ACATENANGO BY ALFRED MAUDSLAY

ALFRED MAUDSLAY (1850-1931)

Acatenango (3,976 m - 13, 045 ft) 

Guatemala

In  Volcán de Acatenango desde la meseta que lo divide del Volcán de Fuego,  

                      from the book A glimpse of Guatemala,   John Murray, ed. London, 1889 

The mountain 

Acatenango (3,976 m - 13, 045 ft) is a stratovolcano in Guatemala, close to the city of Antigua. Acatenango is joined with Volcán de Fuego and collectively the volcano complex is known as La Horqueta. The Fuego-Acatenango massif comprises a string of five or more volcanic vents along a north-south trend that is perpendicular to that of the Central American Volcanic Arc in Guatemala. From north to south, known centres of volcanism are Ancient Acatenango, Yepocapa, Pico Mayor de Acatenango, Meseta, and Fuego. Volcanism along the trend stretches back more than 200,000 years. Although many of the centres have been active contemporaneously, there is a general sequence of younger volcanism, from north to south along the trend.

The only known historical eruptions of Acatenango volcano occurred in the 20th century, between 1924 and 1927 from just north of the summit peak and again in December 1972. These phreatic explosions generated ballistic volcanic bombs that fell near the summit craters and fine volcanic ash that fell up to 25 km away.
In prehistoric time, Acatenango has erupted explosively to form widespread fall deposits, hot pyroclastic flows and lava flows. There have been numerous eruptions during the past 80,000 years from vents along the massif. The most recent explosive eruptions of Acatenango occurred 1,900 years ago , 2,300 years ago  and about 5,000 years ago . If such eruptions were to recur, many people and costly infrastructure would be at risk.

The photographer 
The  British diplomat, explorer and archaeologist Alfred Percival Maudslay  was also a photographer... and rather a good one according to the numerous photographs on dry plate he left.   He was one of the first Europeans to study Maya ruins.
After leaving Medical School, he moved to Trinidad, becoming private secretary to Governor William Cairns, and transferred with Cairns to Queensland. He subsequently moved to Fiji to work with Sir Arthur Gordon, its governor.  Later he served as British consul in Tonga and Samoa. In February 1880, Maudslay resigned from the colonial service to pursue his own interests, having spent six years in the British Pacific colonies. He then joined his siblings in Calcutta during their round-the-world trip, returned to Britain in December, and then set out for Guatemala via British Honduras.
In Guatemala, Maudslay began the major archaeological work for which he is now best remembered. He started at the Maya ruins of Quirigua and Copan where, with the help of Frank Sarg, he hired labourers to help clear and survey the remaining structures and artefacts. Sarg also introduced Maudslay to the newly found ruins in Tikal and to a reliable guide Gorgonio López. Maudslay was the first to describe the site of Yaxchilán. With Teobert Maler, Alfred Maudslay explored Chichén in the 1880s and both spent several weeks at the site and took extensive photographs. Maudslay published the first long-form description of Chichen Itza in his book, "Biologia Centrali-Americana".
In the course of his surveys, Maudslay pioneered many of the later archaeological techniques. He hired Italian expert Lorenzo Giuntini and technicians to make plaster casts of the carvings, while Gorgonio López made casts of papier-mâché. Artist Annie Hunter drew impressions of the casts before they were shipped to museums in England and the United States. Maudslay also took numerous detailed photographs – dry plate photography was then a new technique – and made copies of the inscriptions.
All told, Maudslay made a total of six expeditions to Maya ruins. After 13 years of preparation, he published his findings in 1902 as a 5-volume compendium entitled Biologia Centrali-Americana, which contained numerous excellent drawings and photographs of Maya ruins, Maudslay's commentary, and an appendix on archaic calendars by Joseph Thompson Goodman.
In 1907 the Maudslays moved permanently back to Britain. Maudslay become a President of the Royal Anthropological Institute 1911–12. He also chaired the 18th International Congress of Americanists in London in 1912.

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2018 - Wandering Vertexes...

by Francis Rousseau 

MONTE CAVO PAINTED BY SIMON DENIS

SIMON DENIS (1755-1813) 

Monte Cavo (950 m - 3,120 ft)

Italy 

In Paysage avec les collines d'Alban et le Monte Cavo,  1790, oil on canvas, Private collection 

About this painting 

Monte Cavo is the sacred Mons Albanus of the Italic people of ancient Italy who lived in Alba Longa (the Albani), and other cities, and therefore a sacred mountain to the Romans; there they built the temple of Jove (Jupiter) Latiaris, one of the most important destinations of pilgrimage for all Latin people in the centuries of Roman domination. On the Mons Albanus, between January and March, the "Latin Festivals" were held. The newly chosen Consuls had to sacrifice to Jupiter Latiaris and to announce the Latin Holidays.
In 531 BC, King Tarquinius Superbus built here a temple shared with the Latins, the Hernici and the Volsci, where every year celebrations in honor of Jupiter Latiaris were held.
After being a temple, a monastery and an  hotel,  the structure became, in the post-war era, a telecommunications station. Nowadays, access is prohibited to unauthorized persons. A few blocks of the ancient temple are still visible behind the fenced area.

 

The mount 
Monte Cavo (950 m - 3,120 ft) or less occasionally, "Monte Albano," is the second highest mountain of the complex of the Alban Hills, near Rome, Italy. An old volcano extinguished around 10,000 years ago, it lies about 20 km (12 mi) from the sea, in the territory of the comune of Rocca di Papa. It is the dominant peak of the Alban Hills. The current name comes from Cabum, an Italic settlement existing on this mountain.Volcanic activity under king Tullus Hostilius on the site was reported by Livy in his book of Roman history: "...there had been a shower of stones on the Alban Mount..."

The painter 

Simon-Joseph-Alexandre-Clément Denis was a Belgian painter active primarily in Italy. Denis first studied in his native city of Antwerp, with the landscape and animal painter H.-J. Antonissen.
He moved to Paris in the 1780s, and soon gained the patronage of genre painter and art dealer Jean-Baptiste Lebrun, whose support allowed him to move to Rome in 1786. His paintings there attracted favorable attention, and in 1787 he married a local woman. He remained close to the Flemish community in Rome, and in 1789 was elected to head the Foundation St.-Julien-des-Flamands. He also developed ties within the French artistic community; Élisabeth-Louise Vigée-Le Brun stayed with him for some days in 1789 and that same year he and she traveled with François-Guillaume Ménageot to visit Tivoli. François Marius Granet sought his advice when he arrived in Rome in 1802.
In 1803, he was elected to the Accademia di San Luca; in 1806 he settled for good in Naples, becoming court painter to Joseph Bonaparte.   His wonderful Landscape near Rome during a Storm (1786–1806) an oil on paper probably representating Monte Cavo as well,  is now visible at The MET in New York city.