TAAL VOLCANO PAINTED BY FERNANDO AMORSOLO

FERNANDO AMORSOLO (1882-1972)

Taal Volcano (311 m -1,020 ft) 

Philippines (Luzon)

 In Returning fischermen, oil on canvas, 1950, Private collection

The volcano
Taal Volcano  (311 m -1,020 ft)  is a large 15 x 20 km lake filled complex volcano located on Luzon island in the Philippines, in the province of Batangas. Taal is the second most active volcano in the Philippines, with 34 recorded historical eruptions, all of which were concentrated on Volcano Island, near the middle of Taal Lake. The lake partially fills Taal Caldera, which was formed by prehistoric eruptions between 140,000 and 5,380 BP.  Viewed from the Tagaytay Ridge in Cavite, Taal Volcano and Lake presents one of the most picturesque and attractive views in the Philippines. It is located about 50 kilometres (31 miles) south of the capital of the country, the city of Manila.
The volcano has had several violent eruptions in the past, causing loss of life on the island and the populated areas surrounding the lake, with the death toll estimated at about 6,000. Because of its proximity to populated areas and its eruptive history, the volcano was designated a Decade Volcano, worthy of close study to prevent future natural disasters.
All volcanoes of the Philippines are part of the Pacific Ring of Fire.
A sudden eruption occurred on January 12,, 2020 quickly escalating into Alert Level 4.  Ashfalls and volcanic thunderstorms were reported, and forced evacuations were made. Dangers of possible volcanic tsunami were also warned. The volcano produced volcanic lightning above its crater with ash clouds. The eruption progressed into magmatic eruption characterized by lava fountain with thunder and lightning.

The painter
Fernando Cueto Amorsolo was one of the most important artists in the history of painting in the Philippines.Amorsolo was a portraitist and painter of rural Philippine landscapes. He is popularly known for his craftsmanship and mastery in the use of light...
- More about Fernando Amorsolo

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2020 - Wandering Vertexes...
by Francis Rousseau

TARANAKI / MOUNT EGMONT BY CHARLES DECIMUS BARRAUD

 

CHARLES DECIMUS BARRAUD (1822-1897)

Mount Taranaki or Mount Egmont  (2,518 m - 8,261 ft) 

New Zealand (North Island)

In Mount Egmont Taranaki,  watercolour, 1870, Alexander Turnbull Library, New Zealand

The mountain
Taranaki or Mount Egmont (2,518 m - 8,261 ft) is an active but quiescent stratovolcano in the Taranaki region on the west coast of New Zealand's North Island. Although the mountain is more commonly referred to as Taranaki, it has two official names under the alternative names policy of the New Zealand Geographic Board. The mountain is one of the most symmetrical volcanic cones in the world. There is a secondary cone, Fanthams Peak or Panitahi in Māori (1,966 me - 6,450 ft), on the south side.
 For many centuries the mountain was called Taranaki by Māori. The Māori word tara means mountain peak, and naki is thought to come from ngaki, meaning "shining", a reference to the snow-clad winter nature of the upper slopes. It was also named Pukehaupapa and Pukeonaki by Iwi who live in the region in ancient times.
According to Māori mythology, Taranaki once resided in the middle of the North Island, with all the other New Zealand volcanoes. The beautiful Pihanga was coveted by all the mountains, and a great battle broke out between them. Tongariro eventually won the day, inflicted great wounds on the side of Taranaki, and causing him to flee. Taranaki headed westwards, following Te Toka a Rahotu and forming the deep gorges of the Whanganui River, paused for a while, creating the depression that formed the Te Ngaere swamp, then heading north. Further progress was blocked by the Pouakai ranges, and as the sun came up Taranaki became petrified in his current location. When Taranaki conceals himself with rainclouds, he is said to be crying for his lost love, and during spectacular sunsets, he is said to be displaying himself to her. In turn, Tongariro's eruptions are said to be a warning to Taranaki not to return....

The artist
Charles Decimus Barraud was born in Camberwell, London, England. he wanted to become a doctor, but his father, a clerk in the Custom House,  died when Charles was only 11 years old and his family could not afford the expensive training. He had to content himself with qualifying as a chemist and druggist.
Long Biography 

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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT TARAWERA / PINK TERRACES PHOTOGRAPHED BY CHARLES SPENCER

 

CHARLES SPENCER (1854-1933)

Mount Tarawera / Pink and White Terraces  (1, 111m - 3,645ft) 

 New Zealand

 In Pink Terraces- c.1900, black and white phototgraphs hand colored, 

Museum of New Zealand / Te Papa Tongarewa

The volcano and the terraces
On 10 June 1886, Mount Tarawera  (1, 111m - 3,645ft) erupted. The eruption spread from west of Wahanga dome, 5 kilometres (3.1 mi) to the north, down to Lake Rotomahana. The volcano belched out hot mud, red hot boulders, and immense clouds of black ash from a 17 kilometres (11 mi) rift that crossed the mountain, passed through the lake, and extended beyond into the Waimangu valley.
After the eruption, a crater over 100 metres (330 ft) in depth encompassed the former site of the terraces.  After some years this filled with water to form a new Lake Rotomahana, 30–40 metres (98–131 ft) higher, ten times larger and deeper than the old lake.  This  explosive basaltic eruption  killed an estimated 120 people.
Alfred Patchet Warbrick, a boat builder at Te Wairoa, witnessed the eruption of Mount Tarawera from Maunga Makatiti to the north of Lake Tarawera. Warbrick soon had whaleboats on Lake Tarawera investigating the new landscape; he in time became the chief guide to the post-eruption attractions. Warbrick never accepted that the Pink and White Terraces had been destroyed

The photographer
When Tarawera erupted only a few weeks later, Geological Survey director James Hector and assistant geologist James Park disembarked at Tauranga on 12 June, en route to the Rotorua lakes district to report on the disturbance. He immediately engaged Charles Spencer who was already a famous photograph in new Zealand, to accompany the party and record the effects of the eruption.
By the time Spencer returned to Tauranga a week later he had accumulated an initial set of plates which he developed and printed. He then returned to Te Wairoa on 8 July and took several more views during a brief spell of decent weather. At the end of the month he made a third visit, accompanying Percy Smith’s surveying party for almost a week, and taking a number of views between the Ruawahia Dome on Tarawera and the craters to the south-west near Rotomahana.
Although no definitive lists exist, it is likely that Spencer produced several dozen views of the Rotorua hot lakes district before and after the eruption, and as a result his are some of the better known images, in collections throughout the world.

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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT WELLINGTON / KUNANYI (2) BY WILLIAM CHARLES PIGUENIT

 

WILLIAM CHARLES PIGUENIT (1836-1914)
Mount Wellington - Kunanyi (1, 269m - 4, 163ft)
Australia (Tasmania)

In Mount Wellington and Eucalyptii at sunset , 1880, oil on canvas

The mountain
Mount Wellington (1,269m - 4,163ft) also known as Unghbanyahletta or Poorawetter or Kunanyi in Aboriginal langage, is located in the southeast coastal region of Tasmania, Australia. The Palawa, the surviving descendants of the original indigenous Tasmanians, tend to prefer the latter name. In 2013, a Tasmanian dual naming policy was announced and "Kunanyi - Mount Wellington" was named as one of the inaugural dual named geographic features.
The mountain is the summit of the Wellington Range on whose foothills is built much of the city of Hobart. Mount Wellington is frequently covered by snow, sometimes even in summer, and the lower slopes are thickly forested, but criss-crossed by many walking tracks and a few fire trails. There is also a sealed narrow road to the summit, about 22 kilometres (14 mi) from Hobart central business district. An enclosed lookout near the summit provides spectacular views of the city below and to the east, the Derwent estuary, and also glimpses of the World Heritage Area nearly 100 kilometres (62 mi) west. From Hobart, the most distinctive feature of Mount Wellington is the cliff of dolerite columns known as the Organ Pipes.
The first recorded European in the area Abel Tasman probably did not see the mountain in 1642, as his ship was quite a distance out to sea as he sailed up the South East coast of the island - coming closer in near present-day North and Marion Bays. No other Europeans visited Tasmania until the late eighteenth century, when several visited southern Tasmania (then referred to as Van Diemens Land) including Frenchman Marion du Fresne (1772), Englishmen Tobias Furneaux (1773), James Cook (1777) and William Bligh (1788 and 1792), and Frenchman Bruni d'Entrecasteaux (1792–93).
In February 1836, Charles Darwin visited Hobart Town and climbed Mount Wellington. In his book "The Voyage of the Beagle", Darwin described the mountain thus;
"... In many parts the Eucalypti grew to a great size, and composed a noble forest. In some of the dampest ravines, tree-ferns flourished in an extraordinary manner; I saw one which must have been at least twenty feet high to the base of the fronds, and was in girth exactly six feet. The fronds forming the most elegant parasols, produced a gloomy shade, like that of the first hour of the night. The summit of the mountain is broad and flat, and is composed of huge angular masses of naked greenstone. Its elevation is 3,100 feet [940 m] above the level of the sea. The day was splendidly clear, and we enjoyed a most extensive view; to the north, the country appeared a mass of wooded mountains, of about the same height with that on which we were standing, and with an equally tame outline: to the south the broken land and water, forming many intricate bays, was mapped with clearness before us. ..."

The painter
William Charles Piguenit also known as W.C. Piguenit or Bill Piguenit was an Australian landscape painter, amateur photographer, draughtsman and explorer, born in Hobart Town, Van Diemen’s Land. The family can be traced back to Pons, in the province of Saintonge, France, from which, as Huguenots, they escaped after the revocation of the Edict of Nantes in 1685 to settle in Bristol, Somerset. William Charles attended Cambridge House Academy in Hobart; a school report of 18 December 1849 praises his 'mapping, particularly that of Van Diemen’s Land’. In September 1850, as an assistant draughtsman, he joined the Tasmanian Lands and Survey Department where much of his time was spent preparing maps of Tasmania.
When Piguenit exhibited at Melbourne in 1870, showing a watercolour sketch of Mount Wellington from the Huon Road, the Daily Telegraph of 20 July called him 'a young artist who gives promise of better things’. His love for the Tasmanian landscape and his improved artistic ability led to his being invited to accompany James R. Scott’s expedition to Arthur Plains and Port Davey in March 1871 as official artist. The results of the trip formed the basis for later illustrations in the Picturesque Atlas of Australasia and in R.M. Johnston’s Systematic Account of the Geology of Tasmania.
Having won another silver medal from the academy in 1875 for Mount Olympus, Lake St Clair, Tasmania (see above), Piguenit sent five of his Grose Valley oil landscapes to the academy’s 1876 exhibition and was awarded a certificate of merit for one, though the Sydney Mail critic was tepid in his praise: 'It would be enough to say that they are all very nicely painted and that all have about the same colour and tone’.
Regarded as the leading Australian-born landscape painter in the latter part of the nineteenth century, Piguenit was a founding committee member of the Art Society of New South Wales (elected Vice President in 1886) and regularly showed work in its exhibitions. He was represented in many major exhibitions, such as the 1880 Melbourne International, and he received many awards, including silver medals in 1874 and 1875 from the NSW Academy of Art, two second prizes at the 1888 Melbourne Centennial International Exhibition and gold medals from the 1883 Calcutta International and the 1888 Queensland Art Society and Tasmanian Juvenile Industries exhibitions. He was hung in the Paris Salon in 1893 and at the Chicago World’s Fair in 1894 (Scene on the Upper Nepean River, now AGNSW). A Tasmanian view near Prince of Wales Bay was presented by the Government House Literary Society to their founder and patron, Lady Hamilton, on her departure in 1892.
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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT YORK BY AUGUSTUS EARLE

  

AUGUSTUS EARLE  (1793-1838)

Mount York (1,061 m -3,481 ft)

Australia  (New South Wales)

  In View at the summit of Mount York,  engraving, 1826, Private collection Asutralia

The mountain
Mount York (1,061 m -3,481 ft) a mountain in the western region of the Explorer Range, part of the Blue Mountains Range that is a spur off the Great Dividing Range, is located approximately 150 kilometres (93 mi) west of Sydney, just outside Mount Victoria in New South Wales, Australia. Mount York is a projection of the Blue Mountains dissected plateau, creating a promontory of the western escarpment with a minor rise at its summit. Lockley Promontory and Mount York Promontory both jut northwest from the western escarpment, and begin at Mount Victoria, a small mountain village.  Mount York is mainly forested in Eucalypt growth, mostly open canopied. Several small creeks that flow into the Coxs River system run down its side.
Mount York was the point where Gregory Blaxland, William Lawson and William Wentworth viewed the Hartley Valley and the 'west' for the first time during their successful crossing of the Blue Mountains in 1813, although some Europeans had already reached the valley before them.

The artist
Augustus Earle was a London-born travel artist...
- Augustus Earle (short biography)
- Augustus Earle (complete biography)

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2020 - Wandering Vertexes...
by Francis Rousseau

MACDONNELL RANGES (2) PAINTED BY ALBERT NAMATJIRA

 

ALBERT NAMATJIRA (1902-1959)

Mount Zeil ot Urlatherrke (1,531 m - 5,023 ft)

Australia

In MacDonnell Range, watercolour, 1957, Private collection Australia 

The mountain
Mount Zeil (1,531m - 5,023ft) Urlatherrke in aboriginal naming, is a mountain situated in the western MacDonnell Ranges in Australia's Northern Territory, often poainted by Albert Namatjira. It is the highest peak in the Northern Territory, and the highest peak on the Australian mainland west of the Great Dividing Range. The others peaks of MacDonnell Ranges are : Mount Liebig (1,524m - 5,000 ft), Mount Edward (1,423m - 4,669 ft), Mount Giles (1,389m - 4,557 ft) and Mount Sonder (1,380m - 4,530 ft).
It is believed that Mount Zeil was named during or following Ernest Giles' 1872 expedition, probably after Count Zeil, who had recently distinguished himself with geographic explorations in Spitzbergen; a footnote in Giles' published journal implies that the naming was instigated by his benefactor, Baron Ferdinand von Mueller.
The MacDonnell Ranges, a mountain range and an interim Australian bioregion, is located in the Northern Territory, comprising 3,929,444 hectares (9,709,870 acres). The range is a 644 km (400 mi) long series of mountains located in the centre of Australia, and consist of parallel ridges running to the east and west of Alice Springs. The mountain range contains many spectacular gaps and gorges as well as areas of aboriginal significance. The ranges were named after Sir Richard MacDonnell (the Governor of South Australia at the time) by John McDouall Stuart, whose 1860 expedition reached them in April of that year. The Horn Expedition investigated the ranges as part of the scientific expedition into central Australia. Other explorers of the range included David Lindsay and John Ross.The headwaters of the Todd, Finke and Sandover rivers form in the MacDonnell Ranges. The range is crossed by the Australian Overland Telegraph Line and the Stuart Highway. Part of the Central Ranges xeric scrub ecoregion of dry scrubby grassland the ranges are home to a large number of endemic species including the Centralian Tree Frog. This is mostly due to the micro climates that are found around the cold rock pools.
The MacDonnell Ranges were often depicted in the paintings of Albert Namatjira.

The painter
Albert Namatjira born Elea Namatjira, was a Western Arrernte-speaking Aboriginal artist from the MacDonnell Ranges in Central Australia. As a pioneer of contemporary Indigenous Australian art, he was the most famous Indigenous Australian of his generation.
Born and raised at the Hermannsburg Lutheran Mission outside Alice Springs, Namatjira showed interest in art from an early age, but it was not until 1934 (aged 32), under the tutelage of Rex Battarbee, that he began to paint seriously. Namatjira's richly detailed, Western art-influenced watercolours of the outback departed significantly from the abstract designs and symbols of traditional Aboriginal art, and inspired the Hermannsburg School of painting. He became a household name in Australia—indeed, reproductions of his works hung in many homes throughout the nation—and he was publicly regarded as a model Aborigine who had succeeded in mainstream society.
Although not the first Aboriginal artist to work in a European style, Albert Namatjira is certainly the most famous. Ghost gums with luminous white trunks, palm-filled gorges and red mountain ranges turning purple at dusk are the hallmarks of the Hermannsburg school. Hermannsburg Mission was established by Lutheran missionaries in 1877 on the banks of the Finke River, west of Mparntwe (Alice Springs). Namatjira learnt watercolour technique from the artist, Rex Battarbee.
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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT BOGONG PAINTED BY EUGENE VON GUERARD

  

EUGENE VON GUERARD (1811-1901)
Mount Bogong (1,986 m - 6 515ft)
Australia (Victoria)

In Spring in the valley of the Mitta Mitta with the Bogong Ranges in the distance, 1863, oil on canvas 43.5 × 69.3 cm, National Gallery of Victoria, Melbourne

The mountain
Mount Bogong (1,986 m- ) is the highest point in the state of Victoria in Australia, in the Victorian Alps south of the Australian Cordillera. The first ascent was made in 1854 by a botanist, Baron Sir Ferdinand von Mueller. His name is of aboriginal origin and means "the fat guy".
In winter the summit serves as a ski resort but the snow periods are limited.
The foot of the mountain is covered with thick forests of Eucalyptus delegatensis up to an altitude of 1,300 meters. from 1,300 meters to 1,800 meters, of Eucalyptus pauciflora wood and over alpine meadows.
The Bogong is also the name of a butterfly that reproduces in the region and whose larva was consumed by the aborigines.

The painter
Johann Joseph Eugene von Guerard was an Austrian-born artist, active in Australia from 1852 to 1882. Known for his finely detailed landscapes in the tradition of the Düsseldorf school of painting, he is represented in Australia's major public galleries, and is referred to in the country as Eugene von Guerard. In 1852 von Guerard arrived in Victoria, Australia, determined to try his luck on the Victorian goldfields. As a gold-digger he was not very successful, but he did produce a large number of intimate studies of goldfields life, quite different from the deliberately awe-inspiring landscapes for which he was later to become famous. Realizing that there were opportunities for an artist in Australia, he abandoned the diggings and was soon undertaking commissions recording the dwellings and properties of wealthy pastoralists.
By the early 1860s, von Guerard was recognized as the foremost landscape artist in the colonies, touring Southeast Australia and New Zealand in pursuit of the sublime and the picturesque. He is most known for the wilderness paintings produced during this time, which are remarkable for their shadowy lighting and fastidious detail. Indeed, his View of Tower Hill in south-western Victoria was used as a botanical template over a century later when the land, which had been laid waste and polluted by agriculture, was systematically reclaimed, forested with native flora and made a state park. The scientific accuracy of such work has led to a reassessment of von Guerard's approach to wilderness painting, and some historians believe it likely that the landscapist was strongly influenced by the environmental theories of the leading scientist Alexander von Humboldt. Others attribute his 'truthful representation' of nature to the criterion for figure and landscape painting set by the Düsseldorf Academy.

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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT EREBUS (2) BY EDWARD ADRIAN WILSON

 

EDWARD ADRIAN WILSON (1872-1912)

Mount Erebus (3, 794 m - 12, 448ft)

Antarctica

 In  Mt Erebus - Aug. 17. 1911 - Noon.' on the mount,  Watercolour on paper, 13.1 x 21.1cm, 

Private collection (via Christie's)

About this watercolour
'The Summit of Mount Erebus' taken in August 1911, facing p.150.
Very similkar to  Mount Erebus 1911, watercolour,  Museum- Royal Geographical Society,
Notes :
"Thursday, August 17. - The weather has been extremely kind to us of late; we haven't a single grumble against it. Th temperature hovers pretty constantly at about -35°, there is very little wind and the sky is clear and bright. In such weather one sees well for more than three hours before and after noon, the landscape unfolds itself, and the sky colours are always delicate and beautiful. At noon today there was bright sunlight on the tops of the Western Peaks and on the summit and steam of Erebus -- of late the vapour cloud of Erebus has been exceptionally heavy and fantastic in form."

About Mount Erebus 

About the artist  


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2020 - Wandering Vertexes.
Un blog de Francis Rousseau

MOUNT TACOMA / MOUNT RAINIER BY CHARLES HAMILTON SMITH

CHARLES HAMILTON SMITH (1776-1859)

Mount Tacoma / Mont Rainier (4,392 m -14,411 ft)

United States of America (Washington)

In Mount Rainier from the South Part of Admiralty Inlet, Watercolor and graphite from Views of Polar region, Yale Center for British arts, Connectitcut USA.

The mountain
Mount Rainier, Mount Tacoma, or Mount Tahoma (4,392 m-14,411 ft) is the highest mountain of the Cascade Range of the Pacific Northwest, and the highest mountain in the U.S. state of Washington. It is a large active stratovolcano located 54 miles (87 km) south-southeast of Seattle. It is the most topographically prominent mountain in the contiguous United States and the Cascade Volcanic Arc.
Mount Rainier was first known by the Native Americans as Talol, or Tacoma or Tahoma.
The current name was given by George Vancouver, who named it in honor of his friend, Rear Admiral Peter Rainier. The map of the Lewis and Clark expedition of 1804-1806 refers to it as "Mt. Regniere". Mount Rainier is ranked third of the 128 ultra-prominent mountain peaks of the United States.
With 26 major glaciers and 36 sq mi (93 km2) of permanent snowfields and glaciers, Mount Rainier is the most heavily glaciated peak in the lower 48 states. The summit is topped by two volcanic craters, each more than 1,000 ft (300 m) in diameter, with the larger east crater overlapping the west crater. Geothermal heat from the volcano keeps areas of both crater rims free of snow and ice, and has formed the world's largest volcanic glacier cave network within the ice-filled craters, with nearly 2 mi (3.2 km) of passages. The Carbon, Puyallup, Mowich, Nisqually, and Cowlitz Rivers begin at eponymous glaciers of Mount Rainier. The sources of the White River are Winthrop, Emmons, and Fryingpan Glaciers. The White, Carbon, and Mowich join the Puyallup River, which discharges into Commencement Bay at Tacoma; the Nisqually empties into Puget Sound east of Lacey; and the Cowlitz joins the Columbia River between Kelso and Longview.

The artist
Lieutenant-Colonel Charles Hamilton Smith, was an English artist, naturalist, antiquary, illustrator, soldier, and... spy as well !. His military career began in 1787, when he studied at the Austrian academy for artillery and engineers at Mechelen and Leuven in Belgium (his native country). Although his military service, which ended in 1820 and included the Napoleonic Wars, saw him travel extensively (including the West Indies, Canada, United States, Southern and Northern Europe and ...Antarctica).
As a prolific self-taught illustrator (over 38,000 drawings!) He left quite an important number of books of beautifully watercolored landscapes taken all around the world. those nooks of watercolors are nowadays in the collections of the Yale Center From British Art. Among them :
- Views of France, Volume I (81 watercolors), Views of France, Volume II (93 watercolors),
- Views of England and Wales, Volume I (82 watercolors), Views of England and Wales, Volume II (74 watercolors),
- Views of Northern Europe, Volume I (68watercolors) , Views of Northern Europe, Volume II (78) watercolors),
- Views of Polar Regions (75 watercolors) (see above)
- Views of Spain, Volume I (69 watercolors), Views of Spain, Volume II (72 watercolors), But one of his noteworthy achievements was an 1800 experiment to determine which color should be used for military uniforms. He is also known in military history circles for Costume of the Army of the British Empire, produced towards the end of the Napoleonic Wars and an accurate depiction of contemporary British uniform.
As an antiquarian, he also produced, in collaboration with Samuel Rush Meyrick, Costume of the Original Inhabitants of the British Islands, 1815, and The Ancient Costume of England, with historical illustrations of medieval knights, ladies, shipsm and battles.
He also wrote on the history of the Seven Years' War and TheNatural history of dogs.
Quite a productive fellow !

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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT CAUBVICK/ MONT D'IBERVILLE PAINTED BY ARTHUR P. COLEMAN

 

 

ARTHUR P. COLEMAN (1852-1939)

Mount Caubvick / Mont D'Iberville (1,652 m -5,420 ft) 

Canada (Labrador /Quebec border) 

In Mountains South of Nakvak, Labrador; oil on canvas, 1910, Private collection

The mountain 
Mount Caubvick / Mont D'Iberville (1,652 m -5,420 ft)  is a mountain located in Canada on the border between Labrador and Quebec in the Selamiut Range of the Torngat Mountains. Mount Caubvick is the highest point in mainland Canada east of the Rockies. The mountain contains a massive peak that rises sharply from nearby sea level. Craggy ridges, steep cirques and glaciers are prominent features of the peak.
The alp was named Mont d'Iberville by the Quebec government in 1971. It remained nameless on the Labrador side for several years; it became known unofficially as L1, L for Labrador and 1 for highest. In 1981, at the suggestion of Dr. Peter Neary, the provincial government named the mountain after Caubvick, one of the five Inuit who accompanied George Cartwright to England in 1772.
Mount Caubvick also hosts the highest point in both the province of Newfoundland and Labrador and Quebec, although the summit itself lies about 10 metres (33 ft) northeast of the Quebec provincial border and is entirely within Labrador.

The painter
Arthur Philemon Coleman was a Canadian a geologist, professor, minerals prospector, artist, Rockies explorer, backwoods canoeist, world traveller, scientist, popular lecturer, museum administrator, memoirist and... one of Canada’s most beloved scientist.
Arthur Coleman is a fine example of that rare bird, a polished amateur artist whose drawings and paintings stand comfortably beside those of many professionals. He was active during the time when sketching and painting was ceding to photography the task of recording the visible world. Although he was also a photographer, painting was, for him, both a poetic and a descriptive pursuit, a way of wrapping an artistic expression around a phenomenon he was interested in or moved by. Thus motivated, Coleman's paintings give much joy and command a good deal of respect. The more surprising, perhaps given that he used to introduced himself more as a geologist than a painter.
Coleman travelled throughout the United States for professional conferences as well as geological field work. He visited many of the major American mountain ranges including: the American Cordillera Mountains (Washington, Oregon and California); the Sierra Nevada Mountains (California and Nevada); Yellowstone National Park (Wyoming, Montana and Idaho); and the Appalachian Mountains (eastern United States). Pleistocene glaciation had extended in Northern Europe as far south as Berlin and London and covered an area of two million square miles. Coleman also visited such countries as India, Australia, Brazil, Argentina, Scandinavia, Bolivia, New Zealand, South Africa and Uruguay. In his final years he made two expeditions to the Andes in Colombia, to mountains in Southern Mexico and to two mountains in Central America. He achieved the first ascent of Castle Mountain in 1884, and in 1907, he was the first white man to attempt to climb Mount Robson. He made a total of eight exploratory trips to the Canadian Rockies, wholly four of them looking for the mythical giants of Hooker and Brown.
"Mount Coleman" and "Coleman Glacier" in Banff National Park are named in his honor.
He was awarded the Penrose Medal in 1936.

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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT MANSFIELD (2) BY SANFORD ROBINSON GIFFORD

 

SANFORD ROBINSON GIFFORD (1823-1880)
Mount Mansfield (1,340 m - 4,395 ft)
United States of America (Vermont) - Canada border

In A Sketch of Mansfield Mountain, 1858,  Private collection 

About the painting 
One can be amused by the similarities betwee the painting above and the one painted by an other fmous Husdon  River School painter, Jerome B. Thompson,  made the same year, at the same season and at exactly the same place. One can suspects Sanford R.Gifford is depiected in the Jerome B. Thompson 's painting and  Jerome B. Thompson in the Sanford R. Gifford 's one ! 

The mountain
Mount Mansfield (1,340 m - 4,395 ft) is the highest mountain in Vermont. The summit is located within the town of Underhill in Chittenden County; the ridgeline, including some secondary peaks, extends into the town of Stowe in Lamoille County, and the mountain's flanks also reach into the town of Cambridge. When viewed from the east or west, this mountain has the appearance of a (quite elongated) human profile, with distinct forehead, nose, lips, chin, and Adam's apple. These features are most distinct when viewed from the east; unlike most human faces, the chin is the highest point
Mount Mansfield is one of three spots in Vermont where true alpine tundra survives from the Ice Ages. A few acres exist on Camel's Hump and Mount Abraham nearby and to the south, but Mount Mansfield's summit still holds about 200 acres (81 ha). In 1980, Mount Mansfield Natural Area was designated as a National Natural Landmark by the National Park Service.
Located in Mount Mansfield State Forest, the mountain is used for various recreational and commercial purposes. "The Nose" is home to transmitter towers for a number of regional radio and TV stations. [There are many hiking trails, including the Long Trail, which traverses the main ridgeline. In addition, the east flank of the mountain is used by the Stowe Mountain Resort for winter skiing. A popular tourist activity is to take the toll road (about 4 miles (6.4 km), steep, mostly unpaved, with several hairpin turns) from the Stowe Base Lodge to "The Nose" and hike along the ridge to "The Chin."

The painter
Sanford Robinson Gifford was born in Greenfield, New York and spent his childhood in Hudson, New York, the son of an iron foundry owner. He attended Brown University 1842-44, before leaving to study art in New York City in 1845. He studied drawing, perspective and anatomy under the direction of the British watercolorist and drawing-master, John Rubens Smith. He also studied the human figure in anatomy classes at the Crosby Street Medical college and took drawing classes at the National Academy of Design. By 1847 he was sufficiently skilled at painting to exhibit his first landscape at the National Academy and was elected an associate in 1851, an academician in 1854. Thereafter Gifford devoted himself to landscape painting, becoming one of the finest artists of the early Hudson River School.
More about the painter  

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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT OF HOLY CROSS PAINTED BY THOMAS MORAN

 

THOMAS MORAN (1837-1926)

Mount of the Holy Cross (4,270 m - 14, 011 ft)
 United States of America  (Colorado)

In  Mountain of  the Holy Cross, oil on canvas, 1875, Museum of the American West, Los Angeles.

The mountain 
Mount of the Holy Cross  (4,270 m - 14, 011 ft) is a high and prominent mountain summit in the northern Sawatch Range of the Rocky Mountains of North America. It was named for the distinctive cross-shaped snowfield on its northeast face. Under USDA Forest Service administration, the mountain was proclaimed "Holy Cross National Monument" by Herbert Hoover on May 11, 1929. The monument was transferred to the National Park Service in 1933.  In 1950, it was returned to the Forest Service and lost its National Monument status. This mountain has been the subject of painters, photographers and even a poem by Henry Wadsworth Longfellow, The Cross of Snow. The first publicly available photograph was published in National Geographic magazine. It is still much photographed but it is not as well known today as it was in the past.
Nearby features include Bowl of Tears Lake, directly under the east face of the peak, Tuhare Lakes, in a cirque that lies south of a significant subpeak, and several other lakes. Notable locations within 35 mi (56 km) include the Dotsero volcano (near Interstate 70),  abd the famous resort of Vail and  Aspen.  The first recorded ascent of Holy Cross was in 1873, by F. V. Hayden and photographer W. H. Jackson during one of Hayden's geographical surveys. However, the peak may well have been ascended previously by miners or American Indians.

The painter
Thomas Moran was an American painter and printmaker of the Hudson River School in New York whose work often featured the Rocky Mountains. Moran and his family took residence in New York where he obtained work as an artist. He was a younger brother of the noted marine artist Edward Moran, with whom he shared a studio. A talented illustrator and exquisite colorist, Thomas Moran was hired as an illustrator at Scribner's Monthly. During the late 1860s, he was appointed the chief illustrator for the magazine, a position that helped him launch his career as one of the premier painters of the American landscape, in particular, the American West.
Moran along with Albert Bierstadt, Thomas Hill, and William Keith are sometimes referred to as belonging to the Rocky Mountain School of landscape painters because of all of the Western landscapes made by this group.
Thomas Moran has a painting exhibited as part of the White House collection with The Three Tetons painted in 1895.

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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT BAKER / KULSHAN PAINTED BY JONAS LIE

 

JONAS LIE  (1880-1940)

Mount Baker / Kulshan ((3,286 m - 10,781 ft

United States of America

In Mount Baker, 1925, oil on canvas, Courtesy Saranac Lake Free Library

The mountain
Mount Baker ((3,286 m - 10,781 ft), also known as Koma Kulshan or simply Kulshan, is a active glaciated andesitic stratovolcano in the Cascade Volcanic Arc and the North Cascades of Washington in the United States. Mount Baker has the second-most thermally active crater in the Cascade Range after Mount Saint Helens. About 30 miles (48 km)[due east of the city of Bellingham, Whatcom County, Mount Baker is the youngest volcano in the Mount Baker volcanic field. While volcanism has persisted here for some 1.5 million years, the current glaciated cone is likely no more than 140,000 years old, and possibly no older than 80–90,000 years. Older volcanic edifices have mostly eroded away due to glaciation.
After Mount Rainier, Mount Baker is the most heavily glaciated of the Cascade Range volcanoes; the volume of snow and ice on Mount Baker, 0.43 cu mi (1.79 km3) is greater than that of all the other Cascades volcanoes (except Rainier) combined. It is also one of the snowiest places in the world; in 1999, Mount Baker Ski Area, located 9 mi (14.5 km) to the northeast, set the world record for recorded snowfall in a single season—1,140 in (29 m; 95 ft).
Mt. Baker is the third-highest mountain in Washington and the fifth-highest in the Cascade Range, if Little Tahoma Peak, a subpeak of Mount Rainier, and Shastina, a subpeak of Mount Shasta, are not counted.[Located in the Mount Baker Wilderness, it is visible from much of Greater Victoria, Nanaimo, and Greater Vancouver in British Columbia, and to the south, from Seattle (and on clear days Tacoma) in Washington.
Indigenous peoples have known the mountain for thousands of years, but the first written record of the mountain is from Spanish explorer Gonzalo Lopez de Haro, who mapped it in 1790 as Gran Montaña del Carmelo, "Great Mount Carmel". The explorer George Vancouver renamed the mountain for 3rd Lieutenant Joseph Baker of HMS Discovery, who saw it on April 30, 1792.

The painter
Jonas Lie was a Norwegian-born American painter. He is best known for colorful paintings of coastlines of New England and city scenes of New York City.
Between 1901 and the memorial exhibition in 1940 his work was shown all over America. In 1905 Lie exhibited 34 pictures in the Pratt Institute, Brooklyn Museum of Art. Between 1905 and 1938 Lie had 57 one-man shows, each including from 12 to 45 paintings. He participated in important annual and biennial exhibitions at the National Academy of Design, the Pennsylvania Academy of the Fine Arts, the Art Institute of Chicago, and the Corcoran Gallery of Art in Washington as well as most of the world fairs. While living in Panama in 1913, he painted scenes of the construction of Panama Canal which were later donated to U.S. Military Academy at West Point in memory of the West Pointer who, as chief engineer, was most potent in channeling the isthmus, General George W. Goethals. In 1932, Jonas Lie was awarded the Knight of Order of St. Olav by the King of Norway.
Jonas Lie often depicted the sea, channels, and ships with dramatic perspective and powerful use of color. He became known for colorful impressionistic scenes of harbors & coves, painted during the many summers he spent on the coasts of New England & Canada. Throughout his prolific career he painted brilliantly colored images of the rocky coves and harbors that identify the region's dramatic shoreline.

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2020 - Wandering Vertexes...
by Francis Rousseau

TABLE MOUNTAIN / HOERIKWAGGO BY NITA SPILHAUS

 

 NITA SPILHAUS (1878-1967) 

Table mountain / Hoerikwaggo (1,085 m - 3,558 ft)  

South Africa

In Table Mountain from Rondebosch, watercolor, Private collection

The mountain
Table Mountain (1,085 m - 3,558 ft)  also called Hoerikwaggo is a flat-topped mountain forming a prominent landmark overlooking the city of Cape Town in South Africa and forming part of the Table Mountain National Park. The main feature of Table Mountain is the level plateau approximately 3 kilometres (2 mi) from side to side, edged by impressive cliffs. The plateau, flanked by Devil's Peak to the east and by Lion's Head to the west, forms a dramatic backdrop to Cape Town. This broad sweep of mountainous heights, together with Signal Hill, forms the natural amphitheatre of the City Bowl and Table Bay harbour. The highest point on Table Mountain is towards the eastern end of the plateau and is marked by Maclear's Beacon, a stone cairn built in 1865 by Sir Thomas Maclear for trigonometrical survey. It is 1,086 metres (3,563 ft) above sea level, about 19 metres (62 ft) higher than the cable station at the western end of the plateau.
The cliffs of the main plateau are split by Platteklip Gorge ("Flat Stone Gorge"), which provides an easy and direct ascent to the summit and was the route taken by Antуnio de Saldanha on the first recorded ascent of the mountain in 1503.
The flat top of the mountain is often covered by orographic clouds, formed when a south-easterly wind is directed up the mountain's slopes into colder air, where the moisture condenses to form the so-called "table cloth" of cloud. Legend attributes this phenomenon to a smoking contest between the Devil and a local pirate called Van Hunks. When the table cloth is seen, it symbolizes the contest.
Table Mountain is at the northern end of a sandstone mountain range that forms the spine of the Cape Peninsula. To the south of the main plateau is a lower part of the range called the Back Table. On the Atlantic coast of the peninsula, the range is known as the Twelve Apostles. The range continues southwards to Cape Point. Table Mountain is featured in the Flag of Cape Town and other local government insignia. It is a significant tourist attraction, with many visitors using the cableway or hiking to the top.

The painter
Nita Spilhaus born Pauline Augusta Wilhelmina Spilhaus was a Portuguese-born South African painter, working in oil, watercolour and pastel. She is best known for her landscapes, paintings and etchings of trees, her portrayals of the Cape mountains, and depictions of the Malay Quarter.
Nita was raised by her grandfather in Lübeck, and her first training in drawing and etching took place at the Lübeck School of Art, then in Munich, where she attended a private art school run by Friedrich Fehr, the Dachau art colony just outside Munich under Adolf Hölzel, and copper engraving under Heinrich Wolff.
She moved to South Africa in 1907 because of the death of her grandfather in 1906, joining her brother Karl, and the family of her uncle Arnold Wilhelm Spilhaus.
She joined the 'South African Society of Artists' soon after her arrival. The Cape Times acknowledged her talent as a graphic artist by publishing a modest booklet of 12 etchings portraying scenes in and around Cape Town.
Working from a studio in Keerom Street in Cape Town she gradually became a leading member of Cape Town's art community. When Hugo Naudé visited Munich in 1913 she took over his art classes in Worcester.
Her oil paintings were Impressionist in style, her landscapes rich in atmosphere, while her flower studies are notable for their vivid colours. She had a particular affinity with trees and her striking images of the Stone Pines around Cape Town are a recurring theme in her work.

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2020 - Wandering Vertexes...
by Francis Rousseau

TAZOUDA / TONDOUTE BY JACQUES MAJORELLE

  

JACQUES MAJORELLE (1886-1962)

Tazouda / Tondoute (1,539m - 5,049 ft)  

 Morocco

In Les terrasses de Tazouda,  1949, gouache on paper,  60 x 90cm, Private collection

 The site
The site of Tazouda / Tondoute (1,539m - 5,049 ft) is  nowasays  remarkable because it is the place where was discovered in 2002, a completely unknown dinosaur, the Atlasaurus. These are, the scientists said, "the oldest known cranial remains of a sauropod" and are believed to be around 180 million years old, or the Middle Jurassic.
Named “Tazoudasaurus naïmi”, from the name of the village of Tazouda where it was discovered, this dinosaur of about 9 meters long could well be “the ancestor” of the North American sauropods “only 140 million years old years. " Evidence for a major brachiosaurus fossil dates back to 1998, with the gendarmerie discovering trafficking in bones originally discovered by a peasant on a rocky slope above his village. Scented, Moroccan scientists come to study the field and quickly realize that they have fallen on a vein of dinosaur bones. The Moroccan authorities then decided to call on foreign scientists. Under the name of “Dinoatlas”, a research agreement is signed between Moroccan and foreign researchers for a program which will last at least four years.

The painter
Jacques Majorelle son of the celebrated Art Nouveau furniture designer Louis Majorelle, was a French painter. He studied at the École des Beaux-Arts in Nancy in 1901 and later at the Académie Julian in Paris with Schommer and Royer. Majorelle became a noted Orientalist painter, but is most remembered for constructing the villa and gardens that now carry his name, Les Jardins Majorelle in Marrakech.
In around 1917 he travelled to Morocco to recover from heart problems and after short period spent in Casablanca, he visited Marrakech, where he fell in love with the vibrant colours and quality of light he found there. Initially, he used Marrakech as a base for trips to Spain, Italy and other parts of North Africa, including Egypt. Eventually, however, he settled in Marrakech permanently.
He drew inspiration for his paintings from his trips and from Marrakesch itself. His paintings include many street scenes, souks and kasbahs as well as portraits of local inhabitants. He opened a handicrafts workshop in Marrakech and also designed posters to promote travel to Morocco. His work was profoundly affected by his voyages around the Mediterannean and North Africa. He introduced a more coloured vision, bathed in light where the drawing disappears and the image emerges from large spots of colour laid flat. It seemed as if he had discoved the sun in these countries. His style exhibited more freedom and spontaneity.
During his lifetime, many of Majorelle's paintings were sold to private buyers and remain in private collections. Some of his early works can be found in Museums around his birthplace such as the Musée de l'Ecole de Nancy. Examples of his later work can be seen in the Mamounia Hotel, Marrakesch, the French Consulate of Marrakech and in the Villa at the Majorelle Gardens.

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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT SINAÏ / JABAL MUSA BY EDWARD LEAR

 

 EDWARD LEAR (1812-1888)

Mount Sinaï / Jabal Musa (2,285 m - 7,496ft)
Egypt

In Arabs Approaching Mount Sinai, pencil and watercolor, 1849, (17.8 x 36.8 cm.)

Private collection (Christie's London)

The mountain
Mount Sinaï (2,285 m - 7,496ft) or Jabal Mūsā or Gabal Mūsā (in arab : "Moses' Mountain" or "Mount Moses"), also known as Mount Horeb or Jebel Musa (a similarly named mountain in Morocco), is a mountain in the Sinai Peninsula of Egypt that is a possible location of the biblical Mount Sinai. The latter is mentioned many times in the Book of Exodus (and other books of the Bible) and the Quran. According to Jewish, Christian, and Islamic tradition, the biblical Mount Sinai was the place where Moses received the Ten Commandments.
Mount Sinai is a moderately high mountain near the city of Saint Katherine in the Sinai region. It is next to Mount Katherine (2,629 m - 8,625 ft), the highest peak in Egypt.
Mount Sinai's rocks were formed in the late stage of the Arabian-Nubian Shield's (ANS) evolution. Mount Sinai displays a ring complex that consists of alkaline granites intruded into diverse rock types, including volcanics. The granites range in composition from syenogranite to alkali feldspar granite. The volcanic rocks are alkaline to peralkaline and they are represented by subaerial flows and eruptions and subvolcanic porphyry. Generally, the nature of the exposed rocks in Mount Sinai indicates that they originated from differing depths.
There are two principal routes to the summit. The longer and shallower route, Siket El Bashait, takes about 2.5 hours on foot, though camels can be used. The steeper, more direct route (Siket Sayidna Musa) is up the 3,750 "steps of penitence" in the ravine behind the monastery.
The summit of the mountain has a mosque that is still used by Muslims. It also has a Greek Orthodox chapel, constructed in 1934 on the ruins of a 16th-century church, that is not open to the public. The chapel encloses the rock which is considered to be the source for the biblical Tablets of Stone. At the summit also is "Moses' cave", where Moses was said to have waited to receive the Ten Commandments.

The painter
Edward Lear was an English artist, illustrator, musician, author and poet, and is known now mostly for his literary nonsense in poetry and prose and especially his limericks, a form he popularised. His principal areas of work as an artist were threefold: as a draughtsman employed to illustrate birds and animals; making coloured drawings during his journeys, which he reworked later, sometimes as plates for his travel books; as a (minor) illustrator of Alfred Tennyson's poems. As an author, he is known principally for his popular nonsense collections of poems, songs, short stories, botanical drawings, recipes, and alphabets. He also composed and published twelve musical settings of Tennyson's poetry.
Lear was already drawing "for bread and cheese" by the time he was aged 16.
In 1842, Lear began a journey into the Italian peninsula, travelling through the Lazio, Rome, Abruzzo, Molise, Apulia, Calabria, and Sicily. In personal notes, together with drawings, Lear gathered his impressions on the Italian way of life, folk traditions, and the beauty of the ancient monuments. Of particular interest in Lear was the Abruzzo, which he visited in 1843, through the Marsica (Celano, Avezzano, Alba Fucens, Trasacco) and the plateau of Cinque Miglia (Castel di Sangro and Alfedena), by an old sheep track of the shepherds.
Among his travels, he visited Greece and Egypt during 1848-49, and toured India and Ceylon during 1873–75. While travelling he produced large quantities of coloured wash drawings in a distinctive style, which he converted later in his studio into oil and watercolour paintings, as well as prints for his books. His landscape style often shows views with strong sunlight, with intense contrasts of colour. Between 1878 and 1883 Lear spent his summers on Monte Generoso, a mountain on the border between the Swiss canton of Ticino and the Italian region of Lombardy. His watercolor Mount Olympus dated 1849 in in the MET in New York City. His oil painting The Plains of Lombardy from Monte Generoso is in the Ashmolean Museum Oxford (UK).

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2020 - Wandering Vertexes...
by Francis Rousseau

THE ROTWAND BY EDWARD H. COMPTON

 EDWARD H. COMPTON  (1861-1960)

Rotwand (1,884 m - 6,181 ft) 

Germany (Bavaria)

The mountain 
The Rotwand ("Red Wall")  (1,884 m - 6,181 ft) is a high peak in the Mangfall Mountains in Bavaria, the highest summit in the Spitzingsee region and one of the most popular of Munich's local mountains. The summit may be reached in an easy hike from the lake of Spitzingsee on various routes. The summit can be attained even more easily from the nearby mountain station on the Taubenstein and, as a result, can often become rather overcrowded on summer's days.
In winter the Rotwand is frequently climbed by skiers. The classic Rotwand-Reib’n runs from the Spitzingsee to the Rotwand, then over the Kümpflscharte arête (1,695 m) to the Auerspitz summit (1,811 m), continuing via the alpine pasture of Großtiefentalalm (1,500 m), the Miesing saddle (1,704 m; with detours to the Hochmiesing), Kleintiefentalalm and Taubensteinhaus and back to the Spitzingsee. This tour is also possible with snowshoes.
The "problem bear", JJ1 (also known as Bruno), was believed to be the first wild bear on German soil for 170 years. He was declared a threat to humans and killed on 26 June 2006 around 4.50 am in the Rotwand area after he had been seen at the Rotwandhaus.

The painter
The painter Edward Harrison Compton (1881–1960) not to be confused with his father Edward Theodore Compton (1849-1921) was a German landscape painter and illustrator of English descent. Compton was born in Feldafing in Upper Bavaria, Germany, the second son of notable landscape painter Edward Theodore Compton. He received his early art training from his father, and after a period of study in London at the Central School of Arts and Crafts settled back in Bavaria. Like his father he was inspired by the Alps to become a mountain painter ("bergmaller") working in both oils and watercolour. However, an attack of Polio at the age of 28 meant that he had to find more accessible landscapes to paint in Germany, England northern Italy and Sicily. He also provided illustrations for several travel books published by A & C Black. Compton exhibited at galleries in Munich and Berlin, and also in England at the Royal Academy in London and in Bradford. He died in Feldafing in 1960.
He had two sisters, both of whom were artists: Marion Compton, the flowers and still-life painter, and Dora Keel-Compton, flower and mountain painter.

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2020 - Wandering Vertexes...
by Francis Rousseau

OSOBITA AND TATRAS MOUNTAINS BY STEFAN FILIPKIEWICZ

 

STEFAN FILIPKIEWICZ (1879-1944) 

Mount Osobita  (1,687m - 5,535ft)

Slovakia - Poland border 

In Tatra Mountains in Winter, 1910,  oil on canvas

  The painter
Stefan Filipkiewicz pronounced was a Polish painter and designer, notable for his landscapes inspired by the Young Poland movement. He was a leading representative of the Polish art nouveau style of painting.
His landscapes of the Tatra Mountains and the region of Podhale were first exhibited in Kraków in 1899 at the Palace of Art run by the Kraków Society of Friends of Fine Art. Between 1900 and 1908 Filipkiewicz studied at the Academy of Fine Arts in Kraków under Józef Mehoffer, Leon Wyczółkowski, Jan Stanisławski and Józef Pankiewicz.
In 1908, Filipkiewicz joined the Society of Polish Artists. He became the contributing artist to the legendary Zielony Balonik art-and-literary cabaret. In 1929, Filipkiewicz was awarded the Golden Medal of the Universal Exhibition in Poznań. Four years later, he was also awarded by the Polish Academy of Skills for his works. During the 1939 Invasion of Poland he fled to Hungary, where he became an active member of several underground organizations. Arrested by the Gestapo, he was sent to the Mauthausen-Gusen concentration camp where he was murdered.

The mountain

Osobitá  (1,687m- 5,535ft)  as its name tells ("the lonely one") is a lonely top in the northern part of the Western Slovak Tatra Mountains, about 17 km from Zakopane (Poland). It is not very high, but very distinct and far from the main Tatra ridge. Osobitá constitutes a distinct geomorphological unit which represents just by itself 12% of the surface of the Slovak Western Tatras. This moutain was mentioned as early as 1615 when Polish highlanders described the Polish Tatras (wider during this time) as extending "From Osobita to Hawran".

There are the three distinct but close tops with heights of 1,617, 1,521 and 1,587 m (the last two are separated by the pass "sedlo pod Osobitou". There many caves in this karst zone, not all yet been investigated. In 1997, the most famous are Bezdenna and Okolik. Here also, as in many other places in the Tatra Mountains, was a mining activity for iron. Now, from these times remain only few tunnels reaching dozens of meters deep. 

In the past, the mountain was an important pastoral center, with five wide meadows. In the seventeenth century it could host up to 1500 head of sheep and cows. Later it decreased. 

Osobitá separates 3 valleys: Zuberska Dolina, Blatna Dolina and Oravicka Sucha Dolina. No other summit of the Orava region is as clearly visible, and very early the mountain attracted a lot of visitors. The first recorded visit was made by Titus Chałubiński in 1870, the first recorded winter one by Mariusz Zaruski with companions in 1906. 

At the beginning of the twentieth century, there was even a mountain hut at Mala Osobitá (1,583 m). Since 1989, the top is no longer available for tourists, since this one is included in the nature reserve (458 hectares).  There are two ways to reach Osobitá, from Slovakia and from Poland. Both are very easy and without difficulty, but the first one is as short as the second is very long.

Nowadays, it is impossible the reach the real top of Osobitá, which is located in the Natura 2000 zone, in order to protect fragile fauna such as eagles. Hence, strictly forbidden as mentionned previously. Including with a guide, or holding an UIAA licence !

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2020 - Wandering Vertexes...
by Francis Rousseau

MONT GAUSSIER (2) PAINTED BY VINCENT VAN GOGH

 

VINCENT VAN GOGH  (1853-1890) 

  Mont Gaussier (306 m -1,004 ft)  

France

  In Paysage à Saint-Rémy (Champs Clos avec Paysan), huile sur toile 1889
Indianapolis Museum of Art.

The mountain
The Mont Gaussier (306 m -1,004 ft) is a summit of the Alpilles located south of the city of Saint-Rémy-de-Provence, France. Today, the place of passage of many hikers who cross it by the GR6, Mount Gaussier was very early used as habitat by protohistoric populations, before having at its summit a medieval castle, nowadays disappeared. Mount Gaussier is made of crystalline limestone, white and hard. One finds in the soil the trace of many fossils. This type of summit is characteristic of the Alpilles range of mountains, especially on the north face.
The first traces of habitation on Mount Gaussier are ancient. In 1996, three sites dating from Protohistory and Late Antiquity were discovered at the summit and on the slopes. This is what emerges from the study of stones, tiles, ceramics and shards of amphora found on the premises. Moreover, the foundation of a wall was identified at the top during the same prospecting.
Most of the human activity of antiquity at Mount Gaussier nevertheless concentrated at the foot of it, since it was there that was built the Salyan city of Glanum (today Saint-Remy de Provence). Research carried out in 1996 and 1997 revealed that the well-preserved remains of a protohistoric rampart with towers have been cleared in several places, particularly on the ridges which dominate to the north-east and south-west the Saint- Clerg and at the foot of Mount Gaussier. The system of rampart which encircled the city in the 1st and 2nd centuries BC. J.-C. leaned on the cliffs of the mount Gaussier which border it on a hundred meters. It is also believed that Mount Gaussier, by its situation, could be used as an acropolis because of its plateau surrounded by cliffs and that its access from Glanum was made possible by a narrow corridor.
If, according to the archaeologist Henri Rolland, some families occupied the Alpilles range, on the slopes of Mount Gaussier, between the first Iron Age and the end of Antiquity, but also in the High Middle Ages, only the foot and the summit of the mountain were occupied in the following centuries, especially in the 5th and 6th centuries. It was here that a part of the inhabitants of Glanum took up residence after the ruin of the ancient city in the alluvial deposits of the mountain.
Mount Gaussier, like Glanum, then in ruins, and Saint-Remy-de-Provence, became property of the church of Avignon at the end of the 9th century in a county of Provence powered by Count Thibert.
It is possible to reach the Mount Gaussier from the ruins of Glanum or from La Caume by the GR6 climbing previously metal ladders.

The painter
Vincent Willem van Gogh was a Dutch Post-Impressionist painter who is among the most famous and influential figures in the history of Western art. In just over a decade he created about 2100 artworks, including around 860 oil paintings, most of them in the last two years of his life. They include landscapes, still lifes, portraits and self-portraits, and are characterized by bold, symbolic colours, and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. He died by suicide at 37, following years of mental illness and poverty.
Born into an upper-middle-class family, Van Gogh drew as a child and was serious, quiet and thoughtful. As a young man he worked as an art dealer, often travelling, but became depressed after he was transferred to London. He turned to religion, and spent time as a missionary in southern Belgium. Later he drifted in ill health and solitude. He took up painting in 1881 having moved back home with his parents. His younger brother Theo supported him financially, and the two kept up a long correspondence by letter.
More about Vincent Van Gogh 

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2020 - Wandering Vertexes... 

by Francis Rousseau

ARARAT PAINTED BY YEGHISHE TADEVOSYAN

YEGHISHE TADEVOSYAN (1870-1936) 

Mount Ararat (5,137 m- 16,854ft)
Turkey,

In Ararat from Ejmiadzin, oil on canas,  1895, National Gallery of Armenia

The mountain
There are two mountains in the world called Mont Ararat, One in Turkey, one in United States of America (Pennsylvania). The one we are talking about is Mount Ararat in Turkey, which has a very long and complex political, religious, sacred and mythical history.
Mount Ararat (5,137 m- 16,854ft) (Turkish: Ağrı Dağı; Armenian: Մասիս, Masis) is a snow-capped and dormant stratovolcano in the eastern extremity of Turkey. It consists of two major volcanic cones: Greater Ararat, the highest peak in Turkey and the Armenian plateau with an elevation of 5,137 m (16,854 ft); and Little Ararat, with an elevation of 3,896 m (12,782 ft). The Ararat massif is about 40 km (25 mi) in diameter and is part of the range of Armenian Highlands.
Mountains of Ararat have been perceived as the traditional resting place of Noah's Ark since the 11th century. It is the principal national symbol of Armenia and has been considered a sacred mountain by Armenians. It is featured prominently in Armenian literature and art and is an icon for Armenian irredentism. Along with Noah's Ark, it is depicted on the coat of arms of Armenia.
Mount Ararat forms a near-quadripoint between Turkey, Armenia, Azerbaijan and Iran. Its summit is located some 16 km (10 mi) west of both the Iranian border and the border of the Nakhchivan exclave of Azerbaijan, and 32 km (20 mi) south of the Armenian border.
More about Mount Ararat...

The painter
Yeghishe Martirosi Tadevosyan ( Եղիշե Թադևոսյան) was an Armenian painter associated with the Peredvizhniki and Mir Iskusstva movements. He was awarded the title of "Honored Artist" by the Armenian SSR in 1935. He studied at the Lazarian School, then entered the Moscow School of Painting, Sculpture and Architecture. Vasily Polenov was his teacher and friend. He graduated in 1894 and began participating in exhibitions by the Peredvizhniki shortly after.
In 1898, he travelled to Palestine with Polenov and would revisit the Middle East several times. In 1901, he moved from Moscow to Tbilisi and became an art teacher.
His early work had been influenced by Vardges Sureniants but, after this time, he began to employ impressionistic and pointillistic techniques. In 1916, he became the founder and head of the Union of Armenian Artists. Yeghishe Tadevosyan is buried at Komitas Pantheon which is located in the city center of Yerevan. A street in Yerevan and an Art school in Etchmiadzin are named after him.

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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT TABOR BY BARONESS HELGA VON CRAMM

BARONESS HELGA VON CRAMM (1840-1919)

Mount Tabor (575 m -1,886 ft)

Israel (Galilee)

In Happy New Year from Mont Tabor, New year chromolithographic card.

The mountain
Mount Tabor (575 m - 1,886 ft), (not to be confused with Mount Thabor int he French Alps ) is located in Lower Galilee, Israel, at the eastern end of the Jezreel Valley, 11 miles (18 km) west of the Sea of Galilee. Mount Tabor is a Inselberg : an isolated hill or small mountain rising abruptly from gently sloping or level surrounding land, and is not volcanic.
In the Hebrew Bible (Joshua, Judges), Mount Tabor is the site of the Battle of Mount Tabor between the Israelite army under the leadership of Barak and the army of the Canaanite king of Hazor, Jabin, commanded by Sisera.
In Christian tradition, Mount Tabor is the site of the Transfiguration of Jesus.
Mount Tabor is shaped almost like half a sphere, suddenly rising from rather flat surroundings and dominating the town in the plain below, Kfar Tavor. At the top of the mountain are two Christian monasteries, one Greek Orthodox on the northeast side and one Roman Catholic on the southeast side. The Catholic church at the top is easily visible from afar.
At the base it is almost fully surrounded by the Arab villages of Daburiyya, Shibli, and Umm al-Ghanam. Mount Tabor is located off Highway 65, and its summit is accessible by road via Shibli. A hiking tracks starts from the Bedouin village Shibli and is about five kilometers long. It is part of the Israel National Trail.

The artist
Baroness Helga von Cramm was a German and Swiss water-colourist and graphic artist. She made her quite famous with her in chromolithograh Christmas cards. Helga von Cramm lived in Britain, Switzerland (St. Moritz), Germany and Italy, and Florence.
Helga was the eldest child of Wolf Frederick Adolf Freiherr von Cramm-Burchard Helga's father, having been brought up in the Court at Brunswick, educated at the court of knights, served in the Brunswick Cuirassiers , was an equerry and an hereditary Chamberlain and Lord of the Kings Bedchamber (that of William VIII of Braunschweig). Later he retired to his estate at Rhode. Her brother Aschwin Thedel Adelbert Freiherr v. Sierstorpff-Cramm, is one of the four great-grandfathers of Queen Beatrix of the Netherlands, now Princess Beatrix, and mother of the present king, Willem-Alexander. Helga was thus a great-great aunt of the former Dutch Queen.
In the United Kingdom, from 1877, she exhibited at the : Society of Women Artists, Royal Scottish Academy, Royal Institute of Painters in Water Colours, Dudley Gallery, Fine Art Society, Glasgow Institute,Grosvenor Gallery, Royal Hibernian Academy of Arts ,Royal Society of British Artists and at a few other places...

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2020 - Wandering Vertexes...
by Francis Rousseau

THE WULING MOUNTAINS / 武陵山脉 PAINTED BY TANI BUNCHŌ / 谷 文晁

 

TANI BUNCHŌ  / 谷 文晁 (1763-1841)

Wuling mountains / 武陵山脉 ( 2,570 m (8,430 ft)

China

In Earthly Paradise of Wuling (detail), ink on silk screen, circa 1785

The mountains
Wuling mountains / 武陵山脉 ( 2,570 m (8,430 ft) are a mountain range located in Central China, running from Chongqing Municipality and East Guizhou to West Hunan.   Fanjingshan or Mount Fanjing, is the highest peak in the Wuling Mountain range,  located in Guizhou province,  The Fanjingshan National Nature Reserve was established in 1978.
The Wuling mountains are home to many ethnic groups, including as the Tujia, Han, Miao, Dong, and Bai.
The Wulingyuan Scenic and Historic Interest Area is a UNESCO World Heritage site in the Wuling Mountain Range noted for its more than 3,000 quartzite sandstone pillars and peaks across most of the site, along with many ravines and gorges between them with streams, pools and waterfalls. It was designated a UNESCO Biosphere Reserve in 1986 and a World Heritage site in 2018.


The painter
Tani Bunchō (谷 文晁) was a Japanese literati (bunjin) painter and poet.
 In his youth he began studying the painting techniques of the Kanō school under Katō Bunrei (1706–82). After Bunrei's death, Bunchō worked with masters of other schools, such as the literati painter Kitayama Kangen (1767–1801), and developed a wide stylistic range that included many Chinese, Japanese and European idioms.
Unlike most bunjinga painters of his time, however, Bunchō was an extremely eclectic artist, painting idealized Chinese landscapes, actual Japanese sites, and poetically-inspired traditional scenery. He also painted portraits of his contemporaries (such as Ono Ranzan and Kimura Kenkadō), as well as imagined images of such Chinese literati heroes as Su Shi and Tao Yuanming. Since travel outside Japan was forbidden under the Tokugawa shogunate, Bunchō was unable to study in China; he spent many years traveling around Japan, studying Chinese, Japanese, and Western art .

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2019 - Wandering Vertexes...
by Francis Rousseau