google.com, pub-0288379932320714, DIRECT, f08c47fec0942fa0 GRAVIR LES MONTAGNES... EN PEINTURE: Mount Barker
Showing posts with label Mount Barker. Show all posts
Showing posts with label Mount Barker. Show all posts

Friday, August 2, 2019

MOUNT BARKER BY EUGENE VON GUERARD



EUGENE VON GUERARD (1811-1901)
Mount Barker  (517 m - 1,696 ft)
Australia 

In Mount Barker and the Murray Plains from top of Mt Lofty, near Adelaide, 1858  
 Pen and ink and wash over pencil, 31.6 × 49.1 cm,
National Gallery of Victoria, Melbourne


The mountain
Mount Barker   (517 m - 1,696 ft) is a hill in the Mount Lofty Ranges in South Australia and namesake of the nearby town of Mount Barker.  Mount Barker was first sighted by Captain Charles Sturt in 1830, although he thought he was looking at the previously discovered Mount Lofty. Captain Collet Barker fixed this error when he surveyed the area in 1831. Sturt named the mountain in honor of Captain Barker after he was killed days later by Aborigines.
The first Europeans to ascend the mountain, on 27 November 1837, were a six-man party comprising John Barton Hack, John Morphett, Samuel Stephens, Charles Stuart (South Australian Company's stock overseer), Thomas Davis (Hack's stockman), and John Wade (a "gentleman from Hobart Town").
There are numerous activities such as walking trails on Mt Barker.This hill is nowadays the home to a transmission tower that services SAGRN and mobile phone transmissions throughout the area. Microwave radio equipment is also installed on the tower, providing various forms of communication such as broadband internet connections and voice services to Mount Barker residents and businesses.

The painter 
Johann Joseph Eugene von Guerard was an Austrian-born artist, active in Australia from 1852 to 1882. Known for his finely detailed landscapes in the tradition of the Düsseldorf school of painting, he is represented in Australia's major public galleries, and is referred to in the country as Eugene von Guerard. In 1852 von Guerard arrived in Victoria, Australia, determined to try his luck on the Victorian goldfields. As a gold-digger he was not very successful, but he did produce a large number of intimate studies of goldfields life, quite different from the deliberately awe-inspiring landscapes for which he was later to become famous. Realizing that there were opportunities for an artist in Australia, he abandoned the diggings and was soon undertaking commissions recording the dwellings and properties of wealthy pastoralists.
By the early 1860s, von Guerard was recognized as the foremost landscape artist in the colonies, touring Southeast Australia and New Zealand in pursuit of the sublime and the picturesque.  He is most known for the wilderness paintings produced during this time, which are remarkable for their shadowy lighting and fastidious detail.  Indeed, his View of Tower Hill in south-western Victoria was used as a botanical template over a century later when the land, which had been laid waste and polluted by agriculture, was systematically reclaimed, forested with native flora and made a state park. The scientific accuracy of such work has led to a reassessment of von Guerard's approach to wilderness painting, and some historians believe it likely that the landscapist was strongly influenced by the environmental theories of the leading scientist Alexander von Humboldt. Others attribute his 'truthful representation' of nature to the criterion for figure and landscape painting set by the Düsseldorf Academy.
_______________________________
2019 - Wandering Vertexes...
by Francis Rousseau