MOUNT GILES PAINTED BY ALBERT NAMATJIRA

ALBERT NAMATJIRA (1902-1959)
Mount Giles (1, 389 m - 4, 557 ft)
Australia (Northern territory) 

In Yuendumu, watercolor, 1948

The mountain
Mount Giles (1, 389 m - 4, 557 ft) is one of the highest mountains in the Northern Territory, Australia. It lies along the MacDonnell Ranges, dominating Ormiston Pound, in the West MacDonnell National Park, approximately 80 kilometres (50 mi) west of Alice Springs. It can be visited via the celebrated Larapinta Trail and has views of Mount Sonder, Ormiston Gorge and Pound, and the surrounding range. Climbing the mountain requires a hard two- or three-day hike. The MacDonnell Ranges is located in the Northern Territory, comprising 3,929,444 hectares (9,709,870 acres). The range is a 644 km (400 mi) long series of mountains located in the centre of Australia, and consist of parallel ridges running to the east and west of Alice Springs. The mountain range contains many spectacular gaps and gorges as well as areas of Aboriginal significance.
The ranges were named after Sir Richard MacDonnell (the Governor of South Australia at the time) by John McDouall Stuart, whose 1860 expedition reached them in April of that year. The Horn Expedition investigated the ranges as part of the scientific expedition into central Australia. Other explorers of the range included David Lindsay and John Ross.
The MacDonnell Ranges are famous to have been often depicted in the paintings by Albert Namatjira.

The painter
Albert Namatjira born Elea Namatjira, was a Western Arrernte-speaking Aboriginal artist from the MacDonnell Ranges in Central Australia. As a pioneer of contemporary Indigenous Australian art, he was the most famous Indigenous Australian of his generation.
Born and raised at the Hermannsburg Lutheran Mission outside Alice Springs, Namatjira showed interest in art from an early age, but it was not until 1934 (aged 32), under the tutelage of Rex Battarbee, that he began to paint seriously. Namatjira's richly detailed, Western art-influenced watercolours of the outback departed significantly from the abstract designs and symbols of traditional Aboriginal art, and inspired the Hermannsburg School of painting. He became a household name in Australia—indeed, reproductions of his works hung in many homes throughout the nation—and he was publicly regarded as a model Aborigine who had succeeded in mainstream society.
Although not the first Aboriginal artist to work in a European style, Albert Namatjira is certainly the most famous. Ghost gums with luminous white trunks, palm-filled gorges and red mountain ranges turning purple at dusk are the hallmarks of the Hermannsburg school. Hermannsburg Mission was established by Lutheran missionaries in 1877 on the banks of the Finke River, west of Mparntwe (Alice Springs). Namatjira learnt watercolour technique from the artist, Rex Battarbee.
Initially thought of as having succumbed to European pictorial idioms – and for that reason, to ideas of European privilege over the land – Namatjira’s landscapes have since been re-evaluated as coded expressions on traditional sites and sacred knowledge. Ownership of country is hereditary, but detailed knowledge of what it ‘contains’ is learnt in successive stages through ceremony, song, anecdote and contact. Namatjira’s father’s country lay towards Mount Sonder and Glen Helen Gorge, in the MacDonnell Ranges, and his mother’s country was in the region of Palm Valley in Central Australia. In Namatjira’s paintings, the totemic connections to his country are so indelible that, for example, Palm Valley the place and Palm Valley, c.1940s, the painting seem to intersect, detailing Namatjira’s artistic, cultural and proprietorial claim on the land.
One of his first landscapes from 1936, Central Australian Landscape, shows a land of rolling green hills. Another early work, Ajantzi Waterhole (1937), shows a close up view of a small waterhole, with Namatjira capturing the reflection in the water. The landscape becomes one of contrasting colours, a device that is often used by Western painters, with red hills and green trees in Red Bluff (1938). Central Australian Gorge (1940) shows detailed rendering of rocks and reflections in the water. In Flowering Shrubs Namatjira contrasts the blossoming flowers in the foreground with the more barren desert and cliffs in the background. Namatjira's love of trees was often described so that his paintings of trees were more portraits than landscapes, which is shown in the portrait of the often depicted ghost gum in Ghost Gum Glen Helen (c.1945-49). Namatjira's skills at colouring trees can be clearly seen in this portrait. Namatjira was fully aware of his own talent, as was shown when he was describing another landscape painter to William Dargie: "He does not know how to make the side of a tree which is in the light look the same colour as the side of the tree in shadow...I know how to do better."
Namatjira's skills kept increasing with experience as is shown in the highly photographic quality of Mt Hermannsburg (1957), painted only two years before he died.
In 1957, Namatjira became the first Aboriginal person to be granted conditional Australian citizenship. This entitled him to limited social freedoms and to live in Mparntwe, although he was prohibited from purchasing land. His relations, including his children, were not permitted the same privileges.
After an incident in 1958 that didn’t directly involve the artist, Namatjira was charged with supplying alcohol to members of the Aboriginal community – at the time, it was illegal for all Aboriginal people, except Namatjira, to possess and consume alcohol. Namatjira was sentenced to six months labour at Papunya and this, exacerbated by the authorities’ refusal to allow him to purchase the land of his ancestors, caused him profound despair. He served only two months, and died shortly after.
The more recent, dramatic success of the nearby Papunya Tula movement must be read against the history of its predecessor, the Hermannsburg school, which has endured for over half a century. In 2002, the centenary of Namatjira’s birth was celebrated with a major retrospective at the National Gallery of Australia, Canberra.

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2021 - Wandering Vertexes...
by Francis Rousseau

MOUNT TARAWERA AND LAKE PAINTED BY KENNETT WATKINS

KENNETT WATKINS (1847-1933)
Mount Tarawera (1, 111m - 3,645ft)
New Zealand (North Island)

In The Phantom Canoe - A Legend of Lake Tarawera , oil on canvas Auckland Art Gallery

The Legend
One legend surrounding the 1886 eruption  of Mount Tarawera is that of the phantom canoe. Eleven days before the eruption, a boat full of tourists returning from the Terraces saw what appeared to be a war canoe approach their boat, only to disappear in the mist half a mile from them. One of the witnesses was a clergyman, a local Maori man from the Te Arawa iwi. Nobody around the lake owned such a war canoe, and nothing like it had been seen on the lake for many years. It is possible that the rise and fall of the lake level caused by pre eruption fissures had freed a burial waka (canoe) from its resting place. Traditionally dead chiefs were tied in an upright position. A number of letters have been published from the tourists who experienced the event.
Though skeptics maintained that it was a freak reflection seen on the mist, tribal elders at Te Wairoa claimed that it was a waka wairua (spirit canoe) and was a portent of doom. It has been suggested that the waka was actually a freak wave on the water, caused by seismic activity below the lake, but locals believe that a future eruption will be signaled by the reappearance of the canoe.

 
The mountain  and the lake
Mount Tarawera (1, 111m - 3,645ft) is the volcano responsible for one of New Zealand's largest historic eruptions. Located 24 kilometres southeast of Rotorua in the North Island, it consists of a series of rhyolitic lava domes that were fissured down the middle by an explosive basaltic eruption in 1886, which killed an estimated 120 people. These fissures run for about 17 kilometres northeast-southwest.
The volcano's component domes include Ruawahia Dome, Tarawera Dome and Wahanga Dome. It is surrounded by several lakes, most of which were created or drastically altered by the 1886 eruption. These lakes include Lakes Tarawera, Rotomahana, Rerewhakaaitu, Okataina, Okareka, Tikitapu (Blue Lake) and Rotokakahi (Green Lake). The Tarawera River runs northeastwards across the northern flank of the mountain from Lake Tarawera.
Main eruptions
- 1315 : Mount Tarawera erupted for the fist time on modern history. The ash thrown from this event may have affected temperatures around the globe and precipitated the Great Famine of 1315–17 in Europe.
- 1886 : Shortly after midnight on the morning of 10 June 1886, a series of more than 30 increasingly strong earthquakes were felt in the Rotorua area and an unusual sheet lightning display was observed from the direction of Tarawera. At around 2:00 am a larger earthquake was felt and followed by the sound of an explosion. By 2:30 am Mount Tarawera's three peaks had erupted, blasting three distinct columns of smoke and ash thousands of metres into the sky (see painting above). At around 3.30 am, the largest phase of the eruption commenced; vents at Rotomahana produced a pyroclastic surge that destroyed several villages within a 6 kilometre radius, and the Pink and White Terraces appeared to be obliterated.
The eruption was heard clearly as far away as Blenheim and the effects of the ash in the air were observed as far south as Christchurch, over 800 km away. In Auckland the sound of the eruption and the flashing sky was thought by some to be an attack by Russian warships.
Although the official contemporary death toll was 153, exhaustive research by physicist Ron Keam only identified 108 people killed by the eruption. Much of the discrepancy was due to misspelled names and other duplications. Allowing for some unnamed and unknown victims, he estimated that the true death toll was 120 at most. Some people claim that many more people died.
The eruption also buried many Māori villages, including Te Wairoa which has now become a tourist attraction (Buried Village of Te Wairoa) and the world-famous Pink and White Terraces were lost. A small portion of the Pink Terraces was rediscovered under Lake Rotomahana 125 years later. Approximately 2 cubic kilometres of tephra was erupted, more than Mount St. Helens ejected in 1980. Many of the lakes surrounding the mountain had their shapes and areas dramatically altered, especially the eventual enlargement of Lake Rotomahana, the largest crater involved in the eruption, as it re-filled with water. 

The painter
Kennett Watkins was born in India in 1847, the son of Major John Watkins and Martha Jane Simons; he was Christened on 21 July 1847 in Ootacamund, Madras, India. His father died some time before 1861. In the UK Census of 1861 he was recorded in the household of his widowed grandmother Sarah Simons at 59 Marine Parade, Brighton, Sussex, England. Aged 13 and a scholar. Also in the household was his widowed mother Martha, his three siblings Lydia, Edward and John, 23 year old cousin Lieut. William Ker and two servants. He was educated in England and, as an artist, in France and Switzerland.
Kennett Watkins migrated from England to New Zealand. He emigrated from England to New Zealand in 1873, where he married Clara Eliza Alice Davis in 1876.
He was a photographer, painter of lndscapes (oil and waterolors) and teacher in Auckland.
He passed away in 1933 at age 86 and was buried in the Mercury Bay Cemetery in Thames-Coromandel District, Waikato, New Zealand.
The earliest auction registered for Kenneth Watkins pianitngs is in1992 for a toal 57 worksoffered for sale of which 29 ( 51%) weresold. The highest price recorded wis $ 136,450 for Maro family Canoeing on the Waokato River.

MOUNT WELLINGTON / KUNANYI PAINTED BY AUGUSTUS EARLE

 

 

AUGUSTUS EARLE (1793-1838)
Mount Wellington - Kunanyi or Unghbanyahletta or Poorawetter (1,269m - 4,163ft)
Australia (Tasmania)

In Tasmania - Van Dieman's Islands, waterolor,1820,  Private collection,

The mountain
Mount Wellington (1,269m - 4,163ft) also known as Unghbanyahletta or Poorawetter or Kunanyi in Aboriginal langage, is located in the southeast coastal region of Tasmania, Australia. The Palawa, the surviving descendants of the original indigenous Tasmanians, tend to prefer the latter name. In 2013, a Tasmanian dual naming policy was announced and "Kunanyi - Mount Wellington" was named as one of the inaugural dual named geographic features.
The mountain is the summit of the Wellington Range on whose foothills is built much of the city of Hobart. Mount Wellington is frequently covered by snow, sometimes even in summer, and the lower slopes are thickly forested, but criss-crossed by many walking tracks and a few fire trails. There is also a sealed narrow road to the summit, about 22 kilometres (14 mi) from Hobart central business district. An enclosed lookout near the summit provides spectacular views of the city below and to the east, the Derwent estuary, and also glimpses of the World Heritage Area nearly 100 kilometres (62 mi) west. From Hobart, the most distinctive feature of Mount Wellington is the cliff of dolerite columns known as the Organ Pipes.
The first recorded European in the area Abel Tasman probably did not see the mountain in 1642, as his ship was quite a distance out to sea as he sailed up the South East coast of the island - coming closer in near present-day North and Marion Bays. No other Europeans visited Tasmania until the late eighteenth century, when several visited southern Tasmania (then referred to as Van Diemens Land) including Frenchman Marion du Fresne (1772), Englishmen Tobias Furneaux (1773), James Cook (1777) and William Bligh (1788 and 1792), and Frenchman Bruni d'Entrecasteaux (1792–93).
In February 1836, Charles Darwin visited Hobart Town and climbed Mount Wellington.


The artist
Augustus Earle was a London-born travel artist. Unlike earlier artists who worked outside Europe and were employed on voyages of exploration or worked abroad for wealthy, often aristocratic patrons, Earle was able to operate quite independently - able to combine his lust for travel with an ability to earn a living through art. The body of work he produced during his travels comprises a significant documentary record of the effects of European contact and colonisation during the early nineteenth century. From 1817 to 1832, Earle travelled trough Sicily, Malta, Gibraltar, North Africa, North Americas (New York Philadelphia), South America (Brazil, Peru, Chile), Tristan da Cunha (Antartica) the Pacific, Asia, India, Mauritius, St Helena (where he met the french emperor Napoleon in exil), New South Wales, New Zealand, Tasmania... he came back in England in 1832 ans died in London in 1838.

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2021 - Wandering Vertexes...
by Francis Rousseau

MOUNT ZEIL /URLATHERRKE PAINTED BY PETER TAYLOR TJUTJATJA

PETER TAYLOR TJUTJATJA (1940-2014)
Mount Zeil ot Urlatherrke (1,531 m - 5,023 ft)
Australia

In Glenn Helen / Yapalpe, 74 x 69 cm Watercolor, Private collection

The mountain 

Mount Zeil (1,531m - 5,023ft)  Urlatherrke  in aboriginal naming,  is a mountain situated in the western MacDonnell Ranges in Australia's Northern Territory. It is the highest peak in the Northern Territory, and the highest peak on the Australian mainland west of the Great Dividing Range. The others peaks of MacDonell Ranges are:  Mount Liebig (1,524m - 5,000 ft), Mount Edward  (1,423m - 4,669 ft), Mount Giles (1,389m - 4,557 ft) and Mount Sonder (1,380m - 4,530 ft). 

It is believed that Mount Zeil was named during or following Ernest Giles' 1872 expedition, probably after Count Zeil, who had recently distinguished himself with geographic explorations in Spitzbergen; a footnote in Giles' published journal implies that the naming was instigated by his benefactor, Baron Ferdinand von Mueller.

The MacDonnell Ranges, a mountain range and an interim Australian bioregion, is located in the Northern Territory, comprising 3,929,444 hectares (9,709,870 acres). 

Glen Helen is called by the Aboriginal traditional owners, the Arrernte people as Yalalpe. It is said long time ago in the Dreamtime there lived in a waterhole of Yapalpe a rainbow serpent. The Aboriginal people did not camp close to waters edge, as the serpent might take them and drown them. This waterhole is a sacred place, as the serpent might still be lying there (The Rainbow Serpent story). Yapalpe was also a favourite place of Albert Namatjira and depicted the landscape in this work. Yapalpe is often a meeting place for the Aboriginal people from the West and Central MacDonnell Ranges in Central Australia.

The painter
Peter Taylor Tjutjatja was born c. 1940 at Oodnadatta, south-east of Alice Springs, in the Simpson Desert. As a small boy he travelled with his father often by camel or horse, to Horseshoe Bend Station, where his father worked as a station-hand. From there they travelled north working from station to station until they came to Hermannsburg, a Western Arrernte community in the MacDonnell Ranges, west of Alice Springs.
Hermannsburg in central Australia is the homeland of Albert Namatjira - the most famous Aboriginal painter of all time. Peter, as a small boy living in Hermannsburg was influenced by Albert Namatjira's central desert landscapes. While attending school in Adelaide, Peter showed an interest in drawing and his skills were further developed by his art teacher Trevor Clare.
Peter attended an exhibition of Albert Namatjira in Adelaide, which made him very homesick for his old beloved homeland. Peter returned to Alice Springs in his twenties, where he sat with Keith Namatjira and Clem Abbott to paint landscapes in watercolours which was later purchased in 1995 by Peter's tribal group Pwerte Marnte Marnte.
Peter travelled to Shanghai in 2013 as part of a Desart program and his work is exhibited in numerous private collections and important galleries. Peter was commissioned by Princess Anne to paint five landscapes of Central Australia.
Sadly in November 2014 Peter was involved in a car accident and tragically passed away. Out of respect of Aboriginal culture and Peter’s family Central Art has removed his photograph. Naming Aboriginal people who have passed away was traditionally forbidden. Traditionally you are required to avoid referring to the deceased directly by name as a sign of respect. This has also come to include photographs, filming and voice recordings as technology has grown. Central Art acknowledges that we have named Peter on our website however it is linguistically difficulty to promote his works without naming him.

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2021 - Wandering Vertexes...
by Francis Rousseau

UNDOOLYA PAINTED BY ALBERT NAMATJIRA

 

ALBERT NAMATJIRA (1902-1959)

Undoolya (794 m - 2,606 ft)

Australia (Northern Territory) 

 In  Undoolyia range, watercolor, 1947

The mountain
Undoolya or Mount Undoolya (794 m- 2,606 ft) is located in the MacDonnell region and the Northern Territory state, in the central part of Australia, 1,900 km north-west of Canberra is the nation's headline. The ground around Mount Undoolya is usually flat, but on the east it is the hills. The surrounding area has an altitude of 871 meters and 14.8 km north of Mount Undoolya. Nor more than 2 people per square kilometer around Mount Undoolya. No city around. Mount Undoolya is surrounded by lakes. The climate is warm.


The Painter
Albert Namatjira born Elea Namatjira, was a Western Arrernte-speaking Aboriginal artist from the MacDonnell Ranges in Central Australia. As a pioneer of contemporary Indigenous Australian art, he was the most famous Indigenous Australian of his generation.
Born and raised at the Hermannsburg Lutheran Mission outside Alice Springs, Namatjira showed interest in art from an early age, but it was not until 1934 (aged 32), under the tutelage of Rex Battarbee, that he began to paint seriously. Namatjira's richly detailed, Western art-influenced watercolours of the outback departed significantly from the abstract designs and symbols of traditional Aboriginal art, and inspired the Hermannsburg School of painting. He became a household name in Australia—indeed, reproductions of his works hung in many homes throughout the nation—and he was publicly regarded as a model Aborigine who had succeeded in mainstream society.
Although not the first Aboriginal artist to work in a European style, Albert Namatjira is certainly the most famous. Ghost gums with luminous white trunks, palm-filled gorges and red mountain ranges turning purple at dusk are the hallmarks of the Hermannsburg school. Hermannsburg Mission was established by Lutheran missionaries in 1877 on the banks of the Finke River, west of Mparntwe (Alice Springs). Namatjira learnt watercolour technique from the artist, Rex Battarbee.


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2021 - Wandering Vertexes...
by Francis Rousseau

TARANAKI / MOUNT EGMONT PAINTED BY LAURENCE WILLIAM WILSON

 

 

LAURENCE WILLIAM WILSON (1851-1912)
Taranaki /Mount Egmont (2,518 m - 8,261 ft)
New Zealand (Northen Island)

The mountain
Taranaki or Mount Egmont (2,518 m - 8,261 ft) is an active but quiescent stratovolcano in the Taranaki region on the west coast of New Zealand's North Island. Although the mountain is more commonly referred to as Taranaki, it has two official names under the alternative names policy of the New Zealand Geographic Board. The mountain is one of the most symmetrical volcanic cones in the world. There is a secondary cone, Fanthams Peak or Panitahi in Māori (1,966 m - 6,450 ft), on the south side. Because of its resemblance to Mount Fuji, Taranaki provided the backdrop for the movie The Last Samurai.
For many centuries the mountain was called Taranaki by Māori. The Māori word tara means mountain peak, and naki is thought to come from ngaki, meaning "shining", a reference to the snow-clad winter nature of the upper slopes. It was also named Pukehaupapa and Pukeonaki by Iwi who live in the region in ancient times.
According to Māori mythology, Taranaki once resided in the middle of the North Island, with all the other New Zealand volcanoes. The beautiful Pihanga was coveted by all the mountains, and a great battle broke out between them. Tongariro eventually won the day, inflicted great wounds on the side of Taranaki, and causing him to flee. Taranaki headed westwards, following Te Toka a Rahotu and forming the deep gorges of the Whanganui River, paused for a while, creating the depression that formed the Te Ngaere swamp, then heading north. Further progress was blocked by the Pouakai ranges, and as the sun came up Taranaki became petrified in his current location. When Taranaki conceals himself with rainclouds, he is said to be crying for his lost love, and during spectacular sunsets, he is said to be displaying himself to her. In turn, Tongariro's eruptions are said to be a warning to Taranaki not to return.
Captain Cook named it Mount Egmont on 11 January 1770 after John Perceval, 2nd Earl of Egmont, a former First Lord of the Admiralty who had supported the concept of an oceanic search for Terra Australis Incognita. Cook described it as "of a prodigious height and its top cover'd with everlasting snow" surrounded by a "flat country ... which afforded a very good aspect, being clothed with wood and verdure".
When Marc-Joseph Marion du Fresne made landfall off Taranaki on 25 March 1772 he named the mountain Pic Mascarin. He was unaware of Cook's earlier visit. It appeared as Mount Egmont on maps until 29 May 1986, when the Minister of Lands ruled that "Mount Taranaki" would be an alternative and equal official name. The Egmont name still applies to the national park that surrounds the peak and geologists still refer to the peak as the Egmont Volcano.
Taranaki is geologically young, having commenced activity approximately 135,000 years ago. The most recent volcanic activity was the production of a lava dome in the crater and its collapse down the side of the mountain in the 1850s or 1860s. Between 1755 and 1800, an eruption sent a pyroclastic flow down the mountain's northeast flanks, and a moderate ash eruption occurred about 1755, of the size of Ruapehu's activity in 1995/1996. The last major eruption occurred around 1655. Recent research has shown that over the last 9,000 years minor eruptions have occurred roughly every 90 years on average, with major eruptions every 500 years.

The painter
Laurence William Wilson emigrated to Auckland in 1877 and then travelled extensively to settle in Dunedin in 1884. He painted in both oils and watercolours, became a painting companion of George O'Brien and a teacher. One of his pupils was the Dunedin artist Alfred O'Keefe. In 1895, LW Wilson together with Grace Joel, Alfred O'Keefe, Jane Wimperis and Girolami Nerli formed the Easel Club , a breakaway from the Dunedin Establishment, which offered a programme of special classes and the introduction of a professional lady model for life drawing. In 1904 LW Wilson left Dunedin for Melbourne where he spent 5 months on a commissioned painting of the city before he set out for England, eventually returning to New Zealand via India and Africa. He exhibited with the Canterbury Society of Arts in 1882 and the Otago Art Society between 1994 and 1904. His work was included in the NZ and South Seas Exhibition Dunedin 1889-90 and at the St Louis Exposition in 1904. LW Wilson is represented in the collections of all the major public galleries in New Zealand.

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2020 - Wandering Vertexes...
by Francis Rousseau

WICK MOUNTAINS PAINTED BY LAURENCE WILLIAM WILSON

 

LAURENCE WILLIAM  WILSON  (1851-1912),
Wick Mountains (993 m - 3,259 ft)
New Zealand

In Wick Mountains upper Arthur River, watercolor,  TePapa Tongarewa Museum of New Zealand

The mountains
The Wick Mountains lie between the Arthur, Cleddau, and Clinton Valleys. This includes the peaks on the west of the Cleddau Valley, from Mt Moir to Sheerdown Peak. That is where they are provisionally placed on this site. The peaks near Homer Saddle – Mt Moir, Moir’s Mate, and the Mateʻs Little Brother – contain a wealth of classic rock routes on amazing diorite. The close proximity of this region to the road makes the routes accessible as day climbs from Homer Hut. Many routes lie on north to west faces, receiving their first rays of sun in the late morning.

The painter
Laurence William Wilson emigrated to Auckland in 1877 and then travelled extensively to settle in Dunedin in 1884. He painted in both oils and watercolours, became a painting companion of George O'Brien and a teacher. One of his pupils was the Dunedin artist Alfred O'Keefe. In 1895, LW Wilson together with Grace Joel, Alfred O'Keefe, Jane Wimperis and Girolami Nerli formed the Easel Club , a breakaway from the Dunedin Establishment, which offered a programme of special classes and the introduction of a professional lady model for life drawing. In 1904 LW Wilson left Dunedin for Melbourne where he spent 5 months on a commissioned painting of the city before he set out for England, eventually returning to New Zealand via India and Africa. He exhibited with the Canterbury Society of Arts in 1882 and the Otago Art Society between 1994 and 1904. His work was included in the NZ and South Seas Exhibition Dunedin 1889-90 and at the St Louis Exposition in 1904. LW Wilson is represented in the collections of all the major public galleries in New Zealand.

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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT LANGI PAINTED BY EUGENE VON GUERARD

 

EUGENE VON GUERARD (1811-1901)
Mount Langi Ghiran (924 m - 3,031ft)
Australia (Victoria)

In Mount Langi from Pleasant Creek oil on canvas, 1890

The mountain
Mount Langi Ghiran (924m - 3,031ft) is located in the west of Victoria southeast of Australia. The nearest town to Mount Langi Ghiran is Ararat about 16.3 km away.
The first European to climb Mount Langi Ghiran was Major Thomas Mitchell, on his 1836 'Australia Felix' expedition. He first named it Mount Mistake !
There are two reservoirs in the park which were built from local granite blocks in the 1880s. The main reservoir forms part of Ararat's water supply and is worth a visit.
A "spot mill" for extracting timber was built on the northern slopes in 1940 but was short lived. Today little evidence remains to remind us of the mill's past operation.
Since 1970, famous vineyards are situated in the valley of Mount Langi Ghiran.

The painter
Johann Joseph Eugene von Guerard was an Austrian-born artist, active in Australia from 1852 to 1882. Known for his finely detailed landscapes in the tradition of the Düsseldorf school of painting, he is represented in Australia's major public galleries, and is referred to in the country as Eugene von Guerard. In 1852 von Guerard arrived in Victoria, Australia, determined to try his luck on the Victorian goldfields. As a gold-digger he was not very successful, but he did produce a large number of intimate studies of goldfields life, quite different from the deliberately awe-inspiring landscapes for which he was later to become famous. Realizing that there were opportunities for an artist in Australia, he abandoned the diggings and was soon undertaking commissions recording the dwellings and properties of wealthy pastoralists.
By the early 1860s, von Guerard was recognized as the foremost landscape artist in the colonies, touring Southeast Australia and New Zealand in pursuit of the sublime and the picturesque. He is most known for the wilderness paintings produced during this time, which are remarkable for their shadowy lighting and fastidious detail. Indeed, his View of Tower Hill in south-western Victoria was used as a botanical template over a century later when the land, which had been laid waste and polluted by agriculture, was systematically reclaimed, forested with native flora and made a state park. The scientific accuracy of such work has led to a reassessment of von Guerard's approach to wilderness painting, and some historians believe it likely that the landscapist was strongly influenced by the environmental theories of the leading scientist Alexander von Humboldt. Others attribute his 'truthful representation' of nature to the criterion for figure and landscape painting set by the Düsseldorf Academy.

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2020 - Wandering Vertexes...
by Francis Rousseau

MITRE PEAK / RAHOTU PAINTED BY LAURENCE WILLIAM WILSON

LAURENCE WILLIAM  WILSON  (1851-1912)

Mitre Peak/ Rahotu (1,683m - 5,522 ft)

New Zealand 

In Mitre Peak, Milford Sound, oil on canvas,  Christchurch Art Gallery, New Zealand

The mountain
Mitre Peak/ Rahotu (1,683m - 5,522 ft) is an iconic mountain in the South Island of New Zealand, located on the shore of Milford Sound. It is one of the most photographed peaks in the country. The distinctive shape of the peak in southern New Zealand gives the mountain its name, after the mitre headwear of Christian bishops. It was named by Captain John Lort Stokes of the HMS Acheron.
Part of the reason for its iconic status is its location. Close to the shore of Milford Sound, in the Fiordland National Park in the southwestern South Island, it is a stunning sight. The mountain rises near vertically from the water of Milford Sound, which technically is a fjord.
The peak is actually a closely grouped set of five peaks, with Mitre Peak not even the tallest one, however from most easily accessible viewpoints, Mitre Peak appears as a single point.
Milford Sound is part of Te Wahipounamu, a World Heritage Site as declared by UNESCO.
The only road access to Milford Sound is via State Highway 94, in itself one of the most scenic roads in New Zealand

The painter
Laurence William Wilson emigrated to Auckland in 1877 and then travelled extensively to settle in Dunedin in 1884. He painted in both oils and watercolours, became a painting companion of George O'Brien and a teacher. One of his pupils was the Dunedin artist Alfred O'Keefe. In 1895, LW Wilson together with Grace Joel, Alfred O'Keefe, Jane Wimperis and Girolami Nerli formed the Easel Club , a breakaway from the Dunedin Establishment, which offered a programme of special classes and the introduction of a professional lady model for life drawing. In 1904 LW Wilson left Dunedin for Melbourne where he spent 5 months on a commissioned painting of the city before he set out for England, eventually returning to New Zealand via India and Africa. He exhibited with the Canterbury Society of Arts in 1882 and the Otago Art Society between 1994 and 1904. His work was included in the NZ and South Seas Exhibition Dunedin 1889-90 and at the St Louis Exposition in 1904. LW Wilson is represented in the collections of all the major public galleries in New Zealand.

___________________________________________

2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT TOHIVEA (2) PAINTED BY JOHN LA FARGE

JOHN LA FARGE (1835-1910) 

Mount Tohivea   (1,207 m-3,960 ft)

French Polynesia (Moorea)

In  The entrance of Tutira River, with Tohivea in the back 1895,
 National Gallery of Art, Washington 

The mountain
Mount Tohivea (or Tohiea)  (1,207 m - 3,960 ft) is a volcanic peak and the highest point on the island of Moorea in French Polynesia. On its slopes are many streams and fertile soils. There are hiking trails along the summit close to Belvedere Point where people can view Mont Routui and the two bays and three peninsulas of Moorea. Mount Tohivea is a dormant volcano that is easily visible from Papeete, the capital of French Polynesia. The surrounding peaks are almost as tall as Mount Tohivea.
Mt. Tohivea has many peaks surrounding it. These include Mount Rotui (899 m), and Mou'a Roa (880 m), both of which can be seen from Belvedere Point. Other peaks include Mou'a Puta (830 m) and Mou'a Tamaru To'ofa (916 m).  

The painter

John La Farge was an American painter, muralist, stained glass window maker, decorator, and writer.

born in New York City to wealthy French parents and was raised bilingually; as a child, he and his brothers produced a handmade magazine in French entitled Le Chinois.  His interest in art began during his studies at Mount St. Mary's University in Maryland and St. John's College (now Fordham University) in New York.  He initially intended to study law, but this changed after his first visit to Paris, France in 1856. Stimulated by the arts in the city, he studied with Thomas Couture and became acquainted with notable literary people. La Farge also studied with the painter William Morris Hunt in Newport, Rhode Island.

More about the painter  

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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT KOSCIUSZKO BY EUGENE VON GUERARD

EUGENE VON GUERARD (1811-1901)
Mount Kosciuszko (2, 228 m - 7,310 ft)
Australia

In North east view from the top of Mt Kosciusko, 1866, colour lithograph, 44.0 × 59.6 cm-
National Gallery of Victoria, Melbourne

The mountain 

On earth, there are two mountains named Mount Kosciuszko. One is located in Antartica continent and the other in Australia (Oceania continent). 

In Australia, Mount Kosciuszko (2,228 m - 7,310 ft) is a mountain located on the Main Range of the Snowy Mountains in Kosciuszko National Park, part of the Australian Alps National Parks and Reserves, in New South Wales  and is located west of Crackenback and close to Jindabyne.

Mount Kosciuszko is the highest mountain in Australia.

Mount Kosciuszko was named by the Polish explorer Paul Edmund Strzelecki in 1840, in honour of the Polish national hero and hero of the American Revolutionary War General Tadeusz Kościuszko, because of its perceived resemblance to the Kościuszko Mound in Kraków. The spelling "Mount Kosciuszko" was officially adopted in 1997 by the Geographical Names Board of New South Wales, Australia. Mount Everest (8,848m), Aconcagua (6,961m), Mt Denali or Mc Kinley (6,194m),  Kilimandjaro (5,895m), Mt Elbrus (5,642m), Mount Vinson (4,892m)  and Mt Blanc (4,808m)

The Painter 

Johann Joseph Eugene von Guerard was an Austrian-born artist, active in Australia from 1852 to 1882. Known for his finely detailed landscapes in the tradition of the Düsseldorf school of painting, he is represented in Australia's major public galleries, and is referred to in the country as Eugene von Guerard.

In 1852 von Guerard arrived in Victoria, Australia, determined to try his luck on the Victorian goldfields. As a gold-digger he was not very successful, but he did produce a large number of intimate studies of goldfields life, quite different from the deliberately awe-inspiring landscapes for which he was later to become famous. Realizing that there were opportunities for an artist in Australia, he abandoned the diggings and was soon undertaking commissions recording the dwellings and properties of wealthy pastoralists.

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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT ZEIL PAINTED BY ALBERT NAMATJIRA

 

ALBERT NAMATJIRA (1902-1959)
Mount Zeil (1,531 m - 5,023 ft)
Australia

In Mount Hermannsburg Finke River,  watercolor c 1946- National Gallery of Australia

The mountain
Mount Zeil (1,531 m or 5,023 ft) is a mountain in the Northern Territory of Australia located in the locality of Mount Zeil in the western MacDonnell Ranges . It is the highest peak in the Northern Territory, and the highest peak on the Australian mainland west of the Great Dividing Range. Hermannsburg lies on the Finke River within the rolling hills of the MacDonnell Ranges in the southern Central Australia region of the Northern Territory.

The painter
Albert Namatjira born Elea Namatjira, was a Western Arrernte-speaking Aboriginal artist from the MacDonnell Ranges in Central Australia. As a pioneer of contemporary Indigenous Australian art, he was the most famous Indigenous Australian of his generation.
Born and raised at the Hermannsburg Lutheran Mission outside Alice Springs, Namatjira showed interest in art from an early age, but it was not until 1934 (aged 32), under the tutelage of Rex Battarbee, that he began to paint seriously. Namatjira's richly detailed, Western art-influenced watercolours of the outback departed significantly from the abstract designs and symbols of traditional Aboriginal art, and inspired the Hermannsburg School of painting. He became a household name in Australia—indeed, reproductions of his works hung in many homes throughout the nation—and he was publicly regarded as a model Aborigine who had succeeded in mainstream society.
Although not the first Aboriginal artist to work in a European style, Albert Namatjira is certainly the most famous. Ghost gums with luminous white trunks, palm-filled gorges and red mountain ranges turning purple at dusk are the hallmarks of the Hermannsburg school. Hermannsburg Mission was established by Lutheran missionaries in 1877 on the banks of the Finke River, west of Mparntwe (Alice Springs). Namatjira learnt watercolour technique from the artist, Rex Battarbee.
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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT EARNSLAW / PIKIRAKATAHI BY LAURENCE WILLIAM WILSON

 

LAURENCE WILLIAM  WILSON  (1851-1912),

Mount Earnslaw / Pikirakatahi  (2,819m -9,249 ft)

New Zealand 

In  Mount Earnslaw, 1887,   oil on canvas., 84x120cm

The mountain 

Mount Earnslaw, (2,819m -9,249 ft) also named Pikirakatahi by Māori is located on New Zealand's South Island. It is named after Earnslaw (formerly Herneslawe) village in the parish of Eccles, Berwickshire, hometown of the surveyor John Turnbull Thomson's father.

Mount Earnslaw is within Mount Aspiring National Park at the southern end of the Forbes Range of New Zealand's Southern Alps. It is located 25 kilometres north of the settlement of Glenorchy, which lies at the northern end of Lake Wakatipu.

The painter
Laurence William Wilson emigrated to Auckland in 1877 and then travelled extensively to settle in Dunedin in 1884. He painted in both oils and watercolours, became a painting companion of George O'Brien and a teacher. One of his pupils was the Dunedin artist Alfred O'Keefe. In 1895, LW Wilson together with Grace Joel, Alfred O'Keefe, Jane Wimperis and Girolami Nerli formed the Easel Club , a breakaway from the Dunedin Establishment, which offered a programme of special classes and the introduction of a professional lady model for life drawing. In 1904 LW Wilson left Dunedin for Melbourne where he spent 5 months on a commissioned painting of the city before he set out for England, eventually returning to New Zealand via India and Africa. He exhibited with the Canterbury Society of Arts in 1882 and the Otago Art Society between 1994 and 1904. His work was included in the NZ and South Seas Exhibition Dunedin 1889-90 and at the St Louis Exposition in 1904. LW Wilson is represented in the collections of all the major public galleries in New Zealand.

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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT TUTOKO PAINTED BY LAURENCE WILLIAM WILSON

LAURENCE WILLIAM  WILSON  (1851-1912)

Mount Tutoko  (2,723 m -8,934 ft) 

New Zealand (South Island)

 In  Mount Tutoko from Pykes River, Martins Bay Oil on canvas, 1900, Private collection 

The mountain
Mount Tutoko (2,723 m -8,934 ft)  is the highest peak in Fiordland National Park, in southwest New Zealand. It lies between the Hollyford Valley and Milford Sound, 15 kilometres due north of the Homer Tunnel at the northern end of the Darran Mountains. The glacier-covered mountain is visible from the Hollyford Track. Two slightly lower summits lie just to the south of the main peak. The first ascent of Tutoko was by Samuel Turner and Peter Graham in 1924, climbing by way of the northwest ridge. The mountain is thought to have been named after Tutoko, a Māori chief who lived at Martin's Bay, close to the mouth of the Hollyford River.

The painter
Laurence William Wilson emigrated to Auckland in 1877 and then travelled extensively to settle in Dunedin in 1884. He painted in both oils and watercolours, became a painting companion of George O'Brien and a teacher. One of his pupils was the Dunedin artist Alfred O'Keefe. In 1895, LW Wilson together with Grace Joel, Alfred O'Keefe, Jane Wimperis and Girolami Nerli formed the Easel Club , a breakaway from the Dunedin Establishment, which offered a programme of special classes and the introduction of a professional lady model for life drawing. In 1904 LW Wilson left Dunedin for Melbourne where he spent 5 months on a commissioned painting of the city before he set out for England, eventually returning to New Zealand via India and Africa. He exhibited with the Canterbury Society of Arts in 1882 and the Otago Art Society between 1994 and 1904. His work was included in the NZ and South Seas Exhibition Dunedin 1889-90 and at the St Louis Exposition in 1904. LW Wilson is represented in the collections of all the major public galleries in New Zealand.

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2020 - Wandering Vertexes...
by Francis Rousseau

TARANAKI / MOUNT EGMONT( 2) BY CHARLES BLOMFIELD

 

CHARLES BLOMFIELD (1848-1926)

Taranaki /Mount Egmont (2,518 m - 8,261 ft)

New Zealand (North Island)

In Mont Egmont, 1880, oil on canvas, Museum of New Zealand  /Te Papa Tongarewa

The mountain
Taranaki or Mount Egmont (2,518 m - 8,261 ft) is an active but quiescent stratovolcano in the Taranaki region on the west coast of New Zealand's North Island. Although the mountain is more commonly referred to as Taranaki, it has two official names under the alternative names policy of the New Zealand Geographic Board. The mountain is one of the most symmetrical volcanic cones in the world. There is a secondary cone, Fanthams Peak or Panitahi in Māori (1,966 me - 6,450 ft), on the south side. Because of its resemblance to Mount Fuji, Taranaki provided the backdrop for the movie The Last Samurai.
More about the mountain

The painter
Charles Blomfield was a New Zealand decorator, artist and music teacher born in London, England.
A widow, Blomfield's mother brought her family to New Zealand in the 1860's intending to settle in Northland as part of a settlement called Albertland. On arrival in Auckland they decided not to proceed on Northland to become farmers but to pursue urban trades in Auckland. The family remained in Auckland after that and many of the descendants of the various children still reside in the Auckland area.
More about the painter 

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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT ELEPHANT BY EUGENE VON GUERARD

 

EUGENE VON GUERARD (1811-1901)

Mount Elephant or Djerrinallum (240 m -790 ft) 

Australia

This work is a preparatory drawing to the oil on canvas representing the Mount Elephant already published on this blog.

MOUNT SONDER/ RWETYEPME PAINTED BY PETER TAYLOR TJUTJATJA

 

PETER TAYLOR TJUTJATJA (1940-2014)

Rwetyepme / Mount Sonder (1, 380m- 4, 530ft) 

Australia (Northern Territory)

In Mount Sonder/ Rwetyepme, 74 x 48cm,  watercolor  

The mountain
Rwetyepme or Mount Sonder (1, 380m- 4, 530ft) is the fourth highest mountain in the Northern Territory, Australia. Mount Zeil is the highest at 1,531 metres (5,023 ft), 27 kilometres (17 mi) to the west. Mt Sonder is 130 km (81 mi) west of Alice Springs along the MacDonnell Ranges in the West MacDonnell National Park. It marks one end of the celebrated Larapinta trail, which extends 223 kilometres (139 mi) to Alice Springs. The shape of the mountain is a double peak, the relative heights of which are somewhat ambiguous from the summit, although easy to identify from the surrounding plains. The mountain can be seen from the western half of the Larapinta trail, up to Ormiston Pound, which obscures it from then on.
Explorer Ernest Giles named the mountain in honour of German botanist Dr. Otto Wilhelm Sonder.
A clearly defined walking track exists up the western side, taking about 12 kilometres (7.5 mi). Water is available from a water tank 50 metres (160 ft) beyond the carpark, and a direction plate can be found at the summit. This however is not the true summit, which is 750 metres (2,460 ft) away, but has been chosen for safety reasons. The view from the top boasts the taller Mount Zeil to the west, the West MacDonnell Range to the east, Glen Helen, a nearby resort, to the east and Gosses Bluff to the south west on a clear day.

The painter 
 Peter Taylor Tjutjatja was born c. 1940 at Oodnadatta, south-east of Alice Springs, in the Simpson Desert. As a small boy he travelled with his father often by camel or horse, to Horseshoe Bend Station, where his father worked as a station-hand. From there they travelled north working from station to station until they came to Hermannsburg, a Western Arrernte community in the MacDonnell Ranges, west of Alice Springs.
Hermannsburg in central Australia is the homeland of Albert Namatjira - the most famous Aboriginal painter of all time. Peter, as a small boy living in Hermannsburg was influenced by Albert Namatjira's central desert landscapes. While attending school in Adelaide, Peter showed an interest in drawing and his skills were further developed by his art teacher Trevor Clare.
Peter attended an exhibition of Albert Namatjira in Adelaide, which made him very homesick for his old beloved homeland. Peter returned to Alice Springs in his twenties, where he sat with Keith Namatjira and Clem Abbott to paint landscapes in watercolours which was later purchased in 1995 by Peter's tribal group Pwerte Marnte Marnte.
Peter travelled to Shanghai in 2013 as part of a Desart program and his work is exhibited in numerous private collections and important galleries. Peter was commissioned by Princess Anne to paint five landscapes of Central Australia.
Sadly in November 2014 Peter was involved in a car accident and tragically passed away. Out of respect of Aboriginal culture and Peter’s family Central Art has removed his photograph. Naming Aboriginal people who have passed away was traditionally forbidden. Traditionally you are required to avoid referring to the deceased directly by name as a sign of respect. This has also come to include photographs, filming and voice recordings as technology has grown. Central Art acknowledges that we have named Peter on our website however it is linguistically difficulty to promote his works without naming him.

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2020 - Wandering Vertexes...
by Francis Rousseau

BEN LOMOND / TURBUNNA PAINTED BY EUGENE VON GUERARD

 

EUGENE VON GUERARD  (1811-1901)
Ben Lomond / Turbunna (1,572m - 5,157ft)
Australia (Tasmania)

In Ben Lomond, Epping Forest, Tasmania, 1867, colour lithograph,28.4 × 48.8 cm - National Gallery of Victoria, Melbourne

The mountain
 Ben Lomond /Turbunna (1,572m - 5,157ft) or Turbunna or Tudema Tura in Tasmanian Aboriginal Palawa langage, not to be confused with Ben Lomond eponymus name of the mountain in Scotland, is a mountain in the north of Tasmania, Australia. The mountain is composed of a central massif with an extensive plateau high outlier peaks projecting from the mountain. The highest feature on the plateau is the unimposing summit of Legges Tor, at 1572 m, on the northern aspect of the plateau. The southern end of the plateau is dominated by Stacks Bluff, which is an imposing feature that drops away above the surrounding foothills. The prominent outlier peaks of Ragged Jack, Mensa Moor and Tower Hill surround the plateau. Ben Lomond is east of Launceston in the Ben Lomond National Park. Tasmania's premier Alpine skiing operations are located at Ben Lomond with downhill skiing facilities in the State. Its accessibility from Launceston, together with the existence of a ski village on the plateau make Ben Lomond an all year round favourite for tourists and hikers. Access to the village and summit can be made via several walking tracks or via a zig-zag road known as "Jacobs Ladder".
The Tasmanian Aboriginal Palawa name for Ben Lomond was usually recorded as Turbunna, Toorbunna or Toorerpunner. It is said to mean 'Rain Tail'. Modern etymological researchers of the Palawa lexicon assert that, in addition to turbunna, there were several names for Ben Lomond: Parndoke, Parndokenne, Loonder, Tritterer, Tudema tura (a name for Ben Lomond recorded by John Glover).

The painter
Johann Joseph Eugene von Guerard was an Austrian-born artist, active in Australia from 1852 to 1882. Known for his finely detailed landscapes in the tradition of the Düsseldorf school of painting, he is represented in Australia's major public galleries, and is referred to in the country as Eugene von Guerard.
By the early 1860s, von Guerard was recognized as the foremost landscape artist in the colonies, touring Southeast Australia and New Zealand in pursuit of the sublime and the picturesque. He is most known for the wilderness paintings produced during this time, which are remarkable for their shadowy lighting and fastidious detail. Indeed, his View of Tower Hill in south-western Victoria was used as a botanical template over a century later when the land, which had been laid waste and polluted by agriculture, was systematically reclaimed, forested with native flora and made a state park. The scientific accuracy of such work has led to a reassessment of von Guerard's approach to wilderness painting, and some historians believe it likely that the landscapist was strongly influenced by the environmental theories of the leading scientist Alexander von Humboldt. Others attribute his 'truthful representation' of nature to the criterion for figure and landscape painting set by the Düsseldorf Academy.

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2020 - Wandering Vertexes...
by Francis Rousseau

MOUNT GILLEN PAINTED BY ALBERT NAMATJIRA

 

 ALBERT NAMATJIRA (1902-1959)

 Mount Gillen (944 m - 3097ft)

Australia

 In  Mount Gillen- watercolor, Elder Fine Art Australia

The mountain
Mount Gillen (944 m - 3097ft)  is located near Alice Springs, in the Macdonnell Ranges. Australia. 340 meters in elevation from the trailhead at Flynn's Grave to the summit. By car from Alice Springs city centre to Flynn's Grave carpark is 6.5 km; 10 minutes drive. Although it only takes about an hour to walk to the summit, the trail is steep, with a short section of bare hand vertical rock climb. Hence it is not for the unfit nor for the faint-hearted. But the 360 panoramic view from the top is well worth the effort.  Not many people outside of Alice Springs are aware of this little gem. If you are visiting or passing through Alice Springs, you really must must and must make the 2-hour round trip to climb Mt Gillen !

The painter
Albert Namatjira born Elea Namatjira, was a Western Arrernte-speaking Aboriginal artist from the MacDonnell Ranges in Central Australia. As a pioneer of contemporary Indigenous Australian art, he was the most famous Indigenous Australian of his generation.
Born and raised at the Hermannsburg Lutheran Mission outside Alice Springs, Namatjira showed interest in art from an early age, but it was not until 1934 (aged 32), under the tutelage of Rex Battarbee, that he began to paint seriously. Namatjira's richly detailed, Western art-influenced watercolours of the outback departed significantly from the abstract designs and symbols of traditional Aboriginal art, and inspired the Hermannsburg School of painting. He became a household name in Australia—indeed, reproductions of his works hung in many homes throughout the nation—and he was publicly regarded as a model Aborigine who had succeeded in mainstream society.
Although not the first Aboriginal artist to work in a European style, Albert Namatjira is certainly the most famous. Ghost gums with luminous white trunks, palm-filled gorges and red mountain ranges turning purple at dusk are the hallmarks of the Hermannsburg school. Hermannsburg Mission was established by Lutheran missionaries in 1877 on the banks of the Finke River, west of Mparntwe (Alice Springs). Namatjira learnt watercolour technique from the artist, Rex Battarbee.
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2020 - Wandering Vertexes...
by Francis Rousseau

ULURU / AYERS ROCK (2) PAINTED BY PETER TAYLOR TJUTJATJA

PETER TAYLOR TJUTJATJA (1940-2014)

Uluru /Ayers Rock (863m -2,831 ft)

Australia (Northern Territory) 

In Uluru, Watercolor on Archer Paper, 56 x 37 cm,  Central arborigenal Art, Australia

The mountain 
 Uluru (863m - 2,831 ft) also known as Ayers Rock (in honour of the then Chief Secretary of South Australia, Sir Henry Ayers) is a large sandstone rock formation in the southern part of the Northern Territory in central Australia.
Officially the rock is gazetted as "Uluru / Ayers Rock"
It lies 335 km (208 mi) south west of the nearest large town, Alice Springs, 450 km (280 mi) by road.
Kata Tjuta and Uluru are the two major features of the Uluṟu-Kata Tjuṯa National Park. Uluru is sacred to the Pitjantjatjara Anangu, the Aboriginal people of the area. The area around the formation is home to an abundance of springs, waterholes, rock caves, and ancient paintings. Both Uluru and the nearby Kata Tjuta formation have great cultural significance for the Aṉangu people, the traditional inhabitants of the area, who lead walking tours to inform visitors about the local flora and fauna, bush food and the Aboriginal dreamtime stories of the area.
Uluru is notable for appearing to change colour at different times of the day and year, most notably when it glows red at dawn and sunset.
Uluru is listed as a UNESCO World Heritage Site.
More about Uluru

The painter
The painter Peter Taylor Tjutjatja was born at Oodnadatta, south-east of Alice Springs, in the Simpson Desert. As a small boy he travelled with his father often by camel or horse, to Horseshoe Bend Station, where his father worked as a station-hand. From there they travelled north working from station to station until they came to Hermannsburg, a Western Arrernte community in the MacDonnell Ranges, west of Alice Springs.
Hermannsburg in central Australia is the homeland of Albert Namatjira - the most famous Aboriginal painter of all time. Peter, as a small boy living in Hermannsburg was influenced by Albert Namatjira's central desert landscapes. While attending school in Adelaide, Peter showed an interest in drawing and his skills were further developed by his art teacher Trevor Clare.
More about the painter 

_________________________________________

2020 - Wandering Vertexes...
by Francis Rousseau