google.com, pub-0288379932320714, DIRECT, f08c47fec0942fa0 GRAVIR LES MONTAGNES... EN PEINTURE: MITRE PEAK/KARAKORAM AND MUZTAGH TOWER BY VITTORIO SELLA

Tuesday, October 1, 2019

MITRE PEAK/KARAKORAM AND MUZTAGH TOWER BY VITTORIO SELLA





VITTORIO SELLA (1859-1943), 
Mitre Peak - Karakoram (6,010 m  - 9,720 ft)  
Pakistan
Muztagh Tower (7,276m - 23, 871ft)
China, Pakistan border 

In Karakoram 1909- Mitre Peak and Mustag  tower, 1909, 
during the Expedition of Duke of Abruzzi, Prince Luigi Amedeo di Savoia


The mountain 
1.Mitre Peak (6,010 m - 19,720 ft)  (left in the photo) - not to be confused with Mitre Peak/Rahotu in New Zealand (South Island) - is a mountain in the Karakoram mountain range near Concordia in Gilgit-Baltistan, Pakistan. 
Mitre Peak marks the confluence of the branches of the Baltoro Glacier with the Gasherbrum branch arriving from the SE and the Godwin Austin branch arriving from the NE. It sits across from Broad Peak, the 12th highest mountain on Earth. 
The first ascent was made by the high mountain guide Ivano Ghirardini alone in June 1980, following a mixed path that follows the corridor on the right side from the Baltoro glacier. The route joins the so-called "moon crescent" ridge that connects the Miter peak to the surrounding peaks at 5,700 meters above sea level. A very steep rocky bastion and a terminal wall lead to the summit which is so narrow that the mountaineer had to sit there. Return is via the same route that may prove dangerous due to the risk of avalanches. 
This ascent has never been reiterated. 
 2. Muztagh Tower (7,276m - 23, 871ft) (bottom-right in the photo)  is a mountain in the Baltoro Muztagh, part of the Karakoram range in Baltistan on the border of the Gilgit–Baltistan region of Pakistan and the Xinjiang Uyghur Autonomous Region of China. It stands between the basins of the Baltoro and Sarpo Laggo glaciers.
The Vittorio Sella's photographs of the Muztagh Tower in 1909 during the Italian Expediiton of the Duke of Abruzzi to K2, inspired the first ascent.
Nearly fifty years after Sella's photo was taken, in 1956, his photograph inspired two expeditions to race for the first ascent. Both teams found their routes less steep than Sella's view had suggested. The British expedition, consisting of John Hartog, Joe Brown, Tom Patey and Ian McNaught-Davis, came from the Chagaran Glacier on the west side of the peak and reached the summit via the Northwest Ridge first on July 6, five days before the French team (Guido Magnone, Robert Paragot, André Contamine, Paul Keller) climbed the mountain from the east. The doctor François Florence waited for the two parties at the camp IV during 42 hours without a radio, when they went, reached the summit and came back to this camp.


The artist 
Vittorio Sella is a mountain italian climber and photographer who took his passion for mountains from his uncle, Quintino Sella, founder of the Italian Alpine Club. He accomplished many remarkable climbs in the Alps, the first wintering in the Matterhorn and Mount Rose (1882) and the first winter crossing of Mont Blanc (1888). 
He took part in various expeditions outside Italy: 
- Three in the Caucasus in 1889, 1890 and 1896 where a summit still bears his name; 
- The ascent of Mount Saint Elias in Alaska in 1897; 
- Sikkim and Nepal in 1899; 
- Possibly climb Mount Stanley in Uganda in 1906 during an expedition to the Rwenzori; 
- Recognition at K2 in 1909 ; 
- In Morocco in 1925. 
During expeditions in Alaska, Uganda and Karakoram (K2), he accompanied the Duke of Abruzzi, Prince Luigi Amedeo di Savoia. 
Sella continues the practice of climbing into his old age, completing his final attempt in the Matterhorn at the age of 76; a climb he had to interrupt the rise following an accident in which one of his guides injured. He died in his hometown during World War II. His photographic collection is now managed by the Sella Foundation.
His photos mountain are still considered today to be among the finest ever made. 
Jim Curran believes that "Sella remains probably the greatest photographer of the mountain. His name is synonymous with technical perfection and aesthetic refinement. " 
The quality of the pictures of Vittorio Sella is partly explained by the use of a view camera 30 × 40 cm, despite the difficulty of the transportation of such a device, both heavy and fragile in places inaccessible; to be able to transport it safely, he had to make special pieces that can be stored in saddle bags. His photographs have been widely distributed, either through the press or in the galleries, and were unanimously celebrated; Ansel Adams, who was able to admire thirty-one in an exhibition that was organized at Sella American Sierra Club, said they inspired him "a religious kind of sense of wonder." Many of his pictures were taken in the mountains for the very first time in the History, which give them a much artistic, historical but also scientific value ; for example, one could measure the decline in the Rwenzori glaciers in Central Africa. 

___________________________ 

2019 - Wandering Vertexes... 
by Francis Rousseau