ANTI LEBANON MOUNTAINS BY FELIX BONFILS

 

FELIX BONFILS (1831-1885)
Anti-Lebanon Mountains / Jibāl Lubnān ash-Sharqiyyah (2,814m- 9,232 ft)
Lebanon - Syria -Israel

In Anti Liban vue genérale de Zébilani,  postcard, 1868

The mountains
The Anti-Lebanon Mountains / Jibāl Lubnān ash-Sharqiyyah (2,814m- 9,232 ft) are a southwest-northeast-trending mountain range that forms most of the border between Syria and Lebanon. The border is largely defined along the crest of the range. Most of the range lies in Syria.
Its Western name Anti-Lebanon comes from the Greek and Latin Antilibanus, derived from its position opposite and parallel to the Mount Lebanon range. It ends in the south with Mount Hermon, which borders on the Golan Heights; the Golan Heights are a different geological and geomorphological entity, but geopolitically they are often regarded together with the southern slopes of Mount Hermon, both being part of the Israeli-controlled Golan region. To the west of the Anti-Lebanon lie valleys that separate it from Mount Lebanon in central Lebanon: Beqaa Valley in the north and the Hasbani River valley in the south. To the east, in Syria, lies the Eastern Plateau, location of the city of Damascus.
The Anti-Lebanon range is approximately 150 kilometres (93 miles) in length. To the north, it extends to almost the latitude of the Syrian city of Homs. To the south, the range adjoins the lower-laying Golan Heights plateau, but includes the highest peaks, namely Mount Hermon  / Jabal el-Shaykh, at 2,814 metres, and Talat Musa at 2,669 mm. Others highest peaks are Hali mat-el-Kabou, (2510 m)  and  El Akhyad (2352 m).

 The area is known for its apricot and cherry trees as well as its stone quarries.

The photographer
Félix Bonfils was born in Saint-Hippolyte-du-Fort (France). He moved to Beirut in 1867 where he opened with his wife and his son Adrien, the photographic workshop Maison Bonfils, he renamed in 1878 F. Bonfils and Co..
Bonfils photographed in Lebanon, Egypt, Palestine, Syria and Greece as well as in Constantinople from 1876.
He was very active as soon as he arrives in Lebanon: his catalog mentions more than 15,000 prints in the early 1870s, made from nearly 200 negatives, and 9,000 stereoscopic views.
His works became famous thanks to tourists from the Middle East who brought his photographs as souvenirs. His views could be purchased individually, but they were also available as albums.
However, these photographs, produced by the workshop, could sometimes be the work of his son Adrien or assistants of the company.
In 1876 he returned to Alès (France), where he opened another studio around 1881. The one of Beirut was not closed. His wife Marie-Lydie and his son kept it opened and active after this death in 1885. This establishment was still very active in 1905, when a fire destroyed it.
The Bonfils business continued for several decades after the death of its founder. It was bought in 1918 by Abraham Guiragossian, a partner since 1909, who kept its name. It is mentioned in the Blue Guide in 1932.

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2020  - Wandering Vertexes
A blog by Francis Rousseau

MOUNT HERMON PHOTOGRAPHED BY FELIX BONFILS

 FELIX BONFILS  (1831-1885)

Mount Hermon / Jabal Haramun / Har Hermon  (2,814m- 9,232 ft)

 Lebanon - Syria -Israel

In Mont Hermon, photo silver print, 1868

The mountain
Mount Hermon or Jabal Haramun or Har Hermon  (2,814m- 9,232 ft), in arabic  جبل الشيخ or جبل حرمون‎‎,  in hebrew הר חרמון‎‎,  is a mountain cluster constituting the southern end of the Anti-Lebanon mountain range. Its summit straddles the border between Syria and Lebanon and,is the highest point in Syria. On the top, in the United Nations buffer zone between Syrian and Israeli-occupied territories, is the highest permanently manned UN position in the world, known as "Hermon Hotel".The southern slopes of Mount Hermon extend to the Israeli-occupied portion of the Golan Heights, where the Mount Hermon ski resort is located. A peak in this area rising to 2,236 m (7,336 ft) is the highest elevation in Israeli-controlled territory.
Mount Hermon is a sacred mountain mentioned in many sacred texts and epic tails.
The Epic of Gilgamesh mentions that Mount Hermon split after Gilgamesh kills Humbaba, the Guardian of the Cedar Forest. One translation of Tablet V states, "The ground split open with the heels of their feet, as they whirled around in circles Mt. Hermon and Lebanon split."
In the Book of Enoch, Mount Hermon is the place where the Watcher class of fallen angels descended to Earth. They swear upon the mountain that they would take wives among the daughters of men and take mutual imprecation for their sin (Enoch 6).
The mountain or summit is referred to as Saphon in Ugaritic texts where the palace of Ba'al is located in a myth about Attar.
The Book of Chronicles also mentions Mount Hermon as a place where Epher, Ishi, Eliel, Azriel, Jeremiah, Hodaviah, and Jahdiel were the heads of their families.
 R.T. France, in his book on the Gospel of Matthew, noted that Mount Hermon was a possible location of the Transfiguration of Jesus.
Various Temples of Mount Hermon can be found in villages on the slopes. There is a sacred building made of hewn blocks of stone on the summit of Mount Hermon. Known as Qasr Antar, it is the highest temple of the ancient world and was documented by Sir Charles Warren in 1869. An inscription on a limestone stele recovered by Warren from Qasr Antar was translated by George Nickelsburg to read "According to the command of the greatest a (nd) Holy God, those who take an oath (proceed) from here."
Eusebius recognized the religious importance of Hermon in his work Onomasticon, saying "Until today, the mount in front of Panias and Lebanon is known as Hermon and it is respected by nations as a sanctuary". It has been related to the Arabic term al-haram, which means "sacred enclosure". Another Greek inscription found in a large temple at Deir El Aachayer on the northern slopes notes the year that a bench was installed "in the year 242, under Beeliabos, also called Diototos, son of Abedanos, high priest of the gods of Kiboreia".
In Psalm 42, which leads the Psalms of the northern kingdom, the Psalmist remembers God from the land of Jordan and the Hermonites. In Song of Songs 4:8, Hermon is an instance of an exotic locale, and the Song of Ascents as well as Psalm 133:3 make specific reference to the abundant dew formation upon Mount Hermon.
According to the controversial research by Professor Israel Knohl of the Hebrew University, in his book "Hashem", Mount Hermon could be actually the Mount Sinai mentioned in the bible, with the biblical story reminiscent of an ancient battle of the northern tribes with the Egyptians somewhere in the Jordan valley or Golan heights.

The photographer 
Félix Bonfils wasborn in Saint-Hippolyte-du-Fort (France). He moved to Beirut in 1867 where he opened with his wife and his son Adrien, the photographic workshop Maison Bonfils, he renamed in 1878 F. Bonfils and Co..
Bonfils photographed in Lebanon, Egypt, Palestine, Syria and Greece as well as in Constantinople from 1876.
He was very active as soon as he arrives in Lebanon: his catalog mentions more than 15,000 prints in the early 1870s, made from nearly 200 negatives, and 9,000 stereoscopic views.
His works became famous thanks to tourists from the Middle East who brought his photographs as souvenirs. His views could be purchased individually, but they were also available as albums.
However, these photographs, produced by the workshop, could sometimes be the work of his son Adrien or assistants of the company.
In 1876 he returned to Alès (France), where he opened another studio around 1881. The one of Beirut was not closed. His wife Marie-Lydie and his son kept it opened and active after this death in 1885. This establishment was still very active in 1905, when a fire destroyed it.
The Bonfils business continued for several decades after the death of its founder. It was bought in 1918 by Abraham Guiragossian, a partner since 1909, who kept its name. It is mentioned in the Blue Guide in 1932.

___________________________________
Wandering Vertexes 2019 
A blog by Francis Rousseau

MOUNT HERMON PAINTED BY VASILY POLENOV

VASILY DMITRIYEVITCH POLENOV  (1844-1927) 

Mount Hermon / Jabal Haramun / Har Hermon  (2,814m- 9,232 ft)

 Lebanon - Syria -Israel

 In At the foot of Mount Hermon,  1882, oil on canvas,  Tretiakov State Gallery, Moscow

The mountain
Mount Hermon or Jabal Haramun or Har Hermon  (2,814m- 9,232 ft), in arabic  جبل الشيخ or جبل حرمون‎‎,  in hebrew הר חרמון‎‎,  is a mountain cluster constituting the southern end of the Anti-Lebanon mountain range. Its summit straddles the border between Syria and Lebanon and,is the highest point in Syria. On the top, in the United Nations buffer zone between Syrian and Israeli-occupied territories, is the highest permanently manned UN position in the world, known as "Hermon Hotel".The southern slopes of Mount Hermon extend to the Israeli-occupied portion of the Golan Heights, where the Mount Hermon ski resort is located. A peak in this area rising to 2,236 m (7,336 ft) is the highest elevation in Israeli-controlled territory.
Mount Hermon is a sacred moutnain mentionned in many sacred texts and epic tails.
The Epic of Gilgamesh mentions that Mount Hermon split after Gilgamesh kills Humbaba, the Guardian of the Cedar Forest. One translation of Tablet V states, "The ground split open with the heels of their feet, as they whirled around in circles Mt. Hermon and Lebanon split."
In the Book of Enoch, Mount Hermon is the place where the Watcher class of fallen angels descended to Earth. They swear upon the mountain that they would take wives among the daughters of men and take mutual imprecation for their sin (Enoch 6).
The mountain or summit is referred to as Saphon in Ugaritic texts where the palace of Ba'al is located in a myth about Attar.
The Book of Chronicles also mentions Mount Hermon as a place where Epher, Ishi, Eliel, Azriel, Jeremiah, Hodaviah, and Jahdiel were the heads of their families.
 R.T. France, in his book on the Gospel of Matthew, noted that Mount Hermon was a possible location of the Transfiguration of Jesus.
Various Temples of Mount Hermon can be found in villages on the slopes. There is a sacred building made of hewn blocks of stone on the summit of Mount Hermon. Known as Qasr Antar, it is the highest temple of the ancient world and was documented by Sir Charles Warren in 1869. An inscription on a limestone stele recovered by Warren from Qasr Antar was translated by George Nickelsburg to read "According to the command of the greatest a (nd) Holy God, those who take an oath (proceed) from here."
Eusebius recognized the religious importance of Hermon in his work Onomasticon, saying "Until today, the mount in front of Panias and Lebanon is known as Hermon and it is respected by nations as a sanctuary". It has been related to the Arabic term al-haram, which means "sacred enclosure". Another Greek inscription found in a large temple at Deir El Aachayer on the northern slopes notes the year that a bench was installed "in the year 242, under Beeliabos, also called Diototos, son of Abedanos, high priest of the gods of Kiboreia".
In Psalm 42, which leads the Psalms of the northern kingdom, the Psalmist remembers God from the land of Jordan and the Hermonites. In Song of Songs 4:8, Hermon is an instance of an exotic locale, and the Song of Ascents as well as Psalm 133:3 make specific reference to the abundant dew formation upon Mount Hermon.
According to the controversial research by Professor Israel Knohl of the Hebrew University, in his book "Hashem", Mount Hermon could be actually the Mount Sinai mentioned in the bible, with the biblical story reminiscent of an ancient battle of the northern tribes with the Egyptians somewhere in the Jordan valley or Golan heights.

The painter 
Vasily Dmitrievich Polenov (Васи́лий Дми́триевич Поле́нов) was a Russian landscape painter associated with the Peredvizhniki movement of realist artists. A native of St. Petersburg, Polenov studied under Pavel Chistyakov and at the Imperial Academy of Arts from 1863 to 1871. He was a classmate and close friend of Rafail Levitsky, a fellow Peredvizhniki artist and famous photographer.
Polenov was a pensioner of the academies of arts in Italy and France, where he painted a number of pictures in the spirit of Academism on subjects taken from European history, such as "Droit du Seigneur" (1874) Tretyakov gallery; at the same time he worked a lot in the open air.
Polenov took part in the Russo-Turkish War (1877-1878) as a war artist. Returning from the war, he joined the Peredvizhniki, taking part in their mobile exhibitions. His works won the admiration of Pavel Mikhailovich Tretyakov, who acquired many of them for his gallery.
In the late 1870s, Polenov concentrated on painting landscapes in the realist tradition of Aleksey Savrasov and Fyodor Vasilyev. He attempted to impart the silent poetry of Russian nature, related to daily human life. He was one of the first Russian artists who achieved a plein air freshness of color combined with artistic finish of composition (The Moscow courtyard, 1878; The Grandmother's garden, 1878; Overgrown pond, 1879). The principles developed by Polenov had a great impact on the further development of Russian (and especially Soviet) landscape painting.
Polenov's sketches of the Middle East and Greece (1881–1882) paved the way for his masterpiece, "Christ and the Sinner" (1886–87), an interesting attempt to update the academic style of painting. In his works of the 1880s, Polenov tended to combine New Testament subjects with his penchant for landscape.
Polenov was elected a member of the St.Petersburg Academy of arts in 1893, and named as a People's Artist of the USSR in 1926. For many years, he coached young painters in the Moscow School of Painting, Sculpture and Architecture. His pupils included Abram Arkhipov, Isaac Levitan, Konstantin Korovin, Emily Shanks and Alexandre Golovine.

JABAL QASIYUN BY FREDERIC GADMER

FREDERIC GADMER (1878-1954)

Jabal Qāsiyūn (1,151 m -3,776 ft)
Syria

Autochrome Lumière process, 1921, Albert Kahn Museum, Paris 

Mountain 

Jabal Qāsiyūn (1,151 m - 3,776 ft) or Mount Qasioun (Arabic: جبل قاسيون‎‎ ) is a mountain overlooking the city of Damascus, Syria, part of the Anti-Lebanon Range of mountains (Arabic: Al-jabal Ash-sharqī, or Lubnān Ash-sharqī, Anti Liban in french).  As the city has expanded over the years, some districts have been established on the foot of the mountain. 

The mountain has been heavily entrenched with Syrian government forces since the start of the Syrian Civil War. The mountain is also host to an endemic species of iris, Iris damascena, which can be found on the steep eastern slopes, at an altitude of 1,200 m (3,900 ft) above sea level. 

Jabal Qāsiyūn is known to be a sacred mountain, a place in which several stories written in the Bible as well as in Quran took place.  

On the slopes of Jabal Qasiun is a cave steeped in legend. It is said to have been inhabited at one point by the first human-being, Adam; and there are various stories told about Ibrāhīm (Abraham), and 'Īsā (Jesus) also having prayed in it. 

It is mentioned however in Medieval Arab history books as having been the place where Qābīl (Cain) killed Hābīl (Abel).  It was known for hundreds of years as a place where prayers were immediately accepted, and especially in times of drought rulers of Damascus would climb to the cave and pray for rain. Because of the murder that took place there, claimed to be the first committed, it is called Maghārat al-Dam (the Cave of Blood).  

According to Sunni Muslims, Mount Qasioun is the site of the miḥrābs (prayer niches) of the 40 arch-saints, known as the Abdāl, who are said to pray the night vigil prayers every night. A small mosque has been built over the Cave of Blood containing these miḥrābs.

Further down the mountain from the 'Cave of Blood', there was another cave known as Maghārat al-Jūˁ (the Cave of Hunger). Stories about this cave are somewhat confused. Al-Harawī, who lived in the 13th century, wrote that it is said that forty prophets died there of hunger. At present, the cave has been concealed by surrounding houses, but that spot is called al-Juyūˁīyah (the Place of the Hungry').

On another flank of the same mountain is yet another cave, which has come down in local legend as being the cave of the Seven Sleepers, mentioned in early Christian sources, as well as in the Quran, where they are known as the Aṣḥāb al-Kahf (Companions of the Cave). This is rather dubious, however, and it is only one of many caves in this part of the world that share the claim. 

A madrassah has been built over the cave, but pilgrims are still granted access.
Source: 
- Mount Qasioun Wikipedia page 

The photographer 

Frédéric Georges Gadmer was born in 1878 in France into a Protestant family;  his father, Leon, son of Swiss émigré, was confectioner, and his mother, Marie Georgine, was unemployed. Before World War II, he follows his family in Paris and works as a photographer for the house Vitry, located Quai de la Rapée. As an heliogravure company, it performs work for the sciences and the arts, travel and education. In 1898 Gadmer completed his military service as a secretary to the staff then recalled in 1914 at the time of mobilization. In 1915, he joined the newly created  "Photographic Section of the Army" and carried pictures on the front, in the Dardanelles, with General Gouraud, then in Cameroon. In 1919, at age 41, he was hired as a photographer byAlbert Khan for his project called "Archives of the Planet". He finds there his comrades of   "the film and photographic section of the army" Paul Castelnau and Fernand Cuville. Soon as he arrived, he made reports in Syria, Lebanon, Turkey and Palestine. It was the first to make a color portrait of Mustafa Kemal, leader of the Young Turks. In 1921, he returned to the Levant with Jean Brunhes, the scientific director of the Archives of the Planet. The same year, he attended General Gouraud, appointed High Commissioner in Syria. Operator and prolific photographer, specializing in distant lands and landscapes, it covers Iraq, Persia, Afghanistan, Algeria and Tunisia. In 1930, he accompanied Father Francis Aupiais in Dahomey. He also works in Europe. In 1931, at the request of Marechal Lyautey, he photographies the Colonial Exhibition. It is one of the last person to leave the  "Archives of the Planet" threatened by the Albert Kahn's bankruptcy in 1932. He then worked at the famous french newspaper L'Illustration and carries postcards for Yvon. He died in Paris, unmarried, in 1954 and is buried in Saint-Quentin, as his parents.

Source: 

- Frédéric Gadmer in the Médiathèque Albert Kahn

About the  "Autochrome Lumière" Photos

The autochrome is a photographic reproduction of process colors patented December 17, 1903 by Auguste and Louis Lumière french brothers. This is the first industrial technique of photography colors, it produces positive images on glass plates. It was used between 1907 and 1932 approximately an particularly in many pictures of the World War I. A important number of photographs of mountains and landscapes around the world was made with this technique, particularly in the for  the Project "The archives of the planet" by Albert Kahn.