SUMMIT OF FUJIYAMA / 富士山 BY HIROSHI YOSHIDA / 吉田 博

 

HIROSHI YOSHIDA / 吉田 博 (1876-1950)
Fujiyama / 富士山 (3, 776 m -12,389 ft)
Japan

In Ten Views of Fuji- Summit of Fuji Series- woodblock Print

 
The painter
Hiroshi Yoshida  / 吉田 博 (  (not to be confused with Toshi Yoshida) was born in 1876. He began his artistic training with his adoptive father in Kurume, Fukuoka prefecture. Around the age of twenty, he left Kurume to study with Soritsu Tamura in Kyoto, subsequently moving to Tokyo and the tutelage of Shotaro Koyama. Yoshida studied Western-style painting, winning many exhibition prizes and making several trips to the United States, Europe and North Africa selling his watercolors and oil paintings. In 1902, he played a leading role in the organization of the Meiji Fine Arts Society into the Pacific Painting Association. His work was featured in the exhibitions of the state-sponsored Bunten and Teiten. While highly successful as an oil painter and watercolor artist, Yoshida turned to printmaking upon learning of the Western world’s infatuation with ukiyo-e.
Following the Great Kanto Earthquake of 1923, Yoshida embarked on a tour of the United States and Europe, painting and selling his work. When he returned to Japan in 1925, he started his own workshop, specializing in landscapes inspired both by his native country and his travels abroad. Yoshida often worked through the entire process himself: designing the print, carving his own blocks, and printing his work. His career was temporarily interrupted by his sojourn as a war correspondent in Manchuria during the Pacific War. Although he designed his last print in 1946, Yoshida continued to paint with oils and watercolors up until his death in 1950.
Yoshida was widely traveled and knowledgeable of Western aesthetics, yet maintained an allegiance to traditional Japanese techniques and traditions. Attracted by the calmer moments of nature, his prints breathe coolness, invite meditation, and set a soft, peaceful mood. All of his lifetime prints are signed “Hiroshi Yoshida” in pencil and marked with a jizuri (self-printed) seal outside of the margin. Within the image, most prints are signed “Yoshida” with brush and ink beside a red “Hiroshi” seal.


The mountain
The legendary Mount Fuji or Fujiyama (富士山) i  located on Honshu Island and is the highest mountain peak in Japan at 3,776.24 m (12,389 ft). Several names are attributed to it: "Fuji-san", "Fujiyama" or, redundantly, "Mt. Fujiyama". Usually Japanese speakers refer to the mountain as "Fuji-san". The other Japanese names for Mount Fuji, have become obsolete or poetic like: Fuji-no-Yama (ふじの山 - The Mountain of Fuji), Fuji-no-Takane (ふじの高嶺- The High Peak of Fuji), Fuyō-hō (芙蓉峰 - The Lotus Peak), and Fugaku (富岳／富嶽), created by combining the first character of 富士, Fuji, and 岳, mountain.
Mount Fuji is an active stratovolcano that last erupted in 1707–08. Mount Fuji lies about 100 kilometres (60 mi) south-west of Tokyo, and can be seen from there on a clear day.
Mount Fuji's exceptionally symmetrical cone, which is snow-capped several months a year, is a well-known symbol of Japan and it is frequently depicted in art and photographs, as well as visited by sightseers and climbers. Mount Fuji is one of Japan's Three Holy Mountains (三霊山) along with Mount Tate and Mount Haku. It is also a Special Place of Scenic Beauty and one of Japan's Historic Sites.
It was added to the World Heritage List as a Cultural Site on June 22, 2013. As per UNESCO, Mount Fuji has “inspired artists and poets and been the object of pilgrimage for centuries”. UNESCO recognizes 25 sites of cultural interest within the Mt. Fuji locality. These 25 locations include the mountain itself, Fujisan Hongū Sengen Shrine and six other Sengen shrines, two lodging houses, Lake Yamanaka, Lake Kawaguchi, the eight Oshino Hakkai hot springs, two lava tree molds, the remains of the Fuji-kō cult in the Hitoana cave, Shiraito Falls, and Miho no Matsubara pine tree grove; while on the low alps of Mount Fuji lies the Taisekiji temple complex, where the central base headquarters of Nichiren Shoshu Buddhism is located.

_______________________________

2022 - Wandering Vertexes...
by Francis Rousseau

KANGCHENJUNGA BY HIROSHI YOSHIDA / 吉田 博

HIROSHI YOSHIDA / 吉田 博 (1876-1950)

Kangchenjunga (8, 538m - 28,169 ft) 

India, Népal

 In Kangchenjunga, 1937- Woodblock Print.

The mountain 
 Kangchenjunga (8,586 m (28,169 ft) is the  third highest mountain in the world. It  lies partly in Nepal and partly in Sikkim, India.  Kangchenjunga is the second highest mountain of the Himalayas after Mount Everest. Three of the five peaks – Main, Central and South – are on the border between North Sikkim and Nepal. Two peaks are in the Taplejung District, Nepal.
Kangchenjunga Main is the highest mountain in India, and the easternmost of the mountains higher than 8,000 m (26,000 ft).  Until 1852, Kangchenjunga was assumed to be the highest mountain in the world, but calculations based on various readings and measurements made by the Great Trigonometrical Survey of India in 1849 came to the conclusion that Mount Everest, known as Peak XV at the time, was the highest.  It is listed int the  Eight Thousanders and as Seven Third Summits
Kangchenjunga is the official spelling adopted by Douglas Freshfield, A. M. Kellas, and the Royal Geographical Society that gives the best indication of the Tibetan pronunciation. Freshfield referred to the spelling used by the Indian Government since the late 19th century. There are a number of alternative spellings including Kangchendzцnga, Khangchendzonga, and Kanchenjunga.  Local Lhopo people believe that the treasures are hidden but reveal to the devout when the world is in peril; the treasures comprise salt, gold, turquoise and precious stones, sacred scriptures, invincible armor or ammunition, grain and medicine. Kangchenjunga's name in the Limbu language is Senjelungma or Seseylungma, and is believed to be an abode of the omnipotent goddess Yuma Sammang.
It rises in a section of the Himalayas called Kangchenjunga Himal that is limited in the west by the Tamur River, in the north by the Lhonak Chu and Jongsang La, and in the east by the Teesta River. It lies about 128 km (80 mi) east of Mount Everest.
Allowing for further verification of all calculations, it was officially announced in 1856 that
Kangchenjunga was first climbed on 25 May 1955 by Joe Brown and George Band, who were part of a British expedition. They stopped short of the summit as per the promise given to the Chogyal that the top of the mountain would remain inviolate. Every climber or climbing group that has reached the summit has followed this tradition...

The painter 
Hiroshi Yoshida  (not to be confused with Toshi Yoshida) was born in 1876. He began his artistic training with his adoptive father in Kurume, Fukuoka prefecture. Around the age of twenty, he left Kurume to study with Soritsu Tamura in Kyoto, subsequently moving to Tokyo and the tutelage of Shotaro Koyama. Yoshida studied Western-style painting, winning many exhibition prizes and making several trips to the United States, Europe and North Africa selling his watercolors and oil paintings. In 1902, he played a leading role in the organization of the Meiji Fine Arts Society into the Pacific Painting Association. His work was featured in the exhibitions of the state-sponsored Bunten and Teiten. While highly successful as an oil painter and watercolor artist, Yoshida turned to printmaking upon learning of the Western world’s infatuation with ukiyo-e.
Following the Great Kanto Earthquake of 1923, Yoshida embarked on a tour of the United States and Europe, painting and selling his work. When he returned to Japan in 1925, he started his own workshop, specializing in landscapes inspired both by his native country and his travels abroad. Yoshida often worked through the entire process himself: designing the print, carving his own blocks, and printing his work. His career was temporarily interrupted by his sojourn as a war correspondent in Manchuria during the Pacific War. Although he designed his last print in 1946, Yoshida continued to paint with oils and watercolors up until his death in 1950.
Yoshida was widely traveled and knowledgeable of Western aesthetics, yet maintained an allegiance to traditional Japanese techniques and traditions. Attracted by the calmer moments of nature, his prints breathe coolness, invite meditation, and set a soft, peaceful mood. All of his lifetime prints are signed “Hiroshi Yoshida” in pencil and marked with a jizuri (self-printed) seal outside of the margin. Within the image, most prints are signed “Yoshida” with brush and ink beside a red “Hiroshi” seal.

FUJIYAMA / 富士山 BY HIROSHI YOSHIDA / 吉田 博

       

                                                 HIROSHI YOSHIDA / 吉田 博 (1876-1950)

                                                      Fujiyama / 富士山 (3, 776 m -12,389 ft)

Japan

 In Fuji from Yoshida Medium, Woodblock Print, 1926

The mountain 

Mount Fuji  (3,776.24 m - 12,389 ft) or Fujiyama (富士山) is located on Honshu Island and is the highest mountain peak in Japan. Several names are attributed to it:  "Fuji-san" (the one usually Japanese speakers refer to) , "Fujiyama" or, redundantly, "Mt. Fujiyama". 

Mount Fuji is an active stratovolcano that last erupted in 1707–08. Mount Fuji lies about 100 kilometres (60 mi) south-west of Tokyo, and can be seen from there on a clear day.

Mount Fuji's exceptionally symmetrical cone, which is snow-capped several months a year, is a well-known symbol of Japan and it is frequently depicted in art and photographs, as well as visited by sightseers and climbers.

Mount Fuji is one of Japan's Three Holy Mountains (三霊山) along with Mount Tate and Mount Haku. It is also a Special Place of Scenic Beauty and one of Japan's Historic Sites.

It was added to the World Heritage List as a Cultural Site on June 22, 2013. As per UNESCO, Mount Fuji has “inspired artists and poets and been the object of pilgrimage for centuries”. UNESCO recognizes 25 sites of cultural interest within the Mt. Fuji locality. These 25 locations include the mountain itself, Fujisan Hongū Sengen Shrine and six other Sengen shrines, two lodging houses, Lake Yamanaka, Lake Kawaguchi, the eight Oshino Hakkai hot springs, two lava tree molds, the remains of the Fuji-kō cult in the Hitoana cave, Shiraito Falls, and Miho no Matsubara pine tree grove; while on the low alps of Mount Fuji lies the Taisekiji temple complex, where the central base headquarters of Nichiren Shoshu Buddhism is located.

The painter 

Hiroshi Yoshida / 吉田 博(not to be confused with Toshi Yoshida) was born in 1876. He began his artistic training with his adoptive father in Kurume, Fukuoka prefecture. Around the age of twenty, he left Kurume to study with Soritsu Tamura in Kyoto, subsequently moving to Tokyo and the tutelage of Shotaro Koyama. Yoshida studied Western-style painting, winning many exhibition prizes and making several trips to the United States, Europe and North Africa selling his watercolors and oil paintings. In 1902, he played a leading role in the organization of the Meiji Fine Arts Society into the Pacific Painting Association. His work was featured in the exhibitions of the state-sponsored Bunten and Teiten. While highly successful as an oil painter and watercolor artist, Yoshida turned to printmaking upon learning of the Western world’s infatuation with ukiyo-e.

Following the Great Kanto Earthquake of 1923, Yoshida embarked on a tour of the United States and Europe, painting and selling his work. When he returned to Japan in 1925, he started his own workshop, specializing in landscapes inspired both by his native country and his travels abroad. Yoshida often worked through the entire process himself: designing the print, carving his own blocks, and printing his work. His career was temporarily interrupted by his sojourn as a war correspondent in Manchuria during the Pacific War. Although he designed his last print in 1946, Yoshida continued to paint with oils and watercolors up until his death in 1950.

Yoshida was widely traveled and knowledgeable of Western aesthetics, yet maintained an allegiance to traditional Japanese techniques and traditions. Attracted by the calmer moments of nature, his prints breathe coolness, invite meditation, and set a soft, peaceful mood. All of his lifetime prints are signed “Hiroshi Yoshida” in pencil and marked with a jizuri (self-printed) seal outside of the margin. Within the image, most prints are signed “Yoshida” with brush and ink beside a red “Hiroshi” seal.

_______________________________

2018 - Wandering Vertexes...
by Francis Rousseau 

FUJIYAMA / 富士山 BY HIROSHI YOSHIDA / 吉田 博

HIROSHI YOSHIDA / 吉田 博 (1876-1950)

Fujiyama / 富士山 (3, 776 m -12,389 ft)

Japan

In Fujiyama from Okitsu, 1928, woodblock print 

The mountain 
Mount Fuji  ( 3,776.24 m (12,389 ft) or Fujiyama (富士山) is located on Honshu Island and is the highest mountain peak in Japan. Several names are attributed to it:  "Fuji-san", "Fujiyama" or, redundantly, "Mt. Fujiyama". Usually Japanese speakers refer to the mountain as "Fuji-san".  The other Japanese names for Mount Fuji,  have become obsolete or poetic like: Fuji-no-Yama (ふじの山 - The Mountain of Fuji), Fuji-no-Takane (ふじの高嶺- The High Peak of Fuji), Fuyō-hō (芙蓉峰 - The Lotus Peak), and Fugaku (富岳／富嶽), created by combining the first character of 富士, Fuji, and 岳, mountain.
Mount Fuji is an active stratovolcano that last erupted in 1707–08. Mount Fuji lies about 100 kilometres (60 mi) south-west of Tokyo, and can be seen from there on a clear day.
Mount Fuji's exceptionally symmetrical cone, which is snow-capped several months a year, is a well-known symbol of Japan and it is frequently depicted in art and photographs, as well as visited by sightseers and climbers.
Mount Fuji is one of Japan's Three Holy Mountains (三霊山) along with Mount Tate and Mount Haku. It is also a Special Place of Scenic Beauty and one of Japan's Historic Sites.
It was added to the World Heritage List as a Cultural Site on June 22, 2013. As per UNESCO, Mount Fuji has “inspired artists and poets and been the object of pilgrimage for centuries”. UNESCO recognizes 25 sites of cultural interest within the Mt. Fuji locality. These 25 locations include the mountain itself, Fujisan Hongū Sengen Shrine and six other Sengen shrines, two lodging houses, Lake Yamanaka, Lake Kawaguchi, the eight Oshino Hakkai hot springs, two lava tree molds, the remains of the Fuji-kō cult in the Hitoana cave, Shiraito Falls, and Miho no Matsubara pine tree grove; while on the low alps of Mount Fuji lies the Taisekiji temple complex, where the central base headquarters of Nichiren Shoshu Buddhism is located.

The painter 
Hiroshi Yoshida  (not to be confused with Toshi Yoshida) was born in 1876. He began his artistic training with his adoptive father in Kurume, Fukuoka prefecture. Around the age of twenty, he left Kurume to study with Soritsu Tamura in Kyoto, subsequently moving to Tokyo and the tutelage of Shotaro Koyama. Yoshida studied Western-style painting, winning many exhibition prizes and making several trips to the United States, Europe and North Africa selling his watercolors and oil paintings. In 1902, he played a leading role in the organization of the Meiji Fine Arts Society into the Pacific Painting Association. His work was featured in the exhibitions of the state-sponsored Bunten and Teiten. While highly successful as an oil painter and watercolor artist, Yoshida turned to printmaking upon learning of the Western world’s infatuation with ukiyo-e.
Following the Great Kanto Earthquake of 1923, Yoshida embarked on a tour of the United States and Europe, painting and selling his work. When he returned to Japan in 1925, he started his own workshop, specializing in landscapes inspired both by his native country and his travels abroad. Yoshida often worked through the entire process himself: designing the print, carving his own blocks, and printing his work. His career was temporarily interrupted by his sojourn as a war correspondent in Manchuria during the Pacific War. Although he designed his last print in 1946, Yoshida continued to paint with oils and watercolors up until his death in 1950.
Yoshida was widely traveled and knowledgeable of Western aesthetics, yet maintained an allegiance to traditional Japanese techniques and traditions. Attracted by the calmer moments of nature, his prints breathe coolness, invite meditation, and set a soft, peaceful mood. All of his lifetime prints are signed “Hiroshi Yoshida” in pencil and marked with a jizuri (self-printed) seal outside of the margin. Within the image, most prints are signed “Yoshida” with brush and ink beside a red “Hiroshi” seal.

2018 - Wandering Vertexes...
Un blog de Francis Rousseau

FUJIYAMA / 富士山 (2) BY HIROSHI YOSHIDA / 吉田 博

 

HIROSHI YOSHIDA / 吉田 博 (1876-1950)
Fujiyama / 富士山 (3, 776 m -12,389 ft)
Japan

In Fuji San from Yamanaka, Woodblock, 1937, Private Collection Japan

The mountain
Mount Fuji ( 3,776.24 m (12,389 ft) or Fujiyama (富士山) is located on Honshu Island and is the highest mountain peak in Japan. Several names are attributed to it: "Fuji-san", "Fujiyama" or, redundantly, "Mt. Fujiyama". Usually Japanese speakers refer to the mountain as "Fuji-san". The other Japanese names for Mount Fuji, have become obsolete or poetic like: Fuji-no-Yama (ふじの山 - The Mountain of Fuji), Fuji-no-Takane (ふじの高嶺- The High Peak of Fuji), Fuyō-hō (芙蓉峰 - The Lotus Peak), and Fugaku (富岳／富嶽), created by combining the first character of 富士, Fuji, and 岳, mountain.
Mount Fuji is an active stratovolcano that last erupted in 1707–08. Mount Fuji lies about 100 kilometres (60 mi) south-west of Tokyo, and can be seen from there on a clear day.
Mount Fuji's exceptionally symmetrical cone, which is snow-capped several months a year, is a well-known symbol of Japan and it is frequently depicted in art and photographs, as well as visited by sightseers and climbers.
Mount Fuji is one of Japan's Three Holy Mountains (三霊山) along with Mount Tate and Mount Haku. It is also a Special Place of Scenic Beauty and one of Japan's Historic Sites.
It was added to the World Heritage List as a Cultural Site on June 22, 2013. As per UNESCO, Mount Fuji has “inspired artists and poets and been the object of pilgrimage for centuries”. UNESCO recognizes 25 sites of cultural interest within the Mt. Fuji locality. These 25 locations include the mountain itself, Fujisan Hongū Sengen Shrine and six other Sengen shrines, two lodging houses, Lake Yamanaka, Lake Kawaguchi, the eight Oshino Hakkai hot springs, two lava tree molds, the remains of the Fuji-kō cult in the Hitoana cave, Shiraito Falls, and Miho no Matsubara pine tree grove; while on the low alps of Mount Fuji lies the Taisekiji temple complex, where the central base headquarters of Nichiren Shoshu Buddhism is located.


Hiroshi Yoshida (not to be confused with Toshi Yoshida) was born in 1876. He began his artistic training with his adoptive father in Kurume, Fukuoka prefecture. Around the age of twenty, he left Kurume to study with Soritsu Tamura in Kyoto, subsequently moving to Tokyo and the tutelage of Shotaro Koyama. Yoshida studied Western-style painting, winning many exhibition prizes and making several trips to the United States, Europe and North Africa selling his watercolors and oil paintings. In 1902, he played a leading role in the organization of the Meiji Fine Arts Society into the Pacific Painting Association. His work was featured in the exhibitions of the state-sponsored Bunten and Teiten. While highly successful as an oil painter and watercolor artist, Yoshida turned to printmaking upon learning of the Western world’s infatuation with ukiyo-e.
Following the Great Kanto Earthquake of 1923, Yoshida embarked on a tour of the United States and Europe, painting and selling his work. When he returned to Japan in 1925, he started his own workshop, specializing in landscapes inspired both by his native country and his travels abroad. Yoshida often worked through the entire process himself: designing the print, carving his own blocks, and printing his work. His career was temporarily interrupted by his sojourn as a war correspondent in Manchuria during the Pacific War. Although he designed his last print in 1946, Yoshida continued to paint with oils and watercolors up until his death in 1950.
Yoshida was widely traveled and knowledgeable of Western aesthetics, yet maintained an allegiance to traditional Japanese techniques and traditions. Attracted by the calmer moments of nature, his prints breathe coolness, invite meditation, and set a soft, peaceful mood. All of his lifetime prints are signed “Hiroshi Yoshida” in pencil and marked with a jizuri (self-printed) seal outside of the margin. Within the image, most prints are signed “Yoshida” with brush and ink beside a red “Hiroshi” seal.


_______________________________________

2020 - Wandering Vertexes...
Un blog de Francis Rousseau

RISHIRI-ZAN / 利尻山 BY HIROSHI YOSHIDA / 吉田 博

 HIROSHI YOSHIDA / 吉田 博 (1876-1950), 

Rishiri-zan  / 利尻山  (1,721 m - 5, 646 ft)

Japan (Hokkaido) 

In Peaceful Rishiri, woodblock print, 1939

The mountain 
Rishiri-zan  / 利尻山  ( 1,721 m- 5, 646 ft) is a quaternary stratovolcano located off the coast of Hokkaidō, Japan in the Sea of Japan. The extinct volcano rises out of the sea forming Rishiri Island. Because its cone shape resembles Mount Fuji it is sometimes referred to as Rishiri Fuji. It is one of the 100 famous mountains in Japan.
Mount Rishiri is made up of alkali and non-alkali mafic volcanic rock dating from the Late Pleistocene, 130,000–18,000 years ago. Otherwise it is covered in quaternary volcanic rock debris.[2]
The ascent of Rishiri is not suitable for novice hikers, it is challenging in places. There is a campsite partway up the mountain from the dock, and an unmanned hut located a short distance below the summit. There is also a small shrine at the summit. On clear days the view extends to Hokkaidō, the adjacent island of Rebun, and as far as Sakhalin Island in Russia.
Mount Rishiri's opening festival is held annually on July 2 and July 3. This festival officially opens the climbing season.

The painter 

Hiroshi Yoshida / 吉田 博(not to be confused with Toshi Yoshida) was born in 1876. He began his artistic training with his adoptive father in Kurume, Fukuoka prefecture. Around the age of twenty, he left Kurume to study with Soritsu Tamura in Kyoto, subsequently moving to Tokyo and the tutelage of Shotaro Koyama. Yoshida studied Western-style painting, winning many exhibition prizes and making several trips to the United States, Europe and North Africa selling his watercolors and oil paintings. In 1902, he played a leading role in the organization of the Meiji Fine Arts Society into the Pacific Painting Association. His work was featured in the exhibitions of the state-sponsored Bunten and Teiten. While highly successful as an oil painter and watercolor artist, Yoshida turned to printmaking upon learning of the Western world’s infatuation with ukiyo-e.

Following the Great Kanto Earthquake of 1923, Yoshida embarked on a tour of the United States and Europe, painting and selling his work. When he returned to Japan in 1925, he started his own workshop, specializing in landscapes inspired both by his native country and his travels abroad. Yoshida often worked through the entire process himself: designing the print, carving his own blocks, and printing his work. His career was temporarily interrupted by his sojourn as a war correspondent in Manchuria during the Pacific War. Although he designed his last print in 1946, Yoshida continued to paint with oils and watercolors up until his death in 1950.

Yoshida was widely traveled and knowledgeable of Western aesthetics, yet maintained an allegiance to traditional Japanese techniques and traditions. Attracted by the calmer moments of nature, his prints breathe coolness, invite meditation, and set a soft, peaceful mood. All of his lifetime prints are signed “Hiroshi Yoshida” in pencil and marked with a jizuri (self-printed) seal outside of the margin. Within the image, most prints are signed “Yoshida” with brush and ink beside a red “Hiroshi” seal.

_______________________________

2018 - Wandering Vertexes...
by Francis Rousseau 

MOUNT TACOMA / RAINIER BY HIROSHI YOSHIDA / 吉田 博

HIROSHI YOSHIDA / 吉田 博 (1876-1950)

Mount Tacoma also called Mont Rainier (4,392 m -14,411 ft) 

United States of America (Washington)

In Mt. Rainier USA- Woodblock print - 1925

The mountain
Mount Rainier, Mount Tacoma, or Mount Tahoma (4,392 m-14,411 ft) is the highest mountain of the Cascade Range of the Pacific Northwest, and the highest mountain in the U.S. state of Washington. It is a large active stratovolcano located 54 miles (87 km) south-southeast of Seattle. It is the most topographically prominent mountain in the contiguous United States and the Cascade Volcanic Arc.
Mount Rainier was first known by the Native Americans as Talol, or Tacoma or Tahoma. One hypothesis of the word origin is ("mother of waters"), in the Lushootseed language spoken by the Puyallup people. Another hypothesis is that "Tacoma" means "larger than Mount Baker" in Lushootseed: "Ta", larger, plus "Koma", Mount Baker. Other names originally used include Tahoma, Tacobeh, and Pooskaus.
The current name was given by George Vancouver, who named it in honor of his friend, Rear Admiral Peter Rainier. The map of the Lewis and Clark expedition of 1804-1806 refers to it as "Mt. Regniere".
This peak is located just east of Eatonville and just southeast of Seattle and Tacoma. Mount Rainier is ranked third of the 128 ultra-prominent mountain peaks of the United States.

More about Mont Tacoma /Rainier 

The painter
Hiroshi Yoshida (not to be confused with Toshi Yoshida) was born in 1876. He began his artistic training with his adoptive father in Kurume, Fukuoka prefecture. Around the age of twenty, he left Kurume to study with Soritsu Tamura in Kyoto, subsequently moving to Tokyo and the tutelage of Shotaro Koyama. Yoshida studied Western-style painting, winning many exhibition prizes and making several trips to the United States, Europe and North Africa selling his watercolors and oil paintings. In 1902, he played a leading role in the organization of the Meiji Fine Arts Society into the Pacific Painting Association. His work was featured in the exhibitions of the state-sponsored Bunten and Teiten. While highly successful as an oil painter and watercolor artist, Yoshida turned to printmaking upon learning of the Western world’s infatuation with ukiyo-e.
Following the Great Kanto Earthquake of 1923, Yoshida embarked on a tour of the United States and Europe, painting and selling his work. When he returned to Japan in 1925, he started his own workshop, specializing in landscapes inspired both by his native country and his travels abroad. Yoshida often worked through the entire process himself: designing the print, carving his own blocks, and printing his work. His career was temporarily interrupted by his sojourn as a war correspondent in Manchuria during the Pacific War. Although he designed his last print in 1946, Yoshida continued to paint with oils and watercolors up until his death in 1950.
Yoshida was widely traveled and knowledgeable of Western aesthetics, yet maintained an allegiance to traditional Japanese techniques and traditions. Attracted by the calmer moments of nature, his prints breathe coolness, invite meditation, and set a soft, peaceful mood. All of his lifetime prints are signed “Hiroshi Yoshida” in pencil and marked with a jizuri (self-printed) seal outside of the margin. Within the image, most prints are signed “Yoshida” with brush and ink beside a red “Hiroshi” seal.

_______________________________
2019 - Wandering Vertexes...
by Francis Rousseau

TSURUGI SAN / TOKUSHIMA / 剣山 BY HIROSHI YOSHIDA / 吉田 博

HIROSHI YOSHIDA / 吉田 博 (1876-1950),

Mount Tsurugi or Tokushima / 剣山  (1,954m - 6, 413ft)

Japan 

In Tsurugi san,  woodblock Print,  c. 1936 

The mountain
Mount Tsurugi   or Tokushima  (1,954m - 6, 413ft)  ( in japanese 剣山 Tsurugi-san), meaning sword, is a mountain on the border of Miyoshi, Mima and Naka in Tokushima Prefecture, Japan. This mountain is one of the 100 Famous Japanese Mountains. Mount Tsurugi is the second highest mountain on the island of Shikoku, and also the second highest mountain west of Mount Haku, which is on the border of Ishikawa and Gifu prefectures in central Japan.
Mount Tsurugi is an important object of worship in this region and one of the centers of Shugendō, a sect of mixture of Shintoism and Buddhism. On the top of the mountain, there is a small shrine called ‘Tsurugi Jinja’. The area around Mount Tsurugi is a major part of Tsurugi Quasi-National Park.

The painter 

Hiroshi Yoshida / 吉田 博(not to be confused with Toshi Yoshida) was born in 1876. He began his artistic training with his adoptive father in Kurume, Fukuoka prefecture. Around the age of twenty, he left Kurume to study with Soritsu Tamura in Kyoto, subsequently moving to Tokyo and the tutelage of Shotaro Koyama. Yoshida studied Western-style painting, winning many exhibition prizes and making several trips to the United States, Europe and North Africa selling his watercolors and oil paintings. In 1902, he played a leading role in the organization of the Meiji Fine Arts Society into the Pacific Painting Association. His work was featured in the exhibitions of the state-sponsored Bunten and Teiten. While highly successful as an oil painter and watercolor artist, Yoshida turned to printmaking upon learning of the Western world’s infatuation with ukiyo-e.

Following the Great Kanto Earthquake of 1923, Yoshida embarked on a tour of the United States and Europe, painting and selling his work. When he returned to Japan in 1925, he started his own workshop, specializing in landscapes inspired both by his native country and his travels abroad. Yoshida often worked through the entire process himself: designing the print, carving his own blocks, and printing his work. His career was temporarily interrupted by his sojourn as a war correspondent in Manchuria during the Pacific War. Although he designed his last print in 1946, Yoshida continued to paint with oils and watercolors up until his death in 1950.

Yoshida was widely traveled and knowledgeable of Western aesthetics, yet maintained an allegiance to traditional Japanese techniques and traditions. Attracted by the calmer moments of nature, his prints breathe coolness, invite meditation, and set a soft, peaceful mood. All of his lifetime prints are signed “Hiroshi Yoshida” in pencil and marked with a jizuri (self-printed) seal outside of the margin. Within the image, most prints are signed “Yoshida” with brush and ink beside a red “Hiroshi” seal.

_______________________________

2019 - Wandering Vertexes...

by Francis Rousseau 

LE MONT JONEN / 常念岳 PEINT PAR TOSHI YOSHIDA /吉田 遠志

 

TOSHI YOSHIDA /吉田 遠志 (1911-1995)
Mont Jonen - Ichinosawa / 常 念 岳 - 一 ノ 沢) (2,877m - 9,767ft)
Japon

In  Mount Jonen In Early spring in Azumino,  estampe

La montagne
Le Mont Jonen - Ichinosawa / 常 念 岳 - 一 ノ 沢) (2,877m - 9,767ft)    est une des 100 montagnes célèbres du Japon. Culminant à une altitude de 2 857 m, elle est située dans les monts Hida de la préfecture de Nagano et dans le parc national de Chūbu-Sangaku. Elle est visible du bassin d'Azumi . Le Mont Jonen est habituellement enneigé entre Décembre et Mars, les chemins de randonnées sont donc accessibles entre Mai et Novembre. L'asxcension du Jonen seopere à tavers un itinéraire aller-retour de 13,5-km près de Azumino, Nagano. Considéré comme un parcours modéré, il faut en moyenne 8 h 5 min pour le parcourir. Cet itinéraire est idéal pour le camping et la randonnée, et les amateurs de solitude, le parcours étant tres peu fréquenté.

Le peintre
Yoshida Tōshi (吉田遠志) est un peintre d'ukiyo-e japonais fils de l'artiste de shin-hanga Yoshida Hiroshi. Tōshi nait dans une famille établie de peintres d'ukiyo-e. Son père est Yoshida Hiroshi, célèbre dessinateur du mouvement shin-hanga. Paralysé d'une jambe dès son plus jeune âge, il ne peut pas aller à l'école et passe son enfance dans l'atelier de son père.  La carrière artistique de Yoshida Tōshi est une longue lutte entre la fidélité à l'héritage de son père et l'émancipation. Hiroshi est un spécialiste du paysage ; le fils choisit d'abord les animaux comme sujets de prédilection. Mais à partir de 1930, Tōshi commence à dessiner des paysages, voyageant avec son père en Inde, à Shanghai, Hong Kong, en Malaisie, Birmanie, à Singapour ou Calcutta, et peignant parfois côte-à-côte avec lui.  En 1940, Tōshi épouse Katsura Kiso, dont il aura cinq fils. En 1943, il peint des huiles représentants des ouvriers d'usine et des civils impliqués dans l'effort de guerre.  En 1950 la mort de son père marque une rupture complète dans son œuvre. Si en 1951, il publie une série de dix-sept paysages destinés aux militaires américains stationnés au Japon et à leur familles, il abandonne le naturalisme pour réaliser une série de gravures abstraites du genre sōsaku hanga, inspirées de celles de son frère Yoshida Hodaka. Un tournée l'amène en 1953 à travers les États-Unis (il y expose dans 30 musées de 18 états), le Mexique, l'Angleterre et le Proche-Orient. De 1954 à 1973, il produit 300 estampes abstraites. En 1971, Tōshi retourne à ses premiers sujets, les animaux, et publie Le Colibri et le fuschia. Jusqu'en 1994 il travaillera presque exclusivement sur les illustrations animalières, peignant les animaux dans leur cadre naturel, souvent en Afrique — un sujet sur lequel il publie à partir de 1984 plusieurs livres d'images pour enfants.
 _________________________________________

2023 - Wandering Vertexes ....
            Errant au-dessus des Sommets Silencieux...
            Un blog de Francis Rousseau

KILIMANDJARO BY TOSHI YOSHIDA

TOSHI YOSHIDA (1911-1995) 

Kilimandjaro (5,885m - 19, 340ft)

Tanzania 

1.  In Kilimandjaro morning,1977, woodblock print, private collection

2.  In Kilimandjaro, Cloudy Day, 1983 woodblock print, private collection

3. In Kilimandjaro evening, 1983, woodblock print, private collection

The mountain 

Mount Kilimanjaro (5,885m - 19, 340ft) is a dormant volcano in Tanzania composed of three volcanic cones, "Kibo", "Mawenzi", and "Shira.  The Kilimandjaro is the highest mountain in Africa. The first recorded ascent to the summit  was by Hans Meyer and Ludwig Purtscheller in 1889.
The mountain is part of the Kilimanjaro National Park and is a major climbing destination. The mountain has been the subject of many scientific studies because of its shrinking glaciers, especially since 200.
The origin of the name "Kilimanjaro" is not precisely known, but a number of theories exist. European explorers had adopted the name by 1860 and reported that "Kilimanjaro" was the mountain's Kiswahili name. The 1907 edition of The Nuttall Encyclopædia also records the name of the mountain as "Kilima-Njaro", as well as the title of the watercolor above. Johann Ludwig Krapf wrote in 1860 that Swahilis along the coast called the mountain Kilimanjaro. Although he did not support his claim, he claimed that "Kilimanjaro" meant either "mountain of greatness" or "mountain of caravans". Under the latter meaning, "Kilima" meant "mountain" and "Jaro" possibly meant "caravans". Jim Thompson claimed in 1885, although he also did not support his claim, that the term Kilima-Njaro "has generally been understood to mean" the Mountain (Kilima) of Greatness (Njaro). Though not improbably it may mean the "White" mountain. "Njaro" is an ancient Kiswahili word for "shining". Others have assumed that "Kilima" is Kiswahili for "mountain".
In the 1880s, the mountain became a part of German East Africa and was called "Kilima-Ndscharo" in German following the Kiswahili name components.
On 6 October 1889, Hans Meyer reached the highest summit on the crater ridge of Kibo. He named it "Kaiser-Wilhelm-Spitze" ("Kaiser Wilhelm peak").
That name apparently was used until Tanzania was formed in 1964, when the summit was renamed "Uhuru", meaning "Freedom Peak" in Kiswahili.
- More informations about Kilimandjaro 

The artist 
Tōshi Yoshida (吉田 遠志), was a Japanese printmaking artist associated with the sōsaku-hanga movement, and son of famous shin-hanga artist Hiroshi Yoshida. One of Yoshida's legs was paralysed during his early childhood. Not being able to attend school, he enjoyed watching animals and his father's printmaking workshop. Encouraged by his grandmother Rui Yoshida, Tōshi often sketched animals. Yoshida's artistic career was a long struggle between fidelity to his father's legacy and freedom from it. Hiroshi Yoshida, a shin-hanga landscape artist, dictated Tōshi's early artistic development. In 1926, Tōshi chose animals as his primary subjects to distinguish himself from his father, who was a landscape printmaker. However, in the 1930s, Tōshi started making landscape paintings and prints similar to his father's works. Father and son traveled together and even painted side by side. From 1930 to 1931, Hiroshi and Tōshi traveled to India, Shanghai, Hong Kong, Malaysia, Singapore, Calcutta, and Burma.
The death of his father in 1950 marked Tōshi's total break from his past and from naturalism. In 1952, Yoshida began a series of abstract woodcuts, influenced by his brother, Hodaka Yoshida. In 1953, Tōshi traveled to the United States, Mexico, London, and the Near East. He made presentations in thirty museums and galleries in eighteen states. From 1954 to 1973, Yoshida made three hundred nonobjective prints. In 1971, Yoshida returned to his innate affinity for animals and focused on birds and animals again. His Humming Bird and Fuchsia in 1971 was a prelude to the African works that he began the following year. From 1971 to 1994, until the last years of his life, Tōshi worked almost exclusively on animal prints. Tōshi was also a children's book illustrator. He wrote his own short stories and made illustrations in the Animal Picture Book series.
Sources: 
- Artelino 
 -Wikipedia 

FUJIYAMA / 富士山 BY TOSHI YOSHIDA / 吉田 遠志

TOSHI YOSHIDA / 吉田 遠志 (1911-1995)
Fujiyama / 富士山 (3, 776 m -12,389 ft)
Japan


In Mount Fuji from Ohito, 1962 Woodblock print

The mountain 

The legendary Mount Fuji or Fujiyama (富士山) is located on Honshu Island and is the highest mountain peak in Japan at 3,776.24 m (12,389 ft). Several names are attributed to it: "Fuji-san", "Fujiyama" or, redundantly, "Mt. Fujiyama". Usually Japanese speakers refer to the mountain as "Fuji-san". The other Japanese names for Mount Fuji, have become obsolete or poetic like: Fuji-no-Yama (ふじの山 - The Mountain of Fuji), Fuji-no-Takane (ふじの高嶺- The High Peak of Fuji), Fuyō-hō (芙蓉峰 - The Lotus Peak), and Fugaku (富岳／富嶽), created by combining the first character of 富士, Fuji, and 岳, mountain.

Mount Fuji is an active stratovolcano that last erupted in 1707–08. Mount Fuji lies about 100 kilometres (60 mi) south-west of Tokyo, and can be seen from there on a clear day.

Mount Fuji's exceptionally symmetrical cone, which is snow-capped several months a year, is a well-known symbol of Japan and it is frequently depicted in art and photographs, as well as visited by sightseers and climbers.

Mount Fuji is one of Japan's Three Holy Mountains (三霊山) along with Mount Tate and Mount Haku. It is also a Special Place of Scenic Beauty and one of Japan's Historic Sites.

It was added to the World Heritage List as a Cultural Site on June 22, 2013. As per UNESCO, Mount Fuji has “inspired artists and poets and been the object of pilgrimage for centuries”. UNESCO recognizes 25 sites of cultural interest within the Mt. Fuji locality. These 25 locations include the mountain itself, Fujisan Hongū Sengen Shrine and six other Sengen shrines, two lodging houses, Lake Yamanaka, Lake Kawaguchi, the eight Oshino Hakkai hot springs, two lava tree molds, the remains of the Fuji-kō cult in the Hitoana cave, Shiraito Falls, and Miho no Matsubara pine tree grove; while on the low alps of Mount Fuji lies the Taisekiji temple complex, where the central base headquarters of Nichiren Shoshu Buddhism is located.

The artist 

Tōshi Yoshida (吉田 遠志), was a Japanese printmaking artist associated with the sōsaku-hanga movement, and son of famous shin-hanga artist Hiroshi Yoshida. One of Yoshida's legs was paralysed during his early childhood. Not being able to attend school, he enjoyed watching animals and his father's printmaking workshop. Encouraged by his grandmother Rui Yoshida, Tōshi often sketched animals. Yoshida's artistic career was a long struggle between fidelity to his father's legacy and freedom from it. Hiroshi Yoshida, a shin-hanga landscape artist, dictated Tōshi's early artistic development. In 1926, Tōshi chose animals as his primary subjects to distinguish himself from his father, who was a landscape printmaker. However, in the 1930s, Tōshi started making landscape paintings and prints similar to his father's works. Father and son traveled together and even painted side by side. From 1930 to 1931, Hiroshi and Tōshi traveled to India, Shanghai, Hong Kong, Malaysia, Singapore, Calcutta, and Burma.

- More about Toshi Yoshida

____________________________

2019 - Wandering Vertexes...

by Francis Rousseau 

ASAHI DAKE (旭岳) BY TOSHI YOSHIDA

TOSHI YOSHIDA (1911-1995)  

Asahi Dake (旭岳) (2,291m- 7,516ft) 

Japan 

In Mount Asahi, Daisetsuzan, 1984  woodblock print, 1984

The mountain 
Asahi Dake (2,291m- 7,516ft) , in Japanese 旭岳, is a mountain located in the town of Higashikawa, Hokkaido and the tallest mountain in the Japanese island of Hokkaido. It is part of the Daisetsuzan Volcanic Group of the Ishikari Mountains, it is located in the northern part of the Daisetsuzan National Park. The mountain is popular with hikers in the summer and can be easily reached from Asahidake Onsen via Asahidake Ropeway. During winter, the mountain is open for use by skiers and snowboarders. Sugatami Pond, directly below the peak, is famous for its reflection of the peaks, snow, and steam escaping from the volcanic vents.
Mount Asahi is an active stratovolcano that arose 3 kilometres (1.9 mi) southwest of the Ohachi-Daira caldera. The Japan Meteorological Agency gave the region rank C in volcanic activity. In addition to the main peak, there is a smaller volcano emerging from the southeast shoulder of the mountain, Mount Ushiro Asahi or Rear Mount Asahi (後旭岳).
Asahi Dake  is a stratovolcano consisting mainly of andesite and dacite, Holocene volcanic non-alkali mafic rock less than 18,000 years old.
There is no historical record of the eruptions of Mount Asahi.
- 3200 BC ± 75 years, Asahi Soria deposit, corrected radiocarbon dating, explosive eruption
- 2800 BC ± 100 years, As-A tephra, corrected radiocarbon dating,explosive eruption and phreatic explosions
- 1450 BC ± 50 years, As-B tephra, uncorrected radiocarbon dating, explosive eruption and phreatic explosions
- 500 BC ± 50 years, Ash-b tephra, tephrochonology, explosive eruption and phreatic explosions and debris avalanches
- 1739, tephrochronology, explosive eruption and phreatic explosions with possible eruption of the central vent and radial good
Mount Asahi currently exhibits steam activity in the form of fumaroles.

The artist 
Tōshi Yoshida (吉田 遠志), was a Japanese printmaking artist associated with the sōsaku-hanga movement, and son of famous shin-hanga artist Hiroshi Yoshida. One of Yoshida's legs was paralysed during his early childhood. Not being able to attend school, he enjoyed watching animals and his father's printmaking workshop. Encouraged by his grandmother Rui Yoshida, Tōshi often sketched animals. Yoshida's artistic career was a long struggle between fidelity to his father's legacy and freedom from it. Hiroshi Yoshida, a shin-hanga landscape artist, dictated Tōshi's early artistic development. In 1926, Tōshi chose animals as his primary subjects to distinguish himself from his father, who was a landscape printmaker. However, in the 1930s, Tōshi started making landscape paintings and prints similar to his father's works. Father and son traveled together and even painted side by side. From 1930 to 1931, Hiroshi and Tōshi traveled to India, Shanghai, Hong Kong, Malaysia, Singapore, Calcutta, and Burma.
- More about Toshi Yoshida

FUJIYAMA / 富士山 BY TOSHI YOSHIDA / 吉田 遠志

TOSHI YOSHIDA / 吉田 遠志 (1911-1995)

Fujiyama / 富士山 (3, 776 m -12,389 ft)

Japan

In Mount Fuji from Ohito, Autumn1983, Woodblock print 

The mountain 

The legendary Mount Fuji or Fujiyama (富士山) is located on Honshu Island and is the highest mountain peak in Japan at 3,776.24 m (12,389 ft). Several names are attributed to it: "Fuji-san", "Fujiyama" or, redundantly, "Mt. Fujiyama". Usually Japanese speakers refer to the mountain as "Fuji-san". The other Japanese names for Mount Fuji, have become obsolete or poetic like: Fuji-no-Yama (ふじの山 - The Mountain of Fuji), Fuji-no-Takane (ふじの高嶺- The High Peak of Fuji), Fuyō-hō (芙蓉峰 - The Lotus Peak), and Fugaku (富岳／富嶽), created by combining the first character of 富士, Fuji, and 岳, mountain.

Mount Fuji is an active stratovolcano that last erupted in 1707–08. Mount Fuji lies about 100 kilometres (60 mi) south-west of Tokyo, and can be seen from there on a clear day.

Mount Fuji's exceptionally symmetrical cone, which is snow-capped several months a year, is a well-known symbol of Japan and it is frequently depicted in art and photographs, as well as visited by sightseers and climbers.

Mount Fuji is one of Japan's Three Holy Mountains (三霊山) along with Mount Tate and Mount Haku. It is also a Special Place of Scenic Beauty and one of Japan's Historic Sites.

It was added to the World Heritage List as a Cultural Site on June 22, 2013. As per UNESCO, Mount Fuji has “inspired artists and poets and been the object of pilgrimage for centuries”. UNESCO recognizes 25 sites of cultural interest within the Mt. Fuji locality. These 25 locations include the mountain itself, Fujisan Hongū Sengen Shrine and six other Sengen shrines, two lodging houses, Lake Yamanaka, Lake Kawaguchi, the eight Oshino Hakkai hot springs, two lava tree molds, the remains of the Fuji-kō cult in the Hitoana cave, Shiraito Falls, and Miho no Matsubara pine tree grove; while on the low alps of Mount Fuji lies the Taisekiji temple complex, where the central base headquarters of Nichiren Shoshu Buddhism is located.

The artist 

Tōshi Yoshida (吉田 遠志), was a Japanese printmaking artist associated with the sōsaku-hanga movement, and son of famous shin-hanga artist Hiroshi Yoshida. One of Yoshida's legs was paralysed during his early childhood. Not being able to attend school, he enjoyed watching animals and his father's printmaking workshop. Encouraged by his grandmother Rui Yoshida, Tōshi often sketched animals. Yoshida's artistic career was a long struggle between fidelity to his father's legacy and freedom from it. Hiroshi Yoshida, a shin-hanga landscape artist, dictated Tōshi's early artistic development. In 1926, Tōshi chose animals as his primary subjects to distinguish himself from his father, who was a landscape printmaker. However, in the 1930s, Tōshi started making landscape paintings and prints similar to his father's works. Father and son traveled together and even painted side by side. From 1930 to 1931, Hiroshi and Tōshi traveled to India, Shanghai, Hong Kong, Malaysia, Singapore, Calcutta, and Burma.

- More about Toshi Yoshida

____________________________

2019 - Wandering Vertexes...

by Francis Rousseau 

DEPOT GLACIER / HOPE BAY BY TOSHI YOSHIDA / 吉田 遠志

TOSHI YOSHIDA /吉田 遠志 (1911-1995)

Depot Glacier  / Hope Bay (No elevation data)

Antarctica

In Hope Bay, woodblock print, 1977, Private collection 

The place
Depot Glacier is a well-defined valley glacier, flanked by lateral moraines, which terminates in a high vertical ice cliff at the head of Hope Bay, in the northeast end of the Antarctic Peninsula. It was discovered by the Swedish Antarctic Expedition, 1901–04, under Otto Nordenskiöld, and so named by him because, as seen from Antarctic Sound, it appeared to be a possible site for a depot.
Hope Bay on Trinity Peninsula, is 5 kilometres (3.1 mi) long and 3 kilometres (1.9 mi) wide, indenting the tip of the Antarctic Peninsula and opening on Antarctic Sound. It is the site of the Argentinian Antarctic settlement Esperanza Base, established in 1952.


The artist
Tōshi Yoshida (吉田 遠志), was a Japanese printmaking artist associated with the sōsaku-hanga movement, and son of famous shin-hanga artist Hiroshi Yoshida. One of Yoshida's legs was paralysed during his early childhood. Not being able to attend school, he enjoyed watching animals and his father's printmaking workshop. Encouraged by his grandmother Rui Yoshida, Tōshi often sketched animals. Yoshida's artistic career was a long struggle between fidelity to his father's legacy and freedom from it. Hiroshi Yoshida, a shin-hanga landscape artist, dictated Tōshi's early artistic development. In 1926, Tōshi chose animals as his primary subjects to distinguish himself from his father, who was a landscape printmaker. However, in the 1930s, Tōshi started making landscape paintings and prints similar to his father's works. Father and son traveled together and even painted side by side. From 1930 to 1931, Hiroshi and Tōshi traveled to India, Shanghai, Hong Kong, Malaysia, Singapore, Calcutta, and Burma.
- More about Toshi Yoshida

____________________________
2019 - Wandering Vertexes...
by Francis Rousseau

FUJIYAMA / 富士山 BY TSUCHIYA KOITSU /土屋光逸

TSUCHIYA KOITSU / 土屋光逸 (1870-1949)
Fujiyama / 富士山 (3, 776 m -12,389 ft)
Japan

In Fuji from Lake Motosu, woodblock print, 1934

The artist
Tsuchiya Koitsu (土屋光逸) was an important artist in the Shin-hanga movement. He trained under the ukiyo-e master Kobayashi Kiyochika for 19 years, and initially focused on works depicting scenes from the First Sino-Japanese War. In 1931, at the age of 60, he began work for Shōzaburō Watanabe and his art publishing establishment which also published the work of artists like Kawase Hasui and Yoshida Hiroshi. His later work incorporated light effects to increase the emotional impact of his art.
Born on September 23, 1870, in Hamamatsu, Shizuoka, Japan. His birth name was either Koichi or Sahei. He moved to Tokyo at age 15. He first had an apprenticeship for the woodblock carver Matsuzaki, but soon became a student of ukiyo-e master Kiyochika Kobayashi. He worked for Kiyochika for 19 years and lived in his house.
He initially published prints made during the First Sino-Japanese War, before developing his skill with dramatic light effects, learned from Kiyochika. Koitsu published through the Watanabe publishing house after Watanabe and Koitsu met at an exhibition commemorating the 17th anniversary of Kiyochika's death. He also produced prints for publishers Doi Sadaichi, Kawaguchi, Baba Nobuhiko, Tanaka Shobido, and Takemura.

The mountain
This is the legendary Mount Fuji or Fujiyama (富士山).
It is located on Honshu Island and is the highest mountain peak in Japan at 3,776.24 m (12,389 ft). Several names are attributed to it: "Fuji-san", "Fujiyama" or, redundantly, "Mt. Fujiyama". Usually Japanese speakers refer to the mountain as "Fuji-san". The other Japanese names for Mount Fuji, have become obsolete or poetic like: Fuji-no-Yama (ふじの山 - The Mountain of Fuji), Fuji-no-Takane (ふじの高嶺- The High Peak of Fuji), Fuyō-hō (芙蓉峰 - The Lotus Peak), and Fugaku (富岳／富嶽), created by combining the first character of 富士, Fuji, and 岳, mountain.
Mount Fuji is an active stratovolcano that last erupted in 1707–08. Mount Fuji lies about 100 kilometres (60 mi) south-west of Tokyo, and can be seen from there on a clear day.
Mount Fuji's exceptionally symmetrical cone, which is snow-capped several months a year, is a well-known symbol of Japan and it is frequently depicted in art and photographs, as well as visited by sightseers and climbers.
Mount Fuji is one of Japan's Three Holy Mountains (三霊山) along with Mount Tate and Mount Haku. It is also a Special Place of Scenic Beauty and one of Japan's Historic Sites.
It was added to the World Heritage List as a Cultural Site on June 22, 2013. As per UNESCO, Mount Fuji has “inspired artists and poets and been the object of pilgrimage for centuries”. UNESCO recognizes 25 sites of cultural interest within the Mt. Fuji locality. These 25 locations include the mountain itself, Fujisan Hongū Sengen Shrine and six other Sengen shrines, two lodging houses, Lake Yamanaka, Lake Kawaguchi, the eight Oshino Hakkai hot springs, two lava tree molds, the remains of the Fuji-kō cult in the Hitoana cave, Shiraito Falls, and Miho no Matsubara pine tree grove; while on the low alps of Mount Fuji lies the Taisekiji temple complex, where the central base headquarters of Nichiren Shoshu Buddhism is located.
______________________________

2021 - Wandering Vertexes...
by Francis Rousseau

MOUNT UNZEN BY HASUI KAWASE

 HASUI KAWASE (1883-1957), 

Mount Unzen (1,500 m - 4,900 ft)

 Japan

 In Mount Unzen in Hizen, print on paper 

The mountain 
Mount Unzen or Unzen Dake (雲仙岳 ) (1,500 m -4,900 ft) is an active volcanic group of several overlapping stratovolcanoes, near the city of Shimabara, Nagasaki Prefecture, on the island of Kyūshū, Japan's southernmost main island. Its highest peaks are Fugen-dake (普賢岳) (1,359 m -4,459 ft) and Heisei-shinzan (平成新山)  ( 1,486 -(4,875 ft). The latter emerged during the eruptions of the early, eponymous Heisei era (1989 - ...)
In 1792, the collapse of one of its several lava domes triggered a megatsunami that killed 14,524 people in Japan's worst volcanic-related disaster. The volcano was most recently active from 1990 to 1995, and a large eruption in 1991 generated a pyroclastic flow that killed 43 people, including three volcanologists.
Between 1991 and 1994 the volcano generated at least 10,000 small pyroclastic flows, destroying about 2,000 houses. From 1993 onward, the rate of lava effusion gradually decreased, and eruptions came to an end in 1995. Since then heavy rains have frequently remobilised pyroclastic material, generating lahars. Dikes have been constructed in several river valleys to channel lahar flows away from vulnerable areas, and warning systems and evacuation plans have been developed and deployed.
Mount Unzen was designated a Decade Volcano by the United Nations, in 1991 as part of their International Decade for Natural Disaster Reduction, due to its history of violent activity and location in a densely populated area.

The artist
Hasui Kawase (川瀬 巴水) was one of the most prominent print japanese designers of the shin-hanga ("new prints") movement. Kawase worked almost exclusively on landscape and townscape prints based on sketches he made in Tokyo and during travels around Japan. However, his prints are not merely meishō (famous places) prints that are typical of earlier ukiyo-e masters such as Hiroshige and Katsushika Hokusai (1760-1849). Kawase's prints feature locales that are tranquil and obscure in urbanizing Japan. Hasui considered himself a realist and employed his training in Western painting in his compositions. Like Hiroshige he made travel and landscape prints, though his subjects were less known locations rendered with naturalistic light, shade, and texture, without the captions and titles that were standard in prints of Hiroshige's age.
Kawase left a large body of woodblock prints and watercolors. Many of the watercolors are linked to the woodblock prints, he also produced oil paintings, traditional hanging scrolls and a few byōbu (folding screens). In the West, Kawase is mainly known as a Japanese woodblock printmaker. He and Hiroshi Yoshida are widely regarded as two of the greatest artists of the shin-hanga style, and are known especially for their landscape prints.

FUJIYAMA / 富士山 BY HASUI KAWASE

 HASUI KAWASE (1883-1957) 

Fujiyama / 富士山  (3,776.24 m -12,389 ft)

Japan

In  Mt Fuji seen from Oshino, 1942, woodblock print (shin hanga), Private collection 

The mountain 

This is the legendary Mount Fuji or Fujiyama (富士山)  (3,776.24 m -12,389 ft)
It is located on Honshu Island and is the highest mountain peak in Japan. Several names are attributed to it:  "Fuji-san", "Fujiyama" or, redundantly, "Mt. Fujiyama". Usually Japanese speakers refer to the mountain as "Fuji-san".  The other Japanese names for Mount Fuji,  have become obsolete or poetic like: Fuji-no-Yama (ふじの山 - The Mountain of Fuji), Fuji-no-Takane (ふじの高嶺- The High Peak of Fuji), Fuyō-hō (芙蓉峰 - The Lotus Peak), and Fugaku (富岳／富嶽), created by combining the first character of 富士, Fuji, and 岳, mountain.
Mount Fuji is an active stratovolcano that last erupted in 1707–08. Mount Fuji lies about 100 kilometres (60 mi) south-west of Tokyo, and can be seen from there on a clear day.
Mount Fuji's exceptionally symmetrical cone, which is snow-capped several months a year, is a well-known symbol of Japan and it is frequently depicted in art and photographs, as well as visited by sightseers and climbers.
Mount Fuji is one of Japan's Three Holy Mountains (三霊山) along with Mount Tate and Mount Haku. It is also a Special Place of Scenic Beauty and one of Japan's Historic Sites.
It was added to the World Heritage List as a Cultural Site on June 22, 2013. As per UNESCO, Mount Fuji has “inspired artists and poets and been the object of pilgrimage for centuries”. UNESCO recognizes 25 sites of cultural interest within the Mt. Fuji locality. These 25 locations include the mountain itself, Fujisan Hongū Sengen Shrine and six other Sengen shrines, two lodging houses, Lake Yamanaka, Lake Kawaguchi, the eight Oshino Hakkai hot springs, two lava tree molds, the remains of the Fuji-kō cult in the Hitoana cave, Shiraito Falls, and Miho no Matsubara pine tree grove; while on the low alps of Mount Fuji lies the Taisekiji temple complex, where the central base headquarters of Nichiren Shoshu Buddhism is located.

The artist
Hasui Kawase (川瀬 巴水) was one of the most prominent print japanese designers of the shin-hanga ("new prints") movement. Kawase worked almost exclusively on landscape and townscape prints based on sketches he made in Tokyo and during travels around Japan. However, his prints are not merely meishō (famous places) prints that are typical of earlier ukiyo-e masters such as Hiroshige and Katsushika Hokusai (1760-1849). Kawase's prints feature locales that are tranquil and obscure in urbanizing Japan. Hasui considered himself a realist and employed his training in Western painting in his compositions. Like Hiroshige he made travel and landscape prints, though his subjects were less known locations rendered with naturalistic light, shade, and texture, without the captions and titles that were standard in prints of Hiroshige's age.
Kawase left a large body of woodblock prints and watercolors. Many of the watercolors are linked to the woodblock prints, he also produced oil paintings, traditional hanging scrolls and a few byōbu (folding screens). In the West, Kawase is mainly known as a Japanese woodblock printmaker. He and Hiroshi Yoshida are widely regarded as two of the greatest artists of the shin-hanga style, and are known especially for their landscape prints.