JAN STANISLAWSKI (1860-1907)
Rysy (2, 503 m - 8,212 ft)
Poland-Slovakia
In Zakopane, oil on canvas, 1906
Rysy (2,503 m -8,212 ft), named Meeraugspitze in German and Tengerszem-csúcs in Hungarian is a mountain in the crest of the High Tatras, lying on the border between Poland and Slovakia. Rysy has three summits: the middle at 2,503 m (8,212 ft); the north-western at 2,499 m (8,199 ft); and the south-eastern at 2,473 m (8,114 ft). The north-western summit is the highest point of Poland ; the other two summits are on the Slovak side of the border, in the Prešov Region.
Experts assume that the Polish and Slovak name Rysy, meaning "scratches" or "crevices", refers to a series of gullies, either those on the western slopes of Żabie Ridge or the very prominent 500 m (1,600 ft) high gully and numerous smaller ones on the northern side. A folk explanation on the Slovak side says that the name comes from the plural word rysy meaning "lynxes", although the habitat of the lynx does not extend above the timberline.
The Hungarian name Tengerszem-csúcs and the German name Meeraugspitze mean "eye-of-the-sea peak", from the glacial lake at the northern foot of the mountain, called "eye of the sea" (Morskie Oko in Polish).
The first known ascent was made in 1840, by Ede Blásy and his guide Ján Ruman-Driečny, Sr. The first winter ascent was completed in 1884, by Theodor Wundt and Jakob Horvay. In the 20th century, the communist authorities claimed Vladimir Lenin climbed the mountain sometime in the early 1910s. Rysy is the highest point in Poland.
The painter
Jan Stanisławski was a Polish modernist painter, art educator, founder and member of various innovative art groups and literary societies. He began to learn painting at the art studio in Warsaw which later gave rise to the School of Fine Arts, under Wojciech Gerson. In 1885, he continued his studies in Paris under Charles Emile Auguste Durand. While based in Paris, he travelled much, visiting Italy, Spain, Switzerland, Germany, Austria and eastern Galicia.
His early works were exhibited at the inauguration of the Salon du Champ-de-Mars in Paris in 1890 and at the Kraków Society of Friends of Fine Arts in 1892. In the 1890s, he travelled extensively and his sketchbooks filled up with drawings from Berlin, Dresden, Prague, Kraków, and various places in Ukraine. In 1897, he initiated and helped organise the Separate Exhibition of Painting and Sculpture at Kraków’s Cloth Hall. That year, he became a teacher of landscape painting at the School of Fine Arts in Kraków, and in 1906 – after the school was upgraded to an academy in 1900 – was granted full professorship and also taught at Teodor Axentowicz’s Private School of Painting and Drawing for Women and at Teofila Certowicz’s Art School for Women in Kraków.
He co-founded the Society of Polish Artists "Sztuka" ("Art") in Kraków in 1897. In 1898, he became a member of the Viennese Secession, and his works were exhibited among theirs in 1901, 1902 and 1905. In 1901, he became a founding member of the Polish Applied Arts Society. He worked in the Wawel Castle Reconstruction Committee and was involved in the activities of the Green Balloon (Zielony Balonik) Cabaret. After his death, two exhibitions were opened at the Palace of Art by the Kraków Society of Friends of Fine Arts in November 1907, one to show 154 of his oil paintings, as well as drawings and watercolours, and the other to present the works of his numerous outstanding students
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2017 - Wandering Vertexes...
by Francis Rousseau
