted by Douglas Freshfield, A. M. Kellas, and the Royal Geographical Society that gives the best indication of the Tibetan pronunciation. Freshfield referred to the spelling used by the Indian Government since the late 19th century. There are a number of alternative spellings including Kangchendzцnga, Khangchendzonga, and Kanchenjunga.  Local Lhopo people believe that the treasures are hidden but reveal to the devout when the world is in peril; the treasures comprise salt, gold, turquoise and precious stones, sacred scriptures, invincible armor or ammunition, grain and medicine. Kangchenjunga's name in the Limbu language is Senjelungma or Seseylungma, and is believed to be an abode of the omnipotent goddess Yuma Sammang.

It rises in a section of the Himalayas called Kangchenjunga Himal that is limited in the west by the Tamur River, in the north by the Lhonak Chu and Jongsang La, and in the east by the Teesta River. It lies about 128 km (80 mi) east of Mount Everest.

Allowing for further verification of all calculations, it was officially announced in 1856 that 

Kangchenjunga was first climbed on 25 May 1955 by Joe Brown and George Band, who were part of a British expedition. They stopped short of the summit as per the promise given to the Chogyal that the top of the mountain would remain inviolate. Every climber or climbing group that has reached the summit has followed this tradition. Other members of this expedition included John Angelo Jackson and Tom Mackinon.  In May 1979,  Doug Scott, Peter Boardman and Joe Tasker established a new route on the North Ridge their third ascent which was the first one ever made without oxygen.

In 1983, Pierre Beghin made the first solo ascent accomplished without the use of supplemental oxygen.  In 1992, Wanda Rutkiewicz was  the first woman in the world to ascend and descend K2 and a world-renowned Polish climber, died after she insisted on waiting for an incoming storm to pass, which she did not survive.  In 1998, Ginette Harrison was the first woman who climbed Kangchenjunga North face ;  Gerlinde Kaltenbrunner, an Austrian mountaineer, was the second woman to reach the summit in 2006. 

In May 2014, the Bulgarian diabetic climber Boyan Petrov reached the peak without the use of supplemental oxygen. 
Sources: 
- Summitpost.org
-  PeakBagger
- Everest News.com

The painter 

Edward Lear was an English artist, illustrator, musician, author and poet, and is known now mostly for his literary nonsense in poetry and prose and especially his limericks, a form he popularised. His principal areas of work as an artist were threefold: as a draughtsman employed to illustrate birds and animals; making coloured drawings during his journeys, which he reworked later, sometimes as plates for his travel books; as a (minor) illustrator of Alfred Tennyson's poems. As an author, he is known principally for his popular nonsense collections of poems, songs, short stories, botanical drawings, recipes, and alphabets. He also composed and published twelve musical settings of Tennyson's poetry.

Lear was already drawing "for bread and cheese" by the time he was aged 16.
In 1842,  Lear began a journey into the Italian peninsula, travelling through the Lazio, Rome, Abruzzo, Molise, Apulia, Calabria, and Sicily.  In personal notes, together with drawings, Lear gathered his impressions on the Italian way of life, folk traditions, and the beauty of the ancient monuments. Of particular interest in Lear was the Abruzzo, which he visited in 1843, through the Marsica (Celano, Avezzano, Alba Fucens, Trasacco) and the plateau of Cinque Miglia (Castel di Sangro and Alfedena), by an old sheep track of the shepherds.
Among his travels, he visited Greece and Egypt during 1848–49, and toured India and Ceylon during 1873–75. While travelling he produced large quantities of coloured wash drawings in a distinctive style, which he converted later in his studio into oil and watercolour paintings, as well as prints for his books. His landscape style often shows views with strong sunlight, with intense contrasts of colour.  Between 1878 and 1883 Lear spent his summers on Monte Generoso, a mountain on the border between the Swiss canton of Ticino and the Italian region of Lombardy.  His watercolor Mount Olympus dated 1849 in in the MET in New York City.  His oil painting The Plains of Lombardy from Monte Generoso is in the Ashmolean Museum Oxford (UK).

Sources: 

- Wikipedia 

MOUNT ATHOS (2) BY EDWARD LEAR

EDWARD LEAR (1812-1888) 

Mount Athos (2,033  m - 6,670 ft )

Greece

In Mount Athos and the monastery of Stavroniketes, oil on canvas, 

The mountain 

Mount Athos (2,033  m - 6,670 ft ) is a mountain and a peninsula in northeastern Greece and an important centre of Eastern Orthodox monasticism. It is governed as an autonomous polity within the Greek Republic under the official name Autonomous Monastic State of the Holy Mountain (Greek: Αὐτόνομη Μοναστικὴ Πολιτεία Ἁγίου Ὄρους). Mount Athos is home to 20 monasteries under the direct jurisdiction of the Ecumenical Patriarch of Constantinople.)

Mount Athos is commonly referred to in Greek as the "Holy Mountain" ( Ἅγιον Ὄρος) and the entity as the "Athonite State" (Αθωνική Πολιτεία). Other languages of orthodox tradition also use names translating to "Holy Mountain" (e.g. Bulgarian and Serbian, Russian, Georgian). In the classical era, while the mountain was called Athos, the peninsula was known as Akté (Ἀκτή).

Mount Athos has been inhabited since ancient times and is known for its nearly 1,800-year continuous Christian presence and its long historical monastic traditions, which date back to at least 800 A.D. and the Byzantine era. Today, over 2,000 monks from Greece and many other countries, including Eastern Orthodox countries such as Romania, Moldova, Georgia, Bulgaria, Serbia and Russia, live an ascetic life in Athos, isolated from the rest of the world. The Athonite monasteries feature a rich collection of well-preserved artifacts, rare books, ancient documents, and artworks of immense historical value, and Mount Athos has been listed as a World Heritage Site since 1988.

Although Mount Athos is technically part of the European Union like the rest of Greece, the status of the Monastic State of the Holy Mountain, and the jurisdiction of the Athonite institutions, were expressly described and ratified upon admission of Greece to the European Community. The free movement of people and goods in its territory is prohibited, unless formal permission is granted by the Monastic State's authorities, and only males are allowed to enter.

The painter 
Edward Lear was an English artist, illustrator, musician, author and poet, and is known now mostly for his literary nonsense in poetry and prose and especially his limericks, a form he popularised. His principal areas of work as an artist were threefold: as a draughtsman employed to illustrate birds and animals; making coloured drawings during his journeys, which he reworked later, sometimes as plates for his travel books; as a illustrator of Alfred Tennyson's poems. As an author, he is known principally for his popular nonsense collections of poems, songs, short stories, botanical drawings, recipes, and alphabets. He also composed and published twelve musical settings of Tennyson's poetry.Edward Lear painted quite a number of canvas and watercolours on the Mount Athos subject (posted in this blog  )  

MONTE GENEROSO BY GIOVANNI GIACOMETTI

GIOVANNI GIACOMETTI  (1868-1933) 

 Monte Generoso or Calvagione (1,701m - 5,581ft)

Italy - Switzerland border 

In Vue de Capolago vers 1907, oil on canvas, Musée d'Orsay, Paris, France

The mountain 

Monte Generoso  (1,701m - 5,581ft) also known as Calvagione is a mountain of the Lugano Prealps, located on the border between Switzerland and Italy and between Lake Lugano and Lake Como. The western and southern flanks of the mountain lie in the Swiss canton of Ticino, whilst the north-eastern flanks are in the Italian region of Lombardy.[

The view from the summit of the mountain - one of the most outstanding panorama summits in Alps-  encompasses the lakes of Lugano, Como, Varese and Maggiore. To the north are the Alps, stretching from the Matterhorn via the Jungfrau and the Saint-Gotthard Massif to the Bernina Range. To the south are the Lombardy Plains and the Po Valley, with the city of Milan and the Apennine Mountains visible on a clear day.
The summit can be approached by the Monte Generoso Railway, a rack railway that starts from Capolago in Switzerland, and climbs via the western flank of the mountain. The summit station includes a panoramic terrace and buffet, a restaurant and a hotel. A paved path links the railway's summit station to the summit proper, a distance of approximately 350 metres (1,150 ft) and a difference in altitude of about 100 metres (330 ft).
There is road access from Mendrisio in Switzerland to Bellavista, some 3 kilometres (1.9 mi) from the summit and an intermediate station on the railway. Hiking trails reach the summit from different starting points, including Bellavista, Capolago and Mendrisio.
The Monte Generoso Observatory is located adjacent to the railway's summit station, and is operated by the Monte Generoso Insubrica Astronomy Group.
The summit can be reached in any time of the season. In winter the ascent is quite long, everything depends of the snow conditions on the road. The train starts to operate when the snow is cleared. It is highly recommended to climb Monte Generoso when the visibility is best. You can hike or climb up there for fun any time.
The mountain slopes are home to a herd of between 300 and 350 chamois.
The artist and author Edward Lear spent summers from 1878 to 1883 on the mountain. His oil  The Plains of Lombardy from Monte Generoso (Ashmolean Museum, Oxford) painted at the summit gives a good idea of the view but doesn't show the mountain itself.

The artist
Giovanni Giacometti was a Swiss painter, the father of  the famous painter and sculptor Alberto Giacometti, and of Diego Giacometti, the furniture designer as well as the father of the architect Bruno Giacometti ! In 1886, he studied painting at the School of Decorative Arts in Munich, where he met Cuno Amiet the following year. Both decide to pursue their studies in Paris, in October stood at the Académie Julian, where Giacometti remains until 1891.
In 1893, shortly after his return to Switzerland, to Bergell, he became friends with Giovanni Segantini, his eldest ten years, which has great influence on his work by opening it to the beauty of the mountain scenery and the rules of divisionism. After his sudden death in 1899, Giacometti met Ferdinand Hodler, who teaches him to create a rigorous and ornamental composition by appropriate use of shapes and colors...

______________________________

2017 - Wandering Vertexes...
by Francis Rousseau