L'ETNA PEINT PAR TIVADAR CSONTVÀRY

 

TIVADAR KOSZTKA CSONTVÀRY (1853-1919)
Mont Etna /Mongibello (3,357m)
Italie (Sicile)

In Ruins of the Ancient Greek Theatre at Taormina, 1904–1905 Huile sur toile, 302 × 570 cm,
Hungarian National Gallery, Budapest.

 
Le volcan
L'Etna (3,357m) est un volcan d'Italie situé en Sicile, à proximité de la ville de Catane, la deuxième ville la plus peuplée de Sicile. I est le plus haut volcan actif d'Europe et l'un des plus actifs du monde avec près de 80 éruptions au cours du 20e siècle. En raison de sa forte activité éruptive, de ses coulées de lave très fluides et de sa proximité avec des zones densément peuplées, les volcanologues ont décidé de l'inclure dans la liste des volcans de la décennie.
L'Etna est également appelé Ætna, Etnea, Monte di Catania ou encore Mons Gibel Utlamat, d'où Mongibello (doublet du latin mons et de l'arabe djebel qui veulent dire « montagne »), en sicilien ’a muntagna et Mungibeddu. Selon de multiples sources, l'Etna (en latin Aetna) pourrait devoir son nom soit au grec  Aitne, de aithō (αἴθω) qui signifie « je brûle », soit au phénicien attuna signifiant « fourneau », « fournaise ».  L'origine du volcanisme qui alimente l'Etna, de même que celui des îles Éoliennes situées au nord de la Sicile ou celui des Cyclades en Grèce, est encore discutée et pourrait être engendrée, soit par la présence d'un point chaud, soit par la subduction de la plaque africaine sous la plaque eurasienne. L'Etna actuel, appelé Mongibello pour le distinguer des autres phases de formation, est le résultat d'une construction qui s'est déroulée en quatre phases étalées sur 500 000 ans. La phase « Mongibello », commencée il y a 35 000 ans et qui n'est pas encore terminée, a vu se construire le sommet actuel en trois étapes, Mongibello ancien, récent et moderne, définies par des effondrements majeurs. La Vallée du Bœuf, la caldeira de cinq kilomètres de largeur pour dix kilomètres de longueur orientée vers l'est, s'est formée à la suite de l'effondrement d'une autre caldeira durant la phase « Trifoglietto II » mais sa forme définitive serait due à un effondrement datant d'environ 3 500 ans. La croissance du sommet actuel de l'Etna a été interrompue il y a environ 2 000 ans par l'effondrement de la caldeira Piano à l'occasion d'un rare épisode explosif plinien en 122 av. J.-C.. Cette caldeira de deux kilomètres et demi de diamètre est encore visible et son rebord culmine à 2 900 mètres d'altitude. En 2012, le sommet de l'Etna est occupé par cinq cratères sommitaux : le cratère nord-est apparu en 1911, la Voragine en 1947, la Bocca Nuova en 1968, le cratère sud-est en 1971 et le nouveau cratère sud-est apparu en 2007 au pied est de l'ancien, et régulièrement en activité depuis lors.

Le peintre
Tivadar Kosztka Csontváry né en 1853 et mort en 1919) est un peintre expressionniste hongrois des 19e et 20e siècles. Csontváry fut l'un des peintres les plus célèbres de Hongrie. Ses ancêtres étaient des Polonais installés en Hongrie. Malgré ses origines hongroises, Csontváry a été élevé dans la langue slovaque et le parlait couramment mélangé à de l'allemand. Il fut pharmacien jusqu'à l’âge de 20 ans. Durant une après-midi ensoleillée, le 13 octobre 1880 – alors qu'il n'avait que 27 ans –, il eut une vision mystique. Il entendit une voix lui dire : « Tu seras le plus grand des peintres du monde, encore plus grand que Raphaël ! » Il passa dès lors des journées entières en Europe, à visiter  les galeries d'art et musées et en particulier ceux  du Vatican. Dès 1890, il voyagea à travers le monde. Il se rendit à Paris, en Dalmatie, Italie, Grèce, Afrique du Nord et au Moyen-Orient (Liban, Palestine, Égypte, Syrie).
Il réalisa ses plus grands œuvres entre 1903 et 1909. Certaines  ont été exposées à Paris (1907) et en Europe de l'Ouest. De nos jours, un musée lui est consacré à Pécs.

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2024 - Gravir les montagnes en peinture
Un blog de Francis Rousseau

 

EL MULHACEN PEINT PAR EUGÈNE DELACROIX

 

EUGÈNE DELACROIX (1798-1863)
El Mulhacen (3,479 m)
Espagne (Andalousie)

In "Salobrña", aquarelle sur papier, Musée Delacroix, Paris.

A propos de cette œuvre : 
C'est au cours d'une de ces voyages vers l'Afique du Nord que Delacroix saisit dans son carnet cette aquarelle du Mulhacen que l'on aperçoit ici  dans le lointain derriere le  piton du village de Salobreña  au premier plan qui donne son nom à cette œuvre. 

La montagne
Le mont Mulhacén (3,479 m) est le plus haut sommet de la péninsule Ibérique. Il se trouve dans la province de Grenade, dans le Sud-Est de l'Espagne et fait partie de la sierra Nevada, elle-même rattachée aux cordillères Bétiques. Son nom vient de Muley Hacén (espagnol), ou Mulay (titre honorifique donné en arabe correspondant à « seigneur ») Abû al-Hassan, avant-dernier roi de Grenade au 15e siècle. La légende dit qu'il est enterré au sommet de cette montagne qui reçut son nom. Il est le troisième sommet d'Europe occidentale par sa hauteur, après le mont Blanc (4 808 m) et le volcan  Etna (3 330 m ). Il s'agit de la montagne d'Europe la plus élevée en dehors des Alpes et du Caucase. Le point culminant du territoire espagnol est le volcan Teide (3 715 m) qui se trouve géographiquement sur les îles Canaries et donc en Afrique.  Le Mulhacén  se trouve à la jonction des communes de Trevélez, Güéjar-Sierra et Capileira. Il est visible par temps clair depuis la mer.

Le peintre
Eugène Delacroix est un peintre français considéré comme le principal représentant du romantisme, dont la vigueur correspond à l'étendue de sa carrière. À 40 ans, sa réputation est suffisamment établie pour lui permettre de recevoir d'importantes commandes de l'État. Il peint sur toile et décore les murs et plafonds de monuments publics. Il laisse en outre des gravures et lithographies, plusieurs articles écrits pour des revues et un Journal publié peu après sa mort et plusieurs fois réédité. Remarqué au Salon en 1824, il produit dans les années suivantes des œuvres s'inspirant d'anecdotes historiques ou littéraires aussi bien que d'événements contemporains (La Liberté guidant le peuple) ou d'un voyage au Maghreb (Femmes d'Alger dans leur appartement). Concernant l'aquarelle, c'est en 1816,  que Delacroix rencontre Charles-Raymond Soulier, aquarelliste amateur anglophile élève de Copley Fielding revenu d'Angleterre. Cet ami et Richard Parkes Bonington familiarisent Delacroix avec l'art de l’aquarelle, qui l'éloigne des normes académiques enseignées aux Beaux-Arts. Les Britanniques associent l’aquarelle à la gouache et utilisent divers procédés comme l’emploi des gommes, de vernis et de grattages. Soulier lui enseigne également les rudiments de la langue anglaise. Du 24 avril à la fin août 1825 il voyage en Angleterre. Il découvre le théâtre de Shakespeare  deux ans avant qu'une troupe anglaise se déplace à Paris. Delacroix trouvera des sujets dans le théâtre tout au long de sa carrière : Hamlet et Horatio au cimetière (1839, musée du Louvre) et Hamlet et Horatio devant les fossoyeurs avec la tête de mort (1843, château-musée de Nemours).  Ces sujets se mêleront jusqu’à sa mort aux thèmes orientaux, littéraires, historiques ou religieux. À partir de ce voyage, la technique de l'aquarelle acquiert une importance dans son œuvre. Elle lui sera d'une grande aide lors de son voyage en Afrique du Nord, pour pouvoir en restituer toutes les couleurs.

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2023 - Wandering Vertexes ....
Errant au-dessus des Sommets Silencieux...
Un blog de Francis Rousseau

ETNA BY ATHANASIUS KIRCHER

 

ATHANASIUS KIRCHER  (1601-1680)

Mount Etna or Mongibello (3,329 m - 10,922ft)
Italy (Sicily)

The mountain
Mount Etna (3,329 m - 10,922ft) or Mongibello, Mungibeddu in Sicilian, Aetna in Latin is an active stratovolcano on the east coast of Sicily, in the Province of Catania, between Messina and Catania. It lies above the convergent plate margin between the African Plate and the Eurasian Plate. It is the tallest active volcano in Europe. It is the highest mountain in Italy south of the Alps. Etna covers an area of 1,190 km2 (459 sq mi) with a basal circumference of 140 km. This makes it by far the largest of the three active volcanoes in Italy, being about two and a half times the height of the next largest, Mount Vesuvius. Only Mount Teide in Tenerife surpasses it in the whole of the European–North-African region.
More about Etna

The painter
Athanasius Kircher was a German Jesuit scholar and polymath who published around 40 major works, most notably in the fields of comparative religion, geology, and medicine. Kircher has been compared to fellow Jesuit Roger Boscovich and to Leonardo da Vinci for his enormous range of interests, and has been honoured with the title "Master of a Hundred Arts". He taught for more than 40 years at the Roman College, where he set up a wunderkammer. A resurgence of interest in Kircher has occurred within the scholarly community in recent decades.
Kircher claimed to have deciphered the hieroglyphic writing of the ancient Egyptian language, but most of his assumptions and translations in this field were later found to be incorrect. He did, however, correctly establish the link between the ancient Egyptian and the Coptic languages, and some commentators regard him as the founder of Egyptology. Kircher was also fascinated with Sinology and wrote an encyclopedia of China, in which he noted the early presence there of Nestorian Christians while also attempting to establish links with Egypt and Christianity.
Kircher's work in geology included studies of volcanoes and fossils. One of the first people to observe microbes through a microscope, Kircher was ahead of his time in proposing that the plague was caused by an infectious microorganism and in suggesting effective measures to prevent the spread of the disease. Kircher also displayed a keen interest in technology and mechanical inventions; inventions attributed to him include a magnetic clock, various automatons and the first megaphone. The invention of the magic lantern is often misattributed to Kircher, although he did conduct a study of the principles involved in his Ars Magna Lucis et Umbrae.
A scientific star in his day, towards the end of his life he was eclipsed by the rationalism of René Descartes and others. In the late 20th century, however, the aesthetic qualities of his work again began to be appreciated. One modern scholar, Alan Cutler, described Kircher as "a giant among seventeenth-century scholars", and "one of the last thinkers who could rightfully claim all knowledge as his domain". Another scholar, Edward W. Schmidt, referred to Kircher as "the last Renaissance man". In A Man of Misconceptions, his 2012 book about Kircher, John Glassie writes that while "many of Kircher's actual ideas today seem wildly off-base, if not simply bizarre," he was "a champion of wonder, a man of awe-inspiring erudition and inventiveness," whose work was read "by the smartest minds of the time."

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2020 - Wandering Vertexes...
by Francis Rousseau

EL MULHACEN ( 3) PAINTED BY JOAQUIN SOROLLA Y BATISDA

 

JOAQUIN SOROLLA Y BATISDA (1863-1923)

Mulhacén (3, 478 m - 11,411ft)

Spain

In Granada, oil on canvas, 1890

The mountain
Mulhacén (3, 478 m - 11,411ft) is the highest mountain in continental Spain and in the Iberian Peninsula. It is part of the Sierra Nevada range in the Cordillera Penibética. It is named after Abu l-Hasan Ali, or Muley Hacén as he is known in Spanish, the penultimate Muslim King of Granada in the 15th century who, according to legend, was buried on the summit of the mountain.
Mulhacén is the highest peak in Europe outside the Caucasus Mountains and the Alps. It is also the third most topographically prominent peak in Western Europe, after Mont Blanc and Mount Etna, and is ranked 64th in the world by prominence. The peak is not exceptionally dramatic in terms of steepness or local relief. The south flank of the mountain is gentle and presents no technical challenge, as is the case for the long west ridge. The shorter, somewhat steeper north east ridge is slightly more technical. The north face of the mountain, however, is much steeper, and offers several routes involving moderately steep climbing on snow and ice (up to French grade AD) in the winter
Mulhacén can be climbed in a single day from the villages of either Capileira or Trevélez, but it is more common to spend a night at the mountain refuge at Poqueira, or in the bare shelter at Caldera to the west. Those making the ascent from Trevelez can also bivouac at the tarns to the northeast of the peak.


The painter
Joaquin Sorolla y Bastida was a Spanish painter. Sorolla excelled in the painting of portraits, landscapes, and monumental works of social and historical themes. His most typical works are characterized by a dexterous representation of the people and landscape under the sunlight of his native land.
Sorolla's influence on some other Spanish painters, such as Alberto Pla y Rubio and Julio Romero de Torres, was so noted that they are described as "sorollista."  After his death, Sorolla's widow, Clotilde Garcia del Castillo, left many of his paintings to the Spanish public. The paintings eventually formed the collection that is now known as the Museo Sorolla, which was the artist's house in Madrid. The museum opened in 1932.
Early in 1911, Sorolla visited the United States for a second time, and exhibited 152 new paintings at the Saint Louis Art Museum and 161 at the Art Institute of Chicago a few weeks later. Later that year Sorolla met Archie Huntington in Paris and signed a contract to paint a series of oils on life in Spain. These 14 magnificent murals, installed to this day in the Hispanic Society of America building in Manhattan, range from 12 to 14 feet in height, and total 227 feet in length.The major commission of his career, it would dominate the later years of Sorolla's life.
Huntington had envisioned the work depicting a history of Spain, but the painter preferred the less specific 'Vision of Spain', eventually opting for a representation of the regions of the Iberian Peninsula, and calling it The Provinces of Spain. Despite the immensity of the canvases, Sorolla painted all but one en plein air, and travelled to the specific locales to paint them: Navarre, Aragon, Catalonia, Valencia, Elche, Seville, Andalusia, Extremadura, Galicia, Guipuzcoa, Castile, Leon, and Ayamonte, at each site painting models posed in local costume. Each mural celebrated the landscape and culture of its region, panoramas composed of throngs of laborers and locals. By 1917 he was, by his own admission, exhausted. He completed the final panel by July 1919.
Sorolla suffered a stroke in 1920, while painting a portrait in his garden in Madrid. Paralyzed for over three years, he died on 10 August 1923.

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2020 - Wandering Vertexes...
by Francis Rousseau

VESUVIUS ERUPTION BY GEORGE-JULIUS POULETT SCROPE

 GEORGE-JULIUS POULETT SCROPE (1797-1876)

 Mount Vesuvius(1,281 m- 4,203 ft at present) 

 Italy

In  The Eruption of Vesuvius as seen from Naples, October 1822,   

Historical drawing from George Julius Poulett Scrope

The mountain 

Mount Vesuvius (1,281 meters- 4,203 ft at present) is one of those legendary and mythic mountains the Earth paid regularly tribute. Monte Vesuvio in Italian modern langage or Mons Vesuvius in antique Latin langage is a stratovolcano in the Gulf of Naples (Italy) about 9 km (5.6 mi) east of Naples and a short distance from the shore. 

It is one of several volcanoes which form the Campanian volcanic arc. Vesuvius consists of a large cone partially encircled by the steep rim of a summit caldera caused by the collapse of an earlier and originally much higher structure.

Mount Vesuvius is best known for its eruption in AD 79 that led to the burying and destruction of the Roman antique cities of Pompeii, Herculaneum, and several other settlements. That eruption ejected a cloud of stones, ash, and fumes to a height of 33 km (20.5 mi), spewing molten rock and pulverized pumice at the rate of 1.5 million tons per second, ultimately releasing a hundred thousand times the thermal energy released by the Hiroshima bombing. At least 1,000 people died in the eruption. The only surviving eyewitness account of the event consists of two letters by Pliny the Younger to the historian Tacitus.

Vesuvius has erupted many times since and is the only volcano on the European mainland to have erupted within the last hundred years. Nowadays, it is regarded as one of the most dangerous volcanoes in the world because of the population of 3,000,000 people living nearby and its tendency towards explosive eruptions (said Plinian eruptions). It is the most densely populated volcanic region in the world.

Vesuvius was formed as a result of the collision of two tectonic plates, the African and the Eurasian. The former was subducted beneath the latter, deeper into the earth. As the water-saturated sediments of the oceanic African plate were pushed to hotter depths in the earth, the water boiled off and caused the melting point of the upper mantle to drop enough to create partial melting of the rocks. Because magma is less dense than the solid rock around it, it was pushed upward. Finding a weak place at the Earth's surface it broke through, producing the volcano.

he area around Vesuvius was officially declared a national park on June 5, 1995. The summit of Vesuvius is open to visitors and there is a small network of paths around the mountain that are maintained by the park authorities on weekends.

There is access by road to within 200 metres (660 ft) of the summit (measured vertically), but thereafter access is on foot only. There is a spiral walkway around the mountain from the road to the crater.

The first funicular cable car on Mount Vesuvius opened in 1880. It was later destroyed by the 1944 eruption. "Funiculì, Funiculà", a famous Neapolitan song with lyrics by journalist Peppino Turco set to music by composer Luigi Denza, commemorates its opening.

The artist
George Julius Poulett Scrope (1797- 1876) was an English geologist and political economist as well as a magistrate for Stroud in Gloucestershire. He was educated at Harrow, and for a short time at Pembroke College, Oxford, but in 1816 he entered St John's College, Cambridge, graduating BA in 1821.  Through the influence of Edward Clarke and Adam Sedgwick he became interested in mineralogy and geology.
During the winter of 1816–1817 he was at Naples, and was so keenly interested in Vesuvius that he renewed his studies of the volcano in 1818; and in the following year visited Etna and the Lipari Islands. In 1821 he married the daughter and heiress of William Scrope of Castle Combe, Wiltshire, and assumed her name; and he entered the House of Commons of the United Kingdom in 1833 as MP for Stroud, retaining his seat until 1868.
Meanwhile he began to study the volcanic regions of central France in 1821, and visited the Eifel district in 1823. In 1825 he published Considerations on Volcanos, leading to the establishment of a new theory of the Earth, and in the following year was elected FRS. This earlier work was subsequently amplified and issued under the title of Volcanos (1862); an authoritative text-book of which a second edition was published ten years later.
In 1827 he issued his classic Memoir on the Geology of Central France, including the Volcanic formations of Auvergne, the Velay and the Vivarais, a quarto volume illustrated by maps and plates. The substance of this was reproduced in a revised and somewhat more popular form in The Geology and extinct Volcanos of Central France (1858). These books were the first widely published descriptions of the Chaîne des Puys, a chain of over 70 small volcanoes in the Massif Central.
Scrope was awarded the Wollaston Medal by the Geological Society of London in 1867. Among his other works was the History of the Manor and Ancient Barony of Castle Combe (printed for private circulation, 1852).
He died at Fairlawn near Cobham, Surrey on 19 January 1876.

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2019 - Wandering Vertexes...
by Francis Rousseau 

MOUNT ETNA (2) PAINTED BY THOMAS COLE

THOMAS COLE (1801-1848)

 Mount Etna or Mongibello (3,329 m - 10,922ft) 

 Italy (Sicily) 

 In Mount Etna from Taormina, oil on canvas, 1842, Wadsworth Atheneum Museum of Art, Hartford 

The mountain 

Mount Etna (3,329 m - 10,922ft) or Mongibello, Mungibeddu in Sicilian, Aetna in Latin is an active stratovolcano on the east coast of Sicily, in the Province of Catania, between Messina and Catania. It lies above the convergent plate margin between the African Plate and the Eurasian Plate. It is the tallest active volcano in Europe. It is the highest mountain in Italy south of the Alps. Etna covers an area of 1,190 km2 (459 sq mi) with a basal circumference of 140 km. This makes it by far the largest of the three active volcanoes in Italy, being about two and a half times the height of the next largest, Mount Vesuvius. Only Mount Teide in Tenerife surpasses it in the whole of the European–North-African region.

In Greek Mythology, the deadly monster Typhon was trapped under this mountain by Zeus, the god of the sky and thunder and king of gods, and the forges of Hephaestus were said to also be located underneath it.

Mount Etna is one of the most active volcanoes in the world and is in an almost constant state of activity. The fertile volcanic soils support extensive agriculture, with vineyards and orchards spread across the lower slopes of the mountain and the broad Plain of Catania to the south. 

Due to its history of recent activity and nearby population, Mount Etna has been designated a Decade Volcano by the United Nations.

 In June 2013, it was added to the list of UNESCO World Heritage Sites.

The painter 

Thomas Cole (1801– 848) was an American artist known for his landscape and history paintings. He is regarded as the founder of the Hudson River School, an American art movement that flourished in the mid-19th century. Cole's work is known for its romantic portrayal of the American wilderness.

In New York, Cole sold five paintings to George W. Bruen, who financed a summer trip to the Hudson Valley where the artist produced two Views of Coldspring, the Catskill Mountain House and painted famous Kaaterskill Falls and the ruins of Fort Putnam. Returning to New York, he displayed five landscapes in the window of William Colman's bookstore; according to the New York Evening Post Two Views of Coldspring were purchased by Mr. A. Seton, who lent them to the American Academy of the Fine Arts annual exhibition in 1826. This garnered Cole the attention of John Trumbull, Asher B. Durand, and William Dunlap. Among the paintings was a landscape called "View of Fort Ticonderoga from Gelyna". Trumbull was especially impressed with the work of the young artist and sought him out, bought one of his paintings, and put him into contact with a number of his wealthy friends including Robert Gilmor of Baltimore and Daniel Wadsworth of Hartford, who became important patrons of the artist.

Cole was primarily a painter of landscapes, but he also painted allegorical works. Cole influenced his artistic peers, especially Asher B. Durand and Frederic Edwin Church, who studied with Cole from 1844 to 1846. Cole spent the years 1829 to 1832 and 1841 to 1842 abroad, mainly in England and Italy.

Thomas Cole died at Catskill on February 11, 1848. The fourth highest peak in the Catskills is named Thomas Cole Mountain in his honor. 

EL MULHACEN (3) BY JOAQUIN SOROLLA

 JOAQUIN SOROLLA Y BATISDA (1863-1923),

  El Mulhacén  (3, 478 m - 11,411ft)

Spain

 In  La sierra Nevada Spain from the Alhambra, Granada 

The mountain 

Mulhacén (3, 478 m - 11,411ft) is the highest mountain in continental Spain and in the Iberian Peninsula. It is part of the Sierra Nevada range in the Cordillera Penibética. It is named after Abu l-Hasan Ali, or Muley Hacén as he is known in Spanish, the penultimate Muslim King of Granada in the 15th century who, according to legend, was buried on the summit of the mountain.

Mulhacén is the highest peak in Europe outside the Caucasus Mountains and the Alps. It is also the third most topographically prominent peak in Western Europe, after Mont Blanc and Mount Etna, and is ranked 64th in the world by prominence.  The peak is not exceptionally dramatic in terms of steepness or local relief. The south flank of the mountain is gentle and presents no technical challenge, as is the case for the long west ridge. The shorter, somewhat steeper north east ridge is slightly more technical. The north face of the mountain, however, is much steeper, and offers several routes involving moderately steep climbing on snow and ice (up to French grade AD) in the winter

Mulhacén can be climbed in a single day from the villages of either Capileira or Trevélez, but it is more common to spend a night at the mountain refuge at Poqueira, or in the bare shelter at Caldera to the west. Those making the ascent from Trevelez can also bivouac at the tarns to the northeast of the peak.

The painter 

Joaquin Sorolla y Bastida  was a Spanish painter.  Sorolla excelled in the painting of portraits, landscapes, and monumental works of social and historical themes. His most typical works are characterized by a dexterous representation of the people and landscape under the sunlight of his native land.

Sorolla's influence on some other Spanish painters, such as Alberto Pla y Rubio and Julio Romero de Torres, was so noted that they are described as "sorollista."

After his death, Sorolla's widow, Clotilde Garcia del Castillo, left many of his paintings to the Spanish public. The paintings eventually formed the collection that is now known as the Museo Sorolla, which was the artist's house in Madrid. The museum opened in 1932.

Early in 1911, Sorolla visited the United States for a second time, and exhibited 152 new paintings at the Saint Louis Art Museum and 161 at the Art Institute of Chicago a few weeks later. Later that year Sorolla met Archie Huntington in Paris and signed a contract to paint a series of oils on life in Spain. These 14 magnificent murals, installed to this day in the Hispanic Society of America building in Manhattan, range from 12 to 14 feet in height, and total 227 feet in length.The major commission of his career, it would dominate the later years of Sorolla's life.

Huntington had envisioned the work depicting a history of Spain, but the painter preferred the less specific 'Vision of Spain', eventually opting for a representation of the regions of the Iberian Peninsula, and calling it The Provinces of Spain. Despite the immensity of the canvases, Sorolla painted all but one en plein air, and travelled to the specific locales to paint them: Navarre, Aragon, Catalonia, Valencia, Elche, Seville, Andalusia, Extremadura, Galicia, Guipuzcoa, Castile, Leon, and Ayamonte, at each site painting models posed in local costume. Each mural celebrated the landscape and culture of its region, panoramas composed of throngs of laborers and locals. By 1917 he was, by his own admission, exhausted. He completed the final panel by July 1919.

Sorolla suffered a stroke in 1920, while painting a portrait in his garden in Madrid. Paralyzed for over three years, he died on 10 August 1923. He is buried in the Cementeri de Valencia, Spain.

The Sorolla Room, housing the Provinces of Spain at the Hispanic Society of America, opened to the public in 1926. The room closed for remodeling in 2008, and the murals toured museums in Spain for the first time. The Sorolla Room reopened in 2010, with the murals on permanent display.

Sorolla's work is represented in museums throughout Spain, Europe, America, and in many private collections in Europe and America. In 1933, J. Paul Getty purchased ten Impressionist beach scenes made by Sorolla, several of which are now housed in the J. Paul Getty Museum.

In 2007 many of his works were exhibited at the Petit Palais in Paris, alongside those of John Singer Sargent, a contemporary who painted in a similarly impressionist-influenced manner. In 2009, there was a special exhibition of his works at the Prado in Madrid, and in 2010, the exhibition visited the Oscar Niemeyer Museum in Curitiba, Brazil.

From 5 December 2011 to 10 March 2012, several of Sorolla's works were exhibited in Queen Sofia Spanish Institute, in New York. This exhibition included pieces used during Sorolla's eight-year research for The Vision of Spain.

MOUNT ETNA PAINTED BY CARL ROTTMANN

CARL ROTTMANN (1797-1850)

Mount Etna or Mongibello (3,329 m - 10,922ft) 

 Italy (Sicily) 

In  Mount Etna and  Taormina,  oil on canvas, 1825, Neue Pinakothek Munchen 

The mountain 

Mount Etna (3,329 m - 10,922ft) or Mongibello, Mungibeddu in Sicilian, Aetna in Latin is an active stratovolcano on the east coast of Sicily, in the Province of Catania, between Messina and Catania. It lies above the convergent plate margin between the African Plate and the Eurasian Plate. It is the tallest active volcano in Europe. It is the highest mountain in Italy south of the Alps. Etna covers an area of 1,190 km2 (459 sq mi) with a basal circumference of 140 km. This makes it by far the largest of the three active volcanoes in Italy, being about two and a half times the height of the next largest, Mount Vesuvius. Only Mount Teide in Tenerife surpasses it in the whole of the European–North-African region.

In Greek Mythology, the deadly monster Typhon was trapped under this mountain by Zeus, the god of the sky and thunder and king of gods, and the forges of Hephaestus were said to also be located underneath it.

Mount Etna is one of the most active volcanoes in the world and is in an almost constant state of activity. The fertile volcanic soils support extensive agriculture, with vineyards and orchards spread across the lower slopes of the mountain and the broad Plain of Catania to the south. 

Due to its history of recent activity and nearby population, Mount Etna has been designated a Decade Volcano by the United Nations.

 In June 2013, it was added to the list of UNESCO World Heritage Sites.

Volcanic activity first took place at Etna about 500,000 years ago, with eruptions occurring beneath the sea off the ancient coastline of Sicily.[ About 300,000 years ago, volcanism began occurring to the southwest of the summit (center top of volcano) then, before activity moved towards the present centre 170,000 years ago. Eruptions at this time built up the first major volcanic edifice, forming a stratovolcano in alternating explosive and effusive eruptions. The growth of the mountain was occasionally interrupted by major eruptions, leading to the collapse of the summit to form calderas.

From about 35,000 to 15,000 years ago, Etna experienced some highly explosive eruptions, generating large pyroclastic flows, which left extensive ignimbrite deposits. Ash from these eruptions has been found as far away as south of Rome's border, 800 km (497 mi) to the north.

Thousands of years ago, the eastern flank of the mountain experienced a catastrophic collapse, generating an enormous landslide in an event similar to that seen in the 1980 eruption of Mount St. Helens. The landslide left a large depression in the side of the volcano, known as 'Valle del Bove' (Valley of the Ox). Research published in 2006 suggested this occurred around 8000 years ago, and caused a huge tsunami, which left its mark in several places in the eastern Mediterranean. It may have been the reason the settlement of Atlit Yam (Israel), now below sea level, was suddenly abandoned around that time.

The steep walls of the valley have suffered subsequent collapses on numerous occasions. The strata exposed in the valley walls provide an important and easily accessible record of Etna's eruptive history.

The most recent collapse event at the summit of Etna is thought to have occurred about 2,000 years ago, forming what is known as the Piano Caldera. This caldera has been almost entirely filled by subsequent lava eruptions, but is still visible as a distinct break in the slope of the mountain near the base of the present-day summit cone.

The painter

Carl Anton Joseph Rottmann was a German landscape painter and the most famous member of the Rottmann family of painters. Rottmann belonged to the circle of artists around the Ludwig I of Bavaria, who commissioned large landscape paintings exclusively from him. He is best known for mythical and heroising landscapes. The landscape painter Karl Lindemann-Frommel belonged to his school. Rottmann received his first drawing lessons from his father, Friedrich Rottmann, who taught drawing at the university in Heidelberg. He formed himself chiefly through the study of nature and of great masterworks. In his first artistic period, he painted atmospheric phenomena. After gaining prominence with Heidelberg at Sunset (a water color), and Castle Eltz, he settled in Munich in 1822 and devoted himself to Bavarian scenery. Here his second period began, and in 1824 he married Friedericke, the daughter of his uncle, Friedrich Ludwig von Sckell, who served as an attendant at court. Through this connection, he made the acquaintance of King Ludwig I of Bavaria, who in 1826/27 sponsored his travels in Italy in order to widen his repertoire, which up to that point consisted solely of domestic, German, landscapes. In Italy, Rottmann made sketches for the 28 Italian landscapes in fresco which he was commissioned to paint in the arcades of the Hofgarten at Munich. The cycle, completed in 1833, gave visual expression to Ludwig’s alliance with Italy, and raised the genre of landscape painting to the height of history painting, the preferred mode of the King’s other great commissions for monumental painting. The frescos unfortunately deteriorated under climatic influences. The cartoons for them are in the Darmstadt Gallery. In 1834 Rottmann traveled to Greece to prepare for a commission from Ludwig for a second cycle; one might mark here the beginning of his third period. At first also intended for the Hofgarten arcade, the 23 great landscapes were eventually installed in the newly built Neue Pinakothek where they were given their own hall.

MULHACEN (2) BY JOAQUIN SOROLLA

JOAQUIN SOROLLA Y BATISTA  (1863-1923)

 Mulhacén  (3, 478 m - 11,411ft)

Spain

In Sierra Nevada  in winter, oil on canvas, 1890

The mountain 

Mulhacén (3, 478 m - 11,411ft) is the highest mountain in continental Spain and in the Iberian Peninsula. It is part of the Sierra Nevada range in the Cordillera Penibética. It is named after Abu l-Hasan Ali, or Muley Hacén as he is known in Spanish, the penultimate Muslim King of Granada in the 15th century who, according to legend, was buried on the summit of the mountain.

Mulhacén is the highest peak in Europe outside the Caucasus Mountains and the Alps. It is also the third most topographically prominent peak in Western Europe, after Mont Blanc and Mount Etna, and is ranked 64th in the world by prominence.  The peak is not exceptionally dramatic in terms of steepness or local relief. The south flank of the mountain is gentle and presents no technical challenge, as is the case for the long west ridge. The shorter, somewhat steeper north east ridge is slightly more technical. The north face of the mountain, however, is much steeper, and offers several routes involving moderately steep climbing on snow and ice (up to French grade AD) in the winter

Mulhacén can be climbed in a single day from the villages of either Capileira or Trevélez, but it is more common to spend a night at the mountain refuge at Poqueira, or in the bare shelter at Caldera to the west. Those making the ascent from Trevelez can also bivouac at the tarns to the northeast of the peak.

The painter 

Joaquin Sorolla y Bastida  was a Spanish painter.  Sorolla excelled in the painting of portraits, landscapes, and monumental works of social and historical themes. His most typical works are characterized by a dexterous representation of the people and landscape under the sunlight of his native land.

Sorolla's influence on some other Spanish painters, such as Alberto Pla y Rubio and Julio Romero de Torres, was so noted that they are described as "sorollista."

After his death, Sorolla's widow, Clotilde Garcia del Castillo, left many of his paintings to the Spanish public. The paintings eventually formed the collection that is now known as the Museo Sorolla, which was the artist's house in Madrid. The museum opened in 1932.

Early in 1911, Sorolla visited the United States for a second time, and exhibited 152 new paintings at the Saint Louis Art Museum and 161 at the Art Institute of Chicago a few weeks later. Later that year Sorolla met Archie Huntington in Paris and signed a contract to paint a series of oils on life in Spain. These 14 magnificent murals, installed to this day in the Hispanic Society of America building in Manhattan, range from 12 to 14 feet in height, and total 227 feet in length.The major commission of his career, it would dominate the later years of Sorolla's life.

Huntington had envisioned the work depicting a history of Spain, but the painter preferred the less specific 'Vision of Spain', eventually opting for a representation of the regions of the Iberian Peninsula, and calling it The Provinces of Spain. Despite the immensity of the canvases, Sorolla painted all but one en plein air, and travelled to the specific locales to paint them: Navarre, Aragon, Catalonia, Valencia, Elche, Seville, Andalusia, Extremadura, Galicia, Guipuzcoa, Castile, Leon, and Ayamonte, at each site painting models posed in local costume. Each mural celebrated the landscape and culture of its region, panoramas composed of throngs of laborers and locals. By 1917 he was, by his own admission, exhausted. He completed the final panel by July 1919.

Sorolla suffered a stroke in 1920, while painting a portrait in his garden in Madrid. Paralyzed for over three years, he died on 10 August 1923. He is buried in the Cementeri de Valencia, Spain.

The Sorolla Room, housing the Provinces of Spain at the Hispanic Society of America, opened to the public in 1926. The room closed for remodeling in 2008, and the murals toured museums in Spain for the first time. The Sorolla Room reopened in 2010, with the murals on permanent display.

Sorolla's work is represented in museums throughout Spain, Europe, America, and in many private collections in Europe and America. In 1933, J. Paul Getty purchased ten Impressionist beach scenes made by Sorolla, several of which are now housed in the J. Paul Getty Museum.

In 2007 many of his works were exhibited at the Petit Palais in Paris, alongside those of John Singer Sargent, a contemporary who painted in a similarly impressionist-influenced manner. In 2009, there was a special exhibition of his works at the Prado in Madrid, and in 2010, the exhibition visited the Oscar Niemeyer Museum in Curitiba, Brazil.

From 5 December 2011 to 10 March 2012, several of Sorolla's works were exhibited in Queen Sofia Spanish Institute, in New York. This exhibition included pieces used during Sorolla's eight-year research for The Vision of Spain.

MOUNT ETNA PAINTED BY CARL ROTTMANN

CARL ROTTMANN (1797-1950) 

                                             Mount Etna or Mongibello (3,329 m - 10,922ft) 

 Italy (Sicily) 

 In Taormina with Mount Etna, 1829, oil on canvas,  Neue Pinakothek Munchen  

The Mountain 

Mount Etna (3,329 m - 10,922ft) or Mongibello, Mungibeddu in Sicilian, Aetna in Latin is an active stratovolcano on the east coast of Sicily, in the Province of Catania, between Messina and Catania. It lies above the convergent plate margin between the African Plate and the Eurasian Plate. It is the tallest active volcano in Europe. It is the highest mountain in Italy south of the Alps. Etna covers an area of 1,190 km2 (459 sq mi) with a basal circumference of 140 km. This makes it by far the largest of the three active volcanoes in Italy, being about two and a half times the height of the next largest, Mount Vesuvius. Only Pico del Teide in Tenerife surpasses it in the whole of the European–North-African region.  In Greek Mythology, the deadly monster Typhon was trapped under this mountain by Zeus, the god of the sky and thunder and king of gods, and the forges of Hephaestus were said to also be located underneath it.

Mount Etna is one of the most active volcanoes in the world and is in an almost constant state of activity. The fertile volcanic soils support extensive agriculture, with vineyards and orchards spread across the lower slopes of the mountain and the broad Plain of Catania to the south. 

Due to its history of recent activity and nearby population, Mount Etna has been designated a Decade Volcano by the United Nations.

 In June 2013, it was added to the list of UNESCO World Heritage Sites.

- More about Mount Etna 

The painter 

Carl Anton Joseph Rottmann was a German landscape painter and the most famous member of the Rottmann family of painters. Rottmann belonged to the circle of artists around the Ludwig I of Bavaria, who commissioned large landscape paintings exclusively from him. He is best known for mythical and heroising landscapes. The landscape painter Karl Lindemann-Frommel belonged to his school.

Rottmann  received his first drawing lessons from his father, Friedrich Rottmann, who taught drawing at the university in Heidelberg. He formed himself chiefly through the study of nature and of great masterworks. In his first artistic period, he painted atmospheric phenomena. After gaining prominence with Heidelberg at Sunset (a water color), and Castle Eltz, he settled in Munich in 1822 and devoted himself to Bavarian scenery. Here his second period began, and in 1824 he married Friedericke, the daughter of his uncle, Friedrich Ludwig von Sckell, who served as an attendant at court. Through this connection, he made the acquaintance of King Ludwig I of Bavaria, who in 1826/27 sponsored his travels in Italy in order to widen his repertoire, which up to that point consisted solely of domestic, German, landscapes. In Italy, Rottmann made sketches for the 28 Italian landscapes in fresco which he was commissioned to paint in the arcades of the Hofgarten at Munich. The cycle, completed in 1833, gave visual expression to Ludwig’s alliance with Italy, and raised the genre of landscape painting to the height of history painting, the preferred mode of the King’s other great commissions for monumental painting. The frescos unfortunately deteriorated under climatic influences. The cartoons for them are in the Darmstadt Gallery.

In 1834 Rottmann traveled to Greece to prepare for a commission from Ludwig for a second cycle; one might mark here the beginning of his third period. At first also intended for the Hofgarten arcade, the 23 great landscapes were eventually installed in the newly built Neue Pinakothek where they were given their own hall.

Of his easel pictures, Ammer Lake and Marathon are in the National Gallery, Berlin; The Acropolis of Sikyon and Corfu in the Pinakothek, Munich; others in the Schack Gallery, Munich, and in Karlsruhe; and seven in the Leipzig Museum.

ETNA SKETCHED BY EUGENE VIOLLET-LE-DUC

EUGENE VIOLLET-LE-DUC (1814-1879)

Mount Etna or Mongibello (3,329 m - 10,922ft) 

 Italy (Sicily) 

In Le cratère de l'Etna en Sicile, 1836, watercolor, Musée Lambinet Versailles, France  

The mountain 
Mount Etna (3,329 m - 10,922ft) or Mongibello, Mungibeddu in Sicilian, Aetna in Latin is an active stratovolcano on the east coast of Sicily, in the Province of Catania, between Messina and Catania. It lies above the convergent plate margin between the African Plate and the Eurasian Plate. It is the tallest active volcano in Europe. It is the highest mountain in Italy south of the Alps. Etna covers an area of 1,190 km2 (459 sq mi) with a basal circumference of 140 km. This makes it by far the largest of the three active volcanoes in Italy, being about two and a half times the height of the next largest, Mount Vesuvius. Only Mount Teide in Tenerife surpasses it in the whole of the European–North-African region. In Greek Mythology, the deadly monster Typhon was trapped under this mountain by Zeus, the god of the sky and thunder and king of gods, and the forges of Hephaestus were said to also be located underneath it.
Mount Etna is one of the most active volcanoes in the world and is in an almost constant state of activity. The fertile volcanic soils support extensive agriculture, with vineyards and orchards spread across the lower slopes of the mountain and the broad Plain of Catania to the south.
Due to its history of recent activity and nearby population, Mount Etna has been designated a Decade Volcano by the United Nations. In June 2013, it was added to the list of UNESCO World Heritage Sites.
- More informations about Mount Etna

The artist 
Eugène Emmanuel Viollet-le-Duc (not to be confused with the writer Violette Leduc) was a French architect and theorist, famous for his interpretive "restorations" of medieval buildings.  But he was, as well, an excellent but less famous watercolorist, sketching quite a number of mountains and volcanoes all over Europe.
Born in Paris, he was a major Gothic Revival architect. His works were largely restorative and few of his independent building designs were ever realised. Strongly contrary to the prevailing Beaux-Arts architectural trend of his time, much of his design work was largely derided by his contemporaries. He was the architect hired to design the internal structure of the Statue of Liberty, but died before the project was completed.
During the early 1830s, a popular sentiment for the restoration of medieval buildings developed in France. Viollet-le-Duc, returning during 1835 from study in Italy, was commissioned by Prosper Mérimée to restore the Romanesque abbey of Vézelay. This work was the first of a long series of restorations; Viollet-le-Duc's restorations at Notre Dame de Paris with Jean-Baptiste Lassus brought him national attention. His other main works include Mont Saint-Michel, Carcassonne, Roquetaillade castle and Pierrefonds.
Viollet-le-Duc's "restorations" frequently combined historical fact with creative modification. For example, under his supervision, Notre Dame was not only cleaned and restored but also "updated", gaining its distinctive third tower (a type of flèche) in addition to other smaller changes. Another of his most famous restorations, the medieval fortified town of Carcassonne, was similarly enhanced, gaining atop each of its many wall towers a set of pointed roofs that are actually more typical of northern France. Many of these reconstructions were controversial. Viollet-le-duc wanted what he called ‘a condition of completeness' which never actually existed at any given time. This approach to restoration was particularly problematic when buildings survived in a mixture of styles. For instance, Viollet-le-Duc eliminated eighteenth-century additions to Notre Dame. Both his theory and his practice were strongly criticized on the grounds that only what had once been in place should be reconstructed. At the same time, in the cultural atmosphere of the Second Empire theory necessarily became diluted in practice: Viollet-le-Duc provided a Gothic reliquary for the relic of the Crown of Thorns at Notre-Dame in 1862, and yet Napoleon III also commissioned designs for a luxuriously appointed railway carriage from Viollet-le-Duc, in 14th-century Gothic style.
Among his restorations were:
- Churches :
Notre-Dame in Paris, Abbey of the Mont Saint-Michel, Basilica of St. Mary Magdalene in Vézelay, St. Martin in Clamecy,  Sainte-Chapelle in Paris, Basilica of St. Denis near Paris, St. Louis in Poissy, Notre-Dame in Semur-en-Auxois, Basilica of St. Nazarius and St. Celsus in Carcasonne, Basilica of St. Sernin in Toulouse, Notre-Dame in Lausanne (Switzerland).
Town halls:
- Saint-Antonin-Noble-Val, Narbonne
Castles:
- Château de Roquetaillade in Bordeaux, Château de Pierrefonds, Fortified city of Carcassonne, Château de Coucy, Antoing in Belgium, Château de Vincennes in  Paris.
When monuments was to much damaged, he sometimes  obtain from the emperor Napoleon III the permission to entirely rebuilt it,  like he did in Avignon with the Popes ramparts all around the city.
Sources: 
- Encyclopedia Britannica 

MULHACEN PAINTED BY JOAQUIN SOROLLA

JOAQUIN SOROLLA Y BATISTA  (1863-1923)

 Mulhacén  (3, 478 m - 11,411ft)

Spain

Painted in 1890

The mountain 

Mulhacén (3, 478 m - 11,411ft) is the highest mountain in continental Spain and in the Iberian Peninsula. It is part of the Sierra Nevada range in the Cordillera Penibética. It is named after Abu l-Hasan Ali, or Muley Hacén as he is known in Spanish, the penultimate Muslim King of Granada in the 15th century who, according to legend, was buried on the summit of the mountain.
Mulhacén is the highest peak in Europe outside the Caucasus Mountains and the Alps. It is also the third most topographically prominent peak in Western Europe, after Mont Blanc and Mount Etna, and is ranked 64th in the world by prominence.  The peak is not exceptionally dramatic in terms of steepness or local relief. The south flank of the mountain is gentle and presents no technical challenge, as is the case for the long west ridge. The shorter, somewhat steeper north east ridge is slightly more technical. The north face of the mountain, however, is much steeper, and offers several routes involving moderately steep climbing on snow and ice (up to French grade AD) in the winter
Mulhacén can be climbed in a single day from the villages of either Capileira or Trevélez, but it is more common to spend a night at the mountain refuge at Poqueira, or in the bare shelter at Caldera to the west. Those making the ascent from Trevelez can also bivouac at the tarns to the northeast of the peak.


The painter 
Joaquin Sorolla y Bastida  was a Spanish painter.  Sorolla excelled in the painting of portraits, landscapes, and monumental works of social and historical themes. His most typical works are characterized by a dexterous representation of the people and landscape under the sunlight of his native land....
More about Joaquin Sorolla, follow the link. 

MOUNT ETNA BY AKSELI GALLEN-KALLELA

AKSELI GALLEN-KALLELA (1865-1931)

 Mount Etna or Mongibello (3,329 m - 10,922ft) 

 Italy (Sicily) 

In  Mount Etna in 1900 

The mountain 
Mount Etna (3,329 m - 10,922ft) or Mongibello, Mungibeddu in Sicilian, Aetna in Latin is an active stratovolcano on the east coast of Sicily, in the Province of Catania, between Messina and Catania. It lies above the convergent plate margin between the African Plate and the Eurasian Plate. It is the tallest active volcano in Europe. It is the highest mountain in Italy south of the Alps. Etna covers an area of 1,190 km2 (459 sq mi) with a basal circumference of 140 km. This makes it by far the largest of the three active volcanoes in Italy, being about two and a half times the height of the next largest, Mount Vesuvius. Only Mount Teide in Tenerife surpasses it in the whole of the European–North-African region. In Greek Mythology, the deadly monster Typhon was trapped under this mountain by Zeus, the god of the sky and thunder and king of gods, and the forges of Hephaestus were said to also be located underneath it.
Mount Etna is one of the most active volcanoes in the world and is in an almost constant state of activity. The fertile volcanic soils support extensive agriculture, with vineyards and orchards spread across the lower slopes of the mountain and the broad Plain of Catania to the south.
Due to its history of recent activity and nearby population, Mount Etna has been designated a Decade Volcano by the United Nations. In June 2013, it was added to the list of UNESCO World Heritage Sites.
Volcanic activity first took place at Etna about 500,000 years ago, with eruptions occurring beneath the sea off the ancient coastline of Sicily.[ About 300,000 years ago, volcanism began occurring to the southwest of the summit (center top of volcano) then, before activity moved towards the present centre 170,000 years ago. Eruptions at this time built up the first major volcanic edifice, forming a stratovolcano in alternating explosive and effusive eruptions. The growth of the mountain was occasionally interrupted by major eruptions, leading to the collapse of the summit to form calderas.
From about 35,000 to 15,000 years ago, Etna experienced some highly explosive eruptions, generating large pyroclastic flows, which left extensive ignimbrite deposits. Ash from these eruptions has been found as far away as south of Rome's border, 800 km (497 mi) to the north.
Thousands of years ago, the eastern flank of the mountain experienced a catastrophic collapse, generating an enormous landslide in an event similar to that seen in the 1980 eruption of Mount St. Helens. The landslide left a large depression in the side of the volcano, known as 'Valle del Bove' (Valley of the Ox). Research published in 2006 suggested this occurred around 8000 years ago, and caused a huge tsunami, which left its mark in several places in the eastern Mediterranean. It may have been the reason the settlement of Atlit Yam (Israel), now below sea level, was suddenly abandoned around that time. The steep walls of the valley have suffered subsequent collapses on numerous occasions. The strata exposed in the valley walls provide an important and easily accessible record of Etna's eruptive history. The most recent collapse event at the summit of Etna is thought to have occurred about 2,000 years ago, forming what is known as the Piano Caldera. This caldera has been almost entirely filled by subsequent lava eruptions, but is still visible as a distinct break in the slope of the mountain near the base of the present-day summit cone.

The painter 
Akseli Gallen-Kallela was a Swedish-speaking Finnish painter who is best known for his illustrations of the Kalevala, the Finnish national epic. His work was considered very important for the Finnish national identity. He changed his name from Gallen to Gallen-Kallela in 1907. In 1884 he moved to Paris, to study at the Académie Julian and became friends with the Finnish painter Albert Edelfelt, the Norwegian painter Adam Dörnberger, and the Swedish writer August Strindberg.
In December 1894, Gallen-Kallela moved to Berlin to oversee the joint exhibition of his works with the works of Norwegian painter Edvard Munch. Here he became acquainted with the Symbolists.
On his return from Germany, Gallen studied print-making and visited London to deepen his knowledge, and in 1898 studied fresco-painting in Italy.
For the Paris World Fair in 1900, Gallen-Kallela painted frescoes for the Finnish Pavilion. In these frescoes, his political ideas became most apparent.Gallen-Kallela officially finnicized his name to the more Finnish-sounding Akseli Gallen-Kallela in 1907.
In 1909, Gallen-Kallela moved to Nairobi in Kenya with his family, and there he painted over 150 expressionist oil paintings and bought many east African artefacts. But he returned to Finland after a couple of years, because he realized Finland was his main inspiration. Between 1911 and 1913 he designed and built a studio and house at Tarvaspää, about 10 km northwest of the centre of Helsinki.
From December 1923 to May 1926, Gallen-Kallela lived in the United States, where an exhibition of his work toured several cities, and where he visited the Taos art-colony in New Mexico to study indigenous American art. In 1925 he began the illustrations for his "Great Kalevala". This was still unfinished when he died of pneumonia in Stockholm on 7 March 1931, while returning from a lecture in Copenhagen, Denmark
His studio and house at Tarvaspää was opened as the Gallen-Kallela Museum in 1961

HVANNADALSHNUKUR VOLCANO IN VINTAGE POSTCARD 1955

VINTAGE POSTCARD 1955 

Hvannadalshnjúkur (2,109.6 m - 6,921 ft)

Iceland

The volcano

Hvannadalshnjúkur (2,109.6 m - 6,921 ft)  (pronounced KWANNA-dalsh-nyooker) is the highest peak in Iceland. Prior to 2005, it had been stated to be 2,119m but an official survey in 2005 revised this. It is actually the highest point on a crater rim of the volcano, Oræfajökull, located in extreme southeast Iceland only a few kilometers from the Atlantic Ocean. The volcano itself is massive, the largest post-glacial volcano in Iceland and, according to my research, only exceeded in mass by Etna as far as European volcanoes go. But this fact pales in comparison when you consider that Oræfajökull is but a small part of the massive glacier, Vatnajökull.
Vatnajökull (meaning Lake Glacier, named after sub-glacial lakes under its center) is the largest glacier in Iceland and the largest glacial ice cap in Europe. At approximately 8500 square kilometers, it is larger than all of continental Europe's glaciers put together.  This glacier takes up 1/12 of the country of Iceland and contains approximately 3300 cubic kilometers of ice. The average thickness of the glacier is 400 meters with the greatest thickness being over 1100 meters. It is interesting that scientists believe it was not formed during the last great Ice Age but during a cold period about 2500 years ago.
Vatnajökull has had five recorded eruptions with the latest three coming in 1996, 1998 and most recently in 2004.  The 1996 eruption caused large floods taking out bridges and cutting off eastern and western Iceland from each other for a time. Oræfajökull has had two recorded eruptions in 1362 and 1727. The 1362 eruption was the greatest tephra fall in Icelandic history and caused the area's abandonment (the name means something like "glacier wasteland").
Hvannadalshnukur sits adjacent to Skaftafell National Park. Created in 1967, it covers 1700 square kilometers and lies on the west side of the peak between three of Vatnajökull's 46 outlet glaciers (Skeiðararjökull to the west, Morsarjökull to the north and Skaftafellsjökull to the east). To the immediate north of Skaftafell is a finger of land with amazing hikes and sites (see section below for details or click on the link in this paragraph). Skaftafell itself has worthy climbs of both technical rock and glacier and is an oasis of color and life in an area of southeastern Iceland that is so close to a massive drainage of the giant glacier where a huge amount of flat stream-filled sand dominates the coast. Skaftafell enjoys better weather and more sunshine hours than anywhere else in southeastern Iceland as it is protected from wind and rain by the volcano.
Climbing
The first ascent of Hvannadalshnukur was on August 17, 1891 when a British man named Frederick W. W. Howell was guided up by locals Pall Jonsson and Thorlakur Thorlaksson.

Vintage postcards

Postcards became popular at the turn of the 20th century, especially for sending short messages to friends and relatives. They were collected right from the start, and are still sought after today by collectors of pop culture, photography, advertising, wartime memorabilia, local history, and many other categories.
Postcards were an international craze, published all over the world. The Detroit Publishing Co. and Teich & Co. were two of the major publishers in the U.S, and sometimes individuals printed their own postcards as well. Yvon were the most famous in France. Many individual or anonymous publishers did exist around the world and especially in Africa and  Asia (Japan, Thailand, Nepal, China, Java) between 1920 and 1955. These photographer were mostly local notables, soldiers, official guides belonging to the colonial armies (british french, belgium...) who sometimes had rather sophisticated equipment and readily produced colored photograms or explorers, navigators, climbers (Vittorio Sella and the Archiduke of Abruzzi future king of Italy remains the most famous of them).
There are many types of collectible vintage postcards.
Hold-to-light postcards were made with tissue paper surrounded by two pieces of regular paper, so light would shine through. Fold-out postcards, popular in the 1950s, had multiple postcards attached in a long strip. Real photograph postcards (RPPCs) are photographs with a postcard backing.
Novelty postcards were made using wood, aluminum, copper, and cork. Silk postcards–often embroidered over a printed image–were wrapped around cardboard and sent in see-through glassine paper envelopes; they were especially popular during World War I.
In the 1930s and 1940s, postcards were printed on brightly colored paper designed to look like linen.
Most vintage postcard collectors focus on themes, like Christmas, Halloween, portraits of movie stars, European royalty and U.S. presidents, wartime imagery, and photos of natural disasters or natural wonders. Not to mention cards featuring colorful pictures by famous artists like Alphonse Mucha, Harrison Fisher, Ellen Clapsaddle, and Frances Brundage.

MOUNT VESUVIUS BY ALEXANDRE-HYACINTHE DUNOUY

ALEXANDRE-HYACINTHE DUNOUY (1757-1841) 
 Mount Vesuvius (1, 281m - 4,203 ft current)

Italy

In  L'éruption du Vésuve en 1813, Château de Fontainebleau, France

The mountain 

Mount Vesuvius (1,281 meters- 4,203 ft current) is one of those legendary and mythic mountains  the Earth paid regularly tribute. Monte Vesuvio in Italian modern langage or Mons Vesuvius in antique Latin langage is a stratovolcano in the Gulf of Naples (Italy) about 9 km (5.6 mi) east of Naples and a short distance from the shore. 

It is one of several volcanoes which form the Campanian volcanic arc. Vesuvius consists of a large cone partially encircled by the steep rim of a summit caldera caused by the collapse of an earlier and originally much higher structure.

Mount Vesuvius is best known for its eruption in AD 79 that led to the burying and destruction of the Roman antique cities of Pompeii, Herculaneum, and several other settlements. That eruption ejected a cloud of stones, ash, and fumes to a height of 33 km (20.5 mi), spewing molten rock and pulverized pumice at the rate of 1.5 million tons per second, ultimately releasing a hundred thousand times the thermal energy released by the Hiroshima bombing. At least 1,000 people died in the eruption. The only surviving eyewitness account of the event consists of two letters by Pliny the Younger to the historian Tacitus.

Vesuvius has erupted many times since and is the only volcano on the European mainland to have erupted within the last hundred years. Nowadays, it is regarded as one of the most dangerous volcanoes in the world because of the population of 3,000,000 people living nearby and its tendency towards explosive eruptions (said Plinian eruptions). It is the most densely populated volcanic region in the world.

Vesuvius was formed as a result of the collision of two tectonic plates, the African and the Eurasian. The former was subducted beneath the latter, deeper into the earth. As the water-saturated sediments of the oceanic African plate were pushed to hotter depths in the earth, the water boiled off and caused the melting point of the upper mantle to drop enough to create partial melting of the rocks. Because magma is less dense than the solid rock around it, it was pushed upward. Finding a weak place at the Earth's surface it broke through, producing the volcano.

he area around Vesuvius was officially declared a national park on June 5, 1995. The summit of Vesuvius is open to visitors and there is a small network of paths around the mountain that are maintained by the park authorities on weekends.

There is access by road to within 200 metres (660 ft) of the summit (measured vertically), but thereafter access is on foot only. There is a spiral walkway around the mountain from the road to the crater.

The first funicular cable car on Mount Vesuvius opened in 1880. It was later destroyed by the 1944 eruption. "Funiculì, Funiculà", a famous Neapolitan song with lyrics by journalist Peppino Turco set to music by composer Luigi Denza, commemorates its opening. 




The  painter 

Alexandre-Hyacinthe Dunouy (1757–1841) was a French painter known for his landscapes.

A native of Paris, Dunouy began his career depicting views of the city and the surrounding region, exhibiting a views of the area around Rome and Naples he painted in the 1780's

at the Paris Salon in 1791. He went back Italy in 1810 under the patronage of Joachim Murat, made king of Naples by Napoleon 1st,  whose he married the sister Caroline. Dunouy became the official painter of the King of Naples and of his wife Caroline Bonaparte. At this time, he painted  studies for the decorations of the Royal Palace of Portici. Therefore, Dunouy frequently receives  orders from the french Imperial family, as views of the castle of Mortefontaine for Joseph Bonaparte, an other of the Emperor's brother.

in 1815, after the exil of Napoleon and the fall of the First French Empire, Dunouy left Italy but does not cease its activity.  HE continue to paint for the next regime and  received from king Louis XVIII, for a view of  Eruption of Mount Vesuvius (the one reproduced above). This painting entrusts the kink to ask Dunouy to realize decorations projects for the Trianon, Compiègne Castle and St. Cloud castle.  His paintings, of small dimensions, are primarily decorative. It is usually presented as classical compositions abounding details. His work follows in the footsteps of Jean-Victor Bertin and Jean-Joseph-Xavier Bidault. Some of his works include elements painted by Jean-Louis Demarne and Nicolas-Antoine Taunay. He continued to exhibit regularly until 1833 and became the master of Achille-Etna Michallon.  He received  medals  in 1819 and 1827. He is also associated with the Auvergne, Savoy, and the area around Lyon. 

Source: 
- Dunouy in BnF catalogue général 

2 others paintings of Vesuvius on this blog: 

- Antique roman first known picture 

- Vesuvius series by Andy Warhol

PITON DE LA FOURNAISE BY J- B. BORY DE SAINT VINCENT

JEAN-BAPTISTE BORY DE SAINT VINCENT  (1778-1846)

Le Piton de la Fournaise  (2,632 m -8,635 ft)

 France  (Ile de la Réunion)

 Drawing view"as the crow flies" of the peak of the Furnace after the eruption of 1801

The mountain 

Piton de la Fournaise (Peak of the Furnace) is a shield volcano on the eastern side of Réunion island (a French department) in the Indian Ocean. It is currently one of the most active volcanoes in the world, along with Kilauea in the Hawaiian Islands (Pacific Ocean), Stromboli, Etna (Italy) and Mount Erebus in Antarctica. A previous eruption began in August 2006 and ended in January 2007. The volcano erupted again in February 2007, on 21 September 2008, on 9 December 2010, which lasted for two days and on 1 August 2015 A. An other one on 26 May 2016 ... the very last eruption just begun yesterday,  11 Septembre 2016. 

The volcano is located within Réunion National Park, a World Heritage site.

Piton de la Fournaise is often known locally as le Volcan (The Volcano); it is a major tourist attraction on Réunion island.  Due to his activity, the Piton de la Fournaise is constantly monitored by geophysical sensors (tiltmeters, extensometers, differential GPS receivers, etc.).  The data from those various sensors is sent to the Piton de la Fournaise Volcano Observatory, located in Bourg-Murat, northwest of the volcano.  The observatory, founded in 1978 following the Piton-Sainte-Rose flow, is operated by the Institut de Physique du Globe de Paris (Global Geophysics Institute of Paris), in association with CNRS ( National Institute of Scientific Resarch)  and the University of Réunion. The OVPF often publishes reports on Piton de la Fournaise's current activity via their website in French. RIGIC (the Réunion Island Geological Information Center) takes this information and translates it into English for distribution to the English-speaking scientific.

Climbing

A high quality forestry road, followed by a track (with lots of bumps), connects the highway of the plains in Bourg-Murat to the Pas de Bellecombe (Bellecombe Pass), where a parking lot and a snack bar are available to visitors.  The Pas de Bellecombe is situated over the caldera rim cliffs and offers a good point of view over the northeast part of the caldera.

A good stairway path descends from the pass to the caldera floor.  This path is closed for safety reasons during seismic events that may precede eruptions and during eruptions. White paint marks over rocks delimit a number of footpaths ascending the lava shield inside the caldera.  Visitors exploring the caldera should be in good physical condition, with hiking shoes and a supply of drinking water and food. They must be prepared to exercise caution, for the weather can change very quickly, moving from bright sunlight and heat (with risks of heatstroke) to dense fog with cold and rain. In dense fog, straying from paths is very risky. Visitors are advised to take the necessary precautions for sun, heat, cold and rain and not to stray from marked paths.  An excellent, albeit expensive, way to get a good sight of the volcano is to ride in the tourist helicopter flights offered by commercial companies on the island The lower parts of the Grand Brûlé can be visited from the N2 highway.  Lava flows that have crossed the road are indicated by signs.

Completely free access during eruptions was permitted until 1998; access has been limited since that date, being virtually banned at present.

The painter  

Jean-Baptiste Genevieve Marcellin Bory de Saint-Vincent is a French officer, naturalist and geographer, who was mainly interested in volcanology, botany and systematic.

During the las years of the 18th century (particularly agitated in France) , he learned the departure of a scientific expedition organized by the government and gets the job of chief zoologist aboard a participating corvettes then met Bernard Germain de Lacépède. Thus, after leaving the army, Jean Baptiste Bory de Saint-Vincent left Paris on September 30, arrived in Le Havre on 2 October and leaves town aboard one of the ships that captain Nicolas Baudin took  around the world from 1800 to 1804.  He stopped in Mauritius in March 1801.  From there, he reached l'Ile de la Réunion (ex Bourbon Island) where he performed in October and November 1801 ( "An X" in the Revolutionary Calendar)  the rise and the first general scientific description of the Piton de la Fournaise, the active volcano of the island.  It gives the name of the scientist Dolomieu he just learned the death to  one of the craters he describes as a nipple. It gives its own name to the  crater of the summit.  Back in France in 1802, he published Voyage dans les îles d'Afrique (Travel in african Islands). He continued his scientific career in parallel to a military career: he was elected correspondent of the Museum in August 1803 and the "correspond of  first class" of the Institute de France in the spring of 1808. In 1804, he published  Essais sur les iles fortunées  (Essay on the wealthy islands) et Voyage dans les quatre principales îles des mers d'Afrique (Travel in the four main islands of the African seas). The articles, written by international scientific luminaries, were illustrated by  lithographs printed by Duval Mercourt then Marcellin Jobard.  In 1828, he was appointed to head the commission scientific exploration of Morea, held in 1829-1830. In 1830 he appeared in an election to become a member of the Institute after the death of Lamarck. He died in 1846 а Paris and was buried in Père Lachaise Cemetery (49th division).