EL CHIMBORAZO BY ERNEST CHARTON DE TREVILLE

ERNEST CHARTON  DE TREVILLE (1816-1877)

Chimborazo  (6,263.47m - 20,549.4 ft)

Ecuador

In El Chimborazo, 1863, watercolor from  48 views of Ecuador, Chilean Museum of Fine Arts

The mountain

Chimborazo  (6,263 m -20,548 ft) is a currently inactive stratovolcano in the Cordillera Occidental range of the Andes ans the highest mountain in Ecuador and the Andes north of Peru ; it is higher than any more northerly summit in the Americas. Chimborazo is not the highest mountain by elevation above sea level, but its location along the equatorial bulge makes its summit the farthest point on the Earth's surface from the Earth's center.

Chimborazo is at the main end of the Ecuadorian Volcanic Arc, north west of the town of Riobamba. Chimborazo is in la Avenida de los Volcanes (the Avenue of Volcanoes) west of the Sanancajas mountain chain. Carihuairazo, Tungurahua, Tulabug, and El Altar are all mountains that neighbor Chimborazo.  The closest mountain peak, Carihuairazo, is 5.8 mi (9.3 km) from Chimborazo. There are many microclimates near Chimborazo, varying from desert in the Arenal to the humid mountains in the Abraspungo valley. Its last known eruption is believed to have occurred around A.D. 550. 

Until the beginning of the19th century, it was thought that Chimborazo was the highest mountain on Earth (measured from sea level), and such reputation led to many attempts on its summit during the 17th and 18th centuries.

In 1746, the volcano was explored by French academicians from the  French Geodesic Mission. Their mission was to determine the sphericity of the Earth. Their work along with another team in Lapland established that the Earth was an oblate spheroid rather than a true sphere. They did not reach the summit of Chimborazo.

In 1802, during his expedition to South America, Baron Alexander von Humboldt (on left in the painting above)  accompanied by Aimé Bonpland (on right in the painting above) and the Ecuadorian Carlos Montufar (on left with Humboldt  in the painting above), tried to reach the summit. From his description of the mountain, it seems that before he and his companions had to return suffering from altitude sickness they reached a point at 5,875 m, higher than previously attained by any European in recorded history. (Incas had reached much higher altitudes previously). In 1831, Jean-Baptiste Boussingault and Colonel Hall reached a new "highest point", estimated to be 6,006 m.

The Painter 

Ernest-Marc-Jules Charton Thiessen of Treville  better known as Ernest Charton or Ernesto Charton was a French painter, famous for his pastel portraits and realistic- style customary paintings. He made most of his artistic career in South America - particularly in Argentina  Chile and Ecuador -, a continent where his first name, as was customary at the time, was Castilianized, which is why he was known as Ernesto Charton.

He was initially established in Valparaíso (Chile), but in 1848 he moved to Santiago  where he opened a studio neighboring that of Raymond Monvoisin, another French pioneer of Chilean painting and also belonging to traveling artists  as was also at that time the watercolorist Carlos Wood.

Brother of Edouard Charton, director of the Parisian magazine Le Tour du Monde  Ernesto was a typical adventurous artist of the nineteenth century  in search of the most exotic expressions of unexplored nature, following in this aspect the motivation of numerous European painters of the time.  Many of his American experiences were reflected in the L'llustration , a magazine also directed by his brother and of which he was a correspondent, sending not only chronicles but also drawings, such as those he sent from the streets of Valparaíso before the bombing. He also sent a drawing of the bombing of Callao, which was recorded by Louis Le Breton and published on June 23.

Tempted by the gold rush in California  he embarked on October 25, 1848 on the schooner Rosa Segunda, who arrived in the Galapagos Islands within two weeks to get water; when most of the passengers were ashore, the ship abandoned them to their fate. The painter, like his companions, lost everything, including his works. 

Charton, who in 1862 would return to Ecuador, managed to settle in Quito with the help of the French consul. He taught drawing and painting at the University of that city; in addition, he directed the Miguel de Santiago Liceo of Painting, a direct antecedent of the School of Fine Arts of that country. As a result of his stay in Ecuador, he left a 48-watercolors album (cf. above) 

He returned to France, but in 1855 he returned to Chile with his family; he gained fame as a portraitist, landscaper and teacher. In this last quality he had a famous controversy with the first director of the Academy of Painting of Santiago. ]

In 1870 he left Chile to Argentina, crossing the Andes. From that experience, his large oil painting was born the following year View of the Andes mountain range (115x197cm) that is today in the National Museum of Fine Arts (MNBABA) of that country, in Buenos Aires, city where he settled until his death. 

In addition to the countries mentioned, he travelled in Italy, Panama (when it was still part of Colombia) and Peru .

As a Photographer, he used snapshots as a base for his paintings, portraying typical clothes, customs and parties that he then tracked to the web.

Charton's works are characterized by their vibrant color and the realistic expression of popular customs and motifs. He left among his students from Chile, Ecuador and Argentina this cultural vision of pictorial realism applied to the theme of each country, leaving aside religious, mythological or literally copied motifs of European models.

His paintings can be seen in museums in Argentina, Chile and Ecuador.

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2019  - Wandering Vertexes
A blog by Francis Rousseau

CERRO ACONCAGUA PAINTED BY ANTONIO SMITH

ANTONIO SMITH (1832–1877)

Cerro Aconcagua (6, 961m - 22,838ft) 

Argentina 

In Santiago de Chile desde Peñalolen, oil on canvas, 1875, Private collection

The mountain
Cerro Aconcagua (6,961 meters -22,838 ft) is the highest mountain outside of Asia and by extension the highest point in both the Western Hemisphere and the Southern Hemisphere. The origin of the name is contested; it is either from the Mapuche "Aconca-Hue", which refers to the Aconcagua River, the Quechua "Ackon Cahuak", meaning "Sentinel of Stone", or Quechua "Anco Cahuac", meaning "White Sentinel" or the Aymara "Janq'u Q'awa" meaning "White Ravine", "White Brook".
Aconcagua is located in the Andes mountain range, in the Mendoza Province, Argentina, and lies 112 kilometers (70 mi) northwest of its capital, the city of Mendoza and 108 km (67 mi) from Santiago de Chile (the capital of Chile). The summit is in fact located about 5 kilometers from San Juan Province and 15 kilometers from the international border with Chile; its nearest higher neighbor is Tirich Mir in the Hindu Kush, 16,520 kilometers (10,270 mi) away.
Aconcagua is one of the Seven Summit, which includes the highest mountains of each of the seven continents.  The 7 summits (which are obviously 8 !)... are :
Mt Everest (8,848m), Aconcagua (6,961m), Mt Denali or Mc Kinley (6,194m), Kilimandjaro (5,895m), Mt Elbrus (5,642m), Vinson Massif (4,892m), Mt Blanc (4,807m) and Mount Kosciuszko (2,228m).

Summiting all of them is regarded as a mountaineering challenge, first achieved on April 30, 1985 by Richard Bass.  Aconcagua was created by the subduction of the Nazca Plate beneath the South American Plate during the geologically recent Andean orogeny; but it is not a volcano. It is bounded by the Valle de las Vacas to the north and east and the Valle de los Horcones Inferior to the west and south. The mountain and its surroundings are part of the Aconcagua Provincial Park. The mountain has a number of glaciers. The largest glacier is the Ventisquero Horcones Inferior at about 10 km long, which descends from the south face to about 3600 m altitude near the Confluencia camp. Two other large glacier systems are the Ventisquero de las Vacas Sur and Glaciar Este/Ventisquero Relinchos system at about 5 km.

The painter
Miguel Antonio Smith Irisarri was a Chilean landscape painter, engraver, caricaturist and art teacher.
His father, Jorge, was a native of Scotland and served as the consul in Santiago. His mother, Carmen, was the daughter of independence leader Antonio José de Irisarri and the sister of poet Hermógenes Irisarri. His family wanted him to be a lawyer. With his own money, he purchased brushes and paints, but they were thrown away.
The failure of the Revolution of 1859 forced him to emigrate. He decided to go to France and, after a short time, became reasonably successful. However, the Bohemian lifestyle he had adopted caused him to squander his money, so he had to go to the United States to seek financial assistance from his grandfather, Antonio José, who at that time was a diplomat in New York. He then went to Italy, where he spent a year working with the landscape painter Carlo Marco. After that, he decided to return to Chile, despite the dangers involved in sea travel during the Chincha Islands War.
In 1866, following a difficult six-month voyage, he landed at San Antonio and joined a group of firefighters from Santiago, although he did not remain with them for long. Serious cultural reforms were sweeping the country, but he was amazed to see how little had changed at the Academy. That is, Ciccarelli was still in charge, so Smith established his own teaching workshop. In 1869, Ciccarelli was replaced by Ernst Kirchbach, a German painter who was more amenable to Smith, and they began sharing students. Some of his best-known students include Alfredo Valenzuela Puelma, Pedro Lira, Alberto Orrego Luco, Onofre Jarpa and Cosme San Martín.
Although an excellent teacher, he was very disorganized, painting when the mood struck him. As a result, many of his works were done quickly or left unfinished. His many imitators often make it difficult to assign authorship with certainty. The majority of his paintings are in private collections.

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2019 - Wandering Vertexes...

by Francis Rousseau 

EL CHIMBORAZO (2) PAINTED BY RAFAEL SALAS

RAFAEL SALAS (1824-1906),

El Chimborazo (6,263 m -20,548 ft) 

Ecuador 

In Vista del Chimborazo, oil on canvas, ca. 1870-1880 

Museo de Arte del Banco de la Republica, Bogota.

The mountain
Chimborazo (6,263 m -20,548 ft) is a currently inactive stratovolcano in the Cordillera Occidental range of the Andes ans the highest mountain in Ecuador and the Andes north of Peru ; it is higher than any more northerly summit in the Americas. Chimborazo is not the highest mountain by elevation above sea level, but its location along the equatorial bulge makes its summit the farthest point on the Earth's surface from the Earth's center.
Chimborazo is at the main end of the Ecuadorian Volcanic Arc, north west of the town of Riobamba. Chimborazo is in la Avenida de los Volcanes (the Avenue of Volcanoes) west of the Sanancajas mountain chain. Carihuairazo, Tungurahua, Tulabug, and El Altar are all mountains that neighbor Chimborazo. The closest mountain peak, Carihuairazo, is 5.8 mi (9.3 km) from Chimborazo. There are many microclimates near Chimborazo, varying from desert in the Arenal to the humid mountains in the Abraspungo valley.
Its last known eruption is believed to have occurred around A.D. 550.
Until the beginning of the 19th century, it was thought that Chimborazo was the highest mountain on Earth (measured from sea level), and such reputation led to many attempts on its summit during the 17th and 18th centuries.
In 1746, the volcano was explored by French academicians from the French Geodesic Mission. Their mission was to determine the sphericity of the Earth. Their work along with another team in Lapland established that the Earth was an oblate spheroid rather than a true sphere. They did not reach the summit of Chimborazo.
In 1802, during his expedition to South America, Baron Alexander von Humboldt, accompanied by Aimé Bonpland and the Ecuadorian Carlos Montufar, tried to reach the summit. From his description of the mountain, it seems that before he and his companions had to return suffering from altitude sickness they reached a point at 5,875 m, higher than previously attained by any European in recorded history. (Incans had reached much higher altitudes previously; see Llullaillaco). In 1831, Jean-Baptiste Boussingault and Colonel Hall reached a new "highest point", estimated to be 6,006 m.
On 4 January 1880, the English climber Edward Whymper reached the summit of Chimborazo.

The painter
Rafael Salas was an important Ecuadorian landscape and genre painter of nineteenth century South America neoclassicism. He was the last son of the famous Salas artists dynasty among which his half brother Ramon Salas ( 1815-1880), the fist professor a t Academy of fine Arts of Quito and responsive for the taste of Costumbrismo; and above all their father Antonio Salas (1795-1860) a colonial artist specialized in religious themes like La Muerte de San José and La Negacion de San Pedro in the Cathedral of Quito.

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2019 - Wandering Vertexes
A blog by Francis Rousseau

EL CHIMBORAZO PAINTED BY LUIS ALFREDO MARTINEZ

LUIS ALFREDO MARTINEZ (1869-1909) 

Chimborazo  (6,263 m - 20,549  ft)

Ecuador

In Chimborazo desde Occidente, Óleo/lienzo, 98 x 68 cm, 

Museo Provincial Casa del Portal, Sucre, Ecuador 

The mountain

Chimborazo  (6,263 m -20,548 ft) is a currently inactive stratovolcano in the Cordillera Occidental range of the Andes ans the highest mountain in Ecuador and the Andes north of Peru ; it is higher than any more northerly summit in the Americas. Chimborazo is not the highest mountain by elevation above sea level, but its location along the equatorial bulge makes its summit the farthest point on the Earth's surface from the Earth's center.

Chimborazo is at the main end of the Ecuadorian Volcanic Arc, north west of the town of Riobamba. Chimborazo is in la Avenida de los Volcanes (the Avenue of Volcanoes) west of the Sanancajas mountain chain. Carihuairazo, Tungurahua, Tulabug, and El Altar are all mountains that neighbor Chimborazo.  The closest mountain peak, Carihuairazo, is 5.8 mi (9.3 km) from Chimborazo. There are many microclimates near Chimborazo, varying from desert in the Arenal to the humid mountains in the Abraspungo valley.

Its last known eruption is believed to have occurred around A.D. 550. 

Until the beginning of the 19th century, it was thought that Chimborazo was the highest mountain on Earth (measured from sea level), and such reputation led to many attempts on its summit during the 17th and 18th centuries.

In 1746, the volcano was explored by French academicians from the  French Geodesic Mission. Their mission was to determine the sphericity of the Earth. Their work along with another team in Lapland established that the Earth was an oblate spheroid rather than a true sphere. They did not reach the summit of Chimborazo.

In 1802, during his expedition to South America, Baron Alexander von Humboldt, accompanied by Aimé Bonpland and the Ecuadorian Carlos Montufar, tried to reach the summit. From his description of the mountain, it seems that before he and his companions had to return suffering from altitude sickness they reached a point at 5,875 m, higher than previously attained by any European in recorded history. (Incans had reached much higher altitudes previously). In 1831, Jean-Baptiste Boussingault and Colonel Hall reached a new "highest point", estimated to be 6,006 m.

On 4 January 1880, the English climber Edward Whymper reached the summit of Chimborazo. The route that Whymper took up Chimborazo is now known as the Whymper route. Edward Whymper, and his Italian guides Louis Carrel and Jean-Antoine Carrel, were the first Europeans to summit a mountain higher than 20,000 feet. As there were many critics who doubted that Whymper had reached the summit, later in the same year he climbed to the summit again, choosing a different route (Pogyos) with the Ecuadorians David Beltrбn and Francisco Campaсa.

The painter
Luis Alfredo Martínez Holguín was an Ecuadorian writer, painter and politician, with a marked liberal tendency and a friend of President Eloy Alfaro. Among the public positions he held are deputy to the National Congress for the province of Tungurahua, governor of the same province and undersecretary of the Ministry of Public Instruction. In the literary field, he is considered the initiator of realism in the country. In painting he was one of the few romanticist painters and the first costumbristas who enriched the arts during the first republican decades.
Luis Alfredo Martínez was attracted throughout his life to landscaping. In the prologue of one of his books he wrote: "I do not belong to any school, I am profoundly realistic, and I paint nature as it is and not as conventions teach."
Many of his paintings are outside the country: two of them in the Library of Congress of the United States , two in the Vatican Museum and one in Rio de Janeiro.
Since 1980, the Department of Culture of the Municipality of Ambato holds a painting contest named after Luis Alfredo Martínez, the "Luis A. Martínez Painting Salon". 

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2019 - Wandering Vertexes...

by Francis Rousseau 

THAMSERKU AND KANGTEGA BY ISABELLE SCHEIBLI

ISABELLE SCHEIBLI (bn. 1949) 

Thamserku ( 6,608m - 21, 680ft) 

Kangtega (6,782m - 22,251ft) 

Népal 

In Le Thamserku et le Kangtega depuis Thame, watercolour on paper, 2005, Private collection
Courtesy Isabelle Scheibli.

The mountains 
Thamserku ( 6,608m - 21, 680ft) is a mountain in the Himalayas of eastern Nepal. The mountain is connected by a ridge leading eastward to Kangtega. Thamserku is a prominent mountain to the east of Namche Bazaar and lies just north of Kusum Kangguru. The first ascent was made in 1964 from the south by members of Edmund Hillary's Schoolhouse Expedition: Lynn Crawford, Pete Farrell, John McKinnon and Richard Stewart. Below the basin on the southwest face, they reached the south ridge after climbing a difficult couloir. The team described the climb as difficult and the route has not been repeated in its entirety by anyone else. In 2014, Russian climbers Alexander Gukov and Alexey Lonchinskiy made the first ascent on the southwest face
Kangtega (6,782m - 22,251ft) known also as The Snow Saddle, is a major mountain peak of the Himalayas in Nepal.  It was first ascended in 1963. by David Dornan, Tom Frost, Michael Gill, Jim Wilson,[ in an expedition led by Edmund Hillary.

The artist 
Isabelle Scheibli (bn. 1949) is a french journalist, screenwriter, essayist and watercolorist, passionate about mountains. She is the author of the novel "Gaspard de la Meije" published in 1984. As a journalist she worked for several mountains magazines such as "Vertical" or "Montagne Magazine". She wrote several films scenarii related to the mountain such as "Le passe montagne" (1996), "Jours Blancs" (1990) or "Gaspard de la Meije" (1984) based on her novel, winner of a prize in the Festivals of Trent and of Les Diablerets, and also recompensed by the La Fondation de France. As a watercolorist, she illustrated three albums from the Carrés de France collection for Editions Equinox, about the Haute Savoie (2002), the Savoie (2003), the Drôme Provençale (2008).
Isabelle Scheibli made several voyages to Patagonia and Antarctica, which are her favorite places on earth. She doesn’t always paint in situ, due to the extreme conditions in these lands, especially speaking about watercolors! She often paints watertcolors in her studio from her drawings or photos, she realised herself in the Antarctic.  About those voyages she wrote :
 «Painting the glacial world is a long-term process. To accompany close alpinists and Himalayists in their expeditions, I have often been in the mountains, in the Alps, in Nepal and in Tibet. The peaks have become a privileged motive. In 2014, I had the opportunity to go to Patagonia, to follow the coast of the Beagle Channel on a sailboat and to go to the foot of the glaciers of Tierra del Fuego. It was a very violent aesthetic shock.  Here the conditions did not always allow me  to paint as I wished. When I returned I undertook a work in my atelier from the many drawings, watercolors and photos that I had brought back. The dimension of immensity quickly led me to paint in a large format, which I had never done before. In 2016, I set out on a sailboat to approach the absolute quintessence of the glacier, an entire continent of ice, Antarctica. I had somewhat underestimated the navigation part of this trip but the discovery of this icy pole was a glare. Once again I brought back watercolors stolen between two gusts, many drawings and photos. And I got to work on the way back, immersing myself completely »

___________________________________________
2019 - Wandering Vertexes...
by Francis Rousseau 

KAILASH RANGE BY CONSTANCE GORDON-CUMMING

CONSTANCE GORDON-CUMMING (1837–1924)

Kailash  Range / Gangdisê Mountains (6,638 m - 21,778ft) 

China  (Tibet autonomous region) 

In The Khylas peaks and village of Pangi three miles above China on the sutledge, 1869- pencil, watercolor and bodycolor on paper 48.2 x 72.5 cm.

The mountain 

 The Kailash Range (Gangdisê Mountains), which forms part of the Transhimalaya in the Tibet Autonomous Region of China. It is the western subrange of the Transhimalaya System. The Nyenchen Tanglha is the eastern subrange.

The highest peak of the Gangdise Shan's peaks, Mount Kailash or Gang Rimpoché (6,638 m - 21,778ft) is a sacred place in four religions : Bön, Buddhism, Hinduism and Jainism.

For Böns, a religion native to Tibet,  it makes no doubt  that the entire mystical region and Kailash, which they call the "nine-story Swastika Mountain", is the axis mundi (Tagzig Olmo Lung Ring).

For Hindus, it is the home of the wild mountain god Shiva and a symbol of his penis.

For Jains it is where their first leader was enlightened.

For Buddhists, the navel of the universe; and for adherents of Bon, the abode of the sky goddess Sipaimen.

The painter 

Constance Frederica “Eka” Gordon-Cumming  was a noted Scottish travel writer and painter. Born in a wealthy family, she travelled around the world and painted described scenes and life as she saw them.

Constance Gordon-Cumming was a prolific landscape painter, mostly in Asia and the Pacific. She painted over a thousand watercolors and worked with a motto to ‘never a day without at least one careful-coloured sketch’ starting her day at 5 am while in India. Places she visited include Australia, New Zealand, America, China, and Japan. 

She arrived in Hilo, Hawaii in October 1879, and was among the first artists to paint the active volcanoes.  Her Hawaii travelogue, Fire Fountains: The Kingdom of Hawaii, was published in Edinburgh in 1883.  She had several dangerous moments but her travel ended in 1880 when the Montana that she was on ran into rocks at Holyhead. While most of the passengers took the lifeboat, she stayed on last along with the captain to save her paintings and was rescued many hours later. She returned to live at Crieff with her widowed sister Eleanor and continued to write books.

Her best known books are At Home in Fiji and A Lady's Cruise on a French Man-of-War. The latter book resulted from an invitation to join a French ship put into service for the Bishop of Samoa so that he could visit remote parts of his far-flung diocese.

Miss Gordon-Cumming received much criticism from male writers of the era, perhaps because she did not fit in the traditional Victorian role of women, as she often traveled alone and unaided. 

 In any case, her landscape drawings and watercolors seem to be universally admired.

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2019 - Wandering Vertexes...

by Francis Rousseau 

SINIOLCHU PHOTOGRAPHED IN 1899 BY VITTORIO SELLA

VITTORIO SELLA (1859-1943)

Siniolchu  (6,888 m -22,598 ft)

India (Sikkim) 

In Siniolchu  seen from  the Zemu  Glacier, silver gelatine print, 

396 x 297 mm, from an 18 x 24 plate), 1899. 

Fondazione Sella, Biella

The mountain 
Siniolchu  (6,888 m -22,598 ft) is one of the tallest mountains of the Indian state of Sikkim. Siniolchu is considered to be particularly aesthetically attractive, having been described by Douglas Freshfield as "the most superb triumph of mountain architecture and the most beautiful snow mountain in the world". It is situated near the green lake adjacent to Kangchenjunga, the highest peak in the state and third highest in the world. Siniolchu’s summit was first scaled in 1936 by the German climbers Karl Wien and Adi Gцttner.  Later Sikkimese Everest climber, Sonam Gyatso, also scaled the top.

The photographer

Vittorio Sella is a mountain italian climber and photographer who took his passion for mountains from his uncle, Quintino Sella, founder of the Italian Alpine Club.  He accomplished many remarkable climbs in the Alps, the first wintering in the Matterhorn and Mount Rose (1882) and the first winter crossing of Mont Blanc (1888).
He took part in various expeditions outside Italy:
- Three in the Caucasus in 1889, 1890 and 1896 where a summit still bears his name;
- The ascent of Mount Saint Elias in Alaska in 1897
- Sikkim and Nepal in 1899 (photo above)
- Possibly climb Mount Stanley in Uganda in 1906 during an expedition to the Rwenzori
- Recognition at K2  and Mustagh Tower in 1909
- In Morocco in 1925.
During expeditions in Alaska, Uganda and Karakoram (K2-Chogolisa), he accompanied the Duke of Abruzzi, Prince Luigi Amedeo di Savoia.

Full Wandering Vertexes entry  =>

___________________________________________
2019 - Wandering Vertexes...
by Francis Rousseau 

ANSERIS MONS BY NASA MARS RECONNAISSANCE ORBITER

NASA MARS RECONNAISSANCE ORBITER (2005-2015)

Anseris Mons (6,200 m -20,300 ft)

MARS 

The mountain

Anseris Mons (6,200 m -20,300 ft) is an isolated massif of mountains in the southern highlands of Mars, located at the northeastern edge of Hellas Planitia at longitude 86.65°E and latitude 29.81°S. The mountain is 58 km (36 mi) in diameter and lies in the southeastern quarter of the Iapygia quadrangle (MC-21), straddling the boundary with the adjoining Hellas quadrangle (MC-28) to the south.,Anseris Mons is named from Anseris Fons, a telescopic albedo feature mapped by Greek astronomer E. M. Antoniadi in 1930. The name was approved by the International Astronomical Union (IAU) in 1991.
Anseris Mons is not a volcano. Geologically, the massif is thought to be the eroded remnant of an ancient crustal block uplifted from depths of several kilometers in the formation of the Hellas impact basin during the period of heavy bombardment. Anseris Mons is the type area for a large set of rugged mountain blocks (>25 km across) that occur in a relatively continuous band 200 to 500 km wide around the western, northeastern, eastern, and southeastern rim of the Hellas basin. Many of the blocks, particularly along the western rim, are concentric with the basin and bounded by faults.
Rocks making up Anseris Mons and other massifs around Hellas are mapped as Noachian in age. However, work by Herbert Frey at NASA’s Goddard Spaceflight Center using Mars Orbital Laser Altimeter (MOLA) data indicates that the southern highlands of Mars contain numerous buried impact basins that are older than the visible Noachian-aged surfaces and which pre-date the Hellas impact. He suggests that the Hellas impact should mark the beginning of the Noachian period (base of the Noachian system). If Frey is correct, then Anseris Mons bedrock is actually pre-Noachian in age, perhaps dating back to over 4.1 billion years ago.
The Anseris Mons massif has undergone a significant amount of erosion since it was uplifted. The flanks of the mountain have huge triangular re-entrants and associated spurs, which give the massif a broad, pyramidal shape. The re-entrants were likely produced through a variety of mass-wasting and periglacial/glacial processes. A large cirque-like re-entrant with channelized debris aprons or fans is present on the south side of the mountain.

PARINACOTA AND POMERAPE BY RAMOS CATALAN

RAMOS CATALAN (1888-1961)

El Parinacota  (6,380 m (20,930 ft)

El Pomerape (6,282 m -20,610 ft) 

Chile - Bolivia border 

The mountains
El Parinacota  (6,380 m (20,930 ft) or Parina Quta or Parinaquta is a dormant stratovolcano on the border of Chile and Bolivia. Together with Pomerape it forms the Nevados de Payachata volcanic chain. Part of the Central Volcanic Zone of the Andes, its summit reaches an elevation of 6,380 metres (20,930 ft) above sea level. The symmetrical cone is capped by a summit crater with widths of 1 kilometre (0.62 mi) or 500 metres (1,600 ft). Farther down on the southern slopes lie three parasitic centres known as the Ajata cones. These cones have generated lava flows. The volcano overlies a platform formed by lava domes and andesitic lava flows.
The volcano started growing during the Pleistocene and formed a large cone. At some point between the Pleistocene and the Holocene, the western flank of the volcano collapsed, generating a giant landslide that spread west and formed a large, hummocky landslide deposit. The avalanche crossed and dammed a previously existing drainage, impounding or enlarging Lake Chungará; numerous other lakes now forming the headwaters of the Rio Lauca sprang up within the deposit. Volcanic activity rebuilt the cone after the collapse, cancelling out the collapse scar.
Parinacota had numerous effusive and explosive eruptions during the Holocene, the latest about 200 years ago. While there are no recorded eruptions, legends of the local Aymara people imply that they may have witnessed one eruption. Renewed activity at Parinacota is possible in the future, although the relatively low population density in the region would limit the amount of damage that could occur. Some towns and a regional highway between Bolivia and Chile are potentially exposed to the effects of a new eruption.
El Pomerape  (6,282 m -20,610 ft) is a stratovolcano is part of the Payachata complex of volcanoes, together with Parinacota Volcano to the south. The name "Payachata" means "twins" and refers to their appearance.  It hosts glaciers down to elevations of 5,300–5,800 metres (17,400–19,000 ft), lower on the northern slope.
Pomerape is a complex of lava domes, accompanied by lava flows which were emplaced atop of the domes.  It was active about 200,000 years ago.  The lava domes formed first and were later buried by the actual volcanic cone, which unlike the rhyolitic-dacitic domes is formed by hornblende andesite.  The "Chungará Andesites" and lava dome complex of Parinacota were laid down at this time. Pomerape is associated with an adventive vent that has erupted mafic magmas. The main cone was last active 106,000 +- 7,000 years ago, the adventive vent is dated to 205,000 ± 24,000 years ago.

The painter 
Benito Ramos Catalán (1888-1961) was a chilean  painter who used to sign "Ramos Catalan". Known for his marines and landscapes of the Andes and Chile, and most particularly for his mountains paintings. Most of them have the same title: "Mountains of Chile" or  "Mountains landscapes of Andes", making quite difficult to know which mountain was exactly depicted, in a country which has quite a lot of summits ! To add to the difficulty, he used to paint the most famous mountains of his country under very unusual angles or with proportions that do not correspond exactly to their real size... making even more difficult to recognize and identify them for experts ! That is why today, 55 years after his death, some of these mountains paintings are not clearly identified and presented, in the public sales, as 'possibly' a particular summit of Chile or Andes...
His works are in many Chilean institutions like Viña del Mar Fine Art Museum, O'Higginiano Fine Art Museum in Talca, Valparaiso Fine Art Museum, and Navy  Schools in Valparaiso and Talcahuano, Ranos.

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2019 - Wandering Vertexes...
by Francis Rousseau 

EL CHIMBORAZO (2) BY ALEXANDER VON HUMBOLDT

ALEXANDER VON HUMBOLDT  (1769-1859)

Chimborazo  (6,263 m - 20,549  ft)

Ecuador

In   Vues des Cordillères et Monumens des Peuples Indigènes de l’Amérique

The mountain

Chimborazo  (6,263 m -20,548 ft) is a currently inactive stratovolcano in the Cordillera Occidental range of the Andes ans the highest mountain in Ecuador and the Andes north of Peru ; it is higher than any more northerly summit in the Americas. Chimborazo is not the highest mountain by elevation above sea level, but its location along the equatorial bulge makes its summit the farthest point on the Earth's surface from the Earth's center.

Chimborazo is at the main end of the Ecuadorian Volcanic Arc, north west of the town of Riobamba. Chimborazo is in la Avenida de los Volcanes (the Avenue of Volcanoes) west of the Sanancajas mountain chain. Carihuairazo, Tungurahua, Tulabug, and El Altar are all mountains that neighbor Chimborazo.  The closest mountain peak, Carihuairazo, is 5.8 mi (9.3 km) from Chimborazo. There are many microclimates near Chimborazo, varying from desert in the Arenal to the humid mountains in the Abraspungo valley.

Its last known eruption is believed to have occurred around A.D. 550. 

Until the beginning of the 19th century, it was thought that Chimborazo was the highest mountain on Earth (measured from sea level), and such reputation led to many attempts on its summit during the 17th and 18th centuries.

In 1746, the volcano was explored by French academicians from the  French Geodesic Mission. Their mission was to determine the sphericity of the Earth. Their work along with another team in Lapland established that the Earth was an oblate spheroid rather than a true sphere. They did not reach the summit of Chimborazo.

In 1802, during his expedition to South America, Baron Alexander von Humboldt, accompanied by Aimé Bonpland and the Ecuadorian Carlos Montufar, tried to reach the summit. From his description of the mountain, it seems that before he and his companions had to return suffering from altitude sickness they reached a point at 5,875 m, higher than previously attained by any European in recorded history. (Incans had reached much higher altitudes previously). In 1831, Jean-Baptiste Boussingault and Colonel Hall reached a new "highest point", estimated to be 6,006 m.

On 4 January 1880, the English climber Edward Whymper reached the summit of Chimborazo. The route that Whymper took up Chimborazo is now known as the Whymper route. Edward Whymper, and his Italian guides Louis Carrel and Jean-Antoine Carrel, were the first Europeans to summit a mountain higher than 20,000 feet. As there were many critics who doubted that Whymper had reached the summit, later in the same year he climbed to the summit again, choosing a different route (Pogyos) with the Ecuadorians David Beltrбn and Francisco Campaсa.

The cartographer 

Friedrich Wilhelm Heinrich Alexander von Humboldt was a Prussian geographer, naturalist, explorer, and influential proponent of Romantic philosophy and science. He was the younger brother of the Prussian minister, philosopher, and linguist Wilhelm von Humboldt (1767–1835). Humboldt's quantitative work on botanical geography laid the foundation for the field of biogeography. Humboldt's advocacy of long-term systematic geophysical measurement laid the foundation for modern geomagnetic and meteorological monitoring.

Between 1799 and 1804, Humboldt travelled extensively in Latin America, exploring and describing it for the first time from a modern scientific point of view. His description of the journey was written up and published in an enormous set of volumes over 21 years. Humboldt was one of the first people to propose that the lands bordering the Atlantic Ocean were once joined (South America and Africa in particular). Humboldt resurrected the use of the word cosmos from the ancient Greek and assigned it to his multi-volume treatise, Kosmos, in which he sought to unify diverse branches of scientific knowledge and culture. This important work also motivated a holistic perception of the universe as one interacting entity.

On their way back to Europe from Mexico on their way to the United States, Humboldt and his fellow scientist Aimé Bonpland stopped in Cuba for a While. After their first stay in Cuba of three months they returned the mainland at Cartagena de Indias (now in Colombia), a major center of trade in northern South America. Ascending the swollen stream of the Magdalena River to Honda and arrived in Bogotá on July 6, 1801 where they met Spanish botanist José Celestino Mutis, the head of the Royal Botanical Expedition to New Granada, staying there until September 8, 1801. Mutis was generous with his time and gave Humboldt access to the huge pictorial record he had compiled since 1783.  Humboldt had hopes of connecting with the French sailing expedition of Baudin, now finally underway, so Bonpland and Humboldt hurried to Ecuador. They crossed the frozen ridges of the Cordillera Real, they reached Quito on 6 January 1802, after a tedious and difficult journey.

Their stay in Ecuador was marked by the ascent of Pichincha and their climb of Chimborazo, where Humboldt and his party reached an altitude of 19,286 feet (5,878 m). This was a world record at the time, but a thousand feet short of the summit.  Humboldt's journey concluded with an expedition to the sources of the Amazon en route for Lima, Peru.

At Callao, the main port for Peru, Humboldt observed the transit of Mercury. On 9 November and studied the fertilizing properties of guano, rich in nitrogen, the subsequent introduction of which into Europe was due mainly to his writings.

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2019 - Wandering Vertexes...

by Francis Rousseau 

TRANGO TOWERS BY VITTORIO SELLA

VITTORIO SELLA (1859-1943)

Trango Towers  (6,286 m - 23, 871ft) 

Pakistan

1. In The Baltoro Tower 1909's Himalaya expedition, photo, Vittorio Sella Foundation. 

The Mountain 
The Trango Towers (6,286 m - 20,623 ft) are a family of rock towers situated in Gilgit-Baltistan, in the north of Pakistan. The Towers offer some of the largest cliffs and most challenging rock climbing in the world, and every year a number of expeditions from all corners of the globe visit Karakoram to climb the difficult granite. They are located north of Baltoro Glacier, and are part of the Baltoro Muztagh, a sub-range of the Karakoram range. The highest point in the group is the summit of Great Trango Tower at 6,286 m (20,623 ft), the east face of which features the world's greatest nearly vertical drop.

Full Wikipedia  entry  =>

The photographer

Vittorio Sella is a mountain italian climber and photographer who took his passion for mountains from his uncle, Quintino Sella, founder of the Italian Alpine Club.  He accomplished many remarkable climbs in the Alps, the first wintering in the Matterhorn and Mount Rose (1882) and the first winter crossing of Mont Blanc (1888).

He took part in various expeditions outside Italy:

- Three in the Caucasus in 1889, 1890 and 1896 where a summit still bears his name;

- The ascent of Mount Saint Elias in Alaska in 1897

- Sikkim and Nepal in 1899

- Possibly climb Mount Stanley in Uganda in 1906 during an expedition to the Rwenzori

- Recognition at K2  and Mustagh Tower in 1909

- In Morocco in 1925.

During expeditions in Alaska, Uganda and Karakoram (K2-Chogolisa), he accompanied the Duke of Abruzzi, Prince Luigi Amedeo di Savoia.

Full Wandering Vertexes entry  =>

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2019 - Wandering Vertexes...
by Francis Rousseau 

STOK KANGRI / KANGLACHAN PEAK BY SIR JOSEPH DALTON HOOKER

SIR JOSEPH DALTON HOOKER (1817-1911), 

Stok Kangri / Kanglachan Peak (6,154 m -20,190 ft)

India 

In Moraines - Kanglachan, watercoulour on paper, 1850 

The mountain 
Stok Kangri  also known as Kanglachan Peak (6,154 m -20,190 ft)) is the highest mountain in the Stok Range of the Himalayas in the Ladakh region of north-west India. The peak is located in Hemis National Park, 12 km southwest of the trailhead in the village of Stok and around 15 km southwest of the city of Leh, the capital of Ladakh.
Despite its high altitude, Stok Kangri is a popular trekking peak and is often climbed as an initial non-technical foray into high altitude mountaineering. However, the difficulty of Stok Kangri is often underestimated and the need to acclimatise before and during the ascent makes Stok Kangri an enduring challenge.
In late July and August, all but the top of the peak may be snow-free. The elevation data was verified by GPS readings from 11 satellites at the Summit during a late July 2007 joint Nepalese-US expedition which encountered snow cover for 85% of the final four-hour, four km, 900 metre climb. Another GPS reading provided a 6136-meter elevation. The shortest route to the peak is along the Stok valley, following the Stok Chu to Stok village. This valley's grazing landscape, especially near the village, was devastated by the 2010 Ladakh floods, the most severe in decades.

The artist 

Sir Joseph Dalton Hooker OM GCSI CB PRS was one of the greatest British botanists and explorers of the 19th century. He was a founder of geographical botany and Charles Darwin's closest friend. For twenty years he served as director of the Royal Botanical Gardens, Kew, succeeding his father, William Jackson Hooker, and was awarded the highest honours of British science. He reminded famous for his Voyages to Antarctic (1839-1843), Himalayas and India (1847-1851), Palestine (1860), Morocco (1871), and Western United Statesof America (1877).  He is the first European to have sketched Mount Everest and Himalayas (see above) as well as Mount Erebus and Mont Terror in Antarctic.

Voyage to the Himalayas and India 1847–1851

On 11 November 1847 Hooker left England for his three-year-long Himalayan expedition; he would be the first European to collect plants in the Himalaya.  He arrived in Calcutta on 12 January 1848, leaving on 28th to begin his travels with a geological survey party under 'Mr Williams', who he left on 3 March to continue travelling by elephant to Mirzapur, up the Ganges by boat to Siliguri and overland by pony to Darjeeling, arriving on 16 April 1848.

Hooker and a sizeable party of local assistants departed for eastern Nepal on 27 October 1848. They travelled to Zongri, west over the spurs of Kangchenjunga, and north west along Nepal's passes into Tibet. In April 1849 he planned a longer expedition into Sikkim. Leaving on 3 May, he travelled north west up the Lachen Valley to the Kongra Lama Pass and then to the Lachoong Pass. Campbell and Hooker were imprisoned by the Dewan of Sikkim as they travelled towards the Cho La in Tibet. A British team was sent to negotiate with the king of Sikkim. However, they were released without any bloodshed and Hooker returned to Darjeeling, where he spent January and February 1850 writing his journals, replacing specimens lost during his detention and planning a journey for his last year in India.

In an article of the Alpine Journal, it was demonstrated by Stephen Goodwin how the sketch above is the very first known drawing in situ of Mount Everest.  "Is this 1848 sketch by Joseph Dalton Hooker the first recorded view of Mount Everest by a European? Drawn in situ on the ‘Choonjerma pass’ – now generally referred to as the Mirgin la – in eastern Nepal, it has, for many years, lain unidentified in the archives at the Royal Botanic Gardens, Kew. Its ‘discovery’ adds one more facet to the remarkable accomplishments of Hooker during his three years of exploration and research in the eastern Himalaya."

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2019 - Wandering Vertexes...
by Francis Rousseau 

KAILASH / GANG RINPOCHÉ PAINTED BY NICHOLAS ROERICH

NICHOLAS ROERICH (1874-1947)

 Kailash  or Gang Rinpoché  (6,638 m - 21,778ft) 

China  (Tibet autonomous region) 

The mountain 

Mount Kailash (6,638 m - 21,778ft)  also  called Kangrinboqê or Gang Rinpoche  or Tisé Mountain  is situated in  the Kailash Range (Gangdisê Mountains), which forms part of the Transhimalaya in the Tibet Autonomous Region of China.
The mountain is located near Lake Manasarovar and Lake Rakshastal, close to the source of some of the longest Asian rivers: the Indus, Sutlej, Brahmaputra, and Karnali also known as Ghaghara (a tributary of the Ganges) in India.
Mount Kailash is considered to be sacred in four religions: Bön, Buddhism, Hinduism and Jainism.
Tibetan Buddhists call it Kangri Rinpoche (Precious Snow Mountain).
For Böns, a religion native to Tibet,  it makes no doubt  that the entire mystical region and Kailash, which they call the "nine-story Swastika Mountain", is the axis mundi (Tagzig Olmo Lung Ring).
For Hindus, it is the home of the wild mountain god Shiva and a symbol of his penis.
For Jains it is where their first leader was enlightened.
For Buddhists, the navel of the universe; and for adherents of Bon, the abode of the sky goddess Sipaimen.
Every year, thousands make a pilgrimage to Kailash, following a tradition going back thousands of years. Pilgrims of several religions believe that circumambulating Mount Kailash on foot is a holy ritual that will bring good fortune. The peregrination is made in a clockwise direction by Hindus and Buddhists, while Jains and Bönpos circumambulate the mountain in a counterclockwise direction.  Kailash is still an unclimbed summit.
Herbert Tichy was in the area in 1936, attempting to climb Gurla Mandhata. When he asked one of the Garpons of Ngari whether Kailash was climbable, the Garpon replied, "Only a man entirely free of sin could climb Kailash. And he wouldn't have to actually scale the sheer walls of ice to do it – he'd just turn himself into a bird and fly to the summit."
 Reinhold Messner was given the opportunity by the Chinese government to climb in the mid-1980s but he declined.
In 2001, reports emerged that the Chinese had given permission for a Spanish team to climb the peak, which caused an international backlash. Chinese authorities disputed the reports, and stated that any climbing activities on Mt Kailash were strictly prohibited.
 Reinhold Messner, who condemned the reported Spanish plans, said:
" If we conquer this mountain, then we conquer something in people's souls. I would suggest they go and climb something a little harder. Kailash is not so high and not so hard. "  

The painter 
Nicholas Roerich known also as Nikolai Konstantinovich Rerikh (Никола́й Константи́нович Ре́рих) is quite an important figure of mountain paintings in the early 20th century.  He was a Russian painter, writer, archaeologist, theosophist, perceived by some in Russia as an enlightener, philosopher, and public figure. In his youth was he was quite influenced by a movement in Russian society around the occult and was interested in hypnosis and other spiritual practices. His paintings are said to have hypnotic expression.
Born in Saint Petersburg, Russia, he lived in various places around the world until his death in Naggar, Himachal Pradesh, India. Trained as an artist and a lawyer, his main interests were literature, philosophy, archaeology, and especially art. After the February Revolution of 1917 and the end of the czarist regime, Roerich, a political moderate who valued Russia's cultural heritage more than ideology and party politics, had an active part in artistic politics. With Maxim Gorky and Aleksandr Benois, he participated with the so-called "Gorky Commission" and its successor organization, the Arts Union (SDI).
After the October Revolution and the acquisition of power of Lenin's Bolshevik Party, Roerich became increasingly discouraged about Russia's political future. During early 1918, he, Helena, and their two sons George and Sviatoslav emigrated to Finland. After some months in Finland and Scandinavia, the Roerichs relocated to London, arriving in mid-1919. Later, a successful exhibition resulted in an invitation from a director at the Art Institute of Chicago, offering to arrange for Roerich's art to tour the United States. During the autumn of 1920, the Roerichs traveled to America by sea.  The Roerichs remained in the United States from October 1920 until May 1923.
After leaving New York, the Roerichs – together with their son George and six friends – began the five-year-long 'Roerich Asian Expedition' that, in Roerich's own words: "started from Sikkim through Punjab, Kashmir, Ladakh, the Karakoram Mountains, Khotan, Kashgar, Qara Shar, Urumchi, Irtysh, the Altai Mountains, the Oyrot region of Mongolia, the Central Gobi, Kansu, Tsaidam, and Tibet" with a detour through Siberia to Moscow in 1926.
In 1929 Nicholas Roerich was nominated for the Nobel Peace Prize by the University of Paris. He received two more nominations in 1932 and 1935. His concern for peace resulted in his creation of the Pax Cultura, the "Red Cross" of art and culture. His work for this cause also resulted in the United States and the twenty other nations of the Pan-American Union signing the Roerich Pact on April 15, 1935 at the White House. The Roerich Pact is an early international instrument protecting cultural property.
In 1934–1935, the U.S. Department of Agriculture (then headed by Roerich admirer Henry A. Wallace) sponsored an expedition by Roerich and USDA scientists H. G. MacMillan and James F. Stephens to Inner Mongolia, Manchuria, and China.
Roerich was in India during the Second World War, where he painted Russian epic heroic and saintly themes, including: Alexander Nevsky, The Fight of Mstislav...
In 1942, Roerich received Jawaharlal Nehru at his house in Kullu. Together they discussed the fate of the new world: "We spoke about Indian-Russian cultural association, it is time to think about useful and creative cooperation ...”.
Gandhi would later recall about several days spent together with Roerich's family: "That was a memorable visit to a surprising and gifted family where each member was a remarkable figure in himself, with a well-defined range of interests." ..."Roerich himself stays in my memory. He was a man with extensive knowledge and enormous experience, a man with a big heart, deeply influenced by all that he observed". During the visit, "ideas and thoughts about closer cooperation between India and USSR were expressed. Now, after India wins independence, they have got its own real implementation[clarification needed]. And as you know, there are friendly and mutually-understanding relationships today between both our countries".
In 1942, the American-Russian cultural Association (ARCA) was created in New York.
Its active participants were Ernest Hemingway, Rockwell Kent, Charlie Chaplin, Emil Cooper, Serge Koussevitzky, and Valeriy Ivanovich Tereshchenko. The Association's activity was welcomed by scientists like Robert Millikan and Arthur Compton.
Roerich died on December 13, 1947.
Presently, the Nicholas Roerich Museum in New York City is a major institution for Roerich's artistic work. Numerous Roerich societies continue to promote his theosophical teachings worldwide. His paintings can be seen in several museums including the Roerich Department of the State Museum of Oriental Arts in Moscow; the Roerich Museum at the International Centre of the Roerichs in Moscow; the Russian State Museum in Saint Petersburg, Russia; a collection in the Tretyakov Gallery in Moscow; a collection in the Art Museum in Novosibirsk, Russia; an important collection in the National Gallery for Foreign Art in Sofia, Bulgaria; a collection in the Art Museum in Nizhny Novgorod Russia; National Museum of Serbia ; the Roerich Hall Estate in Nagar village in Kullu Valley, India; the Sree Chitra Art Gallery, Thiruvananthapuram, India;[17] in various art museums in India; and a selection featuring several of his larger works in The Latvian National Museum of Art.

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2018 - Wandering Vertexes...
by Francis Rousseau 

BHAGIRATHI I, II & III BY SAMUEL BOURNE

SAMUEL BOURNE  (1834–1912)

Bhagirathi II  (6,512 m - 21,365 ft)

Bhagirathi III  6,454 m  -21,175 ft)

Bhagirathi  I (6,856 m-  22,493 ft)  

India 

 In Gangotri Glacier and the Bhagirathi Peaks, gelatine on glass, 1866, The British Libray

About the photo 

'Samuel Bourne, the bank clerk and amateur photographer, arrived in India in 1863 during the early years of commercial photography. Photographs taken during three expeditions to Kashmir and the Himalayas between 1863 and 1866 demonstrate his ability to combine technical skill and artistic vision. These views display a compositional elegance which appealed to Victorian notions of the ‘picturesque’; strategically framed landscapes of rugged mountain scenery, forests, rivers, lakes and rural dwellings. 

Copies of this spectacular and very early photograph of the Himalayas by pioneer photographer Samuel Bourne are held in the collections of the Fogg Museum, Harvard University (2.2002.112), Duke University Library (as part of RL.00130), and the British Library (94/4 25).

The photographer 

Samuel Bourne  was a British photographer known for his prolific seven years' work in India, from 1863 to 1870. Together with Charles Shepherd, he set up Bourne & Shepherd first in Shimla in 1863 and later in Kolkata (Calcutta). The company closed only two years ago, in June 2016 ! 

Bourne spent six extremely productive years in India, and by the time he returned to England in January 1871, he had made approximately 2,200 fine images of the landscape and architecture of India and the Himalayas. Working primarily with a 10x12 inch plate camera, and using the complicated and laborious Wet Plate Collodion process, the impressive body of work he produced was always of superb technical quality and often of artistic brilliance.  His ability to create superb photographs whilst travelling in the remotest areas of the Himalayas and working under the most exacting physical conditions, places him firmly amongst the very finest of nineteenth century travel photographers.

On 29 July 1863, he left Simla on the first of his three major Himalayan photographic expeditions. With a retinue of some 30 porters to carry his equipment, he travelled across the Simla Hills to Chini, in the Valley of the Sutlej River, 160 miles north-east of Simla, and spent some time photographing in the Chini-Sutlej River area, before heading up to the borders of Spiti, and returning to Simla on 12 October 1863, with 147 fine negatives.

In 1867, Bourne journeyed on up to the  Gangotri Glacier (see  photo above). There he went on to photograph one of the prime sources of the Ganges, as it issued from the mouth of the glacial ice cave at Gaumukh. His return journey took in Agra, Mussoorie, Roorkee, Meerut and Naini Tal, and he arrived back in Simla, again in time for Christmas! He wrote extensively about his travels in the Himalayas (one of the very few photographers in India to do so), in a long series of letters, which appeared in The British Journal of Photography, between 1863 and 1870.

The mountains 

Bhagirathi I ( 6,856 - 22,493 ft),  Bhagirathi II (6,512 - 21,365 ft),  Bhagirathi III (6,454 m-21,175 ft), are peaks with moderate routes on the back sides, but huge steep-to-overhanging cliffs on the side facing the glacier. Bhagirathi III, in particular, has seen some of the most extreme rock climbing in the Himalaya. They  are part of The Gangotri Group of mountains, a subdivision of the Garhwal Himalaya in the northern Indian state of Uttarakhand. It rings the Gangotri Glacier, and contains peaks that are notable either for their religious significance to Hindus, for their difficult climbing routes, or both. Climbs on three of the peaks (Thalay Sagar, Shivling, and Meru) have resulted in the awarding of the prestigious (but controversial) climbing award, the Piolet d'Or.

Notable mountains include:

- Chaukhamba (I-IV). A four-summitted massif; Chaukhamba I (7,138 m -23,419 ft), is the highest peak in the group.

- Kedarnath (6,940 m -22,769 ft), the highest peak on the southwest side of the glacier

- Thalay Sagar ( 6,904 m -22,651 ft), a steep rock spire, and perhaps the most difficult summit to attain in the entire group.

- Shivling (6,543 m -21,467 ft), another steep rock peak, with two summits, and the most striking as viewed from Gaumukh, the pilgrimage site at the mouth of the glacier. A symbol of the god Shiva, it is the most revered peak in the group.
- Meru (6,660 m -21,850 ft), lies between Thalay Sagar and Shivling, and has some highly challenging routes, only recently ascended despite multiple attempts by the world's best climbers.

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2018 - Wandering Vertexes...

by Francis Rousseau 

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EL CHIMBORAZO PAINTED BY RAFAEL SALAS

RAFAEL SALAS (1824-1906),

El Chimborazo (6,263 m -20,548 ft)  

Ecuador 

In View of Chimborazo, oil on canvas, 1890,  Museo de Arte del Banco de la Republica, Bogota.

The mountain
Chimborazo  (6,263 m -20,548 ft) is a currently inactive stratovolcano in the Cordillera Occidental range of the Andes ans the highest mountain in Ecuador and the Andes north of Peru ; it is higher than any more northerly summit in the Americas. Chimborazo is not the highest mountain by elevation above sea level, but its location along the equatorial bulge makes its summit the farthest point on the Earth's surface from the Earth's center.
Chimborazo is at the main end of the Ecuadorian Volcanic Arc, north west of the town of Riobamba. Chimborazo is in la Avenida de los Volcanes (the Avenue of Volcanoes) west of the Sanancajas mountain chain. Carihuairazo, Tungurahua, Tulabug, and El Altar are all mountains that neighbor Chimborazo.  The closest mountain peak, Carihuairazo, is 5.8 mi (9.3 km) from Chimborazo. There are many microclimates near Chimborazo, varying from desert in the Arenal to the humid mountains in the Abraspungo valley.
Its last known eruption is believed to have occurred around A.D. 550.
Until the beginning of the 19th century, it was thought that Chimborazo was the highest mountain on Earth (measured from sea level), and such reputation led to many attempts on its summit during the 17th and 18th centuries.
In 1746, the volcano was explored by French academicians from the  French Geodesic Mission. Their mission was to determine the sphericity of the Earth. Their work along with another team in Lapland established that the Earth was an oblate spheroid rather than a true sphere. They did not reach the summit of Chimborazo.
In 1802, during his expedition to South America, Baron Alexander von Humboldt, accompanied by Aimé Bonpland and the Ecuadorian Carlos Montufar, tried to reach the summit. From his description of the mountain, it seems that before he and his companions had to return suffering from altitude sickness they reached a point at 5,875 m, higher than previously attained by any European in recorded history. (Incans had reached much higher altitudes previously; see Llullaillaco). In 1831, Jean-Baptiste Boussingault and Colonel Hall reached a new "highest point", estimated to be 6,006 m.
On 4 January 1880, the English climber Edward Whymper reached the summit of Chimborazo.

The painter 
Rafael Salas was an important Ecuadorian  landscape and genre painter  of nineteenth century South America neoclassicism. He was the last son of the famous Salas artists dynasty among which  his  half brother Ramon Salas ( 1815-1880), the fist professor a t Academy of fine Arts of Quito and  responsive for the taste of Costumbrismo; and above all their father Antonio Salas (1795-1860) a colonial artist specialized in religious themes like La Muerte de San José and La Negacion de San Pedro in the Cathedral of Quito.

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2018 - Wandering Vertexes
Un blog de Francis Rousseau 

NEVADO HUASCARAN BY TEOFILO CASTILLO GUAS

TEOFILO CASTILLO  GUAS (1857-1922)

Nevado Huascaran (6,768m - 22, 205 ft) 

Peru 

The mountain 
 Novado Huascarán  or Huascaran  ( 6,768m - 22, 205 ft)  is a mountain in the Peruvian province of Yungay (Ancash Region), situated in the Cordillera Blanca range of the western Andes. The highest southern summit of Huascarán (Huascarán Sur) is the highest point in Peru, the northern part of Andes (north of Lake Titicaca) and in all of the Earth's Tropics. Huascarán is the fourth highest mountain in the Western Hemisphere and South America after Aconcagua, Ojos del Salado, and Monte Pissis. The mountain was named after Huáscar, a 16th-century Inca emperor who was the Sapa Inca of the Inca empire.
The summit of Huascarán is the place on Earth with the smallest gravitational force.
Huascarán Sur was first reached on 20 July 1932 by a joint German–Austrian expedition. The team followed what would become later the normal route (named today Garganta route). The north peak (Huascarán Norte) had previously been climbed on 2 September 1908 by a U.S. expedition that included Annie Smith Peck, albeit this first ascent is somewhat disputed.

The painter 
The peruvian painter, art critic and photographer Teófilo Castillo Guas was very representative of the peruvian pictorial academicism,  influenced by the impressionism.
He studied at the Seminary of Santo Toribio in Lima and later in Europe: Spain, Belgium and France, countries where he contacted masterly art production. Returning to Peru, he stood out by exhibiting his paintings, inspired by the traditions of Ricardo Palma.
In 1888 he traveled to Buenos Aires where he married María Gaubeka and worked as a photographer and painter. In 1906 he returned to Peru to open his own workshop.
In the bieginning ot 20th century,  he worked as a painter and art critic in charge of the artistic direction of the magazines Prisma, La Ilustración Peruana and Variedades , where he presented reproductions in three colors (trichromes) of his main works.
He enthusiastically promoted the founding of the National School of Fine Arts in Lima.
From 1920 to his death, he settled in Tucumán, where he directed the magazine Sol y Nieve (Sun and Snox . In addition, he painted a large canvas depicting General Manuel Belgrano presenting the Argentine flag to the Congress of Tucumán in 1816, a work that the Argentine government acquired for 20,000 pesos.
He was also noted for his canvases of colonial evocation inspired by episodes of the Peruvian Traditions of Ricardo Palma, which he made with a quick, colorful brush, in which the characters and the crowds in the processions vibrate, among browns and pinks, greens and blues.

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2018 - Wandering Vertexes...
by Francis Rousseau 

TWIN VOLCANOES PARINACOTA & POMERAPE BY RAFAEL SALAS

RAFAEL SALAS  (1824-1906)  

Parinacota  (6,348 m - 20,827ft)

Pomerape (6,282m-20,610ft)

Chile - Bolivia border 

In Bista del Pomerope and Parinacota, oil on canvas, 1870  

The Mountains 
Parinacota (6,348 m-20,827ft) or Parina Quta or Parinaquta  and Pomerape (6,282m-20,610ft) are two twin massive dormant stratovolcanoes on the border of Chile and Bolivia.  The range they are part of, Cerros de Payachata, means twin mountains and there are only those two peaks in the range.
It is usually counted as a sub-range in the Cordillera Occidental,  part of the Payachata volcanic  Pleistocene group. Both volcanoes are right on the Chilean - Bolivian border and can be climbed from either side. Their closest neighbor is Bolivia's highest mountain Sajama (6,542m-21,463ft) which isn't more than 20km away.
Parinacota is located in the extreme NE of Chile, where the country borders to Bolivia. The closest really large city is La Paz, the capital of Bolivia, which is about 300km and five hours away. Arica, in Chile is at the Pacific coast and is about 180 km far (and almost 5000 vertical meters!).
 Parinacota's last eruptive phase has been dated using the helium surface exposure technique, which ties the eruption to 290AD ± 300 years.
One of the most dramatic eruptive events in the volcano's past was 8,000 years ago, when a major collapse of the edifice produced a 6 kmі (1.44 cubic miles) debris avalanche, which blocked nearby drainage patterns, creating Chungara Lake.
The volcano and Pomerape straddle the border between Sajama National Park (Bolivia) and Lauca National Park (Chile).

The painter 
Rafael Salas was an important Ecuadorian  landscape and genre painter  of nineteenth century South America neoclassicism. He was the last son of the famous Salas artists dynasty among which  his  half brother Ramon Salas ( 1815-1880), the fist professor a t Academy of fine Arts of Quito and  responsive for the taste of Costumbrismo; and above all their father Antonio Salas (1795-1860) a colonial artist specialized in religious themes like La Muerte de San José and La Negacion de San Pedro in the Cathedral of Quito.

2018 - Wandering Vertexes
Un blog de Francis Rousseau