AMA DABLAM PEINT PAR JAMES HART DYKE

JAMES HART DYKE (bn.1966),
Ama Dablam (6,812 m)
Népal

In Ama Dablam, Himalaya, watercolour and pencil on paper, John Mitchell Gallery courtesy

La montagne
L'Ama Dablam (6,812 m) est un sommet népalais de l'Himalaya dans la région du Khumbu. Il fait face au Taweshe. Il est situé dans le parc national de Sagarmatha, dans le massif du Khumbu Himal, au pied de deux 8 000 : l'Everest et le Lhotse.
Son camp de base - situé quasiment en fond de vallée de l'Imja Khola - est accessible en deux jours de marche depuis la capitale du pays sherpa, Namche Bazar. L'esthétique, la difficulté raisonnable et l'altitude de ce presque 7 000 en font un objectif prisé des expéditions commerciales.
Ama Dablam signifie « reliquaire de la mère » en référence au pendentif en forme d'étoile que portent les Sherpanis (femmes de l'ethnie sherpa).

Le peintre
Le travail de James Hart Dyke est centré sur la peinture de paysages, allant du caractère aimable de la campagne anglaise jusqu’aux peintures issues d'expéditions physiquement exigeantes dans des montagnes isolées et lointaines. James Hart Dyke a été également conduit à mener à bien une série de projets aussi différent que celui d'accompagner SAR le prince de Galles (l'actuel roi Charles III) en tant qu'artiste officiel lors de tournées royales, de travailler comme « artiste en résidence » pour les services secrets britanniques, ou encore comme peintre de guerre intégré aux forces britanniques dans les zones de combat, mais aussi pour les producteurs des films de James Bond et enfin comme « artiste en résidence » pour Aston Martin. Ces projets  lui ont permis d'expérimenter des formes de peinture plus graphiques influencées par ses études d'architecte au Royal College of Art. Ses portraits sont exposés à la National Portrait Gallery et à la Royal Society of Portrait Painters.

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2023 - Gravir les montagnes en peinture
Un blog de Francis Rousseau   

NUPTSE PAINTED BY JAMES HART DYKE

 

JAMES HART DYKE  (bn 1966)
Nuptse  (7,861 m - 25,791 ft)
Nepal

In Nuptse Himalaya ,2011, Acrylic on paper,  Courtesy John Mitchell  Gallery, London

The mountain
Nuptse or Nubtse is a mountain in the Khumbu region of the Mahalangur Himal, in the Nepalese Himalayas. It lies two kilometres WSW of Mount Everest. Nubtse is Tibetan for "west peak", as it is the western segment of the Lhotse-Nubtse massif.
The main peak, Nubtse I, was first climbed on May 16, 1961 by Dennis Davis and Sherpa Tashi and the following day by Chris Bonington, Les Brown, James Swallow and Pemba Sherpa, members of a British expedition led by Joe Walmsley. After a long hiatus, Nubtse again became the objective of high-standard mountaineers in the 1990s and 2000s, with important routes being put up on its west, south, and north faces. While Nubtse is a dramatic peak when viewed from the south or west, and it towers above the base camp for the standard south col route on Everest, it is not a particularly independent peak: its topographic prominence is only 319 m (1,047 ft). Hence it is not ranked on the list of highest mountains.

The painter
James Hart Dyke’s work is centred on landscape painting, from the domesticity of paintings of country houses to paintings generated from physically demanding expeditions over remote mountains. James has also undertaken a series of projects including accompanying HRH The Prince of Wales as the official artist on royal tours, working as ‘artist in residence’ for The British Secret Intelligence Service, working as an artist embedded with the British Forces in war zones, working for the producers of the James Bond films and working as ‘artist in residence’ for Aston Martin. These projects required him to respond in many different ways and have allowed him to experiment with more graphic forms of painting influenced by his studies as an architect at the Royal College of Art. His portraits have been shown at the National Portrait Gallery and at the Royal Society of Portrait Painters exhibitions.

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2022 - Wandering Vertexes
Un blog de Francis Rousseau

TORRES DEL PAINE (4) PAINTED BY JAMES HART DYKE

 

JAMES HART DYKE (bn.1966)

Torres del Paine (2,500 m - 8,200 ft) 

Chile

In Torres del Paine first lights, study 2017, Courtesy John Mitchell Gallery London  

The mountains
The Torres del Paine (2,500 metres - 8,200 ft) are the distinctive three granite peaks of the Paine mountain range or Paine Massif. They are known as Torres d'Agostini, Torres Central and Torres Monzino. They are joined by the Cuernos del Paine. The area also boasts valleys, rivers such as the Paine, lakes, and glaciers. The well-known lakes include Grey, Pehoé, Nordenskiöld, and Sarmiento. The glaciers, including Grey, Pingo and Tyndall, belong to the Southern Patagonia Ice Field.
he landscape of the park is dominated by the Paine massif, which is an eastern spur of the Andes located on the east side of the Grey Glacier, rising dramatically above the Patagonian steppe. Small valleys separate the spectacular granite spires and mountains of the massif. These are: Valle del Francés (French Valley), Valle Bader, Valle Ascencio, and Valle del Silencio (Silence Valley).The Southern Patagonian Ice Field mantles a great portion of the park.


The painter
James Hart Dyke’s work is centred on landscape painting, from the domesticity of paintings of country houses to paintings generated from physically demanding expeditions over remote mountains. James has also undertaken a series of projects including accompanying HRH The Prince of Wales as the official artist on royal tours, working as ‘artist in residence’ for The British Secret Intelligence Service, working as an artist embedded with the British Forces in war zones, working for the producers of the James Bond films and working as ‘artist in residence’ for Aston Martin. These projects required him to respond in many different ways and have allowed him to experiment with more graphic forms of painting influenced by his studies as an architect at the Royal College of Art. His portraits have been shown at the National Portrait Gallery and at the Royal Society of Portrait Painters exhibitions.

___________________________

2020 - Wandering Vertexes
Un blog de Francis Rousseau

TORRES DEL PAINE (2) PAINTED BY JAMES HART DYKE

 

JAMES HART DYKE (bn.1966)
Torres del Paine (2,500 m - 8,200 ft)
Chile

In Los Cuernos del Paine last light, oil on vanvas 2018, courtesy John Mitchell Gallery 

The mountains
The Torres del Paine (2,500 metres - 8,200 ft) are the distinctive three granite peaks of the Paine mountain range or Paine Massif. They are known as Torres d'Agostini, Torres Central and Torres Monzino. They are joined by the Cuernos del Paine. The area also boasts valleys, rivers such as the Paine, lakes, and glaciers. The well-known lakes include Grey, Pehoé, Nordenskiöld, and Sarmiento. The glaciers, including Grey, Pingo and Tyndall, belong to the Southern Patagonia Ice Field.
he landscape of the park is dominated by the Paine massif, which is an eastern spur of the Andes located on the east side of the Grey Glacier, rising dramatically above the Patagonian steppe. Small valleys separate the spectacular granite spires and mountains of the massif. These are: Valle del Francés (French Valley), Valle Bader, Valle Ascencio, and Valle del Silencio (Silence Valley).
The Southern Patagonian Ice Field mantles a great portion of the park.

The painter
James Hart Dyke’s work is centred on landscape painting, from the domesticity of paintings of country houses to paintings generated from physically demanding expeditions over remote mountains. James has also undertaken a series of projects including accompanying HRH The Prince of Wales as the official artist on royal tours, working as ‘artist in residence’ for The British Secret Intelligence Service, working as an artist embedded with the British Forces in war zones, working for the producers of the James Bond films and working as ‘artist in residence’ for Aston Martin. These projects required him to respond in many different ways and have allowed him to experiment with more graphic forms of painting influenced by his studies as an architect at the Royal College of Art. His portraits have been shown at the National Portrait Gallery and at the Royal Society of Portrait Painters exhibitions.

___________________________________________
2021 - Wandering Vertexes and Mountain paintings
Un blog de Francis Rousseau

TOIRRES DEL PAINE PAINTED BY JAMES HART DYKE

 

JAMES HART DYKE (bn.1966)

Torres del Paine (2,500 m - 8,200 ft) 

Chile 

In Torres del paine and single cloud, oil on vanvas 2018, courtesy John Mitchell Gallery

The mountains
The Torres del Paine  (2,500 metres - 8,200 ft)  are the distinctive three granite peaks of the Paine mountain range or Paine Massif. They are known as Torres d'Agostini, Torres Central and Torres Monzino. They  are joined by the Cuernos del Paine. The area also boasts valleys, rivers such as the Paine, lakes, and glaciers. The well-known lakes include Grey, Pehoé, Nordenskiöld, and Sarmiento. The glaciers, including Grey, Pingo and Tyndall, belong to the Southern Patagonia Ice Field.
he landscape of the park is dominated by the Paine massif, which is an eastern spur of the Andes located on the east side of the Grey Glacier, rising dramatically above the Patagonian steppe. Small valleys separate the spectacular granite spires and mountains of the massif. These are: Valle del Francés (French Valley), Valle Bader, Valle Ascencio, and Valle del Silencio (Silence Valley).
The Southern Patagonian Ice Field mantles a great portion of the park.

The painter
James Hart Dyke’s work is centred on landscape painting, from the domesticity of paintings of country houses to paintings generated from physically demanding expeditions over remote mountains. James has also undertaken a series of projects including accompanying HRH The Prince of Wales as the official artist on royal tours, working as ‘artist in residence’ for The British Secret Intelligence Service, working as an artist embedded with the British Forces in war zones, working for the producers of the James Bond films and working as ‘artist in residence’ for Aston Martin. These projects required him to respond in many different ways and have allowed him to experiment with more graphic forms of painting influenced by his studies as an architect at the Royal College of Art. His portraits have been shown at the National Portrait Gallery and at the Royal Society of Portrait Painters exhibitions.

___________________________
2020 - Wandering Vertexes
Un blog de Francis Rousseau

CERRO TORRE (3) PAINTED BY JAMES HART DYKE

 

JAMES HART DYKE (bn.1966)

Cerro Torre (3,128 m - 10,262 ft)

Argentina, Chile border

In Cerro Torre, 2018, oil on canvas, Courtesy John Mitchell Gallery London

The mountain
Cerro Torre (3,128 m - 10,262 ft) is one of the mountains of the Southern Patagonian Ice Field in South America. It is located in the border between Argentina and Chile, west of Cerro Chalten /Fitz Roy. The peak is the highest in a four mountain chain: the other peaks are Torre Egger (2,685 m), Punta Herron, and Cerro Standhardt. The top of the mountain often has a mushroom of rime ice, formed by the constant strong winds, increasing the difficulty of reaching the actual summit.
Cesare Maestri claimed in 1959 that he and Toni Egger had reached the summit and that Egger had been swept to his death by an avalanche while they were descending. Maestri declared that Egger had the camera with the pictures of the summit, but this camera was never found. Inconsistencies in Maestri's account, and the lack of bolts, pitons or fixed ropes on the route, have led most mountaineers to doubt Maestri's claim.
More about the mountain =>

The painter
James Hart Dyke’s work is centred on landscape painting, from the domesticity of paintings of country houses to paintings generated from physically demanding expeditions over remote mountains. James has also undertaken a series of projects including accompanying HRH The Prince of Wales as the official artist on royal tours, working as ‘artist in residence’ for The British Secret Intelligence Service, working as an artist embedded with the British Forces in war zones, working for the producers of the James Bond films and working as ‘artist in residence’ for Aston Martin. These projects required him to respond in many different ways and have allowed him to experiment with more graphic forms of painting influenced by his studies as an architect at the Royal College of Art. His portraits have been shown at the National Portrait Gallery and at the Royal Society of Portrait Painters exhibitions.

___________________________
2020 - Wandering Vertexes
Un blog de Francis Rousseau

CERRO POINCENOT PAINTED BY JAMES HART DYKE

JAMES HART DYKE (bn.1966),

Cerro Poincenot (3,002 m - 9,848 ft)

Argentina - Chile 

In  Cerro Poincenot and glacier, acrylic and pencil on card, 12x15cm. 2018, Private collection

The mountain
Ceero Poincenot or Poincenot Needle (3002 m - 9,848 ft) is a mountain located to the east of the Southern Patagonian ice field in the sector pending delimitation on the border between Argentina (Province of Santa Cruz) and Chile (Region of Magallanes and the Chilean Antarctic) dating from the 1998 Agreement;.  This sector is from the south of Mount Fitz Roy to Cerro Murallón, in the Treaty it was intended to delimit from Fitz Roy to Cerro Daudet, however, due to disagreement as to delimit the northern sector, it was only defined from the Hill Murallón to the Daudet. Because of this, its political and neutral status is that of an international hill, and of which it belongs to both countries, of which both must define a definitive border.
The mountainous group to which it belongs forms one of the great nunataks of the Patagonian ice field. The spire is located south of Mount Fitz Roy (which measures about 350 meters more), and stands out for its pointed figure and vertical walls.
The summit was named in memory of the French mountaineer Jacques Poincenot, who died during the French expedition to reach the top of Mount Fitz Roy for the first time, composed of Lionel Terray and Guido Magnone. During the long walk to Fitz Roy, Poincenot drowned in the Fitz Roy River.5 His remains rest in the town of Puerto Santa Cruz.
The first ascent was made in 1962 by the Irishman Frank Cochrane and the British Don Whillans, who used the southwest face.

The painter
James Hart Dyke’s work is centred on landscape painting, from the domesticity of paintings of country houses to paintings generated from physically demanding expeditions over remote mountains. James has also undertaken a series of projects including accompanying HRH The Prince of Wales as the official artist on royal tours, working as ‘artist in residence’ for The British Secret Intelligence Service, working as an artist embedded with the British Forces in war zones, working for the producers of the James Bond films and working as ‘artist in residence’ for Aston Martin. These projects required him to respond in many different ways and have allowed him to experiment with more graphic forms of painting influenced by his studies as an architect at the Royal College of Art. His portraits have been shown at the National Portrait Gallery and at the Royal Society of Portrait Painters exhibitions.

___________________________

2020 - Wandering Vertexes
Un blog de Francis Rousseau

CERRO TORRE PAINTED BY JAMES HART DYKE

 

JAMES HART DYKE (bn.1966)
Cerro Torre (3,128 m - 10,262 ft)
Argentina, Chile border

In  Cerro Torre, 2018, oil on canvas, Courtesy Gallery John Mitchell, London

The mountain
 Cerro Torre (3,128 m - 10,262 ft) is one of the mountains of the Southern Patagonian Ice Field in South America. It is located in the border between Argentina and Chile, west of Cerro Chalten /Fitz Roy. The peak is the highest in a four mountain chain: the other peaks are Torre Egger (2,685 m), Punta Herron, and Cerro Standhardt. The top of the mountain often has a mushroom of rime ice, formed by the constant strong winds, increasing the difficulty of reaching the actual summit.
Cesare Maestri claimed in 1959 that he and Toni Egger had reached the summit and that Egger had been swept to his death by an avalanche while they were descending. Maestri declared that Egger had the camera with the pictures of the summit, but this camera was never found. Inconsistencies in Maestri's account, and the lack of bolts, pitons or fixed ropes on the route, have led most mountaineers to doubt Maestri's claim.
In 2005, Ermanno Salvaterra, Rolando Garibotti and Alessandro Beltrami, after many attempts by world-class alpinists, put up a confirmed route on the face that Maestri claimed to have climbed. They did not find any evidence of previous climbing on the route described by Maestri and found the route significantly different from Maestri's description. In 2015 Rolando Garibotti published evidence that the information provided by Maestri do not agree with respect to the alleged summit ascent. Instead he and Egger were on the western flank of Perfil de Indio.
Maestri went back to Cerro Torre in 1970 with Ezio Alimonta, Daniele Angeli, Claudio Baldessarri, Carlo Claus and Pietro Vidi, trying a new route on the southeast face. With the aid of a gas-powered compressor drill, Maestri equipped 350 m of rock with bolts and got to the end of the rocky part of the mountain, just below the ice mushroom. Maestri claimed that "the mushroom is not part of the mountain" and did not continue to the summit. The compressor was left, tied to the last bolts, 100 m below the top. Maestri was heavily criticised for the "unfair" methods he used to climb the mountain.
The route Maestri followed is now known as the Compressor route and was climbed to the summit in 1979 by Jim Bridwell and Steve Brewer. Most parties consider the ascent complete only if they summit the often-difficult ice-rime mushroom.
The first undisputed ascent was made in 1974 by the "Ragni di Lecco" climbers Daniele Chiappa, Mario Conti, Casimiro Ferrari, and Pino Negri.

The painter
James Hart Dyke’s work is centred on landscape painting, from the domesticity of paintings of country houses to paintings generated from physically demanding expeditions over remote mountains. James has also undertaken a series of projects including accompanying HRH The Prince of Wales as the official artist on royal tours, working as ‘artist in residence’ for The British Secret Intelligence Service, working as an artist embedded with the British Forces in war zones, working for the producers of the James Bond films and working as ‘artist in residence’ for Aston Martin. These projects required him to respond in many different ways and have allowed him to experiment with more graphic forms of painting influenced by his studies as an architect at the Royal College of Art. His portraits have been shown at the National Portrait Gallery and at the Royal Society of Portrait Painters exhibitions.

 ___________________________
2019 - Wandering Vertexes
Un blog de Francis Rousseau

THE FITZ ROY / CERRO CHALTEN PAINTED BY JAMES HART DYKE

JAMES HART DYKE (bn.1966)

The Fitz Roy / Cerro Chalten (3,405 m- 11, 171 ft)

Chile - Argentina border

In Fitz Roy and Laguna Sucia, sunlight on glacier, 2018, 

Courtesy John Mitchell Gallery, London, oil on gesso on panel, 57 x 57 cm.

The painter
James Hart Dyke’s work is centred on landscape painting, from the domesticity of paintings of country houses to paintings generated from physically demanding expeditions over remote mountains. James has also undertaken a series of projects including accompanying HRH The Prince of Wales as the official artist on royal tours, working as ‘artist in residence’ for The British Secret Intelligence Service, working as an artist embedded with the British Forces in war zones, working for the producers of the James Bond films and working as ‘artist in residence’ for Aston Martin. These projects required him to respond in many different ways and have allowed him to experiment with more graphic forms of painting influenced by his studies as an architect at the Royal College of Art. His portraits have been shown at the National Portrait Gallery and at the Royal Society of Portrait Painters exhibitions.

The mountain 
Fitz Roy / Cerro Chalten (3,405m- 11, 171 ft) is a mountain located near El Chaltèn village, in the Southern Patagonian Ice Field in Patagonia, on the border between Argentina and Chile. First climbed in 1952 by French alpinists Lionel Terray and Guido Magnone, " The Fitz Roy " remains among the most technically challenging mountains for mountaineers on Earth. Mount Fitz Roy is the basis for the Patagonia clothing logo following Yvon Chouinard's ascent and subsequent film in 1968.
Argentine explorer Francisco Moreno first saw the mountain on 2 March 1877. He named it Fitz Roy, in honour of Robert FitzRoy, who, as captain of the HMS Beagle had travelled up the Santa Cruz River in 1834 and charted large parts of the Patagonian coast.
Cerro is a Spanish word meaning mountain, while Chaltèn comes from a Tehuelche (Aonikenk) word meaning "smoking mountain", due to a cloud that usually forms around the mountain's peak. Fitz Roy, however, was only one of a number of peaks the Tehuelche called Chaltèn.
It has been agreed by Argentina and Chile that their international border detours eastwards to pass over the main summit, but a large part of the border to the south of the summit, as far as Cerro Murallуn, remains undefined.

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2019 - Wandering Vertexes
Un blog de Francis Rousseau