MOUNT UTSU / 鬱岳 BY UTAGAWA HIROSHIGE / 歌川 広重

UTAGAWA HIROSHIGE  / 歌川 広重 (1797-1858)

Mount Utsu / 鬱岳 (818m - 2,848ft)

Japan   

 In Mount Utsu from Okabe  from the series 53 Stations of the Tôkaidô Road, woodblock print, 1832 

The Mountain 

Mount Utsu  (鬱岳) (818m- 2,848ft)  is located in the Kitami Mountains (北見山地), a mountain range of Hokkaidō, Japan. Unlike much of the rest of Japan, the Kitami Mountains are not very seismically active.The Kitami Mountains are north of the Ishikari Mountains and east of the Teshio Mountains. Rocks from the Kitami mountains are mostly sedimentary from the Cretaceous-Paleogene periods. Volcanic rock was placed down on top of this from volcanoes that erupted in the Miocene or later.The Kitami Mountains formed in the inner arc of the Kurile Arc.

Mount Utsu, the lowest peak of Kitami Mountains range, is a meisho which means a place well known for its mythology and paths of overgrown ivy and maples trees. Mount Utsu is often used metaphorically to contrast a kind of reality within the dream world. Utsu is a play on the word Utsutsu which’s literal meaning is reality and has connotations of one’s awakening moments and also a mountain of sadness. It appears in stories and operates in both the prose and poetry. It’s appears in famous works such as The Ise Stories which is a narrative that tells the travels of an unnamed protagonist. Mount Utsu in  the Suruga Province is mentioned in Chapter 9 of the Ise Stories and this chapter is a tale of the protagonists’ exile to eastern Japan. In this part of the story, the unnamed protagonist meets a wandering monk at Mount Utsu which means the main protagonist is awakening to reality. He then ask the monk to present his lover with a poem of longing, despair and sadness. In the poem, he says he can no longer see his love, not even in his dreams, which symbolizes that she hasn’t been thinking of him. In ancient Japanese tradition, it is believed that if he sees his lover in a dream, that she will be thinking about him... Mount Utsu has been depicted in many paintings as well, like The Fifty Three Stations of the Tōkaidō by Hiroshige (see above).

The artist

Utagawa Hiroshige (歌川 広重), also know as Andō Hiroshige (安藤 広重), was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his landscapes, such as the series The Fifty-three Stations of the Tōkaidō (see above) and The Sixty-nine Stations of the Kiso Kaidō; and for his depictions of birds and flowers. The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular Thirty-six Views of Mount Fuji series by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints.
Hiroshige produced over 8,000 works
He dominated landscape printmaking with his unique brand of intimate, almost small-scale works compared against the older traditions of landscape painting descended from Chinese landscape painters such as Sesshu. The travel prints generally depict travelers along famous routes experiencing the special attractions of various stops along the way. They travel in the rain, in snow, and during all of the seasons. In 1856, working with the publisher Uoya Eikichi, he created a series of luxury edition prints, made with the finest printing techniques including true gradation of color, the addition of mica to lend a unique iridescent effect, embossing, fabric printing, blind printing, and the use of glue printing (wherein ink is mixed with glue for a glittery effect).
For scholars and collectors, Hiroshige's death marked the beginning of a rapid decline in the ukiyo-e genre, especially in the face of the westernization that followed the Meiji Restoration of 1868.

Hiroshige's work came to have a marked influence on Western painting towards the close of the 19th century as a part of the trend in Japonism. Western artists closely studied Hiroshige's compositions, and some, such as Vincent van Gogh or Claude Monet, painted copies of Hiroshige's prints.

MOUNT UTSU / 鬱岳 BY TAWARAYA SOTATSU / 俵屋 宗達

TAWARAYA SOTATSU / 俵屋 宗達  (c.1570 - c.1640)

 Mount Utsu / 鬱岳 (818m - 2,848ft)

Japan   

In  Mount Utsu (Utsu no yama), from The Tales of Ise (Ise monogatari), 1634, 

 Poem card (shikishi) mounted as a hanging scroll; ink, color, and gold on paper, 

The MET 

Notice by The MET concerning this painting :
This poem card comes from a set of more than twenty surviving sheets, each of which is illustrated with a scene from the tenth-century Tales of Ise and accompanied by a poem from the relevant chapter inscribed by a calligrapher of the day. In this episode, a courtier traveling on Mount Utsu (literally, “mountain of sadness”) meets an itinerant monk on his way to Kyoto and asks him to give his regards to a lover in the distant capital.

The artist
Tawaraya Sōtatsu (俵屋 宗達) was a Japanese painter and designer of the Rinpa school. The exact date of Sōtatsu's birth, probably around 1570, remains unknown, and so does the place of his birth.
Sōtatsu is best known for his decorations of calligraphic works by Hon'ami Kōetsu (1558–1637), and his spectacular and highly influential byōbu folding screens, such as National Treasures Wind God and Thunder God and his painting of the Sekiya and Miotsukushi chapters from The Tale of Genji. He also popularized a technique called tarashikomi, in which a second layer of paint is applied before the first layer is dry.
He is also credited with co-founding the Rinpa school of Japanese painting, together with Kōetsu. Rinpa was not strictly a school, but a group of artist directly influenced by Sōtatsu and Kōetsu. Some of the most notable Rinpa artists are Ogata Kōrin (1658–1716), Ogata Kenzan (1663–1743) and Sakai Hōitsu (1761–1828).

The mountain 

Mount Utsu  (鬱岳) (818m- 2,848ft)  is located in the Kitami Mountains (北見山地), a mountain range of Hokkaidō, Japan. Unlike much of the rest of Japan, the Kitami Mountains are not very seismically active.The Kitami Mountains are north of the Ishikari Mountains and east of the Teshio Mountains. Rocks from the Kitami mountains are mostly sedimentary from the Cretaceous-Paleogene periods. Volcanic rock was placed down on top of this from volcanoes that erupted in the Miocene or later.The Kitami Mountains formed in the inner arc of the Kurile Arc.
Mount Utsu, the lowest peak of Kitami Mountains range, is a meisho which means a place well known for its mythology and paths of overgrown ivy and maples trees. Mount Utsu is often used metaphorically to contrast a kind of reality within the dream world. Utsu is a play on the word Utsutsu which’s literal meaning is reality and has connotations of one’s awakening moments and also a mountain of sadness. It appears in stories and operates in both the prose and poetry. It’s appears in famous works such as The Ise Stories which is a narrative that tells the travels of an unnamed protagonist. Mount Utsu in  the Suruga Province is mentioned in Chapter 9 of the Ise Stories and this chapter is a tale of the protagonists’ exile to eastern Japan. In this part of the story, the unnamed protagonist meets a wandering monk at Mount Utsu which means the main protagonist is awakening to reality. He then ask the monk to present his lover with a poem of longing, despair and sadness. In the poem, he says he can no longer see his love, not even in his dreams, which symbolizes that she hasn’t been thinking of him. In ancient Japanese tradition, it is believed that if he sees his lover in a dream, that she will be thinking about him... Mount Utsu has been depicted in many paintings as well.

MOUNT UTSU / 鬱岳 BY UTAGAWA HIROSHIGE / 歌川 広重

UTAGAWA HIROSHIGE  / 歌川 広重 (1797-1858)

Mount Utsu (鬱岳) (818m - 2,848ft)

Japan   

1. In Famous Yam Soup and Distant View of Mount Utsu - 

from the series 53 Stations of the Tôkaidô Road  1840 - Museum of Fine Arts Boston 

2.  In View of Mount Utsu - from the series 53 Stations of the Tôkaidô Road 

3. In Narrow ivy covered Road at Mount Utsu - from the series 53 Stations of the Tôkaidô Road

The Mountain 

Mount Utsu  (鬱岳) (818m- 2,848ft)  is located in the Kitami Mountains (北見山地), a mountain range of Hokkaidō, Japan. Unlike much of the rest of Japan, the Kitami Mountains are not very seismically active.The Kitami Mountains are north of the Ishikari Mountains and east of the Teshio Mountains. Rocks from the Kitami mountains are mostly sedimentary from the Cretaceous-Paleogene periods. Volcanic rock was placed down on top of this from volcanoes that erupted in the Miocene or later.The Kitami Mountains formed in the inner arc of the Kurile Arc.

Mount Utsu, the lowest peak of Kitami Mountains range, is a meisho which means a place well known for its mythology and paths of overgrown ivy and maples trees. Mount Utsu is often used metaphorically to contrast a kind of reality within the dream world. Utsu is a play on the word Utsutsu which’s literal meaning is reality and has connotations of one’s awakening moments and also a mountain of sadness. It appears in stories and operates in both the prose and poetry. It’s appears in famous works such as The Ise Stories which is a narrative that tells the travels of an unnamed protagonist. Mount Utsu in  the Suruga Province is mentioned in Chapter 9 of the Ise Stories and this chapter is a tale of the protagonists’ exile to eastern Japan. In this part of the story, the unnamed protagonist meets a wandering monk at Mount Utsu which means the main protagonist is awakening to reality. He then ask the monk to present his lover with a poem of longing, despair and sadness. In the poem, he says he can no longer see his love, not even in his dreams, which symbolizes that she hasn’t been thinking of him. In ancient Japanese tradition, it is believed that if he sees his lover in a dream, that she will be thinking about him... Mount Utsu has been depicted in many paintings as well, like The Fifty Three Stations of the Tōkaidō by Hiroshige (see above).

The artist

Utagawa Hiroshige (歌川 広重), also know as Andō Hiroshige (安藤 広重), was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his landscapes, such as the series The Fifty-three Stations of the Tōkaidō (see above) and The Sixty-nine Stations of the Kiso Kaidō; and for his depictions of birds and flowers. The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan's Edo period (1603–1868). The popular Thirty-six Views of Mount Fuji series by Hokusai was a strong influence on Hiroshige's choice of subject, though Hiroshige's approach was more poetic and ambient than Hokusai's bolder, more formal prints.
Hiroshige produced over 8,000 works
He dominated landscape printmaking with his unique brand of intimate, almost small-scale works compared against the older traditions of landscape painting descended from Chinese landscape painters such as Sesshu. The travel prints generally depict travelers along famous routes experiencing the special attractions of various stops along the way. They travel in the rain, in snow, and during all of the seasons. In 1856, working with the publisher Uoya Eikichi, he created a series of luxury edition prints, made with the finest printing techniques including true gradation of color, the addition of mica to lend a unique iridescent effect, embossing, fabric printing, blind printing, and the use of glue printing (wherein ink is mixed with glue for a glittery effect).
For scholars and collectors, Hiroshige's death marked the beginning of a rapid decline in the ukiyo-e genre, especially in the face of the westernization that followed the Meiji Restoration of 1868.
Hiroshige's work came to have a marked influence on Western painting towards the close of the 19th century as a part of the trend in Japonism. Western artists closely studied Hiroshige's compositions, and some, such as Vincent van Gogh or Claude Monet, painted copies of Hiroshige's prints.