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Monday, February 3, 2020

AI PETRI PAINTED BY ARKHIP KUINDZHI


 

ARKHIP KUINDZHI (1841-1910)
Ai-Petri (1,234.2 m - 4,049 ft)
Russia - Crimea

In  Ai-Petri. Crimea, 1908, Oil on canvas (39 × 53 cm) 
State Russian Museum, Saint Petersburg, Russia

The mountain 
Ai-Petri (1,234.2 m - 4,049 ft) meaning Saint Peter in Greek, is a peak in the Crimean Mountains. For administrative purposes it is in the Yalta municipality of Crimea. Ai-Petri is one of the windiest places in Crimea. The wind blows for 125 days a year, reaching a speed of 50 m/s (110 mph). The peak is located above the city of Alupka and the town of Koreiz. There is a cable car that takes passengers from a station near Alupka to the main area in Ai-Petri.

The painter
The very important Russian artist Arkhip Kuindzhi (Архи́п Ива́нович Куи́нджиwas) was born in 1842 (1841?) in a very poor emigrants family from Greece, in Mariupol, Russian Empire (nowadays Ukraine) but spent his youth in the city of Taganrog.
Arkhip was six years old when he lost his parents and had no other choice than to work at a church building site or grazing domestic animals. He received the rudiments of an education from a Greek friend of the family who was a teacher and then went to the local school. During the five years from 1860 to 1865, Arkhip Kuindzhi worked as a retoucher in the photography studio of Simeon Isakovich in Taganrog. He tried to open his own photography studio, but without success. After that Kuindzhi left Taganrog for Saint Petersburg.
More about the painter

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2020 - Wandering Vertexes...
by Francis Rousseau



Tuesday, January 29, 2019

MOUNT KAZBEK PAINTED BY ARKHIP KUINDZHI



ARKHIP KUINDZHI (1841-1910) 
Mount Kazbek  (5,047m - 16, 558ft)

Russia - Georgia border

In  Kazbeck in the Evening , oil on canvas, 1899, Tetriakov gallery


The mountain 
Mount Kazbek  (5,047m - 16, 558ft) or Mkinvartsveri (in Georgian) or Bashlam (in Vainkah)  is a dormant stratovolcano and one of the major mountains of the Caucasus located in the Kazbegi District of Georgia, just south of the border with Russia.  It is the third highest peak in Georgia (after Mount Shkhara and Janga) and the seventh highest summit in the Caucasus Mountains.  Kazbek is also the second highest volcanic summit in the Caucasus, after Mount Elbrus. The summit lies directly to the west of the town of Stepantsminda and is the most prominent geographic feature of the area. Mount Kazbek is the highest peak of Eastern Georgia.
The region is highly active tectonically, with numerous small earthquakes occurring at regular intervals. An active geothermal/hot spring system also surrounds the mountain.
Kazbek is a potentially active volcano, built up of trachyte and sheathed with lava, and has the shape of a double cone, whose base lies at an altitude of 1,770 m (5,800 feet). Kazbek is the highest of the volcanic cones of the Kazbegi volcanic group which also includes Mount Khabarjina (3,142 m).
Owing to the steepness of its slopes, the glaciers of Kazbek are not very large. The total combined area of all of Kazbek's glaciers is 135 km2. The best-known glacier is the Dyevdorak (Devdaraki), which creeps down the north-eastern slope into a gorge of the same name, reaching a level of 2,295 meters (7,530 feet). Kazbek's other glaciers include the Mna, Denkara, Gergeti, Abano, and Chata. The recent collapse of the Kolka Glacier, located in a valley between Mt. Jimara and Kazbek in the year 2002 was attributed to solfatara volcanic activity along the northern slope of the mountain, although there was no eruption. In addition to the 2002 event, a massive collapse of the Devdaraki Glacier on the mountain's northeastern slope which occurred on August 20, 2014, led to the death of seven people. The glacier collapse dammed the Terek River in the Daryal Gorge and flooded the Georgian Military Highway.


The painter
The very important Russian artist Arkhip Kuindzhi (Архи́п Ива́нович Куи́нджиwas) was born in 1842 (1841?) in a very poor emigrants family from Greece, in Mariupol, Russian Empire (nowadays Ukraine) but spent his youth in the city of Taganrog.
Arkhip was six years old when he lost his parents and had no other choice than to work at a church building site or grazing domestic animals. He received the rudiments of an education from a Greek friend of the family who was a teacher and then went to the local school. During the five years from 1860 to 1865, Arkhip Kuindzhi worked as a retoucher in the photography studio of Simeon Isakovich in Taganrog. He tried to open his own photography studio, but without success. After that Kuindzhi left Taganrog for Saint Petersburg.
He studied painting mainly independently and at the St. Petersburg Academy of Arts (from 1868 and became a full member in 1893). He was co-partner of traveling art exhibition with a group of Russian realist artists who in protest to academic restrictions formed an artists'cooperative called the Society for Traveling Art Exhibitions (Peredvizhniki).
In 1872 the artist left the academy and worked as a freelancer. The painting On the Valaam Island was the first artwork which Pavel Tretyakov acquired for his art gallery. In 1873 Kuindzhi exhibited his painting The Snow which received the bronze medal at the International Art Exhibition in London in 1874. In the middle of the 1870s he created a number of paintings in which the landscape motif was designed for concrete social associations in the spirit of Peredvizhniki (Forgotten village, 1874; Chumatski path, 1875; both – in the Tretyakov Gallery).
In his mature period Kuindzhy aspired to capture the most expressive illuminative aspect of the natural condition. He applied composite receptions (high horizon, etc.), creating panoramic views. Using light effects and intense colors shown in main tones, he depicted the illusion of illumination (Evening in the Ukraine, 1876; Birch Grove, 1879; After a thunderstorm, 1879; all three are in the Tretyakov Gallery; Night on Dnepr, 1880 in the Russian Museum, St.Petersburg). His later works are remarkable for their decorative effects of color building.
In his later years Kuinji travelled widely. He was attracted to the Crimean and Caucasian mountains, snow-capped and lit up by the sun or moon (cf. the etudes Elbrus, Moonlight Night, Kazbek in the Evening (above), Patches of Moonlight, etc.).
Kuinji's artistic method involved a great deal of preparatory painted eludes and studies. In his studies he sought compositional expressiveness and harmonious colouring for the future painting. His etudes, on the other hand, which were painted both from nature and from impressions, were for him only one of the stages in the work, preliminary paintings which could later be reworked in the final process of creating a picture.
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2019 - Wandering Vertexes...
by Francis Rousseau 



Thursday, August 11, 2016

MOUNT ELBRUS PAINTED BY ARKHIP KUINDZHI






ARKHIP KUINDZHI (1841-1910)
Mount Elbrus (5,642 m - 18,510 ft)
Russia 

1. In Mount Elbrus 1890-95, oil on canvas, Tretyakov Gallery, Russia
2. Mount Elbrus 1900, oil on canvas, Tretyakov Gallery, Russia
3. Mount Elbrus 1908, oil on canvas, Tretyakov Gallery, Russia 

The paintings
What is particularly remarkable in this painting of Mount Elbrus is the way in which the conical summit was painted. Looking at the paintings n°1 and n°3, one understands better why the ancient Greeks called that Strobilos, which means 'pine cone' or 'a twisted object'.  The light which bathes these representations of the Elbrus is, as usual in most of the paintings representing it, unreal, as if to emphasize the sacredness of this mountain where Zeus himself chained Prometheus.

The mountain
Mount Elbrus (Эльбру́с) also called  Karachay-Balkar (Минги таy) is the highest mountain in Europe, and the seven highest summit in the world.  The seven summit (which are obviously 8, with  2 in Europe !) are : Mount Everest (8,848m), Aconcagua (6,961m), Mt Denali or Mc Kinley (6,194m),  Kilimandjaro (5,895m), Mt Elbrus (5,642m), Vinson  Massif (4,892m), Mt Blanc (4,807m) and Mount Kosciuszko  (2,228m) in Australia.
Mount Elbrus should not be confused with the Alborz (also called Elburz) mountains in Iran, which also derive their name from the legendary mountain Harā Bərəzaitī in Persian mythology.
A dormant volcano, Elbrus forms part of the Caucasus Mountains in Southern Russia, near the border with Georgia. Elbrus has two summits, both of which are dormant volcanic domes. With its slightly taller west summit, the mountain stands at 5,642 metres (18,510 ft); the east summit is 5,621 metres (18,442 ft). The lower east summit was first ascended on 10 July 1829 by Khillar Khachirov, a Karachayguide for an Imperial Russian army scientific expedition led by General Emmanuel, and the higher in 1874 by an British expedition led by F. Crauford Grove and including Frederick Gardner, Horace Walker, and the Swiss guide Peter Knubel of St. Niklaus in the canton Valais.
While there are differing authorities on how the Caucasus are distributed between Europe and Asia, most relevant modern authorities define the continental boundary as the Caucasus watershed, placing Elbrus in Europe due to its position on the north side in Russia.
Mount Elbrus was formed more than 2.5 million years ago. The volcano is currently considered inactive. Elbrus was active in the Holocene, and according to the Global Volcanism Program, the last eruption took place about AD 50. Evidence of recent volcanism includes several lava flows on the mountain, which look fresh, and roughly 260 square kilometres (100 sq mi) of volcanic debris. The longest flow extends 24 kilometres (15 mi) down the northeast summit, indicative of a large eruption. There are other signs of activity on the volcano, including solfataric activity and hot springs. The western summit has a well-preserved volcanic crater about 250 metres (820 ft) in diameter.
The ancients knew the mountain as Strobilus, Latin for 'pine cone', a direct loan from the ancient Greek strobilos, meaning 'a twisted object' – a long established botanical term that describes the shape of the volcano's summit. Myth held that here Zeus had chained Prometheus, the Titan who had stolen fire from the gods and given it to ancient man – likely a reference to historic volcanic activity.
The Soviet Union encouraged ascents of Elbrus, and in 1956 it was climbed en masse by 400 mountaineers to mark the 400th anniversary of the incorporation of Kabardino-Balkaria, the Autonomous Soviet Socialist Republic where Elbrus was located.
From 1959 through 1976, a cable car system was built in stages that can take visitors as high as 3,800 metres (12,500 ft). There are a wide variety of routes up the mountain, but the normal route, which is free of crevasses, continues more or less straight up the slope from the end of the cable car system. Winter ascents are rare, and are usually undertaken only by very experienced climbers. Elbrus is notorious for its brutal winter weather, and summit attempts are few and far between. The climb is not technically difficult, but it is physically arduous because of the elevations and the frequent strong winds. The average annual death toll on Elbrus is 15–30, primarily due to "many unorganized and poorly equipped" attempts to summit the mountain. Since 1986, Mt. Elbrus has been incorporated into Prielbrusye National Park, one of the Protected areas of Russia.
In 1997 a team led by the Russian mountaineer Alexander Abramov took a Land Rover Defender to the summit of the East Peak, breaking into the Guinness Book of Records. The project took 45 days in total. They were able to drive the vehicle as high as the mountain huts at The Barrels (3,800 metres (12,500 ft)), but above this they used a pulley system to raise it most of the way. On the way down, a driver lost control of the vehicle and had to dive out.
The second was Kevin Cooney, and the third Patrick Healy.
Regular competitions began to take place since 2005 is a choice of two routes: the classic and extreme. In 2006, on the route of extreme glade Azau (2400 m) - the western summit of Elbrus (5642 m asl) Denis Urubko set a record by winning the tour time 3 hours 55 minutes 59 seconds.
The Pole Aleksandra Dzik won the female competition on this route, becoming both the first woman graduated from extreme gear.

The painter
The very important Russian artist Arkhip Kuindzhi (Архи́п Ива́нович Куи́нджиwas) was born in 1842 (1841?) in a very poor emigrants family from Greece, in Mariupol, Russian Empire (nowadays Ukraine) but spent his youth in the city of Taganrog.
Arkhip was six years old when he lost his parents and had no other choice than to work at a church building site or grazing domestic animals. He received the rudiments of an education from a Greek friend of the family who was a teacher and then went to the local school. During the five years from 1860 to 1865, Arkhip Kuindzhi worked as a retoucher in the photography studio of Simeon Isakovich in Taganrog. He tried to open his own photography studio, but without success. After that Kuindzhi left Taganrog for Saint Petersburg.
He studied painting mainly independently and at the St. Petersburg Academy of Arts (from 1868 and became a full member in 1893). He was co-partner of traveling art exhibition with a group of Russian realist artists who in protest to academic restrictions formed an artists'cooperative called the Society for Traveling Art Exhibitions (Peredvizhniki).
In 1872 the artist left the academy and worked as a freelancer. The painting On the Valaam Island was the first artwork which Pavel Tretyakov acquired for his art gallery. In 1873 Kuindzhi exhibited his painting The Snow which received the bronze medal at the International Art Exhibition in London in 1874. In the middle of the 1870s he created a number of paintings in which the landscape motif was designed for concrete social associations in the spirit of Peredvizhniki (Forgotten village, 1874; Chumatski path, 1875; both – in the Tretyakov Gallery).
In his mature period Kuindzhy aspired to capture the most expressive illuminative aspect of the natural condition. He applied composite receptions (high horizon, etc.), creating panoramic views. Using light effects and intense colors shown in main tones, he depicted the illusion of illumination (Evening in the Ukraine, 1876; Birch Grove, 1879; After a thunderstorm, 1879; all three are in the Tretyakov Gallery; Night on Dnepr, 1880 in the Russian Museum, St.Petersburg). His later works are remarkable for their decorative effects of color building.
In his later years Kuinji travelled widely. He was attracted to the Crimean and Caucasian mountains, snow-capped and lit up by the sun or moon (cf. the etudes Elbrus, Moonlight Night, Kazbek in the Evening, Patches of Moonlight, etc.).
Kuinji's artistic method involved a great deal of preparatory painted eludes and studies. In his studies he sought compositional expressiveness and harmonious colouring for the future painting. His etudes, on the other hand, which were painted both from nature and from impressions, were for him only one of the stages in the work, preliminary paintings which could later be reworked in the final process of creating a picture.
Kuindzhi lectured at the St. Petersburg Academy of Arts (Professor since 1892; professor-head of landscape workshop since 1894; but was fired in 1897 for support of students' protests). Among his students were artists such as Arkady Rylov, Nicholas Roerich the famous Painter of Himalayas mountains) , Konstantin Bogaevsky, and others. Kuindzhi initiated creation of the Society of Artists (1909; later – the Society was named after A.I. Kuindzhi).
Source:
Kuinszhi ' biography in Artroots

Friday, March 27, 2020

EL ALTAR / CAPAK URCU PAINTED BY KONSTANTIN BOGAEVSKY


 


KONSTANTIN  BOGAEVSKY (1872-1943)
El Altar / Capak Urcu (5,319 m (17,451 ft)
Ecuador

In Altars, 1907, Private collection 

The mountain
El Altar (5,319 m - 17,451 ft) or Capac Urcu (in Kitchwa)  is an extinct volcano on the western side of Sangay National Park in Ecuador, 170 km (110 mi) south of Quito. Spaniards named it so because it resembled two nuns and four friars listening to a bishop around a church altar. In older English sources it is also called The Altar.
The mountain consists of a large stratovolcano of Pliocene-Pleistocene age with a caldera breached to the west. Inca legends report that the top of Altar collapsed after seven years of activity in about 1460, but the caldera is considered to be much older than this by geologists. Nine major peaks over 5,000 metres (16,400 ft) form a horseshoe-shaped ridge about 3 kilometres (1.9 mi) across, surrounding a central basin that contains a crater lake at about 4,200 m (13,800 ft), known as Laguna Collanes or Laguna Amarilla. 

 The painter
Konstantin Fyodorovich Bogaevsky  was a Russian painter notable for his Symbolist landscapes who  took first lessons in art from Ivan Aivazovsky.  1891-1897 he studied at the Imperial Academy of Arts in the class of Arkhip Kuindzhi. The art of young Konstantin was not popular with the Academy and he was even at some stage temporarily discharged from the Academy for "lack of talent". Despite this, Kuindzhi always had a high respect for his pupil and protected him. In 1898 Konstantin traveled to Italy and France where he became acquainted with the works of Claude Lorrain, whom he proclaimed as his true teacher. His first exhibition was in Moscow in 1898.
From 1900 Bogaevsky worked in Feodosia. The main theme of his works became the symbolist landscapes of a non-existent land (known to his friends as Bogaevia) that he saw only in his dreams. Konstantin Bogaevsky became a popular painter after Maximilian Voloshin published a series of essays titled Konstantin Bogaevsky. Voloshin highly praised the symbolism of Bogaevsky's paintings. Contemporaries often drew parallels between Bogaevsky and Nicholas Roerich.
Bogaevsky was a member of Mir iskusstva, Union of Russian Artists, and the Zhar-Tsvet. In 1906 he exhibited his paintings on Exposition de l'Art Russe organized by Sergei Diaghilev. In 1911 he visited Italy and discovered for himself the paintings of Andrea Mantegna, which were to strongly influence Bogaevsky's own later work.
Bogaevsky returned in 1912 to Feodosia where he was to remain for the rest of his life. He maintained a friendship of many years with another famous Feodosian and a bard of a non-existent land, Alexander Grin, as well as with the Koktebel group of Russian Intelligentsia including Maximilian Voloshin, Marina Tsvetaeva, and Osip Mandelstam.
After the October Revolution Bogaevsky retreated into relative obscurity, although works such as the 1932 Port of an Imaginary City were highly regarded as art in the school of Socialist Realism painting of the DnieproGES.
A minor planet, 3839 Bogaevskij, discovered by Soviet astronomer Nikolai Stepanovich Chernykh in 1971, is named after him.

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2020 - Wandering Vertexes...
by Francis Rousseau