EL CAPITAN PAINTED BY THOMAS HILL

 

THOMAS HILL  (1829-1908)

El Capitan (2,309m - 7,573 ft) 

United States of America

In El Capitan, oil on cnavas,  Oakland Museum of California

The mountain
El Capitan  (2,309m - 7,573 ft) is a vertical rock formation in Yosemite National Park, located on the north side of Yosemite Valley, near its western end. The granite monolith extends about 3,000 feet (900 m) from base to summit along its tallest face and is one of the world's favorite challenges for rock climbers.
The formation was named "El Capitan" by the Mariposa Battalion when it explored the valley in 1851. El Capitan ("the captain") was taken to be a loose Spanish translation of the local Native American name for the cliff, variously transcribed as "To-to-kon oo-lah" or "To-tock-ah-noo-lah".
It is unclear if the Native American name referred to a specific tribal chief or simply meant "the chief" or "rock chief". In modern times, the formation's name is often contracted to "El Cap", especially among rock climbers and BASE jumpers.
The top of El Capitan can be reached by hiking out of Yosemite Valley on the trail next to Yosemite Falls, then proceeding west. For climbers, the challenge is to climb up the sheer granite face. There are many named climbing routes, all of them arduous, including Iron Hawk and Sea of Dreams, for example.
The Nose was first climbed in 1958 by Warren Harding, Wayne Merry and George Whitmore in 47 days using "siege" tactics: climbing in an expedition style using fixed ropes along the length of the route, linking established camps along the way.
In September 1973, Beverly Johnson and Sibylle Hechtel were the first team of women to ascend El Capitan via the Triple Direct route.

The painter
Thomas Hill produced many fine paintings of the California landscape, in particular of the Yosemite Valley, as well as the White Mountains of New Hampshire. Hill’s work was often driven by a vision resulting from his experiences with nature.
Hill was loosely associated with the Hudson River School of painters. The Hudson River School celebrated nature with a sense of awe for its natural resources, which brought them a feeling of enthusiasm when thinking of the potential it held. Mainly the earlier members of the Hudson River School, around the 1850-60’s, displayed man as in unison with nature in their landscape paintings by often painting men on a very small scale compared to the vast landscape. Thomas Hill often brought this technique into his own paintings in for example in his painting, Yosemite Valley, 1889.
He made early trips to the White Mountains with his friend Benjamin Champney and painted White Mountain subjects throughout his career. An example of his White Mountain subjects is Mount Lafayette in his Mount Lafayette in Winter.
Hill acquired the technique of painting en plein air. These paintings in the field later served as the basis for larger finished works.
Hill’s move to California in 1861 brought him new material for his paintings. He chose monumental vistas, like Yosemite. During his lifetime, Hill’s paintings were popular in California, costing as much as $10,000. Hill's best works are considered to be these monumental subjects, including Great Canyon of the Sierra, Yosemite, Vernal Falls and Yosemite Valley.

_____________________________
2019 - Wandering Vertexes...
by Francis Rousseau

MOUNT WASHINGTON BY JOHN MARIN

JOHN MARIN  (1870-1953)

Mount Washington (1, 916m - 6, 286ft)

United States of America (New Hampshire) 

The mountain 

Mount Washington (1, 916m - 6, 286ft) is the highest point in the northeastern United States. It is located in the White Mountains in the county of Coos. Most of the mountain is located in the White Mountain National Forest and Mount Washington State Park.
The mountain is called Agiocochook, the "abode of the great spirit," by the Amerindians. A scientific expedition led by geologist Dr. Cutler named Mount Washington in 1784.
While the western slope, which climbs the Cog Railway, is regular from its base, the other slopes are more complex. To the north, Great Gulf, the largest glacial circus in the mountains, is surrounded by the Northern Presidentials, namely Clay, Jefferson, Adams and Madison Mountains. These peaks reach far beyond the alpine zone beyond the tree line. The imposing Chandler Ridge extends northeast from the top of Mount Washington to form the southern wall of the amphitheater. It is paced by a motorway to the summit.
The first European to mention the mountain is Giovanni da Verrazzano in 1524, who sees it from the Atlantic Ocean and describes it as a "high mountain of the interior". Irishman Darby Field says he made his first ascent in 1642.

More about Mount Washington 

The painter
John Marin was a seminal American modernist painter. He was one of the first Americans to employ techniques of abstraction in his calligraphic depictions of landscapes and city streets. Along with Arthur Dove, Marsden Hartley, and Georgia O’Keeffe, Marin helped introduce a new aesthetic model for American painters. “I must for myself insist that when finished, that is when all the parts are in place and are working, that now it has become an object and will therefore have its boundaries as definite as the prow, the stern, the sides, and bottom bound as a boat” he once reflected.
Marin started his career in art later in life, graduating from the Pennsylvania Academy of the Fine Arts in 1901 at the age of 30. In 1905, he travelled to Europe, lived in Paris (1905-1909) where he developed his signature watercolor technique and met the artist Edward Steichen. It was Steichen that introduced his work to the photographer Alfred Stieglitz, who mounted Marin’s first solo show in 1909, and financially supported the artist over the remainder of his career.
Today, his works are held in the collections of The Museum of Modern Art in New York, the Phillips Collection in Washington, D.C., and the Art Institute of Chicago, among others.
He developed a more dynamic, fractured style from 1912 to depict the interaction of conflicting forces, and gradually evolved summary ways of rendering his vivid impressions of sea, sky, mountains or the skyscrapers of Manhattan. In the 1920s worked almost exclusively in watercolour; after 1930 painted largely in oils.

_________________________________________
2019 - Wandering Vertexes...
by Francis Rousseau

MOUNT WEBSTER PAINTED BY BENJAMIN CHAMPNEY

BENJAMIN CHAMPNEY (1817-1907)

Mount Webster  (1,192 m -3,911 ft)

United States of America

The mountain 
Mount Webster is (1,192 m -3,911 ft) is located on the border between Coos County and Carroll County, New Hampshire.  Mount Webster is on the western boundary of the Presidential Range - Dry River Wilderness. The Appalachian Trail, a 2,170-mile (3,500-km) National Scenic Trail from Georgia to Maine, runs along the ridge of the Presidentials, across the summit of Webster.

The mountain, formerly called Notch Mountain, is named after Daniel Webster (1782–1852), and is the southwesternmost of the Presidential Range of the White Mountains. Mount Webster is flanked to the northeast by Mount Jackson; to the southwest it faces Mount Willey across Crawford Notch.
The west face of Mount Webster drains directly into the Saco River, thence into the Gulf of Maine at Saco, Maine. The north and southeast faces drain into the Saco via Silver Cascade and Webster Brook respectively.

The Painter 

Benjamin Champney was a painter whose name has become synonymous with White Mountain art of the 19th century. He began his training as a lithographer under celebrated marine artist Fitz Henry Lane at Pendleton's Lithography shop in Boston. Most art historians consider him the founder of the "North Conway Colony" of painters who came to North Conway, New Hampshire and the surrounding area during the second half of the 19th century. His paintings were often used to make chromolithographs that were subsequently sold to tourists who could not afford Champney's originals. He exhibited regularly at the Boston Athenæum and was a founder of the Boston Art Club. 

On August 4, 1888, The White Mountain Echo reported: "Champney's studio is as much visited as ever this summer, and there are many new pictures to see. Of the landscapes, there is a view from the new carriage road up Humphrey's Ledge that is beautiful, and another a scene in Crawford Notch, and still another, a picture of Mount Chocorua from Tamworth; there are some lovely new flower pieces ... But perhaps the very prettiest is the old-fashioned pitcher in the kitchen window ..." 
In 1900, he published an autobiography, Sixty Years' Memories of Art and Artists. 
Examples of his paintings can be viewed today at the New Hampshire Historical Society in Concord, New Hampshire; the Currier Museum of Art in Manchester, New Hampshire; and the Museum of the White Mountains at Plymouth State University in Plymouth, New Hampshire.

__________________________________________________
2019 - Wandering Vertexes...
by Francis Rousseau

MT WASHINGTON BY SANFORD ROBINSON GIFFORD

SANFORD ROBINSON GIFFORD (1823-1880)

Mount Washington (1, 916m - 6, 286ft)

United States of America  (New Hampshire) 

1.  In Mount Washington from the Saco River'  oil on canvas High Museum.

2.  In Mount Washington from the Saco River, a sketch, c. 1858, oil on paper mounted into board, Chazen Museum of Art

The mountain 

Mount Washington (1, 916m - 6, 286ft) is the highest point in the northeastern United States. It is located in the White Mountains in the county of Coos. Most of the mountain is located in the White Mountain National Forest and Mount Washington State Park.
The mountain is called Agiocochook, the "abode of the great spirit," by the Amerindians. A scientific expedition led by geologist Dr. Cutler named Mount Washington in 1784.
While the western slope, which climbs the Cog Railway, is regular from its base, the other slopes are more complex. To the north, Great Gulf, the largest glacial circus in the mountains, is surrounded by the Northern Presidentials, namely Clay, Jefferson, Adams and Madison Mountains. These peaks reach far beyond the alpine zone beyond the tree line. The imposing Chandler Ridge extends northeast from the top of Mount Washington to form the southern wall of the amphitheater. It is paced by a motorway to the summit.
The first European to mention the mountain is Giovanni da Verrazzano in 1524, who sees it from the Atlantic Ocean and describes it as a "high mountain of the interior". Irishman Darby Field says he made his first ascent in 1642.
The Crawford Path, the oldest hiking trail in the United States, was established in 1819 as a mule track from the Crawford Notch Gorge to the summit and has been in use since that time. Ethan Allen Crawford built a lodge at the summit in 1821 that resisted a storm five years later.  In the middle of the nineteenth century, the mountain became a major tourist destination of the country, with the construction of new trails and two hotels. The Summit House, a 20-meter-long stone building with a roof attached to four heavy chains, was opened in 1852. The following year, the Tip-Top House was erected to compete with it. Rebuilt in wood with 91 rooms in 1872-1873, the Summit House burned in 1908 and was replaced by a granite building in 1915. Only the Tip-Top House resists fire; it is now classified in the National Register of Historic Places and has recently been renovated to house exhibitions. Among the attractions of the Victorian era is also a coach road built in 1861, now the Mount Washington Auto Road, and the Mount Washington Cog Railway, a cog railway established in 1869, in service.
Forty years, an aperiodic journal called Among The Clouds, is published by Henry M. Burt at the summit every summer until 1917. The prints are distributed by rail and then to hotels and other outlets around.
In November 2010, Mount Washington became a trademark and actions were taken by the custodians to restrict their legal use.
Mount Washington offers endless opportunities for hiking, climbing and skiing at all levels of difficulty. It is one of the most frequented mountains in America (250,000 people go to the summit every year).

The painter 

Sanford Robinson Gifford was born in Greenfield, New York and spent his childhood in Hudson, New York, the son of an iron foundry owner. He attended Brown University 1842-44, before leaving to study art in New York City in 1845. He studied drawing, perspective and anatomy under the direction of the British watercolorist and drawing-master, John Rubens Smith.  He also studied the human figure in anatomy classes at the Crosby Street Medical college and took drawing classes at the National Academy of Design.  By 1847 he was sufficiently skilled at painting to exhibit his first landscape at the National Academy and was elected an associate in 1851, an academician in 1854. Thereafter Gifford devoted himself to landscape painting, becoming one of the finest artists of the early Hudson River School.

Like most Hudson River School artists, Gifford traveled extensively to find scenic landscapes to sketch and paint. In addition to exploring New England, upstate New York and New Jersey, Gifford made extensive trips abroad. He first traveled to Europe from 1855 to 1857, to study European art and sketch subjects for future paintings. During this trip Gifford also met Albert Bierstadt and Worthington Whittredge.

In 1858, he traveled to Vermont, "apparently" with his friend and fellow painter Jerome Thompson. Details of their visit were carried in the contemporary Home Journal. Both artists submitted paintings of Mount Mansfield, Vermont's tallest peak, to the National Academy of Design's annual show in 1859. Thompson's work, "Belated Party on Mansfield Mountain" is now owned by the MET in New York, according to the report.

Thereafter, he served in the Union Army as a corporal in the 7th Regiment of the New York Militia upon the outbreak of the Civil War. A few of his canvases belonging to New York City's Seventh Regiment and the Union League Club of New York are testament to that troubled time.

During the summer of 1867, Gifford spent most of his time painting on the New Jersey coast, specifically at Sandy Hook and Long Branch, according to an auction Web site.

Another journey, this time with Jervis McEntee and his wife, took him across Europe in 1868. Leaving the McEntees behind, Gifford traveled to the Middle East, including Egypt in 1869. Then in the summer of 1870 Gifford ventured to the Rocky Mountains in the western United States, this time with Worthington Whittredge and John Frederick Kensett. At least part of the 1870 travels were as part of a Hayden Expedition, led by Ferdinand Vandeveer Hayden.

Returning to his studio in New York City, Gifford painted numerous major landscapes from scenes he recorded on his travels. Gifford's method of creating a work of art was similar to other Hudson River School artists. He would first sketch rough, small works in oil paint from his sketchbook pencil drawings. Those scenes he most favored he then developed into small, finished paintings, then into larger, finished paintings.

Gifford referred to the best of his landscapes as his "chief pictures". Many of his chief pictures are characterized by a hazy atmosphere with soft, suffuse sunlight. Gifford often painted a large body of water in the foreground or middle distance (see above) in which the distant landscape would be gently reflected. Examples of Gifford's "chief pictures" in museum collections today include: Lake Nemi (1856–57), Toledo Museum of Art, Toledo, Ohio ; The Wilderness (1861), Toledo Museum of Art, Toledo, Ohio ;  A Passing Storm (1866), Wadsworth Atheneum, Hartford, Connecticut ;  Ruins of the Parthenon (1880), Corcoran Gallery of Art, Washington, D.C.

On August 29, 1880, Gifford died in New York City, having been diagnosed with malarial fever. The MET in New York City celebrated his life that autumn with a memorial exhibition of 160 paintings. A catalog of his work published shortly after his death recorded in excess of 700 paintings during his career.

MOUNT SPEKE BY VITTORIO SELLA

VITTORIO SELLA (1859-1943), 

Mount Speke  (4,890m -16, 040ft)  

Uganda

In Mount Speke from Edward Peak, gelatine photo, 1908,  from the book  Ruwenzori, 

The Library  of Santa Barbara  College of The University of California  

The mountain

Mount Speke (4,890m -16, 040ft) lies in the Ruwenzori Mountains National Park in Uganda and is the second highest mountain in this range. Together with Mount Stanley and Mount Baker, it forms a triangle enclosing the upper Bujuku Valley. The nearest peak is Mount Stanley, which is 3.55 kilometres (2.21 mi) to the south-southwest.  

The mountains lie within an area called 'The Mountains of the Moon'.

All mountains in this range consist of multiple jagged peaks. Mount Speke's summits are Vittorio Emanuele (4,890 m -16,040 ft); Ensonga  (4,865 m - 15,961 ft); Johnston (4,834 m -15,860 ft); and Trident (4,572 m- 15,000 ft). The names were chosen in respect for the Italian royal family in the memory of the  Duke of the Abruzzi  (future King of Italy) who climbed all the peaks in the Rwenzori range.

The people living on the mountains call the 'Rwenzori', which means 'rain maker' or 'rain mountains' in the Bakonjo language. The Baganda, who could see the mountains from far, used to call them 'Gambaragara', which means 'My Eyes Pain', a reference to the shining snow. The Bakonjo had their own names for the peaks in the Rwenzori range, however, as they had never climbed them, it was difficult to clarify which peak was which. For example, they had names for the three main peaks: Kiyanja, Duwoni and Ingomwimbi. The fact is that for the Bakonjo the high Rwenzori is the home of Kitasamba, the god who resides at the high altitudes and cannot be accessed.

Early European explorers visited the region in the search for the source of the Nile. This mountain was named after John Speke. While he never climbed this peak, Speke mapped the source of the White Nile in 1862.  All the mountain in this region are named after similar early explorers.

Due to the large amount of rainfall Mount Speke receives, it is criss-crossed by many rivers and streams. The vegetation tends to be quite thick. There is also a variety of wildlife, including elephants, chimpanzee, monkeys, leopards and antelope.

The photographer

Vittorio Sella is a mountain italian climber and photographer who took his passion for mountains from his uncle, Quintino Sella, founder of the Italian Alpine Club.  He accomplished many remarkable climbs in the Alps, the first wintering in the Matterhorn and Mount Rose (1882) and the first winter crossing of Mont Blanc (1888).

He took part in various expeditions outside Italy:

- Three in the Caucasus in 1889, 1890 and 1896 where a summit still bears his name;

- The ascent of Mount Saint Elias in Alaska in 1897

- Sikkim and Nepal in 1899

- Possibly climb Mount Stanley in Uganda in 1906 during an expedition to the Rwenzori

- Recognition at K2  and Mustagh Tower in 1909

- In Morocco in 1925.

During expeditions in Alaska, Uganda and Karakoram (K2-Chogolisa), he accompanied the Duke of Abruzzi, Prince Luigi Amedeo di Savoia.

Full Wandering Vertexes entry  =>

___________________________________________
2019 - Wandering Vertexes...
by Francis Rousseau 

MOUNT WAHINGTON OR AGIOCOCHOOK BY SANFORD ROBINSON GIFFORD

SANFORD ROBINSON GIFFORD (1823-1880)

Mount Washington or Agiocochook  (1,916 m- 6,288 ft)

United States of America 

 In Indian Summer in the White Mountains, oil on canvas, 1862, Mint Museum of Art

The mountain 

Mount Washington (1,916 m- 6,288 ft), called Agiocochook by some Native American tribes, is the highest peak in the Northeastern United States at  and the most topographically prominent mountain east of the Mississippi River. The mountain is located in the Presidential Range of the White Mountains, in the township of Sargent's Purchase, in Coös County, New Hampshire. While nearly the whole mountain is in the White Mountain National Forest, an area of 60.3 acres (24.4 ha) surrounding and including the summit is occupied by Mount Washington State Park.

The mountain is notorious for its erratic weather. On the afternoon of April 12, 1934, the Mount Washington Observatory recorded a windspeed of 231 miles per hour (372 km/h) at the summit, the world record for most of the 20th century, and still a record for measured wind speeds not involved with a tropical cyclone.

The Mount Washington Cog Railway ascends the western slope of the mountain, and the Mount Washington Auto Road climbs to the summit from the east. The mountain is visited by hikers, and the Appalachian Trail crosses the summit. Other common activities include glider flying, backcountry skiing, and annual cycle and running races such as the Auto Road Bicycle Hillclimb and Road Race.

The painter 
Like most Hudson River School artists, Gifford traveled extensively to find scenic landscapes to sketch and paint. In addition to exploring New England, upstate New York and New Jersey, Gifford made extensive trips abroad. He first traveled to Europe from 1855 to 1857, to study European art and sketch subjects for future paintings. During this trip Gifford also met Albert Bierstadt and Worthington Whittredge.
In 1858, he traveled to Vermont, "apparently" with his friend and fellow painter Jerome Thompson. Details of their visit were carried in the contemporary Home Journal. Both artists submitted paintings of Mount Mansfield, Vermont's tallest peak, to the National Academy of Design's annual show in 1859. Thompson's work, "Belated Party on Mansfield Mountain" is now owned by the MET in New York, according to the report.
Thereafter, he served in the Union Army as a corporal in the 7th Regiment of the New York Militia upon the outbreak of the Civil War. A few of his canvases belonging to New York City's Seventh Regiment and the Union League Club of New York are testament to that troubled time.
Gifford referred to the best of his landscapes as his "chief pictures". Many of his chief pictures are characterized by a hazy atmosphere with soft, suffuse sunlight. Gifford often painted a large body of water in the foreground or middle distance (see above) in which the distant landscape would be gently reflected. A catalog of his work published shortly after his death recorded in excess of 700 paintings during his career.

_______________________________

2018 - Wandering Vertexes...

by Francis Rousseau 

MOUNT CAUBVICK/ MONT D'IBERVILLE PAINTED BY ARTHUR P. COLEMAN

 

 

ARTHUR P. COLEMAN (1852-1939)

Mount Caubvick / Mont D'Iberville (1,652 m -5,420 ft) 

Canada (Labrador /Quebec border) 

In Mountains South of Nakvak, Labrador; oil on canvas, 1910, Private collection

The mountain 
Mount Caubvick / Mont D'Iberville (1,652 m -5,420 ft)  is a mountain located in Canada on the border between Labrador and Quebec in the Selamiut Range of the Torngat Mountains. Mount Caubvick is the highest point in mainland Canada east of the Rockies. The mountain contains a massive peak that rises sharply from nearby sea level. Craggy ridges, steep cirques and glaciers are prominent features of the peak.
The alp was named Mont d'Iberville by the Quebec government in 1971. It remained nameless on the Labrador side for several years; it became known unofficially as L1, L for Labrador and 1 for highest. In 1981, at the suggestion of Dr. Peter Neary, the provincial government named the mountain after Caubvick, one of the five Inuit who accompanied George Cartwright to England in 1772.
Mount Caubvick also hosts the highest point in both the province of Newfoundland and Labrador and Quebec, although the summit itself lies about 10 metres (33 ft) northeast of the Quebec provincial border and is entirely within Labrador.

The painter
Arthur Philemon Coleman was a Canadian a geologist, professor, minerals prospector, artist, Rockies explorer, backwoods canoeist, world traveller, scientist, popular lecturer, museum administrator, memoirist and... one of Canada’s most beloved scientist.
Arthur Coleman is a fine example of that rare bird, a polished amateur artist whose drawings and paintings stand comfortably beside those of many professionals. He was active during the time when sketching and painting was ceding to photography the task of recording the visible world. Although he was also a photographer, painting was, for him, both a poetic and a descriptive pursuit, a way of wrapping an artistic expression around a phenomenon he was interested in or moved by. Thus motivated, Coleman's paintings give much joy and command a good deal of respect. The more surprising, perhaps given that he used to introduced himself more as a geologist than a painter.
Coleman travelled throughout the United States for professional conferences as well as geological field work. He visited many of the major American mountain ranges including: the American Cordillera Mountains (Washington, Oregon and California); the Sierra Nevada Mountains (California and Nevada); Yellowstone National Park (Wyoming, Montana and Idaho); and the Appalachian Mountains (eastern United States). Pleistocene glaciation had extended in Northern Europe as far south as Berlin and London and covered an area of two million square miles. Coleman also visited such countries as India, Australia, Brazil, Argentina, Scandinavia, Bolivia, New Zealand, South Africa and Uruguay. In his final years he made two expeditions to the Andes in Colombia, to mountains in Southern Mexico and to two mountains in Central America. He achieved the first ascent of Castle Mountain in 1884, and in 1907, he was the first white man to attempt to climb Mount Robson. He made a total of eight exploratory trips to the Canadian Rockies, wholly four of them looking for the mythical giants of Hooker and Brown.
"Mount Coleman" and "Coleman Glacier" in Banff National Park are named in his honor.
He was awarded the Penrose Medal in 1936.

_______________________________

2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT KUMGANG OR GEUMGANG BY JEONG SEON

  

 

JEONG SEON (1676-1759)

Mount Geumgang / Biro peak (1,638-m-5,374 ft)

North Korea

In Album of Mount Geumgang (Pungak-docheop), 

Six leaves from a fourteen-leaf album; ink and light color on silk, 1711 

National Museum of Korea

About thos two views  (ftom The MET Notes) 
Jeong Seon painted this album following his first trip to the Diamond Mountains. He likely traveled northeast from the capital, Hanyang (today’s Seoul), and traversed the mountain range from Inner to Outer Geumgang toward the sea. Displayed here are six scenes from a total of thirteen (the last leaf in the album is a colophon). The varied compositions reveal Jeong’s early experimentations, which he would repeat, adapt, or refine over the course of his career. 
1. General View of Inner Geumgang
This overview format as well as the juxtaposition of dark, foliage-covered rolling peaks and the white spiky pillars reveal Jeong’s ingenuity. Prominent sites enfolded into this view include Jangan Temple and the adjacent stone bridge in the foreground center and the tallest summit, Biro Peak, in the far distance. Labeling important sites is a convention Jeong applied to many of his paintings of the Diamond Mountains, which other artists followed.
2. Mount Geumgang Viewed from Danbal Ridge
Travelers to the Diamond Mountains usually approached from the Danbal Ridge, from where they would catch their first glimpse of the glittering rocky peaks—depicted here as if floating in the sky, creating a sense of drama and wondrous discovery. Jeong employed multiple perspectives to create this view.

The mountain
Mount Kumgang  (1,638 m - 5,374 ft) or  Geumpang Mountains or The Diamond mountain, are a mountain/mountain range, in Kangwon-do, North Korea. It is about 50 kilometres (31 mi) from the South Korean city of Sokcho in Gangwon-do. It is one of the best-known mountains in North Korea. It is located on the east coast of the country, in Mount Kumgang Tourist Region, formerly part of Kangwŏn Province). Mount Kumgang is part of the Taebaek mountain range which runs along the east of the Korean Peninsula.
Koreans have perceived Kŭmgangsan as their muse since well before the Middle Ages. Practically every poet and artist who lived during the Joseon dynasty (1392-1910) made a pilgrimage to Kŭmgangsan. The division of the Korean peninsula in 1950 resulted in the South Korean people finding themselves unable to visit this beloved mountain for the better part of 50 years. The 155-mile-long (249 km) barbed-wire fence erected as part of the DMZ (Demilitarized zone) separating the two Koreas proved to be an obstacle stronger than any other barrier.[
In 1894 the British writer Isabella Bird Bishop referred to it in her travelogue as "Diamond Mountain".

The painter
Jeong Seon (정선)  was a Korean landscape painter, also known by his pen name Kyomjae ("humble study"). His works include ink and oriental water paintings, such as Inwangjesaekdo (1751), Geumgang jeondo, and Ingokjeongsa (1742), as well as numerous "true-view" landscape paintings on the subject of Korea and the history of its culture.  He is counted among the most famous Korean painters.  The landscape paintings that he produced reflect most of the geographical features of Korea.  The poverty he experienced in his youth made him pursue his career as a painter.  He was proficient at Zhou-I and astronomy. He worked at the Bureau of Painting creating landscapes for patrons and clients.
He was discovered by an aristocratic neighbour who recommended him to the court. He soon gained an official position. Jeong is said to have painted daily, with a prolific output until old age. 
Jeong was the most eminent painter in the late Joseon Dynasty (1700–1850) and explored the scenic beauty of the capital city of Hanyang (Seoul), the Han River, the East Sea, and the Diamond Mountain (above). He is the first painter of true-view Korean landscapes. Differing from earlier techniques and traditional Chinese styles, he created a new style of painting depicting the virtues of Korea. It is reported that he frequently left his studio and painted the world around him, as he could see it. His paintings are classified as Southern School, but he developed his own style by realistically portraying natural scenes such as mountains and streams with bold strokes of his brush.
A major characteristic of his work is intermixed dark and light areas, created by layers of ink wash and lines. His mountains are punctuated by forests, which in turn are lightened by mists and waterfalls. Vegetation is made from dots, a technique that bears the influence of Chinese painter Mi Fei (1052–1107). Jeong's style would influence generations of Korean artists, and become one of the iconic images of Korean nationalism.

MOUNT WASHINGTON BY ALBERT BIERSTADT

ALBERT BIERSTADT (1830-1902),

Mount Washington (1, 916m - 6, 286ft)

United States of America  (New Hampshire)

In Autumn in the Conway Meadows Looking Towards Mount Washington, oil on canvas,
 Private collection 

The mountain 

Mount Washington (1, 916m - 6, 286ft) is the highest point in the northeastern United States. It is located in the White Mountains in the county of Coos. Most of the mountain is located in the White Mountain National Forest and Mount Washington State Park.
The mountain is called Agiocochook, the "abode of the great spirit," by the Amerindians. A scientific expedition led by geologist Dr. Cutler named Mount Washington in 1784.
While the western slope, which climbs the Cog Railway, is regular from its base, the other slopes are more complex. To the north, Great Gulf, the largest glacial circus in the mountains, is surrounded by the Northern Presidentials, namely Clay, Jefferson, Adams and Madison Mountains. These peaks reach far beyond the alpine zone beyond the tree line. The imposing Chandler Ridge extends northeast from the top of Mount Washington to form the southern wall of the amphitheater. It is paced by a motorway to the summit.
The first European to mention the mountain is Giovanni da Verrazzano in 1524, who sees it from the Atlantic Ocean and describes it as a "high mountain of the interior". Irishman Darby Field says he made his first ascent in 1642.
The Crawford Path, the oldest hiking trail in the United States, was established in 1819 as a mule track from the Crawford Notch Gorge to the summit and has been in use since that time. Ethan Allen Crawford built a lodge at the summit in 1821 that resisted a storm five years later.  In the middle of the nineteenth century, the mountain became a major tourist destination of the country, with the construction of new trails and two hotels. The Summit House, a 20-meter-long stone building with a roof attached to four heavy chains, was opened in 1852. The following year, the Tip-Top House was erected to compete with it. Rebuilt in wood with 91 rooms in 1872-1873, the Summit House burned in 1908 and was replaced by a granite building in 1915. Only the Tip-Top House resists fire; it is now classified in the National Register of Historic Places and has recently been renovated to house exhibitions. Among the attractions of the Victorian era is also a coach road built in 1861, now the Mount Washington Auto Road, and the Mount Washington Cog Railway, a cog railway established in 1869, in service.

The painter 

Albert Bierstadt  was a German-born American painter. He was brought to the United States at the age of one by his parents. He later returned to study painting for several years in Düsseldorf. At an early age Bierstadt developed a taste for art and made clever crayon sketches in his youth. 

In 1851, he began to paint in oils. He became part of the Hudson River School in New York, an informal group of like-minded painters who started painting along this scenic river. Their style was based on carefully detailed paintings with romantic, almost glowing lighting, sometimes called luminism. An important interpreter of the western landscape, Bierstadt, along with Thomas Moran, is also grouped with the Rocky Mountain School.

In 1858 he exhibited a large painting of a Swiss landscape at the National Academy of Design, which gained him positive critical reception and honorary membership in the Academy.  At this time Bierstadt began painting scenes in New England and upstate New York, including in the Hudson River valley. A group of artists known as the Hudson River School portrayed its majestic landscapes and craggy areas, as well as the light affected by the changing waters.

In 1859, Bierstadt traveled westward in the company of Frederick W. Lander, a land surveyor for the U.S. government, to see those landscapes.  He continued to visit the American West throughout his career.

During the American Civil War, Bierstadt paid for a substitute to serve in his place when he was drafted in 1863. He completed one Civil War painting Guerrilla Warfare, Civil War in 1862, based on his brief experiences with soldiers stationed at Camp Cameron in 1861.

Bierstadt's painting was based on a stereoscopic photograph taken by his brother Edward Bierstadt, who operated a photography studio at Langley's Tavern in Virginia. Bierstadt's painting received a positive review when it was exhibited at the Brooklyn Art Association at the Brooklyn Academy of Music in December 1861. Curator Eleanor Jones Harvey observes that Bierstadt's painting, created from photographs, "is quintessentially that of a voyeur, privy to the stories and unblemished by the violence and brutality of first-hand combat experience."

In 1860, he was elected a member of the National Academy; he received medals in Austria, Bavaria, Belgium, and Germany.[ In 1867 he traveled to London, where he exhibited two landscape paintings in a private reception with Queen Victoria. He traveled through Europe for two years, cultivating social and business contacts to sustain the market for his work overseas.

As a result of the publicity generated by his Yosemite paintings, Bierstadt's presence was requested by every explorer considering a westward expedition, and he was commissioned by the Atchison, Topeka, and Santa Fe Railroad to visit the Grand Canyon for further subject matter.

Bierstadt's technical proficiency, earned through his study of European landscape, was crucial to his success as a painter of the American West. It accounted for his popularity in disseminating views of the Rockies to those who had not seen them. The immense canvases he produced after his trips with Lander and Ludlow established him as the preeminent painter of the western American landscape. Financial recognition confirmed his status: The Rocky Mountains, Lander's Peak, completed in 1863, was purchased for $25,000 in 1865.

Despite his popular success, Bierstadt was criticized by some contemporaries for the romanticism evident in his choices of subject and his use of light was felt to be excessive. 

In 1882 Bierstadt's studio at Irvington, New York, was destroyed by fire, resulting in the loss of many of his paintings. By the time of his death on February 18, 1902, the taste for epic landscape painting had long since subsided. Bierstadt was then largely forgotten. He was buried at the Rural Cemetery in New Bedford, Massachusetts.

Interest in his work was renewed in the 1960s, with the exhibition of his small oil studies. The subsequent reassessment of Bierstadt's work has placed it in a favorable context.

Bierstadt's theatrical art, fervent sociability, international outlook, and unquenchable personal energy reflected the epic expansion in every facet of western civilization during the second half of the nineteenth century.

Bierstadt was a prolific artist, having completed over 500 paintings during his lifetime. Many of these are held by museums across the United States.

MONT CHOCORUA PAR JOHN MARIN

 

JOHN MARIN (1870-1953)
Mont Chocorua (1 061 m - 3 480 ft)
États-Unis d'Amérique (New Hampshire)

In Mount Chocorua, série White Mountains, aquarelle, 1927. Harvard University Museums

 

La montagne
Le mont Chocorua (1 061 m - 3 480 pieds) est un sommet des White Mountains dansle  New Hampshire, le sommet, le plus à l'est de la chaîne Sandwich. Bien que la chaîne ne soit pas exceptionnelle pa son élévation, elle est très accidentée et offre d'excellentes vues sur les lacs, les montagnes et les forêts environnantes. Le sommet dénudé du mont Chocorua peut être vu de presque toutes les directions et peut être identifié à partir de nombreux points du centre du New Hampshire et de l'ouest du Maine.
On pense que Chocorua était le nom d'un homme amérindien au 18ème siècle, bien qu'il n'existe aucun document authentique de sa vie.
Le mont Chocorua est une destination populaire pour les randonneurs. Il y a de nombreux sentiers en haut de la montagne, et ils peuvent être assez encombrés pendant les mois d'été. Le Piper Trail (6,8 km dans chaque sens depuis l'est), le Champney Falls Trail (du nord) et le Liberty Trail (du sud-ouest) sont particulièrement populaires.

Le peintre
John Marin est  un peintre  américain fondateur du mouvement moderniste. Il a été l'un des premiers Américains à utiliser des techniques d'abstraction dans ses représentations calligraphiques de paysages et de rues de la ville. Avec Arthur Dove, Marsden Hartley et Georgia O'Keeffe, Marin a contribué à introduire un nouveau modèle esthétique  "Je dois pour ma part insister sur le fait qu'une fois terminé, c'est-à-dire lorsque toutes les pièces sont en place et fonctionnent, le tableau est devenu un objet et aura donc ses limites aussi définies que la proue, la poupe, les côtés et le fond lié comme dans un bateau », déclarait il.
Marin a commencé sa carrière artistique assez tard dans la vie et fut  diplômé de la Pennsylvania Academy of Fine Arts en 1901 à l'âge de 30 ans. En 1905, il voyagea en Europe, vécut à Paris (1905-1909) où il  développéasa technique d'aquarelle et rencontre l'artiste Edward Steichen. C'est Steichen qui présenta son travail au photographe Alfred Stieglitz, qui  monta la première exposition personnelle de Marin en 1909 et soutint financièrement l'artiste pendant le reste de sa carrière.
Aujourd'hui, ses œuvres font partie des collections du Museum of Modern Art de New York, de la Phillips Collection de Washington, D.C. et de l'Art Institute of Chicago, entre autres.
Il a développé un style plus dynamique et fracturé à partir de 1912 pour peindre l'interaction des forces en conflit, et a progressivement développé des manières sommaires de rendre ses impressions vives de la mer, du ciel, des montagnes ou des gratte-ciel de Manhattan. Dans les années 1920  il travailla presque exclusivement à l'aquarelle ; après 1930  il opta pour l'huile sur toile .
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2023 - Wandering Vertexes ....
Errant au-dessus des Sommets Silencieux...
Un blog de Francis Rousseau 

MOUNT COLEMAN PAINTED BY ARTHUR P. COLEMAN

 

ARTHUR P. COLEMAN (1852-1939)
Mount Coleman (3,135 m-10,285 ft)
Canada (Alberta) 

 In  "Mountain un the Canadian rockies"

The mountain
Mount Coleman (3,135 m-10,285 ft) mountain summit located in the upper North Saskatchewan River valley in Banff National Park, in the Canadian Rockies of Alberta, Canada. Its nearest higher peak is Cirrus Mountain, 4.46 km (2.77 mi) to the north.  Mount Coleman is situated along the east side the Icefields Parkway midway between Saskatchewan Crossing and Sunwapta Pass.
Mount Coleman was named in 1898 after Arthur Philemon Coleman (1852-1939), a Canadian geologist and among the first white men to explore the area that is now Jasper National Park.(see below). Like other mountains in Banff Park, Mount Coleman is composed of sedimentary rock laid down from the Precambrian to Jurassic periods. Formed in shallow seas, this sedimentary rock was pushed east and over the top of younger rock during the Laramide orogeny.  Based on the Köppen climate classification, Mount Coleman is located in a subarctic climate with cold, snowy winters, and mild summers.  Temperatures can drop below -20 °C with wind chill factors below -30 °C. Precipitation runoff from Mount Coleman drains into tributaries of the North Saskatchewan River.

The painter
Arthur Philemon Coleman was a Canadian a geologist, professor, minerals prospector, artist, Rockies explorer, backwoods canoeist, world traveller, scientist, popular lecturer, museum administrator, memoirist and... one of Canada’s most beloved scientist.
Arthur Coleman is a fine example of that rare bird, a polished amateur artist whose drawings and paintings stand comfortably beside those of many professionals. He was active during the time when sketching and painting was ceding to photography the task of recording the visible world. Although he was also a photographer, painting was, for him, both a poetic and a descriptive pursuit, a way of wrapping an artistic expression around a phenomenon he was interested in or moved by. Thus motivated, Coleman's paintings give much joy and command a good deal of respect. The more surprising, perhaps given that he used to introduced himself more as a geologist than a painter.
Coleman travelled throughout the United States for professional conferences as well as geological field work. He visited many of the major American mountain ranges including: the American Cordillera Mountains (Washington, Oregon and California); the Sierra Nevada Mountains (California and Nevada); Yellowstone National Park (Wyoming, Montana and Idaho); and the Appalachian Mountains (eastern United States). Pleistocene glaciation had extended in Northern Europe as far south as Berlin and London and covered an area of two million square miles. Coleman also visited such countries as India, Australia, Brazil, Argentina, Scandinavia, Bolivia, New Zealand, South Africa and Uruguay. In his final years he made two expeditions to the Andes in Colombia, to mountains in Southern Mexico and to two mountains in Central America. He achieved the first ascent of Castle Mountain in 1884, and in 1907, he was the first white man to attempt to climb Mount Robson. He made a total of eight exploratory trips to the Canadian Rockies, wholly four of them looking for the mythical giants of Hooker and Brown.
From 1901 to 1922, he was a Professor of Geology at the University of Toronto and was Dean of the Faculty of Arts from 1919 to 1922. From 1931 to 1934, he was a geologist with the Department of Mines of the Government of Ontario. He was elected a Fellow of the Royal Society of Canada in 1900 and was its President in 1921. In 1929, he was appointed Honorary Vice-President of the Royal Canadian Geographical Society.
"Mount Coleman" and "Coleman Glacier" in Banff National Park is named in his honor. He was awarded the Penrose Medal in 1936.
He planned to climb "his" mountain, "Mount Coleman"'in the Albertan Rockies, and had also prepared a trip to British Guiana, but death intervened.
He was author of:
- Reports on the Economic Geology of Ontario (1903)
- Lake Ojibway; Last of the Great Glacial Lakes (1909)
- The Canadian Rockies: New and Old Trails (1911)
- Ice Ages, Recent and Ancient (1926), and was co-author of Elementary Geology (1922).
- The Last Million Years (1941) edited by George F. Kay

__________________________________________
2022 - Wandering Vertexes...
by Francis Rousseau

BELUKHA MOUNTAIN (2) PAINTED BY NICHOLAS ROERICH

 

NICHOLAS ROERICH (1874-1947)
Belukha Mountain (4,506 m - 14,784 ft)
Russia - Kazakhstan border 

 In  Path to Shambhala, oil on canvas, 1933,  Roerich Museum NYC

About Shambala
Nicholas and Helena Roerich led a 1924–1928 expedition aimed at Shambhala. They also believed that Belukha Mountain in the Altai Mountains was an entrance to Shambhala, a common belief of that region. Inspired by Theosophical lore and several visiting Mongol lamas, Gleb Bokii, the chief Bolshevik cryptographer and one of the bosses of the Soviet secret police, along with his writer friend Alexander Barchenko, embarked on a quest for Shambhala, in an attempt to merge Kalachakra-tantra and ideas of Communism in the 1920s. Among other things, in a secret laboratory affiliated with the secret police, Bokii and Barchenko experimented with Buddhist spiritual techniques to try to find a key for engineering perfect communist human beings.  They contemplated a special expedition to Inner Asia to retrieve the wisdom of Shambhala – the project fell through as a result of intrigues within the Soviet intelligence service, as well as rival efforts of the Soviet Foreign Commissariat that sent its own expedition to Tibet in 1924. French Buddhist Alexandra David-Néel associated Shambhala with Balkh in present-day Afghanistan, also offering the Persian Sham-i-Bala, "elevated candle" as an etymology of its name.  In a similar vein, the Gurdjieffian J. G. Bennett published speculation that Shambalha was Shams-i-Balkh, a Bactrian sun temple.

The mountain
Belukha Mountain located in the Katun Mountains, is the highest peak of the Altai Mountains in Russia and the highest of the system of the South Siberian Mountains. It is part of the World Heritage Site entitled Golden Mountains of Altai. Located in the Altai Republic, Belukha is a three-peaked mountain massif that rises along the border of Russia and Kazakhstan, just a few dozen miles north of the point where this border meets with the border of China. There are several small glaciers on the mountain, including Belukha Glacier. Of the two peaks, the eastern peak (4,506 m, 14,784 ft.) is higher than the western peak (4,440 m, 14,567 ft.). Belukha was first climbed in 1914 by the Tronov brothers. Most ascents of the eastern peak follow the same southern route as that taken in the first ascent. Though the Altai is lower in elevation than other Asian mountain groups, it is very remote, and much time and planning are required for its approach.
In the summer of 2001, a team of scientists traveled to the remote Belukha Glacier to assess the feasibility of extracting ice cores at the site. Research was carried out from 2001 to 2003: both shallow cores and cores to bedrock were extracted and analyzed (Olivier and others, 2003; Fujita and others, 2004). Based on tritium dating techniques, the deeper cores may contain as much as 3,000–5,000 years of climatic and environmental records. A Swiss-Russian team also studied the glacier.
Since 2008, one is required to apply for a special border zone permit in order to be allowed into the area (if travelling independently without using an agency). Foreigners should apply for the permit to their regional FSB border guard office two months before the planned date.

The painter
Nicholas Roerich known also as Nikolai Konstantinovich Rerikh (Никола́й Константи́нович Ре́рих) is quite an important figure of mountain paintings in the early 20th century. He was a Russian painter, writer, archaeologist, theosophist, perceived by some in Russia as an enlightener, philosopher, and public figure. In his youth was he was quite influenced by a movement in Russian society around the occult and was interested in hypnosis and other spiritual practices. His paintings are said to have hypnotic expression.
Born in Saint Petersburg, Russia, he lived in various places around the world until his death in Naggar, Himachal Pradesh, India. Trained as an artist and a lawyer, his main interests were literature, philosophy, archaeology, and especially art. After the February Revolution of 1917 and the end of the czarist regime, Roerich, a political moderate who valued Russia's cultural heritage more than ideology and party politics, had an active part in artistic politics. With Maxim Gorky and Aleksandr Benois, he participated with the so-called "Gorky Commission" and its successor organization, the Arts Union (SDI).
After the October Revolution and the acquisition of power of Lenin's Bolshevik Party, Roerich became increasingly discouraged about Russia's political future. During early 1918, he, Helena, and their two sons George and Sviatoslav emigrated to Finland. After some months in Finland and Scandinavia, the Roerichs relocated to London, arriving in mid-1919. Later, a successful exhibition resulted in an invitation from a director at the Art Institute of Chicago, offering to arrange for Roerich's art to tour the United States. During the autumn of 1920, the Roerichs traveled to America by sea. The Roerichs remained in the United States from October 1920 until May 1923.
After leaving New York, the Roerichs – together with their son George and six friends – began the five-year-long 'Roerich Asian Expedition' that, in Roerich's own words: "started from Sikkim through Punjab, Kashmir, Ladakh, the Karakoram Mountains, Khotan, Kashgar, Qara Shar, Urumchi, Irtysh, the Altai Mountains, the Oyrot region of Mongolia, the Central Gobi, Kansu, Tsaidam, and Tibet" with a detour through Siberia to Moscow in 1926.
In 1929 Nicholas Roerich was nominated for the Nobel Peace Prize by the University of Paris. He received two more nominations in 1932 and 1935. His concern for peace resulted in his creation of the Pax Cultura, the "Red Cross" of art and culture. His work for this cause also resulted in the United States and the twenty other nations of the Pan-American Union signing the Roerich Pact on April 15, 1935 at the White House. The Roerich Pact is an early international instrument protecting cultural property.
In 1934–1935, the U.S. Department of Agriculture (then headed by Roerich admirer Henry A. Wallace) sponsored an expedition by Roerich and USDA scientists H. G. MacMillan and James F. Stephens to Inner Mongolia, Manchuria, and China.
Roerich was in India during the Second World War, where he painted Russian epic heroic and saintly themes, including: Alexander Nevsky, The Fight of Mstislav...
In 1942, Roerich received Jawaharlal Nehru at his house in Kullu. Together they discussed the fate of the new world: "We spoke about Indian-Russian cultural association, it is time to think about useful and creative cooperation ...”.
Gandhi would later recall about several days spent together with Roerich's family: "That was a memorable visit to a surprising and gifted family where each member was a remarkable figure in himself, with a well-defined range of interests." ..."Roerich himself stays in my memory. He was a man with extensive knowledge and enormous experience, a man with a big heart, deeply influenced by all that he observed". During the visit, "ideas and thoughts about closer cooperation between India and USSR were expressed. Now, after India wins independence, they have got its own real implementation[clarification needed]. And as you know, there are friendly and mutually-understanding relationships today between both our countries".
In 1942, the American-Russian cultural Association (ARCA) was created in New York.
Its active participants were Ernest Hemingway, Rockwell Kent, Charlie Chaplin, Emil Cooper, Serge Koussevitzky, and Valeriy Ivanovich Tereshchenko. The Association's activity was welcomed by scientists like Robert Millikan and Arthur Compton.
Roerich died on December 13, 1947.
Presently, the Nicholas Roerich Museum in New York City is a major institution for Roerich's artistic work. Numerous Roerich societies continue to promote his theosophical teachings worldwide. His paintings can be seen in several museums including the Roerich Department of the State Museum of Oriental Arts in Moscow; the Roerich Museum at the International Centre of the Roerichs in Moscow; the Russian State Museum in Saint Petersburg, Russia; a collection in the Tretyakov Gallery in Moscow; a collection in the Art Museum in Novosibirsk, Russia; an important collection in the National Gallery for Foreign Art in Sofia, Bulgaria; a collection in the Art Museum in Nizhny Novgorod Russia; National Museum of Serbia ; the Roerich Hall Estate in Nagar village in Kullu Valley, India; the Sree Chitra Art Gallery, Thiruvananthapuram, India;[17] in various art museums in India; and a selection featuring several of his larger works in The Latvian National Museum of Art.

_______________________________
2022 - Wandering Vertexes...
by Francis Rousseau

CLYDE PEAK PAINTED BY ARTHUR P. COLEMAN

 

ARTHUR P. COLEMAN (1852-1939)
Clyde Peak (2,624 m - 8,610 ft)
United States of America (Montana)

In Mountain South Clide, watercolor on paper, 1895 A.P Coleman Funds.

The mountain
Clyde Peak 2,624 m- is an 8,610 ft) is  located in Glacier National Park in the U.S. state of Montana. The mountain straddles the border shared by Flathead County and Glacier County. It is situated on the Continental Divide so precipitation runoff from the west side of the mountain drains into Thompson Creek which is part of the Middle Fork Flathead Riverwatershed, and the east side drains into headwaters of Red Eagle Creek, which flows to Red Eagle Lake, thence Saint Mary Lake. It is set in the Lewis Range, and the nearest higher neighbor is Mount Logan 1.44 mile to the northwest. Topographic relief is significant as the southwest aspect rises approximately 4,000 feet (1,220 meters) in one mile.
The mountain's name commemorates Norman Clyde (1885–1972), who made the first ascent of this peak on July 23, 1923.  Clyde is credited with 130 first ascents, most of which were in the Sierra Nevada of California.[ In 1923 he spent 36 days in Glacier National Park, Montana, where he climbed 36 mountains, including 11 first ascents.

The painter
Arthur Philemon Coleman was a Canadian a geologist, professor, minerals prospector, artist, Rockies explorer, backwoods canoeist, world traveller, scientist, popular lecturer, museum administrator, memoirist and... one of Canada’s most beloved scientist.
Arthur Coleman is a fine example of that rare bird, a polished amateur artist whose drawings and paintings stand comfortably beside those of many professionals. He was active during the time when sketching and painting was ceding to photography the task of recording the visible world. Although he was also a photographer, painting was, for him, both a poetic and a descriptive pursuit, a way of wrapping an artistic expression around a phenomenon he was interested in or moved by. Thus motivated, Coleman's paintings give much joy and command a good deal of respect. The more surprising, perhaps given that he used to introduced himself more as a geologist than a painter.
Coleman travelled throughout the United States for professional conferences as well as geological field work. He visited many of the major American mountain ranges including: the American Cordillera Mountains (Washington, Oregon and California); the Sierra Nevada Mountains (California and Nevada); Yellowstone National Park (Wyoming, Montana and Idaho); and the Appalachian Mountains (eastern United States). Pleistocene glaciation had extended in Northern Europe as far south as Berlin and London and covered an area of two million square miles. Coleman also visited such countries as India, Australia, Brazil, Argentina, Scandinavia, Bolivia, New Zealand, South Africa and Uruguay. In his final years he made two expeditions to the Andes in Colombia, to mountains in Southern Mexico and to two mountains in Central America. He achieved the first ascent of Castle Mountain in 1884, and in 1907, he was the first white man to attempt to climb Mount Robson. He made a total of eight exploratory trips to the Canadian Rockies, wholly four of them looking for the mythical giants of Hooker and Brown.
From 1901 to 1922, he was a Professor of Geology at the University of Toronto and was Dean of the Faculty of Arts from 1919 to 1922. From 1931 to 1934, he was a geologist with the Department of Mines of the Government of Ontario. He was elected a Fellow of the Royal Society of Canada in 1900 and was its President in 1921. In 1929, he was appointed Honorary Vice-President of the Royal Canadian Geographical Society.
"Mount Coleman" and "Coleman Glacier" in Banff National Park is named in his honor. He was awarded the Penrose Medal in 1936.
He planned to climb "his" mountain, "Mount Coleman"'in the Albertan Rockies, and had also prepared a trip to British Guiana, but death intervened.
He was author of:
- Reports on the Economic Geology of Ontario (1903)
- Lake Ojibway; Last of the Great Glacial Lakes (1909)
- The Canadian Rockies: New and Old Trails (1911)
- Ice Ages, Recent and Ancient (1926), and was co-author of Elementary Geology (1922).
- The Last Million Years (1941) edited by George F. Kay

 
___________________________________________
2021 - Wandering Vertexes...
by Francis Rousseau

MOUNT ADAMS PAINTED BY ALVAN FISCHER

ALVAN FISCHER (1792-1863)
Mount Adams or Patho or Klikitat (3, 473m - 12, 281ft) 

United States of America (Washington State) 

In Mount Adams from the Peabody, 1857, oil on canvas

The mountain

Mount Adams or Patho or Klikitat (3, 473m - 12, 281ft)  is a potentially active stratovolcano in the Cascade Range, USA. Although Adams has not erupted in more than 1,000 years, it is not considered extinct. It is the second-highest mountain in the U.S. state of Washington, after Mount Rainier/Tacoma. Mount Adams is a member of the Cascade Volcanic Arc, and is one of the arc's largest volcanoes, located in a remote wilderness approximately 34 miles (55 km) east of Mount St. Helens. The Mount Adams Wilderness consists of the upper and western part of the volcano's cone. The eastern side of the mountain is designated as part of the territory of the Yakama Nation.

Adams' asymmetrical and broad body rises 1.5 miles (2.4 km) above the Cascade crest. Its nearly flat summit was formed as a result of cone-building eruptions from separated vents. A false summit, Pikers Peak, rises 11,657 feet (3,553 m) on the south side of the nearly half-mile (800 m) wide summit area. The true summit is about 600 feet (180 m) higher on the gently sloping north side. A small lava and scoria cone marks the highest point. Suksdorf Ridge is a long buttress descending from the false summit down to an elevation of 8,000 feet (2,000 m). This structure was built by repeated lava flows in the late Pleistocene. 

Air travelers flying the busy routes above the area sometimes confuse Mount Adams with nearby Mount Rainier/Tacoma, which has a similar flat-topped shape.

The Pacific Crest Trail traverses the western flank of the mountain.

In the early 21st century, glaciers cover a total of 2.5% of Adams' surface. During the last ice age about 90% of the mountain was glaciated. Mount Adams has 209 perennial snow and ice features and 12 officially named glaciers : Adams Glacier, Pinnacle Glacier, White Salmon Glacier,  Avalanche Glacier, Mazama Glacier, Klickitat Glacier, Rusk Glacier, Wilson Glacier, Gotchen Glacier, Crescent Glacier and Lava Glacier.

The painter 
Alvan Fisher  was one of the United States's pioneers in landscape painting and genre works.
Fisher traveled throughout the northeastern United States searching out sites of landscape beauty such as the views of Springfield, Hartford, and Providence and the spectacular scenery of the White Mountains of New Hampshire. He sketched outdoors and began to compose pastoral scenes in his studio before Thomas Cole or others of the Hudson River School gave serious attention to nature. The Watering Place, 1816, now in the collection of Fruitlands Museum, Harvard, Massachusetts, is his earliest extant pure landscape. His paintings of Niagara Falls, commissioned by Judge Daniel Appleton White of Salem, Massachusetts, were completed following his visit there in 1820.
In April, 1825, Fisher sailed for a tour of the great art centers of Europe. He was the first important American landscapist to make such a tour. He visited England, France, Italy and Switzerland, countries considered important for any artist's professional stature and artistic maturation. In London he visited private collections and was inspired by the composition and subject matter of landscapes by Claude Lorrain. In Paris he studied drawing and made copies of works by the Old Masters at the Louvre. He had evidently met General Lafayette in 1824 when Lafayette stopped at Dedham during his triumphal tour of the United States. Fisher was granted permission to complete paintings of Chateau La Grange, Lafayette's estate outside Paris. His four views of La Grange were then drawn on lithographic stones in France by the noted lithographer Isadore Deroy, and brought back for printing on one of the first lithographic presses used in the United States. Portfolios of these prints were sold as souvenirs building on the popularity of General Lafayette.
Perhaps the greatest recognition of his skill as a landscape artist came one hundred years his death  later when First Lady Jacqueline Kennedy chose his painting, The Remnant of the Tribe, to hang in the Green Room of the White House. The Dedham Historical Society has a collection of his paintings, sketches and biographical material. 

SURPRISE MOUNTAIN BY ARTHUR. P. COLEMAN

ARTHUR P. COLEMAN (1852-1939)

Surprise Mountain  (1,929m - 63,30ft) 

United States of America (Washington State) 

In Surprize Mountain, Showing Thalkessel, left side in shade, watercolor 

The mountain 
Surprise Mountain  (1,929m - 63,30ft) is an alpine peak nestled in the middle of the Alpine Lakes Wilderness of Washington State. Perhaps appropriately, several alpine lakes are found near the mountain. The Deception Lakes are located at the south end of the mountain, and Glacier Lake and Surprise Lake are located northeast of the mountain. Views of surrounding peaks and valleys from the mountain are also far-reaching, including Mount Daniel and Glacier Peak. Surprise Mountain is located southeast of Spark Plug Mountain and southwest of Thunder Mountain.
In 1932, the U.S. Forest Service built a L-4 cab fire lookout on the summit of Surprise Mountain, due to its wide views of the Central Cascade Mountains. The U.S. Forest Service then decommissioned and destroyed the fire lookout during the 1950s. The only remnant of the lookout that remains today is a tall metallic pole at the mountain summit.

The painter 
Arthur Philemon Coleman was a Canadian a geologist, professor, minerals prospector, artist, Rockies explorer, backwoods canoeist, world traveller, scientist, popular lecturer, museum administrator, memoirist and...  one of Canada’s most beloved scientist.
Arthur Coleman is a fine example of that rare bird, a polished amateur artist whose drawings and paintings stand comfortably beside those of many professionals. He was active during the time when sketching and painting was ceding to photography the task of recording the visible world. Although he was also a photographer, painting was, for him, both a poetic and a descriptive pursuit, a way of wrapping an artistic expression around a phenomenon he was interested in or moved by. Thus motivated, Coleman's paintings give much joy and command a good deal of respect. The more surprising, perhaps given that he used to introduced himself more as a geologist than a painter.
Coleman travelled throughout the United States for professional conferences as well as geological field work.  He visited many of the major American mountain ranges including: the American Cordillera Mountains (Washington, Oregon and California); the Sierra Nevada Mountains (California and Nevada); Yellowstone National Park (Wyoming, Montana and Idaho); and the Appalachian Mountains (eastern United States). Pleistocene glaciation had extended in Northern Europe as far south as Berlin and London and covered an area of two million square miles. Coleman also visited such countries as India, Australia, Brazil, Argentina, Scandinavia, Bolivia, New Zealand, South Africa and Uruguay. In his final years he made two expeditions to the Andes in Colombia, to mountains in Southern Mexico and to two mountains in Central America.  He achieved the first ascent of Castle Mountain in 1884, and in 1907, he was the first white man to attempt to climb Mount Robson. He made a total of eight exploratory trips to the Canadian Rockies, wholly four of them looking for the mythical giants of Hooker and Brown.
 "Mount Coleman" and "Coleman Glacier" in Banff National Park are named in his honor.
He was awarded the Penrose Medal in 1936.

_______________________________

2019 - Wandering Vertexes...

by Francis Rousseau 

CUYAMACA PEAK PAINTED BY CHARLES A. FRIES

CHARLES A. FRIES (1854-1940) 

Cuyamaca Peak (1, 986 m- 6,515 ft)  

United States of America (California) 

In Cuyamaca Peak, 1914, oil on canvas, The San Diego Museum of Art (SDMA)

The mountain 

Cuyamaca Peak (1, 986 m- 6,515 ft) is a mountain peak of the Cuyamaca Mountains range, in San Diego County, southern California.  Its summit is the second highest point in San Diego County, after Hot Springs Mountain. Cuyamaca Peak is located roughly 40 miles (64 km) from the Pacific Ocean, within Cuyamaca Rancho State Park. It is east of the city of San Diego and southwest of Julian.

A popular 3.5-mile (5.6 km) year round hike to the summit of Cuyamaca leads from the Paso Picacho Campground, starting at about 5,000 feet (1,500 m).

Snows in winter are common above 5,000 feet (1,500 m) and surrounding regions in Cuyamaca Rancho State Park. 

The significant elevation of Cuyamaca relative to its surrounding landscape catches Pacific moisture easily, forming clouds which are forced to release their moisture in order to pass East, resulting in average annual precipitation between 20 and 32 inches. 

On clear days visibility from the summit of Cuyamaca Peak can range from 60–100 miles (97–161 km) in nearly every direction. To the west, the Pacific Ocean, the Coronado Islands of Mexico, the coast line of San Diego County, Viejas Mountain, and El Cajon Mountain can be seen.

Looking north, one can see 6,140-foot (1,870 m) Palomar Mountain among the ridge of Palomar Mountains. On very clear days 8,716-foot (2,657 m) Toro Peak in the Santa Rosas and the San Jacintos are visible. Closer yet is Volcan Mountain slightly to the northeast, the former gold rush town of Julian lying in front. Directly north are the closest summits, Middle and North Peaks.

Directly east is the Anza Borrego Desert and the Laguna Mountains, including Whale Peak. Far beyond is the Salton Sea. To the south are Lyons Peak and Lawson Peak; further yet and to the southeast are Mexican border mountains such as Table Top Mountain and the Sierra de Juбrez.

During summer, Bracken Ferns, a variety of wildflowers and native bunchgrasses dominate mountain meadows and the forest floor. Prior to the Cedar Fire, Black oaks once lit up the mountain

In October 2003, the Cedar Fire, the largest fire in recorded California history, burned the once abundant White Fir (Abies concolor), Incense Cedar (Calocedrus decurrens), Jeffrey Pine, Coulter Pine, Sugar Pine, and Black oak (Quercus kelloggii) that once lined the mountain. Small seedlings of new White fir, Sugar Pine, Coulter Pine, Jeffrey Pine, and Incense Cedar were seen within a year of the Cedar Fire, and were thriving as saplings by 2007, an example of fire ecology.

 Source: 

 - Wikipedia 

The painter 

Charles Arthur Fries, illustrator, painter and teacher, was born in Hillsboro, Ohio. Raised in Cincinnati, he attended the Art Academy there at a time when it was considered one of the most notable in the United States. Among his fellow students were J. H. Twachtman, Robert Blumen, and Kenyon Cox. After marrying in 1887, he moved his studio to New York City where he was popular as an illustrator and portraitist while living on a farm in Vermont. In 1896 the Fries family headed west and, upon arriving in Southern California, temporarily lived in the ruins of the unrestored mission at San Juan Capistrano. The artist established himself in San Diego in 1897. Sporting a Van Dyke beard and flowing black bow tie, he was often seen riding about San Diego on his bicycle with painting gear in its basket. Fries was later referred to as the “Dean of San Diego Painters”. He devoted his canvases to landscape painting and focused on the desert, the mountains, and eucalyptus trees. His works are sound in craftsmanship and bright in atmospheric light. 

A memorial exhibition was held at the Fine Arts Gallery of San Diego in 1941, one year after his death. Charles Arthur Fries was a member: San Diego Art Guild; Laguna Beach AA; La Jolla AA; Calif. Art Club; San Diego Contemporary Artists. Exhibited: California State Fair, 1930; California Pacific International Exposition, San Diego 1935; GGIE, 1939, Awards: silver medal, Seattle Fine Arts Society, 1911; silver medal, Panama-California Exposition, San Diego, 1915.

 His works are held by the San Diego Museum of Art and the San Diego History Center.

 Source: 

- San Diego History Center