GEORGIA O' KEEFFE (1887–1986),
Fujiyama / 富士山 (3,776.24 m -12,389 ft)
Japan
The painter
Georgia O’Keeffe is one of the most significant and intriguing artists of the twentieth century, known internationally for her boldly innovative art. Her distinct flowers, dramatic cityscapes, glowing landscapes, and images of bones against the stark desert sky are iconic and original contributions to American Modernism.
Born on November 15, 1887, the second of seven children, Georgia Totto O’Keeffe grew up on a farm near Sun Prairie, Wisconsin. She studied at the Art Institute of Chicago in 1905-1906 and the Art Students League in New York in 1907-1908. Under the direction of William Merritt Chase, F. Luis Mora, and Kenyon Cox she learned the techniques of traditional realist painting. The direction of her artistic practice shifted dramatically in 1912 when she studied the revolutionary ideas of
Arthur Wesley Dow. Dow’s emphasis on composition and design offered O’Keeffe an alternative to realism. She experimented for two years, while she taught art in South Carolina and west Texas. Seeking to find a personal visual language through which she could express her feelings and ideas, she began a series of abstract charcoal drawings in 1915 that represented a radical break with tradition and made O’Keeffe one of the very first American artists to practice pure abstraction.
O’Keeffe mailed some of these highly abstract drawings to a friend in New York City, who showed them to Alfred Stieglitz. An art dealer and internationally known photographer, he was the first to exhibit her work in 1916. He would eventually become O’Keeffe’s husband.
In the summer of 1929, O’Keeffe made the first of many trips to northern New Mexico. The stark landscape, distinct indigenous art, and unique regional style of adobe architecture inspired a new direction in O’Keeffe’s artwork. For the next two decades she spent part of most years living and working in New Mexico . She made the state her permanent home in 1949, three years after Stieglitz’s death. O’Keeffe’s New Mexico paintings coincided with a growing interest in regional scenes by American Modernists seeking a distinctive view of America. Her simplified and refined representations of this region express a deep personal response to the high desert terrain.
In the 1950s, O’Keeffe began to travel internationally. She created paintings that evoked a sense of the spectacular places she visited, including the mountain peaks of Peru and Japan’s
Mount Fuji. At the age of seventy-three she embarked on a new series focused on the clouds in the sky and the rivers below.
Suffering from macular degeneration and discouraged by her failing eyesight, O’Keeffe painted her last unassisted oil painting in 1972. But O’Keeffe’s will to create did not diminish with her eyesight. In 1977, at age ninety, she observed,
“I can see what I want to paint. The thing that makes you want to create is still there.”
Late in life, and almost blind, she enlisted the help of several assistants to enable her to again create art. In these works she returned to favorite visual motifs from her memory and vivid imagination.
Georgia O’Keeffe died in Santa Fe, on March 6, 1986, at the age of 98.
The mountain
Mount Fuji or Fujiyama (富士山) also called Fujisan (3,776.24 m (12,389 ft) is located on Honshu Island and is the highest mountain peak in Japan. Mount Fuji is an active stratovolcano that last erupted in 1707–08.
Fujiyama lies about 100 kilometres (60 mi) south-west of Tokyo, and can be seen from there on a clear day.
Mount Fuji's exceptionally symmetrical cone, which is snow-capped several months a year, is a well-known symbol of Japan and it is frequently depicted in art and photographs, as well as visited by sightseers and climbers.
Mount Fuji is one of Japan's Three Holy Mountains (三霊山) along with Mount Tate and Mount Haku. It is also a Special Place of Scenic Beauty and one of Japan's Historic Sites.
It was added to the World Heritage List as a Cultural Site on June 22, 2013. As per UNESCO, Mount Fuji has “inspired artists and poets and been the object of pilgrimage for centuries”. UNESCO recognizes 25 sites of cultural interest within the Mt. Fuji locality. These 25 locations include the mountain itself, Fujisan Hongū Sengen Shrine and six other Sengen shrines, two lodging houses, Lake Yamanaka, Lake Kawaguchi, the eight Oshino Hakkai hot springs, two lava tree molds, the remains of the Fuji-kō cult in the Hitoana cave, Shiraito Falls, and Miho no Matsubara pine tree grove; while on the low alps of Mount Fuji lies the Taisekiji temple complex, where the central base headquarters of Nichiren Shoshu Buddhism is located.
Approximately 300,000 people climbed Mount Fuji per year. The most-popular period for people to hike up Mount Fuji is from July to August, while huts and other facilities are operating. Buses to the fifth station start running on July. Climbing from October to May is very strongly discouraged, after a number of high-profile deaths and severe cold weather. Most Japanese climb the mountain at night in order to be in a position at or near the summit when the sun rises. The morning light is called goraikō, (御来光) "arrival of light".
There are four major routes from the fifth station to the summit with an additional four routes from the foot of the mountain. The major routes from the fifth station are (clockwise): Yoshida, Subashiri, Gotemba, and Fujinomiya routes. The routes from the foot of the mountain are: Shojiko, Yoshida, Suyama, and Murayama routes. The stations on different routes are at different elevations. The highest fifth station is located at Fujinomiya, followed by Yoshida, Subashiri, and Gotemba.
Even though it has only the second-highest fifth stations, the Yoshida route is the most-popular route because of its large parking area and many large mountain huts where a climber can rest or stay.
Following the 2011 Tōhoku earthquake and tsunami, much attention was given to the potential volcanic reaction of Mt. Fuji. In September 2012, mathematical models created by the National Research Institute for Earth Science and Disaster Prevention (NRIESDP) suggested that the pressure in Mount Fuji's magma chamber could be at 1.6 megapascals, higher than it was in 1707. This was commonly reported in the media to mean that an eruption of Mt. Fuji was imminent. However, since there is no known method of measuring the pressure of a volcano's magma chamber directly, indirect calculations of the type used by NRIESDP are speculative and unprovable. Other indicators suggestive of heightened eruptive danger, such as active fumaroles and recently discovered faults, are typical occurrences at this type of volcano.
%20Fujiyama,%201935%20%20Cardboard,%20tempera.%2030.8%20x%2046.1.jpg "NICHOLAS ROERICH (1874 - 1947) Fujiyama / 富士山 (3, 776 m -12,389 ft) Japon In Fujiyama, 1935 tempera. sur cartoN, 30.8 x 46.1cm, Galerie Tretiakov, Moscou.")
%20-%20Mount%20Fuji,%201920s%20.png "KOYO OKADA / 岡田紅陽 (1895- 1972) Fujiyama / 富士山 (3, 776 m -12, 389 fr) Japon")
