LE FUJIYAMA / 富士山 PEINT PAR ITO SHINSUI/ 伊東深水

SHINSUI ITO / 新水伊藤 (1898-1972)
Mont Fuji (3,376m)
Japan

In Three views of Mt Fuji

Le peintre
Itō Shinsui (伊東深水), de son véritable nom Itō Hajime, est un peintre de l'école nihon-ga et artiste ukiyo-e des ères Taishō et Shōwa au Japon. Il est l'un des noms majeurs derrière le mouvement shin hanga qui revitalise l'art traditionnel avant son déclin final avec l'avènement de la photographie au Japon au début du 20e siècle. Itō Shinsui est considéré comme l'une des personnalités les plus connues et respectées de la société japonaise et a reçu plusieurs titres honorifique dont celui de Trésor national vivant du Japon. En 1952, la « Commission pour la protection des biens culturels » déclare son talent de conception de gravure sur bois un « bien culturel immatériel »  En 1958, il est élu membre de l'académie japonaise des arts et en 1970 est élevé dans l'Ordre du Soleil levant.

La montagne
Le mont Fuji / 富士山  (3 776 mètres) est une montagne mythique du centre du Japon qui se trouve sur la côte sud de l'île de Honshū, au sud-ouest de l'agglomération de Tokyo. Il est le point culminant du Japon. Situé dans une région où se rejoignent les plaques tectoniques pacifique, eurasienne et philippine, la montagne est un stratovolcan toujours considéré comme actif, sa dernière éruption certaine s'étant produite fin 1707, bien que le risque éruptif soit actuellement considéré comme faible. À son sommet a été construit un observatoire météorologique et malgré les conditions climatiques rigoureuses, la montagne est une destination extrêmement populaire en particulier pour les Japonais, qu'ils soient shintoïstes ou bouddhistes, en raison de sa forme caractéristique et du symbolisme religieux traditionnel dont il est porteur. Il a ainsi été le sujet principal ou le cadre de nombreuses œuvres artistiques, notamment picturales au cours des siècles. Pourtant, cette fréquentation fragilise l'environnement. Aussi, le 22 juin 2013, il est inscrit au patrimoine mondial de l'UNESCO sous le titre « Fujisan, lieu sacré et source d'inspiration artistique ». Le plus célèbre de ses peintres fut Hokusai avec ses 36 vues du Mont Fuji, mais tous les grands artistes japonais l'ont peint au moins une fois dans leur vie.

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2023 - Wandering Vertexes ....
Errant au-dessus des Sommets Silencieux...
Un blog de Francis Rousseau

HIRA MOUNTAINS BY SHINSUI ITO / 新水伊藤

SHINSUI ITO  / 新水伊藤 (1898-1972)

Hira Mountains or Hira Sanchi (1,214 m - 3,984 ft)

Japan 

 In Eight views of Lake Biwa, 1917, woodblock print on paper

The mountains 
The three main peaks of the Hira Mountains are Mount Bunagatake (1,214 m- 3,984 ft) ; Hōraisan, (1,174 m- 3,852 ft) and Mount Uchimi (1,103 m - 3,619 ft).
The Hira Mountains (比良山地 Hira-sanchi) are a mountain range to the west of Lake Biwa on the border of Shiga Prefecture and Kyoto Prefecture, Japan. The range runs 15 kilometres (9.3 mi) north to south. It is narrowest in the southern part of the range, running 3 kilometres (1.9 mi) east to west, and broadest at the northern part of the range, running 10 kilometres (6.2 mi) km east to west. The eastern side of the Hira Mountains looks steeply over Lake Biwa, while the western side of the range forms a gentler valley in Kyoto.

The artist
Shinsui Itō / 伊東 深水 was the pseudonym of a Nihonga painter and ukiyo-e woodblock print artist in Taishō - and Shōwa-period Japan. He was one of the great names of the shin-hanga art movement, which revitalized the traditional art after it began to decline with the advent of photography in the early 20th century. His real name was Itō Hajime (伊東 一).
Itō's early landscape series, Eight Views of Lake Biwa inspired Kawase Hasui.
In the post-war period Itō came to be regarded as one of the best known and respected personalities in Japanese society, and received several important honors during his lifetime. In 1952 the "Commission for the Protection of Cultural Properties" (Bunkazai Hōgō Iinkai) declared his woodblock designing talent to be of "intangible cultural properties" (mukei bunkazai) which was then the equivalent of being declared a Living National Treasure. In 1958, he became a member of the Japan Art Academy. In 1970, he received the Order of the Rising Sun.

MIHARA-YAMA / 三原山 BY SHINSUI ITO / 新水伊藤

SHINSUI  ITO  / 新水伊藤 (1898-1972)

Mihara-yama / 三原山  (764 m - 2,507 ft) 

Japan 

In Mihara-yama in Summer, Block print,  1937, Private collection 

The volcano 

Mihara-yama / 三原山  (764 m - 2,507 ft)  is an active volcano on the Japanese isle of Izu Ōshima. Although the volcano is predominantly basaltic, major eruptions have occurred at intervals of 100–150 years. Mihara-yama's major eruption in 1986 saw lava fountains up to 1.6 kilometres (1.0 mi) high. The eruption had a Volcanic Explosivity Index of 3, and involved a central vent eruption, radial fissure eruption, explosive eruption, lava flows, and a lava lake eruption. There was also a 16 km high subplinian plume. All of the island's 12,000 inhabitants were evacuated by dozens of vessels consisting of both the military and civilian volunteers.

In the novel Ring by Koji Suzuki and its subsequent film adaption, Shizuko Yamamura, the mother of Sadako, predicted that Mount Mihara would someday erupt using her psychic abilities. After a failed psychic demonstration which resulted in Sadako psychically murdering a reporter, Shizuko became depressed and ultimately insane and committed suicide by leaping into the crater of Mount Mihara.

From a vantage point near the top of the cone it was once possible to leap into the crater. As a result, the volcano became a popular venue for suicides. Beginning in the 1920s, several suicides occurred in the volcano every week; more than six hundred people jumped in 1936. Authorities eventually erected a fence around the base of the structure to curb the number of suicides.

The artist

Shinsui Itō / 伊東 深水 was the pseudonym of a Nihonga painter and ukiyo-e woodblock print artist in Taishō - and Shōwa-period Japan. He was one of the great names of the shin-hanga art movement, which revitalized the traditional art after it began to decline with the advent of photography in the early 20th century. His real name was Itō Hajime (伊東 一).

Itō's early landscape series, Eight Views of Lake Biwa inspired Kawase Hasui.

In the post-war period Itō came to be regarded as one of the best known and respected personalities in Japanese society, and received several important honors during his lifetime. In 1952 the "Commission for the Protection of Cultural Properties" (Bunkazai Hōgō Iinkai) declared his woodblock designing talent to be of "intangible cultural properties" (mukei bunkazai) which was then the equivalent of being declared a Living National Treasure. In 1958, he became a member of the Japan Art Academy. In 1970, he received the Order of the Rising Sun.

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2019 - Wandering Vertexes...

by Francis Rousseau 

ONTAKESAN PAINTED BY ITO TAKAHASHI

ITO TAKASHI (1894-1982)

Ontakesan or Mount Ontake (3,067m- 10,062ft)

Japan

In Mount Kiso Ontake, 1932, print, 

The mountain 

Ontakesan  (3,067 m -10,062 ft) - in japanese 御嶽山 - also referred to as Mount Kiso Ontake (木曽御嶽山) or Mount Ontake, is the second highest volcano in Japan, after Fujiyama. Ontakesan is located around 100 km (62 mi) northeast of Nagoya, and around 200 km (125 mi) west of Tokyo, at the borders of Kiso and Ōtaki, Nagano Prefecture, and Gero, Gifu Prefecture.

The volcano has five crater lakes, with Ni no Ike at 2,905 m (9,531 ft) being the highest mountain lake in Japan. Ontake is a major sacred mountain, and following older shamanistic practices, actors and artists have gone to the mountain to put themselves into trances in order to get divine inspiration for their creative activities.

Ontakesan was thought to be inactive until October 1979, when it underwent a series of explosive phreatic eruptions (VEI 2), ejecting 200,000 tons of ash in total.[

There were minor non-explosive (VEI 0) phreatic eruptions in 1991 and 2007.

On Saturday, September 27, 2014, at around 11:53 a.m. Japan Standard Time (UTC +9), the volcano erupted with a VEI of 3 or 4. There were no significant earthquakes that might have warned authorities in the lead up to the phreatic eruption—caused by ground water flashing to steam in a hydrothermal explosion. The  Ontakesan volcano eruption was an extremely rare phenomenon which made it difficult to take precautionary measures. At least 40 people were injured, and another 32 were believed to be missing. The Japan Self-Defense Forces began carrying out helicopter searches for missing people after the eruption.] On October 7, the total confirmed death count stood at 54.

The artist

Itō Takashi was born in Kama, Shizuoka Prefecture.  He was one of the lesser known landscape artists who designed prints for the shin hanga publisher Watanabe Shōzaburō. Like several other print artists of this period, including Ito Shinsui (1898-1972) and Kawase Hasui (1883-1957), Ito Takashi studied painting under Kaburagi Kiyokata (1878-1973). He graduated from the Kyoto Koto Kogei (Higher Polytechnic) School of Designing where he studied Yoga (Western-style painting) with Totori Eiki (1873-1943), the Koto Kogei Gakko (Kyoto Higher Technical Art School) where he studied Nihonga (traditional Japanese-style painting) with Takeuchi Seihō (1864-1942) and the Tokyo Academy of Fine Arts where he studied Nihonga with painter Yuki Somei (1875-1957). Takashi primarily worked as a painter and started making color woodblock prints in 1922, which he did intermittently throughout the rest of his career.  He exhibited paintings at the Teiten.  He designed about 85 woodblock prints from the early 1920's through 1965.
Many of Takashi's early woodblock prints were only printed in one or two colors, because he was still experimenting with composition and design. These prints were probably not widely distributed. In 1923, a devastating earthquake struck Tokyo destroying the blocks for Takashi's early prints. However, at least one print, Ferry at Odai, Tokyo, was recarved by Watanabe's craftsmen and reprinted for many years afterward.
Many of Takashi's prints are idealistic images that emphasize the beauty of the unspoiled Japanese landscape. He enjoyed depicting dramatic seasonal and weather phenomena and often used bright, almost surreal colors to emphasize these changes. Occasionally people are part of his designs, but they are always incidental, solitary figures. A typical print, Takegawa River at Dawn, shows man living in harmony with nature. Takashi's prints evoke the Japan of old and represent the height of romantic shin hanga landscapes.
Watanabe describes Ito as an artist who experimented frequently with printing and overprinting, and that he also carved one design himself entitled Sinking Sun which illustrated the courtyard of Tokyo Imperial University (present-day University of Tokyo.)  Sinking Sun was apparently not published by Watanabe and was distributed by Ito to members of the Edo-Picture Appreciation Society.  Watanabe also states that at the time of the Great Kanto Earthquake in September 1923 a number of trial prints by Ito, done in conjunction with Watanabe's printers, were in progress.  They were subsequently abandoned due to the destruction of his shop premises.

MYOKO-SAN BY ITO TAKASHI

ITO TAKASHI (1894-1982)

Mount Myoko or Myoko-san  (2, 454 m - 8, 051ft) 

Japan 

 In Myokosan at dawn, print on paper, Private collection 

The Mountain 
Mount Myōkō (2, 454 m - 8, 051ft)  or Myōkō-san  (妙高山) is an active stratovolcano in Honshu, Japan. It is situated at the southwest of Myōkō city, Niigata Prefecture, and a part of Joshinetsu Kogen National Park. Mount Myōkō is listed as one of 100 Famous Japanese Mountains, and together with Mount Yahiko, it is well known as the "famous mountain" of Niigata Prefecture.
Echigofuji (越後富士) is another name given to this mountain. Being close to the border with Nagano Prefecture, it is linked to those on the Nagano side as one of the Five Peaks in Hokushin. The mountain was originally named Mount Koshinonaka  koshinonakayama) but was later changed to Mount Myōkō or Myōkōsan.
Mount Myōkō was formed beginning about 300,000 years ago, in a series of eruptions producing a broad spectrum of lava types including basalt, andesite, and dacite. Its maximum height is estimated to have been between 2,800 metres (9,200 ft) and 2,900 metres (9,500 ft), but it presently reaches only 2,454 metres (8,051 ft). Around 19,000 years ago, the top was blown off in a major eruption, forming a 3 km (2 mi) wide caldera. About 6,000 years ago, the central crater developed and assumed its present shape. A lava dome forms the volcano's present summit. The most recent eruptions about 4,300 years ago produced pyroclastic flows down the eastern flanks. Present activity is solfataric from fumaroles near the lava dome, where sulfur was once mined.
There are onsen and ski resorts at the foot of the mountain, including Akakura, Suginohara and Ikenotaira.
The mountain appears invariably in school songs of elementary and middle schools in the Jōetsu Region.

The artist

Itō Takashi was born in Kama, Shizuoka Prefecture.  He was one of the lesser known landscape artists who designed prints for the shin hanga publisher Watanabe Shōzaburō. Like several other print artists of this period, including Ito Shinsui (1898-1972) and Kawase Hasui (1883-1957), Ito Takashi studied painting under Kaburagi Kiyokata (1878-1973). He graduated from the Kyoto Koto Kogei (Higher Polytechnic) School of Designing where he studied Yoga (Western-style painting) with Totori Eiki (1873-1943), the Koto Kogei Gakko (Kyoto Higher Technical Art School) where he studied Nihonga (traditional Japanese-style painting) with Takeuchi Seihō (1864-1942) and the Tokyo Academy of Fine Arts where he studied Nihonga with painter Yuki Somei (1875-1957). Takashi primarily worked as a painter and started making color woodblock prints in 1922, which he did intermittently throughout the rest of his career.  He exhibited paintings at the Teiten.  He designed about 85 woodblock prints from the early 1920's through 1965.

Many of Takashi's early woodblock prints were only printed in one or two colors, because he was still experimenting with composition and design. These prints were probably not widely distributed. In 1923, a devastating earthquake struck Tokyo destroying the blocks for Takashi's early prints. However, at least one print, Ferry at Odai, Tokyo, was recarved by Watanabe's craftsmen and reprinted for many years afterward.

Many of Takashi's prints are idealistic images that emphasize the beauty of the unspoiled Japanese landscape. He enjoyed depicting dramatic seasonal and weather phenomena and often used bright, almost surreal colors to emphasize these changes. Occasionally people are part of his designs, but they are always incidental, solitary figures. A typical print, Takegawa River at Dawn, shows man living in harmony with nature. Takashi's prints evoke the Japan of old and represent the height of romantic shin hanga landscapes.

Watanabe describes Ito as an artist who experimented frequently with printing and overprinting, and that he also carved one design himself entitled Sinking Sun which illustrated the courtyard of Tokyo Imperial University (present-day University of Tokyo.)  Sinking Sun was apparently not published by Watanabe and was distributed by Ito to members of the Edo-Picture Appreciation Society.  Watanabe also states that at the time of the Great Kanto Earthquake in September 1923 a number of trial prints by Ito, done in conjunction with Watanabe's printers, were in progress.  They were subsequently abandoned due to the destruction of his shop premises.