ALBERT MARQUET (1875–1947)
Canigou (2,784 m- 9,137 ft)
France (Pyrenees)
In Le Canigou vu de Vernet-les-Bains, 1940, watercolor on paper, Private collection
The mountain
The Canigou (2,784m - 9,137 ft.) is a mountain located in the Pyrenees-Orientales (southern France), south of Prades and north of Prats-de-Mollo-la-Preste. Its summit is a quadripoint between the territories of Casteil, Taurinya, Valmanya and Vernet-les-Bains. Its location makes it visible from the plains of Roussillon and from Conflent in France, and as well from Empordà in Spain. Due to its sharp flanks and its dramatic location near the coast, until the 18th century the Canigou was believed to be the highest mountain in the Pyrenees.Twice a year, in early February and at the end of October, with good weather, the Canigou can be seen at sunset from as far as Marseille, 250 km away, by refraction of light. This phenomenon was observed in 1808 by baron Franz Xaver von Zach from the Notre-Dame de la Garde basilica in Marseille. All year long, it can also be seen, with good weather, from Agde, Port-Camargue and the Montagne Noire.
The mountain has symbolical significance for Catalan people. On its summit stands a cross that is often decorated with the Catalan flag. Every year on 23 June, the night before St. John's day (nuit de la Saint Jean), day of the summer solstice, there is a ceremony called Flama del Canigó (Canigou Flame), where a fire is lit at the mountaintop. People keep a vigil during the night and take torches lit on the fire in a spectacular torch relay to light bonfires elsewhere. Many bonfires are lit in this way all over the Pyrénées-Orientales, Catalonia, Valencian Community, and Balearic Islands theoretically.
The painter
Albert Marquet was a French painter, associated with the Fauvist movement. He initially became one of the Fauve painters and a lifelong friend of Henri Matisse. In 1890 Marquet moved to Paris to attend the Ecole des Arts Decoratifs, where he met Henri Matisse. They were roommates for a time, and they influenced each other's work. Marquet began studies in 1892 at the École des Beaux-Arts de Paris under Gustave Moreau, the famous symbolist artist. In 1905 he exhibited at the Salon d'Automne. Dismayed by the intense coloration in these paintings, critics reacted by naming the artists the "Fauves", i.e. the wild beasts. Although Marquet painted with the fauves for years, he used less bright and violent colours than the others, and emphasized less intense tones made by mixing complementaries, thus always as colors and never as grays.
Marquet subsequently painted in a more naturalistic style, primarily landscapes, but also several portraits and, between 1910 and 1914, several female nude paintings.
From 1907 to his death, Marquet alternated between working in his studio in Paris (a city he painted a lot of times) and many parts of the European coast and in North Africa. He was most involved with Algeria and Algiers and with Tunisia. He remained also impressed particularly with Naples and Venice where he painted the sea and boats, accenting the light over water. During his voyages to Germany and Sweden he painted the subjects he usually preferred: river and sea views, ports and ships, but also cityscapes.
The watercolor of Pyrenees (above) is a rare example of Marquet painting mountains, which was not his favorite subject.
Marquet was particularly revered by the American painters Leland Bell and his wife Louisa Matthiasdottir. He was also revered by Bell's contemporaries Al Kresch and Gabriel Laderman. Since both Bell and Laderman were teachers in several American art schools, they have had an influence on younger American figurative artists and their appreciation of Marquet.
Matisse said ; "When I look at Hokusai, I think of Marquet—and vice versa ... I don't mean imitation of Hokusai, I mean similarity with him".
