MITRE PEAK/KARAKORAM AND MUZTAGH TOWER BY VITTORIO SELLA

VITTORIO SELLA (1859-1943), 

Mitre Peak - Karakoram (6,010 m  - 9,720 ft)  

Pakistan

Muztagh Tower (7,276m - 23, 871ft)

China, Pakistan border 

In Karakoram 1909- Mitre Peak and Mustag  tower, 1909, 

during the Expedition of Duke of Abruzzi, Prince Luigi Amedeo di Savoia

The mountain 

1.Mitre Peak (6,010 m - 19,720 ft)  (left in the photo) - not to be confused with Mitre Peak/Rahotu in New Zealand (South Island) - is a mountain in the Karakoram mountain range near Concordia in Gilgit-Baltistan, Pakistan. 

Mitre Peak marks the confluence of the branches of the Baltoro Glacier with the Gasherbrum branch arriving from the SE and the Godwin Austin branch arriving from the NE. It sits across from Broad Peak, the 12th highest mountain on Earth. 

The first ascent was made by the high mountain guide Ivano Ghirardini alone in June 1980, following a mixed path that follows the corridor on the right side from the Baltoro glacier. The route joins the so-called "moon crescent" ridge that connects the Miter peak to the surrounding peaks at 5,700 meters above sea level. A very steep rocky bastion and a terminal wall lead to the summit which is so narrow that the mountaineer had to sit there. Return is via the same route that may prove dangerous due to the risk of avalanches. 

This ascent has never been reiterated. 

 2. Muztagh Tower (7,276m - 23, 871ft) (bottom-right in the photo)  is a mountain in the Baltoro Muztagh, part of the Karakoram range in Baltistan on the border of the Gilgit–Baltistan region of Pakistan and the Xinjiang Uyghur Autonomous Region of China. It stands between the basins of the Baltoro and Sarpo Laggo glaciers.

The Vittorio Sella's photographs of the Muztagh Tower in 1909 during the Italian Expediiton of the Duke of Abruzzi to K2, inspired the first ascent.

Nearly fifty years after Sella's photo was taken, in 1956, his photograph inspired two expeditions to race for the first ascent. Both teams found their routes less steep than Sella's view had suggested. The British expedition, consisting of John Hartog, Joe Brown, Tom Patey and Ian McNaught-Davis, came from the Chagaran Glacier on the west side of the peak and reached the summit via the Northwest Ridge first on July 6, five days before the French team (Guido Magnone, Robert Paragot, André Contamine, Paul Keller) climbed the mountain from the east. The doctor François Florence waited for the two parties at the camp IV during 42 hours without a radio, when they went, reached the summit and came back to this camp.

The artist 

Vittorio Sella is a mountain italian climber and photographer who took his passion for mountains from his uncle, Quintino Sella, founder of the Italian Alpine Club. He accomplished many remarkable climbs in the Alps, the first wintering in the Matterhorn and Mount Rose (1882) and the first winter crossing of Mont Blanc (1888). 

He took part in various expeditions outside Italy: 

- Three in the Caucasus in 1889, 1890 and 1896 where a summit still bears his name; 

- The ascent of Mount Saint Elias in Alaska in 1897; 

- Sikkim and Nepal in 1899; 

- Possibly climb Mount Stanley in Uganda in 1906 during an expedition to the Rwenzori; 

- Recognition at K2 in 1909 ; 

- In Morocco in 1925. 

During expeditions in Alaska, Uganda and Karakoram (K2), he accompanied the Duke of Abruzzi, Prince Luigi Amedeo di Savoia. 

Sella continues the practice of climbing into his old age, completing his final attempt in the Matterhorn at the age of 76; a climb he had to interrupt the rise following an accident in which one of his guides injured. He died in his hometown during World War II. His photographic collection is now managed by the Sella Foundation.

His photos mountain are still considered today to be among the finest ever made. 

Jim Curran believes that "Sella remains probably the greatest photographer of the mountain. His name is synonymous with technical perfection and aesthetic refinement. " 

The quality of the pictures of Vittorio Sella is partly explained by the use of a view camera 30 × 40 cm, despite the difficulty of the transportation of such a device, both heavy and fragile in places inaccessible; to be able to transport it safely, he had to make special pieces that can be stored in saddle bags. His photographs have been widely distributed, either through the press or in the galleries, and were unanimously celebrated; Ansel Adams, who was able to admire thirty-one in an exhibition that was organized at Sella American Sierra Club, said they inspired him "a religious kind of sense of wonder." Many of his pictures were taken in the mountains for the very first time in the History, which give them a much artistic, historical but also scientific value ; for example, one could measure the decline in the Rwenzori glaciers in Central Africa. 

___________________________ 

2019 - Wandering Vertexes... 

by Francis Rousseau

TRANGO TOWERS BY VITTORIO SELLA

VITTORIO SELLA (1859-1943)

Trango Towers  (6,286 m - 23, 871ft) 

Pakistan

1. In The Baltoro Tower 1909's Himalaya expedition, photo, Vittorio Sella Foundation. 

The Mountain 
The Trango Towers (6,286 m - 20,623 ft) are a family of rock towers situated in Gilgit-Baltistan, in the north of Pakistan. The Towers offer some of the largest cliffs and most challenging rock climbing in the world, and every year a number of expeditions from all corners of the globe visit Karakoram to climb the difficult granite. They are located north of Baltoro Glacier, and are part of the Baltoro Muztagh, a sub-range of the Karakoram range. The highest point in the group is the summit of Great Trango Tower at 6,286 m (20,623 ft), the east face of which features the world's greatest nearly vertical drop.

Full Wikipedia  entry  =>

The photographer

Vittorio Sella is a mountain italian climber and photographer who took his passion for mountains from his uncle, Quintino Sella, founder of the Italian Alpine Club.  He accomplished many remarkable climbs in the Alps, the first wintering in the Matterhorn and Mount Rose (1882) and the first winter crossing of Mont Blanc (1888).

He took part in various expeditions outside Italy:

- Three in the Caucasus in 1889, 1890 and 1896 where a summit still bears his name;

- The ascent of Mount Saint Elias in Alaska in 1897

- Sikkim and Nepal in 1899

- Possibly climb Mount Stanley in Uganda in 1906 during an expedition to the Rwenzori

- Recognition at K2  and Mustagh Tower in 1909

- In Morocco in 1925.

During expeditions in Alaska, Uganda and Karakoram (K2-Chogolisa), he accompanied the Duke of Abruzzi, Prince Luigi Amedeo di Savoia.

Full Wandering Vertexes entry  =>

___________________________________________
2019 - Wandering Vertexes...
by Francis Rousseau 

SINIOLCHU PHOTOGRAPHED IN 1899 BY VITTORIO SELLA

VITTORIO SELLA (1859-1943)

Siniolchu  (6,888 m -22,598 ft)

India (Sikkim) 

In Siniolchu  seen from  the Zemu  Glacier, silver gelatine print, 

396 x 297 mm, from an 18 x 24 plate), 1899. 

Fondazione Sella, Biella

The mountain 
Siniolchu  (6,888 m -22,598 ft) is one of the tallest mountains of the Indian state of Sikkim. Siniolchu is considered to be particularly aesthetically attractive, having been described by Douglas Freshfield as "the most superb triumph of mountain architecture and the most beautiful snow mountain in the world". It is situated near the green lake adjacent to Kangchenjunga, the highest peak in the state and third highest in the world. Siniolchu’s summit was first scaled in 1936 by the German climbers Karl Wien and Adi Gцttner.  Later Sikkimese Everest climber, Sonam Gyatso, also scaled the top.

The photographer

Vittorio Sella is a mountain italian climber and photographer who took his passion for mountains from his uncle, Quintino Sella, founder of the Italian Alpine Club.  He accomplished many remarkable climbs in the Alps, the first wintering in the Matterhorn and Mount Rose (1882) and the first winter crossing of Mont Blanc (1888).
He took part in various expeditions outside Italy:
- Three in the Caucasus in 1889, 1890 and 1896 where a summit still bears his name;
- The ascent of Mount Saint Elias in Alaska in 1897
- Sikkim and Nepal in 1899 (photo above)
- Possibly climb Mount Stanley in Uganda in 1906 during an expedition to the Rwenzori
- Recognition at K2  and Mustagh Tower in 1909
- In Morocco in 1925.
During expeditions in Alaska, Uganda and Karakoram (K2-Chogolisa), he accompanied the Duke of Abruzzi, Prince Luigi Amedeo di Savoia.

Full Wandering Vertexes entry  =>

___________________________________________
2019 - Wandering Vertexes...
by Francis Rousseau 

CHOGOLISA PHOTOGRAPHED BY VITTORIO SELLA

VITTORIO SELLA  (1859-1943)

 Chogolisa (7,668 m - 25,157 ft).  

Pakistan

Photographed  during the 1909 historical expedition of the Duke of Abruzzi 
© The Sella Foundation

The mountain 

Chogolisa  (7,668 m- 25,157 ft). also called  Bride Peak is a mountain in the Karakoram region of Pakistan. It lies near the Baltoro Glacier in the Concordia region which is home to some of the highest peaks of the world. Chogolisa has several peaks, the highest on the SW face  is Chogolisa I (7,668 m- 25,157 ft). The second highest at 7,654 metres on the NE side is Chogolisa II, once named Bride Peak by Martin Conway in 1892.
In 1909, a expedition led by Duke of the Abruzzi reached 7,498 m (24,600 ft) from a base camp located on the northern side and a high camp on the Chogolisa saddle at 6,335m (photo above). Bad weather stopped the team from ascending further, but their climb established a world altitude record.
Hermann Buhl and Kurt Diemberger attempted Chogolisa in 1957 after they had successfully summitted Broad Peak behind Marcus Schmuck and Fritz Wintersteller a few weeks earlier. On June 25 they left camp I and camped in a saddle at 6,706m on the SE ridge. On June 27 a sudden snow storm forced them to retreat and on the descent, Buhl broke off a big cornice and fell into the mountain's near vertical north face. His body has never been found.
In 1958, a Japanese expedition from Kyoto University led by Takeo Kuwabara made the first ascent of Chogolisa II, placing M. Fujihira and K. Hirai on top.
The first ascent of Chogolisa I was made on August 2, 1975 by Fred Pressl and Gustav Ammerer of an Austrian expedition led by Eduard Koblmueller. Koblmueller almost suffered the same fate as Buhl, as he also fell through a cornice on the ascent; fortunately, he was roped and team members were able to pull him to safety.
Source: 
- Chogolisa in Peakware.com

The Photographer

Vittorio Sella is a mountain italian climber and photographer who took his passion for mountains from his uncle, Quintino Sella, founder of the Italian Alpine Club.  He accomplished many remarkable climbs in the Alps, the first wintering in the Matterhorn and Mount Rose (1882) and the first winter crossing of Mont Blanc (1888).
He took part in various expeditions outside Italy:
- Three in the Caucasus in 1889, 1890 and 1896 where a summit still bears his name;
- The ascent of Mount Saint Elias in Alaska in 1897
- Sikkim and Nepal in 1899
- Possibly climb Mount Stanley in Uganda in 1906 during an expedition to the Rwenzori
- Recognition at K2  and Chogolisa in 1909
- In Morocco in 1925.
During expeditions in Alaska, Uganda and Karakoram (K2- Chogolisa), he accompanied the Duke of Abruzzi, Prince Luigi Amedeo di Savoia.
Sella continues the practice of climbing into his old age, completing his final attempt in the Matterhorn at the age of 76; a climb he had to interrupt the rise following an accident in which one of his guides injured. He died in his hometown during World War II.  His photographic collection is now managed by the Sella Foundation.
His photos mountain are still  considered today to be among the finest ever made.
Jim Curran believes that "Sella remains probably the greatest photographer of the mountain.  His name is synonymous with technical perfection and aesthetic refinement. "
The quality of the pictures of Vittorio Sella is partly explained by the use of a view camera 30 × 40 cm, despite the difficulty of the transportation of such a device, both heavy and fragile in places inaccessible; to be able to transport it safely, he had to make special pieces that can be stored in saddle bags.  His photographs have been widely distributed, either through the press or in the galleries, and were unanimously celebrated; Ansel Adams, who was able to admire thirty-one in an exhibition that was organized at Sella American Sierra Club, said they inspired him "a religious kind of sense of wonder."  Many of his pictures were taken in the mountains for the very first time in the History, which give them a much artistic, historical  but also scientific value ; for example, one could measure the decline in the Rwenzori glaciers in Central Africa.
Source:
 -  The Georgian Museum of Photography

MOUNT LEFROY BY LAWREN S. HARRIS

LAWREN S. HARRIS (1885-1970),

Mount Lefroy (3,423 m -11,230 ft) 

 Canada (Alberta)

 1. In Snow Rocky Mountain Paintings VII, oil on canvas,1929, Thomson Col.

2.  In Mount Lefroy oil on canvas, 1929,  National Gallery of Canada 

The mountain 

Mont Lefroy (3,423 m -11,230 ft)  is a mountain on the Continental Divide, at the border of Alberta and British Columbia in western Canada. The mountain is located on the eastern side of Abbot Pass which separates Lake Louise in Banff National Park from Lake O'Hara in Yoho National Park. Mount Victoria lies immediately on the western side of the pass.

The mountain was named by George M. Dawson in 1894 for Sir John Henry Lefroy (1817-1890), an astronomer who had traveled over 8,800 kilometres (5,470 mi) in Canada's north between 1842-44 making meteorological and magnetic observations.

The mountain is the site of the first fatal climbing accident in Canada. In 1896 during a failed summit bid, Philip Stanley Abbot slipped on rocks after just coming off an icy section and plummeted down the rock face to his death.

A prominent painting by Canadian Group of 7 artist Lawren Harris, was painted at this site. It is the second one in this page. 

The painter 
Lawren Stewart Harris  was a leading landscape canadian painter, imbuing his paintings with a spiritual dimension. An inspirer of other artists, he was a key figure in the Group of Seven and gave new vision to representations of the northern Canadian landscape. During the 1920s, Harris's works became more abstract and simplified, especially his stark landscapes of the Canadian north and Arctic.  He also stopped signing and dating his works so that people would judge his works on their own merit and not by the artist or when they were painted.
In 1924, a sketching trip with A.Y. Jackson to Jasper National Park in the Canadian Rockies marked the beginning of Harris' mountain subjects, which he continued to explore with annual sketching trips until 1929, exploring areas around Banff National Park, Yoho National Park and Mount Robson Provincial Park. In 1930, Harris went on his last extended sketching trip, travelling to the Arctic aboard the supply ship SS. Beothic for two months, during which time he completed over 50 sketches.  "We are on the fringe of the great North and its living whiteness, its loneliness and replenishment, its resignations and release, tis call and answer, its cleansing rhythms. It seems that the top of the continent is a source of spiritual flow that will ever shed clarity into the growing race of America."(Lawren S. Harris, 1926)
In 1969, he was made a Companion of the Order of Canada.
Harris died in Vancouver in 1970, at the age of 84, as a well-known artist.

_______________________________

2018 - Wandering Vertexes...

by Francis Rousseau 

PAYU PEAK BY VITTORIO SELLA

VITTORIO SELLA (1859-1943)

 Payu Peak (6,610 m - 21, 686 ft)

Pakistan

Photographed in 1909

The mountain 

The Payu Peak  ( 6610 m - 21, 686 ft) is located in the central Karakoram (or Karakorum) in Pakistan,  on the north side of the Baltoro glacier at the western end of the Baltoro Muztagh. It is named after a mountain range, the Payu group, which includes the Uli Biaho peak, Uli Biaho Tower and Choricho.  In 1974, there was an attempt at ascension of a Pakistani-American expedition under the leadership of Nicholas B. Clinch, in which a Pakistani member was mortally injured.

In July the same year, a  spanish team (Alberto Inurrategui, Jeauna Vallejo and Mikel Zabal) tried to reach the summit by the South face but was injured by a stone fall a few meters before the pilar.

In the following year, a French expedition under Jean Fréhel attempted the first ascent. 

Finally, in 1976 a Pakistani mountaineer group succeeded in climbing the Paiju Peak. Bashir Ahmed, Manzoor Hussain and Nazir Ahmed Sabir reached the summit on July 20, 1976.  The group was accompanied by the American climber Allen Steck until shortly before the summit. 

The artist
Vittorio Sella is a mountain italian climber and photographer who took his passion for mountains from his uncle, Quintino Sella, founder of the Italian Alpine Club.  He accomplished many remarkable climbs in the Alps, the first wintering in the Matterhorn and Mount Rose (1882) and the first winter crossing of Mont Blanc (1888).

He took part in various expeditions outside Italy:
- Three in the Caucasus in 1889, 1890 and 1896 where a summit still bears his name;
- The ascent of Mount Saint Elias in Alaska in 1897;
- Sikkim and Nepal in 1899;
- Possibly climb Mount Stanley in Uganda in 1906 during an expedition to the Rwenzori;
- Recognition at K2  in 1909;
- In Morocco in 1925.
During expeditions in Alaska, Uganda and Karakoram (K2), he accompanied the Duke of Abruzzi, Prince Luigi Amedeo di Savoia.
Sella continues the practice of climbing into his old age, completing his final attempt in the Matterhorn at the age of 76; a climb he had to interrupt the rise following an accident in which one of his guides injured. He died in his hometown during World War II.  His photographic collection is now managed by the Sella Foundation.
His photos mountain are still  considered today to be among the finest ever made.
Jim Curran believes that "Sella remains probably the greatest photographer of the mountain.  His name is synonymous with technical perfection and aesthetic refinement. "
The quality of the pictures of Vittorio Sella is partly explained by the use of a view camera 30 × 40 cm, despite the difficulty of the transportation of such a device, both heavy and fragile in places inaccessible; to be able to transport it safely, he had to make special pieces that can be stored in saddle bags.  His photographs have been widely distributed, either through the press or in the galleries, and were unanimously celebrated; Ansel Adams, who was able to admire thirty-one in an exhibition that was organized at Sella American Sierra Club, said they inspired him "a religious kind of sense of wonder."  Many of his pictures were taken in the mountains for the very first time in the History, which give them a much artistic, historical  but also scientific value ; for example, one could measure the decline in the Rwenzori glaciers in Central Africa.
Source:
 -  The Georgian Museum of Photography

THE MUSTAGH TOWER BY VITTORIO SELLA

VITTORIO SELLA (1859-1943)

Muztagh Tower (7,276m - 23, 871ft) 

Pakistan - China border

1. In The Mustagh Tower seen from the west foot of the Golden Throne (7,212m), 

1909's Himalaya expedition, photo, Vittorio Sella Foundation. 

2. In 1909's The Last Citadel taken from the Upper Baltoro Glacier, 

1909's Himalaya expedition, photo, Vittorio Sella Foundation.

The Mountain 

Muztagh Tower (7,276m - 23, 871ft), is a mountain in the Baltoro Muztagh, part of the Karakoram range in Baltistan on the border of the Gilgit–Baltistan region of Pakistan and the Xinjiang Uyghur Autonomous Region of China. It stands between the basins of the Baltoro and Sarpo Laggo glaciers.
The Vittorio Sella's photographs of the Muztagh Tower in 1909 (above) during the Italian Expediiton of The Duke of Abruzzi to K2,  inspired the first ascent. Taken from the upper Baltoro, due southeast of the mountain, the twin summits were perfectly aligned and the mountain was seen as a slender tooth, and looked impregnable. In 1941, the photograph was featured in a book on mountaineering with the caption "The Last Citadel".
Nearly fifty years after Sella's photo was taken, in 1956, his photograph inspired two expeditions to race for the first ascent. Both teams found their routes less steep than Sella's view had suggested. The British expedition, consisting of John Hartog, Joe Brown, Tom Patey and Ian McNaught-Davis, came from the Chagaran Glacier on the west side of the peak and reached the summit via the Northwest Ridge first on July 6, five days before the French team (Guido Magnone, Robert Paragot, André Contamine, Paul Keller) climbed the mountain from the east. The doctor François Florence waited for the two parties at the camp IV during 42 hours without a radio, when they went, reached the summit and came back to this camp.
Notable ascents and attempts:
- 1984: Northwest Ridge 2nd of route, 3rd of peak by Mal Duff, Tony Brindle, Jon Tinker and Sandy Allan (all UK).
- 1990: The fourth ascent was made by Gцran Kropp and Rafael Jensen.
- 2008: On 24 August 2008, the Northeast Face was climbed by two Slovenian alpinists, Pavle Kozjek and Dejan Miskovič. They bivouacked on the crest after 17 hours of climbing. They decided not to go to the summit because of strong wind. Just after they started descending, Kozjek fell to his death.
- 2012: On the day of 25 August, 56 years after the day when the first man climbed to the top of this mountain, three Russian alpinists made an ascent by the center Northeast Face. Sergei Nilov, Golovchenko Dmitry and Alexander Lange reached the top and made a new route. The ascent lasted for 17 days.
 Sources:
- Vittorio Sella Foundation.

The photographer

Vittorio Sella is a mountain italian climber and photographer who took his passion for mountains from his uncle, Quintino Sella, founder of the Italian Alpine Club.  He accomplished many remarkable climbs in the Alps, the first wintering in the Matterhorn and Mount Rose (1882) and the first winter crossing of Mont Blanc (1888).
He took part in various expeditions outside Italy:
- Three in the Caucasus in 1889, 1890 and 1896 where a summit still bears his name;
- The ascent of Mount Saint Elias in Alaska in 1897
- Sikkim and Nepal in 1899
- Possibly climb Mount Stanley in Uganda in 1906 during an expedition to the Rwenzori
- Recognition at K2  and Mustagh Tower in 1909
- In Morocco in 1925.
During expeditions in Alaska, Uganda and Karakoram (K2-Chogolisa), he accompanied the Duke of Abruzzi, Prince Luigi Amedeo di Savoia.
Sella continues the practice of climbing into his old age, completing his final attempt in the Matterhorn at the age of 76; a climb he had to interrupt the rise following an accident in which one of his guides injured. He died in his hometown during World War II.  His photographic collection is now managed by the Sella Foundation.
His photos mountain are still  considered today to be among the finest ever made.
Jim Curran believes that "Sella remains probably the greatest photographer of the mountain.  His name is synonymous with technical perfection and aesthetic refinement. "
The quality of the pictures of Vittorio Sella is partly explained by the use of a view camera 30 × 40 cm, despite the difficulty of the transportation of such a device, both heavy and fragile in places inaccessible; to be able to transport it safely, he had to make special pieces that can be stored in saddle bags.  His photographs have been widely distributed, either through the press or in the galleries, and were unanimously celebrated; Ansel Adams, who was able to admire thirty-one in an exhibition that was organized at Sella American Sierra Club, said they inspired him "a religious kind of sense of wonder."  Many of his pictures were taken in the mountains for the very first time in the History, which give them a much artistic, historical  but also scientific value ; for example, one could measure the decline in the Rwenzori glaciers in Central Africa.
Source:
- Vittorio Sella Foundation.

MOUNT ABUNA YOSEF BY RAY NESTOR

RAY NESTOR  (1888-1989),

Abuna Yosef (4,260 m-13,980 ft)

Ethiopia

In the Mountains of the moon, watercolour, private collection  

The mountains
Mountains of the Moon or Jibbel el Kumri is an ancient term referring to a legendary mountain or mountain range in east Africa at the source of the Nile River. Various identifications have been made in modern times.  O. G. S. Crawford identified this range with the Mount Abuna Yosef  (4,260 m - 13,976 ft) area in the Amhara Region of Ethiopia.
Abuna Yosef   (4,260 m - 13,976 ft) is a prominent mountain near the eastern escarpment of the Ethiopian Highlands ; it is the 6th tallest mountain in Ethiopia and the 19th highest of Africa. It is located in the Lasta massif in the Semien Wollo Zone of the Amhara Region.
People of the ancient world were long curious about the source of the Nile, especially Ancient Greek geographers. A number of expeditions up the Nile failed to find the source.
Eventually, a merchant named Diogenes reported that he had traveled inland from Rhapta in East Africa for twenty-five days and had found the source of the Nile. He reported it flowed from a group of massive mountains into a series of large lakes. He reported the natives called this range the Mountains of the Moon because of their snowcapped whiteness.
These reports were accepted as true by Ptolemy and other Greek and Roman geographers, and maps he produced indicated the reported location of the mountains. Late Arab geographers, despite having far more knowledge of Africa, also took the report at face value, and included the mountains in the same location given by Ptolemy.[3]
It was not until modern times that Europeans resumed their search for the source of the Nile. The Scottish explorer, James Bruce, who travelled to Gojjam, Ethiopia, in 1770, investigated the source of the Blue Nile there. He identified the "Mountains of the Moon" with Mount Amedamit, which he described surrounded the source of the Lesser Abay "in two semi-circles like a new moon ... and seem, by their shape, to deserve the name of mountains of the moon, such as was given by antiquity to mountains in the neighborhood of which the Nile was supposed to rise."
James Grant and John Speke in 1862 sought the source of the White Nile in the Great Lakes region. Henry Morton Stanley finally found glacier-capped mountains possibly fitting Diogenes's description in 1889 (they had eluded European explorers for so long due to often being shrouded in mist). Today known as the Rwenzori Mountains, the peaks are the source of some of the Nile's waters, but only a small fraction, and Diogenes would have crossed the Victoria Nile to reach them.
Many modern scholars doubt that these were the Mountains of the Moon described by Diogenes, some holding that his reports were wholly fabricated. G.W.B. Huntingford suggested in 1940 that the Mountain of the Moon should be identified with Mount Kilimanjaro, and "was subsequently ridiculed in J. Oliver Thompson's History of Ancient Geography published in 1948". Huntingford later noted that he was not alone in this theory, citing Sir Harry Johnston in 1911 and Dr. Gervase Mathew later in 1963 having made the same identification.

The painter

Ray Nestor was born in India in 1888. He came to Kenya in 1912 as a surveyor and was between 1932 and 1950 farmed at Kipkarren where he did most of his paintings. Ray Nestor modesty as a printer stood between him and the wider recognition of his work. He never courted publicity being content to record his impressions of a fascinating country and its diverse peoples for his own satisfaction and that of his friends. In all his time in Africa, Ray Nestor was seldom without his paints and sketch book, alert to capture the fugitive moment : an old woman in her beads and bangles drawing on her long pipe ; a dhow in full sail beyond the coral reef outside Mombasa harbour ; the stupendous view from his farm house over down and forest, rolling away towards Mount Elgon;

a pair of rhinos threading their way through the bush under the snows of Kilimandjaro.  These sketches are what they claim to be, with all their freshness sponteneity. Ray Nestor died in England in June 1989. 

__________________________
2019 - Wandering Vertexes...
by Francis Rousseau 

MOUNT LEFROY PAINTED BY J.E.H. MC DONALD

J.E.H. MC DONALD (1873-1932)

Mount Lefroy (3,423 m -11,230 ft) 

 Canada (Alberta)

 1. In Mount Lefroy oil on canvas, 1932,  National Gallery of Canada 

The mountain 
Mont Lefroy (3,423 m -11,230 ft)  is a mountain on the Continental Divide, at the border of Alberta and British Columbia in western Canada. The mountain is located on the eastern side of Abbot Pass which separates Lake Louise in Banff National Park from Lake O'Hara in Yoho National Park. Mount Victoria lies immediately on the western side of the pass.
The mountain was named by George M. Dawson in 1894 for Sir John Henry Lefroy (1817-1890), an astronomer who had traveled over 8,800 kilometres (5,470 mi) in Canada's north between 1842-44 making meteorological and magnetic observations.
The mountain is the site of the first fatal climbing accident in Canada. In 1896 during a failed summit bid, Philip Stanley Abbot slipped on rocks after just coming off an icy section and plummeted down the rock face to his death.

The painter 
The painter J.E.H. (James Edward Hervey) MacDonald, a founding member of the Group of Seven, responded to the Canadian landscape with a sensitivity honed by his interest in the American writers Henry David Thoreau and Walt Whitman. One of Canada's leading graphic designers and a popular art teacher, MacDonald was also a poet and calligrapher. His design work was strongly influenced by Arts and Crafts designers in England and Canada, especially William Morris.
The son of a cabinetmaker, MacDonald immigrated with his family to Hamilton, Ontario, in 1887. After apprenticing with a Toronto lithography company at the age of sixteen, he worked in commercial design for Grip Printing and Publishing Co. from around 1895 to 1903, at Carlton Studio in London from 1903 to 1907, and again at Grip Ltd. from 1907. MacDonald resigned in 1912 to paint full-time, but worked as a freelance designer until 1921. While an apprentice, MacDonald studied art under John Ireland and Arthur Heming at the Hamilton School of Art, and with G.A. Reid and William Cruikshank at the Central Ontario School of Art and Design (now the Ontario College of Art and Design). He was active in the Arts and Letters Club, Toronto, and was a member of the Ontario Society of Artists and the Royal Canadian Academy of Arts.
MacDonald painted decorations for Dr. James MacCallum's cottage in Georgian Bay (1915) and St. Anne's Church, Toronto (1923). He worked up his paintings from sketches made on trips to Georgian Bay, northern Ontario, Algoma (1919 to 1922), and in the Rockies (1924 to 1930). From 1921 he taught at the Ontario College of Art, becoming Principal in 1929. MacDonald visited Barbados with his wife early in 1932 to recover from a stroke he had suffered the previous November.
_______________________________
2019 - Wandering Vertexes...
by Francis Rousseau 

MOUNT ST HILARION BY DAVID BOMBERG

DAVID BOMBERG (1890-1957) 

Mount St Hilarion (732 m - 2,401 ft)

Cyprus

 In Mount St Hilarion- Cyprus, oil on canvas, 

The hill

Mount St Hilarion (732 m - 2,401 ft)  is the name of the hill where the Saint Hilarion Castle was built. it  lies on the Kyrenia mountain range, in Cyprus. This location provided the castle with command of the pass road from Kyrenia to Nicosia. It is the best preserved ruin of the three former strongholds in the Kyrenia mountains, the others being Kantara and Buffavento.

The castle is not named after St. Hilarion, active in Palestine and Cyprus in the 4th century. It was named after an obscure saint, who is traditionally held to have fled to Cyprus after the Arab conquest of the Holy Land and retired to the hilltop on which the castle was built for hermitage. 

Starting in the 11th century, the Byzantines began fortification. Saint Hilarion formed the defense of the island with the castles of Buffavento and Kantara against Arab pirates raiding the coast. Some sections were further upgraded under the Lusignan rule, who may have used it as a summer residence. During the rule of Lusignans, the castle was the focus of a four-year struggle between Holy Roman Emperor Frederick II and Regent John d' Ibelin for control of Cyprus.

The painter 

David Garshen Bomberg  was an English painter, and one of the Whitechapel Boys. He was one of the most audacious of the exceptional generation of artists who studied at the Slade School of Art under Henry Tonks, and which included Mark Gertler, Stanley Spencer, C.R.W. Nevinson and Dora Carrington.[  Bomberg painted a series of complex geometric compositions combining the influences of cubism and futurism in the years immediately preceding World War I; typically using a limited number of striking colours, turning humans into simple, angular shapes, and sometimes overlaying the whole painting a strong grid-work colouring scheme. He was expelled from the Slade School of Art in 1913, with agreement between the senior teachers Tonks, Frederick Brown and Philip Wilson Steer, because of the audacity of his breach from the conventional approach of that time.

Whether because his faith in the machine age had been shattered by his experiences as a private soldier in the trenches or because of the pervasive retrogressive attitude towards modernism in Britain Bomberg moved to a more figurative style in the 1920s and his work became increasingly dominated by portraits and landscapes drawn from nature. Gradually developing a more expressionist technique, he travelled widely through the Middle East and Europe.
From 1945 to 1953, he worked as a teacher at Borough Polytechnic (now London South Bank University) in London, where his pupils included Frank Auerbach, Leon Kossoff, Philip Holmes, Cliff Holden, Edna Mann, Dorothy Mead, Gustav Metzger, Dennis Creffield, Cecil Bailey and Miles Richmond. David Bomberg House, one of the student halls of residences at London South Bank University, is named in his honor.