SOMMERSPIRET PAINTED BY P. C. SKOVGAARD

 

P. C.  SKOVGAARD (1817-1875) 

Sommerspiret  (120 m-393 ft)

Denmark

 In  Udsigt over havet fra Møens Klint, 1850, oil on canvas, Danish Royal Academy

The cliff
Sommerspiret (120 m - 393 ft) is one of the chalk cliffs forming Møns Klint, a 6 km stretch of cliffs along the eastern coast of the Danish island of Møn in the Baltic Sea. Some of the cliffs fall a sheer 120 m to the sea below. The highest cliff is Dronningestolen (128 m- 420 ft). The area around Møns Klint consists of woodlands, pastures, ponds and steep hills, including Aborrebjerg which, with a height of 143 m - 469ft), is one of the highest points in Denmark. The cliffs and adjacent park are now protected as a nature reserve. Møns Klint receives around 250,000 visitors a year. There are clearly marked paths for walkers, riders and cyclists. The path along the cliff tops leads to steps down to the shore in several locations.
On 29 May 2007, close to the cliff tops, the GeoCenter Møns Klint was opened by Queen Margrethe. The geological museum with interactive computer displays and a variety of attractions for children traces the geological prehistory of Denmark and the formation of the chalk cliffs. The museum was designed by PLH Architects, the winners of an international design competition.
Møns Klint has been a most popular subject for landscape painters, especially during the Danish Golden Age when the national romanticism movement encouraged artists to take renewed interest in the Danish countryside.
The painter
Peter Christian Thamsen Skovgaard (known as P.C. Skovgaard; 4 April 1817 – 13 April 1875) was a Danish national romantic landscape painter. He is one of the main figures associated with the Golden Age of Danish Painting.  Skovgaard is primarily known for his landscape paintings, and for the special role he played in portraying Denmark's nature; not the spectacular but the ordinary and typical. He helped develop a unique Danish art form and sensibility. He had a deep sympathy for the Danish landscape and its uniqueness, especially Denmark's beloved beech forests. Animal life and locals that belonged to the land populated these landscapes. He studied nature diligently, and tried to portray it faithfully, yet ideally, and with a love of his country. He was a master of composition, and in his later works he developed an increasing interest in portraying atmosphere and light. The scale of his paintings was a breakthrough in Danish art.
He is considered one of the leading landscape painters of the 1800s.
His art production and academic career had a large influence on landscape painting's future in Denmark.
His work has been shown both in Denmark and internationally in numerous exhibitions of Danish art including exhibitions in London (1907, 1948), Paris (1928, 1984–1985), New York City (1960–1961, 1964), and Rome (1974).
The Skovgaard Museum in Viborg is dedicated to the artistic production of the entire Skovgaard family. A number of paintings by P.C. Skovgaard are in the museum's collection.


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2020 - Wandering Vertexes...
by Francis Rousseau

MØNS KLINT & SOMMERSPIET BY FREDERIK SØDRING

 

   FREDERIK SØDRING  (1809–1862)

Sommerspiret  (120 m-393 ft)

Denmark

In Part of Mons Klint with the Sommerspiret, 1830,  Niedersächsisches Landesmuseum

The cliff
Sommerspiret (120 m - 393 ft) is one of the chalk cliffs forming Møns Klint, a 6 km stretch of cliffs along the eastern coast of the Danish island of Møn in the Baltic Sea. Some of the cliffs fall a sheer 120 m to the sea below. The highest cliff is Dronningestolen (128 m- 420 ft). The area around Møns Klint consists of woodlands, pastures, ponds and steep hills, including Aborrebjerg which, with a height of 143 m - 469ft), is one of the highest points in Denmark. The cliffs and adjacent park are now protected as a nature reserve. Møns Klint receives around 250,000 visitors a year. There are clearly marked paths for walkers, riders and cyclists. The path along the cliff tops leads to steps down to the shore in several locations.
On 29 May 2007, close to the cliff tops, the GeoCenter Møns Klint was opened by Queen Margrethe. The geological museum with interactive computer displays and a variety of attractions for children traces the geological prehistory of Denmark and the formation of the chalk cliffs. The museum was designed by PLH Architects, the winners of an international design competition.
Møns Klint has been a most popular subject for landscape painters, especially during the Danish Golden Age when the national romanticism movement encouraged artists to take renewed interest in the Danish countryside.

The painter
Sødring was born in Aalborg, Denmark. He spent some time living in Norway with his parents before studying at the Royal Danish Academy of Fine Arts in Copenhagen beginning in 1825. There he initially studied under Jens Peter Møller, but his greatest influence was from the romantic art of Johan Christian Dahl. Between 1829 and 1831 Sødring travelled to Norway and Germany, taking time to study in Munich. He traveled to Norway and Southern Sweden between 1832-36 and returned during 1847. He was awarded the Fund ad Usus Publicos 1836-38. He travelled to Germany (mainly Munich) 1836-38) and to Paris in 1843.He continued to work, sending several paintings back to Denmark. These travels influenced Sødring's later works. Upon his return, he continued to paint, exhibiting landscapes from the Rhine, Southern Germany, and Tyrol. In 1832, he was painted by Christen Købke; the portrait is now part of the Hirschsprung Collection.[
He exhibited at the Charlottenborg Spring Exhibition 1828-36, 1838-40, 1842-47, 1858. Sødring's other exhibition included at the Salon in Paris and University of Copenhagen both in 1843.

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2020 - Wandering Vertexes...
by Francis Rousseau

SOMMERSPIRETAND MØNS KLINT PAINTED BY GEORG EMIL LIBERT

GEORG EMIL LIBERT (1820-1908)  

Sommerspiret  (120 m - 393 ft)

Denmark

In View of Sommerspiret, the Cliffs of Møn, 1846, oil on canvas, mounted on board, 

National Gallery of Art, Washington, Pepita Milmore Memorial Fund

About the painting
In the first half of the nineteenth century, Denmark experienced an artistic “Golden Age”. Following the Napoleonic Wars, the small, peninsular kingdom suffered English naval aggression, the dissolution of its partnership with Norway, and increasing hostility with Germany. As modern Denmark emerged as a constitutional monarchy, artists sought a unifying and stabilizing identity for the nation. Inspired by German romantic nationalism, best represented by the mesmerizing meditations on landscape of Caspar David Friedrich, Danish artists produced meticulous images in crystalline light of their native countryside. In the colors and contours of the Danish landscape, they sought to define a distinctly national spirit.
Here, he pictures the white chalk cliffs of the island of Møn in the Baltic Sea, not far from the island of Rügen where Friedrich painted several celebrated images of chalk cliffs. Much of Demark exists on a plateau of white chalk. In places, the bleach-white earth erupts into the sun, washed by the sea. The tourist destination gained additional appeal from the Sommerspiret, or summer spire, a towering chalk formation gleaming against the bright blue Danish sky. Several Danish Golden Age painters, including Christoffer Wilhelm Eckersberg and Louis Gurlitt, painted the Sommerspiret. (Alas, in 1988 it naturally eroded into the sea.) The high degree of finish, clear, harmonious tones, and the inclusion of small figures beholding the marvelous scene are classic characteristics of this moment in the history of landscape painting.

The painter  

Georg Emil Libert was born in Copenhagen, Denmark. He was the son of Johan Christian Libert (1790-1846) and his first wife, Andrea Margrethe Hassing (1796-1820). His father was a cabinetmaker.
He was a graduate of the Royal Academy in Copenhagen where he studied under Johan Ludwig Lund (1777– 1867). In 1845, he applied for travel support from the Academy, which was awarded to him in 1846 with renewed scholarship in 1847. He stayed abroad from 1857-59, especially in Germany and Switzerland. He sought inspiration, especially from the Munich landscape scene.
He exhibited many works in Charlottenborg and at the Kunstforeningen (Art Association). He is best known for his paintings of the Baltic island of Bornholm; indeed one of the cliffs at Helligdomsklipperne, Libert's Rock (Libertsklippen) is named after him.
Many of his works today are in the Danish National Gallery and Thorvaldsens Museum, and are highly sought after by buyers; his painting Ansicht des Heidelberger Schlosses Zwischen der Molkenkur, der Stadt (1859) sold for $11,240 at Sotheby's in Munich in June 1994.

The cliff

Sommerspiret  (120 m - 393 ft) is one of the chalk cliffs  forming Møns Klint, a 6 km stretch of cliffs along the eastern coast of the Danish island of Møn in the Baltic Sea. Some of the cliffs fall a sheer 120 m to the sea below. The highest cliff is Dronningestolen  (128 m- 420 ft).  The area around Møns Klint consists of woodlands, pastures, ponds and steep hills, including Aborrebjerg which, with a height of 143 m - 469ft), is one of the highest points in Denmark. The cliffs and adjacent park are now protected as a nature reserve. Møns Klint receives around 250,000 visitors a year. There are clearly marked paths for walkers, riders and cyclists. The path along the cliff tops leads to steps down to the shore in several locations.
On 29 May 2007, close to the cliff tops, the GeoCenter Møns Klint was opened by Queen Margrethe. The geological museum with interactive computer displays and a variety of attractions for children traces the geological prehistory of Denmark and the formation of the chalk cliffs. The museum was designed by PLH Architects, the winners of an international design competition.

Møns Klint has been a most popular subject for landscape painters, especially during the Danish Golden Age when the national romanticism movement encouraged artists to take renewed interest in the Danish countryside.

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2019 - Wandering Vertexes...
by Francis Rousseau

AGPARTUT PAINTED BY WILLIAM BRADFORD

WILLIAM BRADFORD  (1823-1892) 

Agpartut  (1, 922m - 6,306 ft)

Greenland -  Denmark - Nunavut 

In  Scene in the Arctic  Baffin Bay, oil on canvas 1880,  De Young Museum San Francisco 

The mountain 
Agpartut (1, 922m - 6,306 ft) is located in Greenland, an island belonging to Denmark, in the municipality of Avannaata, on the west coast bordered by Baffin Bay. Its summit is the Wegener Peninsula  highest point. 

The mountain is explored for the first time by the Italian expedition Spedizione Città di Carate in 1966 led by Giuseppe Cazzaniga with Gianni Merlini, Ambrogio Rigamonti, Carlo Bonfanti and Massimiliano Chiolo..

The first ascent was made in 1976 during a second Spanish expedition, led by Anglada Josep Manuel with Jordi Riera, Costa Lluis, Joan Cerda, Emilio Civis, Ursula Willius and Jordi Pons. Because of the inaccessibility of the region, attempts to climb are rare and it seems that the summit was climbed only once
The Chanel French expedition in 2001 was directed by Pierre Chanel and Alain Dutrévis, with Christine Cayrel, Marc Brouillet, Philippe Marty, François de Montbéliard and Didier Bensimhon.

The painter 

William Bradford (1823-1892) was an American romanticist painter, photographer and explorer. His early work focused on portraits of the many ships in New Bedford Harbor. In 1858, his painting New Bedford Harbor at Sunset was included in Albert Bierstadt's landmark New Bedford Art Exhibition.
William Bradford  is known for his paintings of ships and Arctic seascapes. He went on several Arctic expeditions with Dr. Isaac Israel Hayes, and was the first American painter to portray the frozen regions of the north. In 1862, Boston, he was an art teacher to Charles Dormon Robinson.
With funds provided by LeGrand Lockwood, Bradford traveled to the Arctic aboard the steamship Panther in 1869, accompanied by photographers John L. Dunmore and George Critcherson.

 Upon his return, Bradford spent two years in London, where he published an account of his trips to the north, entitled The Arctic regions, illustrated with photographs taken on an art expedition to Greenland; with descriptive narrative by the artist. (London, 1873).

 In 1874, he was elected into the National Academy of Design as an Associate member.[
He was associated with the Hudson River School. He adopted their techniques and became highly interested in the way light touches water and how it affects the appearance of water surfaces and the general atmospherics of a painting. He compositionally balanced many of his paintings by creating a counter-subject and by placing darker colors around the edges, framing and counteracting the center's better-lit subject.

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2019 - Wandering Vertexes...

by Francis Rousseau