google.com, pub-0288379932320714, DIRECT, f08c47fec0942fa0 GRAVIR LES MONTAGNES... EN PEINTURE: VICTORIA PEAK PAINTED BY ERNEST CHARTON DE TREVILLE

Friday, January 1, 2021

VICTORIA PEAK PAINTED BY ERNEST CHARTON DE TREVILLE



ERNEST CHARTON DE TREVILLE (1816-1877)
Victoria Peak  (552 m -1,811 ft)
China (Hong Kong)
 
In Victoria Peak vu de la Baie de Hong Kong, Oil on canvas, Private collection 

The mountain
Victoria Peak (552 m -1,811 ft) or 太平山 (in Chinese) also locally called The Peak or Mount Austin an sa few others cantonese and Hong Kong Hakka names such as Taai Pen Saa or Deng or Saan Deng or Ce Kei Saan or Lou Fung... is a mountain in the western half of Hong Kong Island. It is the highest mountain on Hong Kong island, ranked 31 in terms of elevation in the Hong Kong Special Administrative Region ; Tai Mo Shan (957m) being the highest point in the Hong Kong Special Administrative Region.The summit is occupied by a radio telecommunications facility and is closed to the public. However, the surrounding areaf public parks and high-value residential land is the area that is normally meant by the name The Peak. During the19th century, the Peak attracted prominent European residents because of its panoramic view over the city and its relatively temperate climate compared to the sub-tropical climate in the rest of Hong Kong. The sixth Governor of Hong Kong, Sir Richard MacDonnell had a summer residence built on the Peak circa 1868. Those that built houses named them whimsically, such as The Eyrie, and the Austin Arm. These original residents reached their homes by sedan chairs, which were carried up and down the steep slope of Victoria Peak.

The painter
Ernest-Marc-Jules Charton Thiessen of Treville better known as Ernest Charton or Ernesto Charton was a French painter, famous for his pastel portraits and realistic- style customary paintings. He made most of his artistic career in South America - particularly in Argentina Chile and Ecuador -, a continent where his first name, as was customary at the time, was Castilianized, which is why he was known as Ernesto Charton.
He was initially established in Valparaíso (Chile), but in 1848 he moved to Santiago where he opened a studio neighboring that of Raymond Monvoisin, another French pioneer of Chilean painting and also belonging to traveling artists as was also at that time the watercolorist Carlos Wood.
Brother of Edouard Charton, director of the Parisian magazine Le Tour du Monde Ernesto was a typical adventurous artist of the nineteenth century in search of the most exotic expressions of unexplored nature, following in this aspect the motivation of numerous European painters of the time.  Many of his American experiences were reflected in the L'llustration, a magazine also directed by his brother and of which he was a correspondent, sending not only chronicles but also drawings, such as those he sent from the streets of Valparaíso before the bombing. He also sent a drawing of the bombing of Callao, which was recorded by Louis Le Breton and published on June 23.
Tempted by the gold rush in California he embarked on October 25, 1848 on the schooner Rosa Segunda, who arrived in the Galapagos Islands within two weeks to get water; when most of the passengers were ashore, the ship abandoned them to their fate. The painter, like his companions, lost everything, including his works.
Charton, who in 1862 would return to Ecuador, managed to settle in Quito with the help of the French consul. He taught drawing and painting at the University of that city; in addition, he directed the Miguel de Santiago Liceo of Painting, a direct antecedent of the School of Fine Arts of that country. As a result of his stay in Ecuador, he left a 48-watercolors album (cf. above)
He returned to France, but in 1855 he returned to Chile with his family; he gained fame as a portraitist, landscaper and teacher. In this last quality he had a famous controversy with the first director of the Academy of Painting of Santiago. ]
In 1870 he left Chile to Argentina, crossing the Andes. From that experience, his large oil painting was born the following year View of the Andes mountain range (115x197cm) that is today in the National Museum of Fine Arts of that country, in Buenos Aires, city where he settled until his death.
In addition to the countries mentioned, he travelled in Italy, Panama (when it was still part of Colombia) Peru and China (Hong Kong, Macao) (see above). 
As a Photographer, he used snapshots as a base for his paintings, portraying typical clothes, customs and parties that he then tracked to the web.
Charton's works are characterized by their vibrant color and the realistic expression of popular customs and motifs. He left among his students from Chile, Ecuador and Argentina this cultural vision of pictorial realism applied to the theme of each country, leaving aside religious, mythological or literally copied motifs of European models.
His paintings can be seen in museums in Argentina, Chile and Ecuador.

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2021 - Wandering Vertexes / Mountain paintings
By F rancis Rousseau



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2021 - Wandering Vertexes
A blog by Francis Rousseau

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