THE CASTKILLS PAINTED BY DEWITT CLINTON BOUTELLE

DEWITT CLINTON BOUTELLE (1820-1884)

Catskill Mountains (1,279 m - 4,180 ft) 

United States of America (New York State)

In Sunset in the Catskills, Oil on canvas, circa 1866, 50.8 x 76.2 cm , Private collection

The mountains
The Catskill Mountains (1,279 m - 4,180 ft) also known as the Catskills, are a physiographic province of the larger Appalachian Mountains, located in southeastern New York. As a cultural and geographic region, the Catskills are generally defined as those areas close to or within the borders of the Catskill Park, a 700,000-acre (2,800 km2) forest preserve forever protected from many forms of development under New York state law.
Geologically, the Catskills are a mature dissected plateau, a once-flat region subsequently uplifted and eroded into sharp relief by watercourses. The Catskills form the northeastern end of the Allegheny Plateau (also known as the Appalachian Plateau).
The Catskills are well known in American culture, both as the setting for many 19th-century Hudson River School paintings and as the favored destination for vacationers from New York City in the mid-20th century. The region's many large resorts gave countless young stand-up comedians an opportunity to hone their craft. In addition, the Catskills have long been a haven for artists, musicians, and writers, especially in and around the towns of Phoenicia and Woodstock.

The painter
DeWitt Clinton Boutelle was a self-educated artist but began painting under the obvious influence of Thomas Cole and Asher Brown Durand at an early age. Both men who influenced him were well known Hudson River School members. 

The year that Boutelle started working is unknown but records show that he was painting in New York City by 1846..
In 1855 he moved to Philadelphia. From the time Boutelle began painting to about 1857,  he painted almost entirely in the Hudson River Valley, Catskills, New Jersey, and along the Susquehanna. 

He did paint some subjects outside of this region, like Niagara Falls, but for the most part, he seldom left it.
In 1858, Boutelle moved one final time to Bethlehem, Pennsylvania and settled there for good. He also became a member of the Pennsylvania Academy of the Fine Arts in 1862.

 Boutelle exhibited his work at the National Academy of Design (from 1846 to 1874). Between 1854 and 1869, his work could be seen at the Pennsylvania Academy of Fine Arts. Boutelle’s work was also displayed in the Boston Athenaeum (1854-61), the Washington Art Association (1857-59), and the American Art-Union (1845-52). On November 5, 1884, DeWitt Clinton Boutelle died after a nomadic life and career. 

His paintings can be found today in the Museum of Fine Arts, Boston, The Corcoran Gallery of Art, the High Museum of Art, and the Newark Museum, among other institutions.

MOUNT CHOCORUA PAINTED BY ALVAN FISCHER

ALVAN FISCHER (1792-1863)

Mount  Chocorua (1,061m - 3,480 ft)  

United States of America (New Hampshire)  

In Mount Chocorua Pond and Adjacent Scenery 1860, oil on canvas,  Private collection

The mountain 

Mount Chocorua (1,061m - 3,480 ft) is a summit in the White Mountains of New Hampshire, the easternmost peak of the Sandwich Range. Although the range is not outstanding for its elevation, it is very rugged and has excellent views of the surrounding lakes, mountains, and forests. Mount Chocorua's bare summit can be seen from almost every direction and can be identified from many points throughout central New Hampshire and western Maine.

It is believed that Chocorua was the name of a Native American man in the 18th century, although no authentic records of his life exist. The usual story is that in about 1720 Chocorua was on friendly terms with settlers and in particular the Campbell family that had a home in the valley now called Tamworth. Chocorua was called away and left his son in the care of the Campbell family. The boy found and drank a poison that Mr. Campbell had made to eliminate troublesome foxes, and Chocorua returned to find his son had died. Chocorua, distraught with grief, pledged revenge on the family. Shortly thereafter, Mr. Campbell returned home one afternoon to find his wife and children had been slain. Campbell suspected Chocorua and pursued him up the mountain that today bears his name. Chocorua was wounded by a shot from Campbell's rifle. Before Campbell could reach Chocorua, he uttered a curse upon the white settlers and their homes, livestock, and crops, and leapt from the summit to his death. There are at least three other versions of the legend of Chocorua... 

Mount Chocorua is a popular destination for hikers. Although it is under 3,500 feet (1,100 m) in elevation, its bare and rocky summit commands excellent views in all directions. Since most trails begin at much lower elevations, a hike to the summit is a strenuous exercise. There are many trails up the mountain, and they can be quite crowded during the summer months. Especially popular are the Piper Trail (4.2 miles (6.8 km) each way from the east), the Champney Falls Trail (from the north), and the Liberty Trail (from the southwest).

The painter 
Alvan Fisher  was one of the United States's pioneers in landscape painting and genre works.
Fisher traveled throughout the northeastern United States searching out sites of landscape beauty such as the views of Springfield, Hartford, and Providence and the spectacular scenery of the White Mountains of New Hampshire. He sketched outdoors and began to compose pastoral scenes in his studio before Thomas Cole or others of the Hudson River School gave serious attention to nature. The Watering Place, 1816, now in the collection of Fruitlands Museum, Harvard, Massachusetts, is his earliest extant pure landscape. His paintings of Niagara Falls, commissioned by Judge Daniel Appleton White of Salem, Massachusetts, were completed following his visit there in 1820.
In April, 1825, Fisher sailed for a tour of the great art centers of Europe. He was the first important American landscapist to make such a tour. He visited England, France, Italy and Switzerland, countries considered important for any artist's professional stature and artistic maturation. In London he visited private collections and was inspired by the composition and subject matter of landscapes by Claude Lorrain. In Paris he studied drawing and made copies of works by the Old Masters at the Louvre. He had evidently met General Lafayette in 1824 when Lafayette stopped at Dedham during his triumphal tour of the United States. Fisher was granted permission to complete paintings of Chateau La Grange, Lafayette's estate outside Paris. His four views of La Grange were then drawn on lithographic stones in France by the noted lithographer Isadore Deroy, and brought back for printing on one of the first lithographic presses used in the United States. Portfolios of these prints were sold as souvenirs building on the popularity of General Lafayette.
Perhaps the greatest recognition of his skill as a landscape artist came one hundred years his death  later when First Lady Jacqueline Kennedy chose his painting, The Remnant of the Tribe, to hang in the Green Room of the White House. The Dedham Historical Society has a collection of his paintings, sketches and biographical material.